Spanking Art by Stonecrooze

Stonecrooze - Adrian's Ass Whuppin'

'Adrian' gets to open this collection of spanking miscellanea by Stonecrooze, chiefly because he's a chunky lad with flaming ginger hair. His knee-high socks hint at an equally interesting connection with a contact sport, meaning that he's not averse to pain and well able to look after himself.

 

This is not an easy physique to balance on one's knees in reality, let alone an art construct, but this depiction is pretty convincing. Stonecrooze's art is crisp and colourful, uncluttered and easy on the eye. The subject matter is familiar, with fanciful exaggerations that reveal an appreciation of meaty men. He approaches their ordeals with dry wit and humour.

Stonecrooze -Cell Mates

We tend to think of 'mates' as being friends, but the word also covers involuntary associations such as shipmates, teammates etc and both types come with boundaries and rules. Sharing a room with a complete stranger usually means 'the rules' are set by the stronger one of the pair. In prison, there's a risk of being thrown together with someone who finds that being a big fish in a tiny pond can be satisfying in ways that go beyond simply keeping good order.

This unfortunate man may have fallen foul of an unexpected housekeeping rule, like being untidy. Or he may have been indiscreet about something much more serious, like smuggling contraband. Being punished for it in such a ritualistic, humiliating way, however, is not the norm, suggesting it probably won't be the last time he goes bottom up across his cellmate's knee. Stereotypically in prisons, sex is the pitfall for the innocent, not spanking, but I wouldn't rule out that being the dessert course for him.

Stonecrooze -Cowboy Trip To The Barn

You don't expect cowboys to be easy prey for spankers either, but you do expect ranches to be populated by strong personalities. This image accommodates that viewpoint with a distinct sense of resistance and struggle on the part of the intended victim, impeding the would-be perpetrator of rough justice. Despite his determined expression, the rosy cheeks indicate that he is fighting a losing battle, which is the way it has to be in these fantasies. It shouldn't be too easy, nor so hard as to discourage a repeat performance when the opportunity arises again.

Stonecrooze -Field and Stream

An idyllic scene, one man, his dog and fishing rod, enjoying nature's bounty and getting up close and personal with it. Going commando is not without risk of discovery, even in the remotest terrain, and it looks like he and his dog have both detected an intruder. Let's hope it's a deer and not a game-keeper, because he's put himself in a tricky position if he's poaching.

You don't have to be a spanking fan to like looking at men's bums, and they often look even more attractive when they are the only part of the body that can be seen. That is, when they are bracketed by clothing, that has been raised or lowered, emphasising the incongruous absence in-between. Wading in water creates a similar, truncating, thigh-magnifying effect, with the added frisson of icy cold liquid splashing over unprotected, private parts from below. 

 

Stonecrooze has gone for broke here by adding in canvas waders and if you've ever experienced wading through water in such a garment (or even just in wellies) you'll know that the strange sensation it produces, of being immersed but not immersed, is justifiably part of the lexicon of erotic experiences.

Stonecrooze -House Rules

One of the delights of this artist's work is that his characters are fully grown men, which means that the spanking action takes place between equals in physical and emotional terms. But that does not necessarily mean they are complete equals in every respect. House Rules sounds rather parental, but the recipient here is clearly old enough to prevent their application to him if he chose, he could even walk away from them.

 

We don't know why he hasn't, but now he discovers that a hand slapping your buttock feels no less painful when you're a grown man than it did at a more tender age. The attendant humiliation of submitting to it is a hundred times worse. Stonecrooze's image catches beautifully the tide of rising misery in the victim's face, but I couldn't resist drawing that out further with my caption. Apologies to the artist if it offends!

Stonecrooze -Paddle Camp

There are a variety of possible interpretations of this scene. Taken literally, the title suggests a sort of spanking festival organised by the fraternity in a spot that's remote enough to provide privacy, with random acts of domination meted out to relatively eager campers. 

