Gay bdsm art by 'mitchmen' Mitchell and other artists featuring male erotic sexy fetish, S&M, men tied up, male bondage, domination, humiliation and spanking. Vintage photographs of men in uniform, Royale & Hussar Studios, humourous captions, gay pride articles
To my readers......
Link to the Royale Studio Archive in the right sidebar
Monday, 29 April 2024
Targeted
Friday, 29 December 2023
Bareass Blog no 74
Thursday, 21 September 2023
Art by Alibobokk aka 'JR'
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Alibobokk - Suspended and Pumped |
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Alibobokk - Shibari |
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Alibobokk - Aloha Chastity |
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Alibobokk - Aloha |
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Alibobokk - Chastity Guys |
This seems like a celebration of chastity. Two, notably muscular buddies seem to be proudly comparing their restraint equipment when once they might have been comparing cock sizes. In a sense the chastity cage is the great leveller but these two devices, though similar, are not of equal size. Older readers may recall the time when men sought out the jeans with shortest zip, perhaps a similar race to the bottom (as it were) applies in the realms of public, chastity display.
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Alibobokk - Shibari at the Office |
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Alibobokk - Sub Worked |
This is a very similar image which I have included to indulge my own enjoyment of the way the clothing motifs are exploited. The inset 'photograph' seems to reiterate that sense of a man who has been admired from afar until now. His white socks suggest the object of the obsession has a sporting connection. This time it seems to have led to abduction and not just an inappropriate Office prank.
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Alibobokk - On his Knees |
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Alibobokk - In The Frame |
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Alibobokk - Plugged and Milked |
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Alibobokk - Universal Soldier |
Friday, 9 June 2023
Art by Evinist - 2
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Evinist - Venom |
Evinist's take on Venom captures the confusion of Eddie Brock as he tries to comprehend the presence within him. The physical entanglement is presented more as bondage than irresistible organic intimacy with Venom cast as an unlikely seducer rather than a dominating monster. Nice colour palette.
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Evinist - Batman and Wayne |
This is one of the sexiest portrayals of Batman which I have seen for a while with buttocks and pecs that easily overcome my dislike of masks. The coy dialogue and smiling faces are a witty take on the suave, but brusque and sexless Bat personality that Adam West portrayed in the 1960's TV series.
A homo-erotic relationship between Batman and his public identity Bruce Wayne isn't logically possible since they are exactly the same person in the original comics. Batman does seem to acquire a mysterious something extra when he dons his black kit he's not supposed to have super powers that would make him into a completely different entity. Still, it's an interesting fantasy and I suppose you could see it as a psychological equivalent of the Venom 'twinning' which does have physical basis.
A superhero succumbing to seduction seems extra sexy because they personify strength and are normally supposed to be focussed on heroics and doing good. However Batman's sexuality has always been far from cut and dried with a lack of women in his life and a friendship of an unknown nature with a Boy Wonder. We can't tell if he's embarrassed by Wayne's advance or simply playing hard to get.
Is this self-love personified or self realisation?
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Evinist - Batman and Superman |
Batman tries his own luck with Superman in this picture, perhaps having come to terms with his own sexuality in the picture above. There's even a slight feminine cast to his face which is unfortunate methinks. Superman looks entirely embarrassed but suspiciously compliant. He's got a better claim to dual identity with a closet changing habit to boot. However he was always resolutely heterosexual in his everyday life with all-American looks and a pretty girlfriend whom he occasionally romanced when wearing his skin-tight Super suit - lucky Lois! That only serves to make the idea of him being susceptible to men all the more appealing.
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Evinist - Batman and Robin |
This image shows Batman as he is 'supposed to be', strong, mysterious and very upright with a figure, I might add, that is well constructed but entirely unappealing. It's hard to imagine this Batman ever being seduced - or leaving his over-pants at home as he has in the preceding pictures.
