Milking Factories 15

Sarander - Milk Farm 2

Sarander actually calls this a Milk Farm but it meets all the requirements for inclusion in the mitchmen Milking Factory series. There are multiple milk producers being extracted by machines in a uniform manner. If you look closely, it even has orderly production lines, which isn't  always the case. Some of the men have their heads encased in helmets which may be punishment devices, but if this is a more enlightened employer*, they could be providing sensory experiences for males who don't get excited by watching other men being pumped out. (*I use the word employer in the sense of using, as in 'employing a tool', I don't suppose for a minute that these men are being paid!)

At the back a couple of new arrivals are being manoeuvred into their places on the line by robots, an admirable investment in keeping the line clinically free from contamination. It also avoids unseemly struggles with operatives within sight of the other beasts while connecting them up. Judging by the look on the face of the nearest one it's a sensible precaution. Another robot (right foreground) seems to be carrying out a quality control check, or it could be an on-the-spot pasteurisation using heat treatment.

These owners have obviously chosen to extract from both mature and younger plums. If they have perfected the ancient art of blending juices then a refined and complex palate pleaser may await us in the tasting room after our tour of the shop floor. Of course you may prefer to avoid sampling their produce on the premises, there's a rumour going round that likely lads are sometimes 'recruited' that way by adding a little extra to their glasses - and it looks like age is not a bar to serving either.

Sarander often shows aliens in images like this, beam me up, Scotty! None are visible here but it's certainly an unconventional, psychedelic sort of environment. Of course that may just be highly sophisticated form of conditioning, perhaps to convince the subjects that they are in a nightclub with the man of their dreams lurking somewhere in the crowd.

Sarander - Milk Farm 1

This earlier variant of the image seems only to differ in the lack of an extraction device for the young man at the front and also in the overall colour treatment.

 I have featured a Sarander milking picture here briefly before in an end of year Hit Survey. He 's done a lot of images in this vein and this is one of the best I have seen. 

I can't locate a site for him, info from you via comments is welcome

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Read The Milking Factory series from the start

Go to Milking Factory 16

click on the 'milking' label below for more milking situations

Domination Art by Russ 2 - Rustlers & Hustlers

 Read Part 1 of this article

Russ - Round Up 1, Over the Horse

This marvellous domination and bondage image was used as an illustration for a story about a novice cop who is abducted by the local leather group. It's his bewildered, outraged and attractive face that makes this image so striking and draws us in. Surrounded by leather boots and giant cocks the enormity of his predicament is more apparent to us than it is to him. Russ contrasts the muscularity of the leather men with the captive's leaner physique, showing he's out of his depth, but he also gives him generous stubble to show he doesn't lack masculinity - even in this fix. Like the jogger in Part 1, we can't see the faces of the men who are dominating him but you can almost smell their leather. 

Russ - Round Up 2, Cowboy Captured

The prelude to the cop's abduction involves the annual pageant of a small town, the highlight of which recreates the hanging of a celebrated rustler, who miraculously survived his sentence, only to be hanged another day instead. The cop volunteers to play the part of the condemned outlaw and is kidnapped afterwards, still in his cowboy kit (see above). Russ captures a cute clumsiness in the unfortunate captive. That's a gag in his mouth by the way, not a 'manifestation'.

In this image the 'outlaw' is being led away by a noose round his neck while his arms are being pulled backwards and upwards by a second escort behind him.   Unfortunately the image cropping here (presumably to accommodate the magazine layout) dilutes that fetish element considerably - almost to the point of invisibility. The mock hanging isn't illustrated at all and the leather men take him to their club and strip him so, sadly, the cowboy theme, so promisingly broached above doesn't have any sequels.

The attractive shading of these images seems to owe something to the technical style of Bill Ward who was a contemporary of Russ and then at the height of his fame in the US and the UK.

Russ - Round Up 2

Naturally the leather initiation begins with a spanking and this occupies a considerable amount of time in the story. Luckily the cop realises he likes being dominated and used by the leather men (Phew!). 

His new master proves to be butch-looking with muscles and a pugnacious face, a look that's more athletic and mainstream than the likes of Val Martin and Brian Dawson (below) who were the leather pin-ups of this era and cultivated a more mature, sometimes sinister aura. Russ captures the dom's sadistic determination here and the impression of a short arm whiplash. The slap of the leather is understated but you can sense the contraction of  buttock muscles in response.

The story eventually resolves with the happily-inducted captive discovering that his selection was not entirely a random consequence of his volunteering role.