The situation presented here represents an interesting double reversal of Robin's character, rescuing him from the childlike obedience and absurd mediaeval dress of the original concept and converting him into a rebellious, sulky teenager who dresses like a modern day 'agent' and yet is more under the Bat-thumb than 'red and green' Robin ever was. I suppose Robin was born to be hung out to dry, but you imagine this converting quite easily into a warmly parental hug.
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Evinist - Nice Trick |
In those days, superheroes used to go in for humane humiliation of villains (I assume this is a villain from his eye patch but I don't recognise him, it could be a pranked hero who's trespassed into Gotham territory). Whatever the case, this is a well-worked, homo-erotic elaboration of the concept. Obviously mature and muscled, he's not only immobilised, but forced to crouch in a humiliating (and ultimately painful) fashion with a rope round his neck like a dog's collar and lead. 'Boy Wonder' Robin is not usually credited with this amount of power over other men, his victim's bulging muscles underline the extent of his achievement. Perhaps the bulging crotch lent him extra motivation!
Black superheroes are only now starting to become part of that lexicon but they are equally rare in homoerotic art so this contribution is welcome although it's really a black version of a white character (both artistically and storywise). This superhero in bondage is one of a group and I included another in the first post about this artist. As a composition, it's similar to the picture just above, I admire the clarity of the complex bondage and the colour palette, drawn from the Green Lantern theme of course.
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Evinist - Bruce Wayne Crop Whipped |
Bruce Wayne turns up unexpectedly in this situation too which takes place in the head Office of his own successful business enterprise, judging by the logo on the draw handle to which he his strapped. The tenor of the other images above and the bulging, strapped groin suggest this is his secret, sexual peccadillo rather than a plot-related comeuppance, say at the hands of a business rival or resentful employee. Perhaps this is the way to get promotion at Wayne Enterprises!
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Evinist - Body Harness Restraint |
This artist often depicts clothed bondage which can't usually be as erotic as the unclothed variety but this suited captive makes a pretty good fist of it with a startlingly sexy backside. It's accentuated by a low, waist-encircling strap and a tight, groin divider. The thigh strapping also contributes to the bubble-butt effect. The arm restraint is a very simple concept, not based on tightness but positioning and you can just tell that it's extremely effective. There is also a foot spacer, it completes the detail satisfactorily but visually is not quite as effective. Foot spacers tend to be like that.
The underlying scenario here is something of a mystery to me. It looks like a classic villain and businessman but the agenda for their meeting is not obvious. Why would you dress a man in a total body harness and yet leave him fully clothed apart from a jacket? Why put him kneeling on top of a (comfortable!) stool? I imagine these are characters are taken from a game or comic source but I haven't identified them.
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Evinist - Ginger Hair and Bubble Butt |
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Evinist - Fantasy Pop Star |
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Evinist - Solace |
Thursday, 4 May 2023
Art by Evinist 1 - Men Being Undressed
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Evinist - Tentacle Ripped Pants |
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Evinist - Dress Down Friday |
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Evinist - Officer Undressing |
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Evinist - Rising Moons |
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Evinist - Office Grope |
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Evinist - Office Bondage 1 |
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Evinist - Office Bondage |
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Evanist - Cuffed and exposed |
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Evinist - Thief |
EVINIST - Lantern Bondage 2 |
Saturday, 12 November 2022
BDSM Art by Casablanca
Tuesday, 11 January 2022
Art by @ Anakuodo
Saturday, 31 July 2021
The Art of Amalaric, Part 9a - White Collar Perks
In Part 9 of the mitchmen 'Art of Amalaric' series, I review some Amalaric 'bonbons',
small, sweet pieces that delight the taste buds for a variety of
reasons – the plot, the writing, the images or their pure
inventiveness. The slick mass-abduction of the Raytown Softball Team
from Modern Slavery (see Part
1) is one of these little gems, so too the ultimate S&M sex
toy Amalaric invented for 'The Cube' (Part
8).