Brian Dawson

Russ - Hustler Slave 1

In this amazing image Russ adopts a more conventional drawing style complete with background detail and shadowing that looks back towards the academic. But he still incorporates cartoon-like exaggeration and clever distortion, this time to produce sweeping, stretching body shapes which convey the drama and dynamic tension as the captive hustler desperately struggles to resist his captor even though his fate is already comprehensively sealed. There's a sort of Ying and Yang balance between them at this moment that foreshadows the sexual conjunction that will ultimately follow with the captive unwittingly angling himself towards his captor's improbably bulging jeans.

Russ - Hustler Slave 2

But before sex, the hustler must first prove his mettle and comprehensively submit. His face here has lapsed into a youthful version of Round Up 2 above but that's not reflective of the story it illustrates where the street experience and toughness of the hitchhiker-hustler is crucial to surviving his unsought taming and training regime. It also leads to an ultimate willingness to serve, having been bested but not crushed. 

The leather man is not depicted as  a run-of-the-mill representative of his class either but exhibits impressive solidity and power. This 'Macbeth-ian' stance set against the willowy, suppleness of his captive produces another memorable depiction of domination and demonstrates the essence of training with the sub's arching body being inexorably drawn against his will into that special place between his master's legs, unsubtly delegated here to a dildo.

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More Russ in Part 3

Read Part 1 of this article

101 Uses for a Belt - No 20 Posture Training

 Unlike some masters, Riefer demands that his slaves walk erect and look him in the eye.

They are not his equal, but they must never forget that they are still men.

That is part of their training and this young man will thank him for it.

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For more Uses for Belts, click on the label below

Royale's 'Escape' Storyette Joins the Archive

 The process of listing Royale's 'Escape' storyette at the Archive Gallery is now complete. 

You can read the background and introduction to the set at the 'Escape' index page.

'Escapers' by Mitchell (mitchmen) after Royale Studio

A cartooniser's interpretation of Royale's classic 'Escape' image . 

The software doesn't seem to know the difference between a torso's front and rear

But showing one of the men with dropped pants, revealing his under-shorts, is an interesting improvement!

Domination Art by Russ - The Jogger

Russ - The Jogger (1)

It looks like someone butch followed this jogger home

But he doesn't look too worried about it! 

Embarrassed perhaps, about what he was watching on the telly.

The jogger's split-sided shorts were an 80's athletic fashion which allowed freedom (supposedly) for athletes in their sporting endeavours. For spectators it revealed chunky, upper thighs and sometimes more. It was a style that imprinted itself permanently into the erotic psyche of many impressionable young men at that time. These shorts can occasionally be spotted on tracks today and are still turning heads. 

Russ - The Jogger (2)

The cuffs go on, but we can relax, this rough domination is clearly as much a turn-on for him as it is for the faceless intruder. His face transforms, showing an altogether more pugnacious side.

The 80's was the era of Drummer when leather culture burst into the open, championed by the likes of Larry Townsend and Tom of Finland. S&M fetish art suddenly acquired a vividness and exuberance that pushed hard at the boundaries of  acceptability. Bud's 'Smithy', featuring a branding is a good example and the best work of Sean has the same wild characteristics. These all share a cartoon style that cloaks the fetish happenings in boyish fun, but exaggerates the drama to a level that sweeps aside any reservations about the depictions. The characteristion of the intruder here, with massive boots and slightly bowed legs, references the dark style of Macbeth who was also a contemporary. 

Russ - The Jogger (3)

When he asks for a drink of water, the defenceless jogger is subjected to a double humiliation. 

Thanks to the cuffs he has no choice but to drink it out of a bowl like a dog and as he does so, his upended ass is spanked, his flimsy, silky shorts offering minimal protection. 

The contrast between the clothing of the two characters here is a key erotic ingredient.

The plot rationale for this development is obscure, but the imagery is unforgettable.

The face-splashing in the bowl is brilliantly realised.

Russ - The Jogger (4)

The intruder does not allow his captive to rise to his feet.

The chastised jogger submits to paying his respects in the usual way.

Take your pick of the 3 options in this position*.

After being set up by image 3 this outcome seems a bit humdrum. However, Russ makes a good job of expressing the submissiveness of the jogger who is planted between the intruders legs and slightly leaning back creating an arching, vulnerable body shape. Retaining the cuffs in this more explicit image is daring. The similar (and very sexy) submission scene in Etienne's Night Patrol is completely hands-free.  You'd expect that there would be another more probing, pants dropping to follow, but if there is I haven't found it. 

*the options are: suck, shoot, drench

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More fetish art by Russ next time

see labels below for similar topics

Beautifully Bound

 Clean, economical bondage is key to this series, that and beautiful male subjects.

This man has a beautiful, lean body, which is highlighted by the overhead restraint

and enhanced (IMHP) by the shaving of his crotch.

'Russian Captured Boys' videos are sometimes quite comical with the fumbles of the bondage 'master' (and the puzzling failure to edit them out). Fortunately, all he has left to do here is give the captive a rosy glow and stalk around looking menacing. The shades are a bit OTT but still count as sinister when you can't get away. Would you like this man to shave your groin for you? 

The captive helps out by looking suitably worried - as well he might with his torso already showing evidence of serious beating. I suspect the tops in these videos occasionally throw in a real stinger, just to keep the slave on his toes and promote convincing apprehension. 

More Russian Captured Boys

click on the labels below for other mitchmen posts on shaving and beautiful bondage

Art by Otoko Bara

OtokoBara -  Raka Bondage Trouble 01

Captive cops remain a popular, homoerotic subject in Asian art although they seem to have slipped out of favour elsewhere. This sexy overlay of shibari bondage and partly undone clothing is also a very oriental concept. This image is the start of an incremental, undressing series of 8 images. The 'shirt only' and 'trousers only' ones are both sexy but unusually for me I have chosen the 'naked climax' as a companion example for this image, below.

OtokoBara -  Raka Bondage Trouble 06

The intruding telescopic pointer(?) here makes the cops ordeal seem like part of a presentation to a watching audience. The pointer has been doubling up as a punishment implement, judging by the weals on his body (which is why I have selected this image). It seems to have coaxed him into an impressive display for the benefit of the onlookers.

Links at the foot of the page should enable you to find the rest of the series.

 

I haven't always championed tentacle art here at mitchmen but the grown-up qualities of the muscular man in this example and the sheer sensuality of the image gets it in. As a pencil-bound artist I am envious of the ability of computer aided contemporaries to create semi-transparent, silky and wet textures which are used to the full here to convey the sense of the victims' vulnerability and involuntary excitement, he feels his sexy shorts being invaded and his sensitive areas explored by the marauding arms. 

There's a nice sense of him being lifted into the air, heading towards a sexily arched body rather like a wrestler going into a flying surfboard, however the tight cropping of the image gets away from the sense of detached, dreamlike floating which is so common in this genre. That allows a more down-to-earth  situation to be imagined, like a bed invasion. His wink suggests a typically male wincing in response to the slobbering assault.

OtokoBara -  Obey-Confront

I'm not sure I quite understand the mind control ingredient in this picture but it's a great portrayal of a shibari bondage position. It's a great way to display a captive with the tightly folded legs and bulging pecs indicative of severe restraint. This position is a good deal more unpleasant to experience than it looks. Balanced with his whole weight resting on his knees, the captive soon experiences great joint discomfort and ultimately, if not released, serious injury, so be careful about trying this at home!

OtokoBara -  Waiter 1

Much of this artists work explores the fantasy of mentally undressing fit men who we come across in connection with their work. This waiter is a fun example.  I like his cropped top.

OtokoBara -  Waiter 1

I like this teaser. His facial expression suggests he knows we're looking!

Or at any rate feels uncomfortable.

There's probably a nude variant of this picture with all the trimmings at Patreon.

OtokoBara -  Cyclist 1

The lycra-clad cyclist is a modern homoerotic icon. 

His pec-reveal here is very sexy and I like the trickling sweat on his arms and legs. 

It seems to be soaking into the lycra around the groin area, a nicely captured detail.

The 'almond eyes' this artist uses work well here, 

again there's that sense that he feels he's being watched!

The artist goes on to give that 'undressing with the eyes' idea a modern twist.

OtokoBara -  Cyclist 2

Who wouldn't want a phone that could do this?

I've seen sun-glasses used for this fantasy in TV ads before,

but this is more a believable variation.

OtokoBara -  Cyclist 3

I'm glad I'm not the only one who finds cycle helmets a turn off.

Apologies to those who get a kick out of them.

OtokoBara -  Knives

This artist is quite good at inventing sexy clothing, but this gingham top is a bit left-field.
I'm not arguing with those knives though, the scars are warning enough!

OtokoBara -  Wet T-shirt

Yes please!

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 Lots more at OktokoBara  at X-Twitter and a link there to Patreon