White Collar Perks
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This amazing torso by itself immediately distinguishes 'White Collar Perks' as a special story and it belongs to one of Amalaric's most memorable victims - Jimmy Ruisdale, who is a landscape gardener at the offices of a large corporation. There he attracts the lustful interest of one of the Company Executives when he innocently shucks off his shirt to work out front in the hot sun. But it's not a dastardly management plot that ultimately delivers him into the arms of his secret admirer, but his own foolishness in wrecking the the company's lawn tractor during a joyride.
Summoned to a disciplinary hearing, Jimmy is forced to put on shackles before it even starts. His guilt is taken for granted and the enquiry is all about how he is going to pay for it and whether he should keep his job. Persuading him to lift his shirt is just the start of the negotiation of one of Amalaric's classic, creeping 'reductions'. Jimmy resigned resentment as he starts to comply (above) shows his bravado is not yet extinguished, but it's contradicted by the sheen of worry juice on his skin.
Amalaric juxtaposes the executive's hand and a (stroking?) finger in the vicinity of Jimmy's crotch. Having got Jimmy by the balls, he is preparing to enjoy them.
I was tempted to include this image in 'The Ritual Of Undress' post (in Part 4a of this mitchmen series on Amalaric's art). It's possibly Amalaric's best example of a 'Stage 3' pose, but I felt this story and Jimmy deserved their own slot in the series.
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Amalaric's underwear moments have rarely seemed quite so exquisitely 'exposing' as this, with the eyes of everyone focussed on that private garment and it's intriguing contents. Jimmy struggles to comprehend how this sudden nudity can happen to him in the formal surroundings of his employer's office. The undisguised interest shown in his white pants by the executive's (female) secretary compounds his embarrassment, it's a red-face treat Amalaric serves up for straight men sometimes.
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Jimmy's penance commences immediately with a simple spanking bent over the executive's desk. It is pure, schoolboy humiliation but Jimmy's indignity is a moment of supreme gratification for his long-frustrated admirer. Conventional spanking is a relatively unusual punishment in Amalaric's lexicon (shared only by Todd Sanders, I think, see Part 3). However, as you can see from the picture above, Jimmy experiences more manly torments on top.
Eventually, inevitably, Jimmy's spirit is beaten out of him and he is reduced to begging for the pain to end. Amalaric's picture neatly captures his abject submission, a vision of masculine bulk stripped of everything, including his self-respect. The hunky buck's bowed head acknowledges of the totality of the executive's power over him. His tormentor glories in the moment, he doesn't even need to look at the object of his lust any more, Jimmy is his. He dismissively tells him it is finished.
This is one of Amalaric's 'Oklahoma!' moments, You know, that point where the show finally reaches the glorious title song and you think it's the end, they've done all the big numbers. Then you discover as the stage excitement subsides that there is still another hour to go.
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Amalaric's 'Phase 2's are much more exciting than Oklahoma! and usually involve an adjournment to a private, dungeon-like space. Thus it was with Todd Sanders, Part 3 , with Pete Devereux (Academy Thugs, Part 4b) and to some extent with the Raytown Sports Team, whose story seemed to be ending with the abductees progressively disappearing to an unseen fate (like the condemned nuns in 'The Carmelites') but then we do see what happens to the final, 'trophy' member of the team, transferred to a bleak, tiled cell for his rather unpleasant processing (see Part 1).
Thanks to Amalaric's deceptive words, Jimmy's Phase 2 comes as a surprise to us and it's a terrible shock to him of course. The unexpected treat of a bondage/abduction sequence acts as a transition into one of Amalaric's best X-frame scenes. It's tightly structured, economically written and features some truly evil villains who for once go all the way. The eventual ending is slightly predictable but has a thought-provoking, exotic twist.
Read
'White
Collar Perks' @Telemachus
(it includes more servings of Jimmy's delectable
torso!).
This post continues in Part 9b (Abducted)
Read the whole 'Art of Amalaric' series from Part 1 - A Slave To Passion