 

However, it reminds me irresistibly of those early pictures of Tom of Finland where a young man is caught trespassing on private land or skinny-dipping where it's not allowed and punished on the spot. In this case, I see an irregular solo camper being taken to task for pitching his tent in a picnic area. Fortunately, the Ranger spotted him before spectators arrived to make things awkward.

 

Stonecrooze - Playing Doctor

A Doctor who looked like this in real life would have a queue of gay patients lining up outside his door, and were it not for the steely look in his eye and the pot of lube on the table this might be taken for a perfectly innocent, professional consultation. A selection of paddles line the wall, but I've not worked out what the other objects lying on the table are. They suggest that this patient is going to get a combination of interesting therapies. He looks like he can take it.

 

 

Stonecrooze -Full Dose

 

These days, people are more and more inclined to take charge of their own treatment, with the assistance of Doctor Google. It must be very frustrating for their regular clinicians. We can imagine this man urging the Doctor to give him the 'full dose', perhaps not imagining that in this clinic it's not a miracle drug but a giant paddle. He should have taken more notice of what's on the wall. The Doctor's mask makes sure that no unprofessional thoughts on his part are given away, but there must be times when the chance of paying-back an awkward customer is extremely satisfying.

 

 Open-back surgical gowns are often unsatisfactory as erotic clothing, despite signalling a naked body hidden inside with easy access available, perhaps it's a little too easy to be sexy. Stonecrooze makes the best of it here, and arguably the revelation of tight, white underwear underneath the gown is sexier than complete nudity would be.

Stonecrooze -Set His Ass On Fire

In the AI-age, fetish imagery is getting more and more realistic, but it often produces a surreal edge that enables the cartoonist to sneak in embellishments that convey things that are felt rather than seen without it seeming incongruous. Like the fiery pain of an ass that really is being seriously paddled, not just participating in a pretence. 

 

The smoking bum is amusing, but the marvellous, graphic expression on the burly recipient's face here is priceless. It combines surprise with indignation and a blossoming change of mind, making it clear that it's no laughing matter as far as he is concerned. That makes it funnier of course and the burly build with a hint of sporting pedigree (rugby, I hope) somehow makes it seem like a well-deserved comeuppance even though we haven't a clue what he's done to deserve it, nor why he's agreed to take it. His red hair and flushed face make a witty connection with the unforgettable experience.

 

 

Stonecrooze -Spank him like a Ketchup Bottle

A fair amount of this artist's work simply combines sexy pictures with amusing captions. In this case, he aptly exploits the colour of the hunk's hoodie. Those white, stretchy underpants would stop most of us in our tracks anyway, but the thought of turning him upside down to empty him out, down to the last drop, is alluring indeed! I'd make him take his smelly socks off first, though.

 

 

Stonecrooze -We Can Settle This Here

The Cop who administers summary justice to offenders over the bonnet of his patrol car is a well trodden road in gay fetish art. Etienne composed a mini-series on the subject - Night Patrol, and there was a classic spanking video from the 90's (?), in which the unfortunate is taken to a barn, stripped and fiercely belted. It used to be a resident feature on sites like this. Stonecrooze's contribution to the genre is an offender with punk-like, militarily-cropped hair who does not submit willingly to the indignity of a semi-public spanking and a muscular cop (ready equipped with a thick paddle) determined to make sure he does, turning up a backside that truly deserves to be described as moon-like.

 

Stonecrooze - Whooped Farm Boy

When the spanking is over, the chastened farm boy corrects his dress,

 delicately avoiding abrasive contact with the seat of his jeans.

The pain will subside quicker than the humiliation.

The lesson, should last longer, but we may get lucky!

A simple adaptation of an already sexy image.

 

~

Stonecrooze posts on Deviant Art

More Art by Reitorachi

Following on from my post of Reitorachi's Captivity images,

another selection of other work by this artist, some vanilla, some not 

I don't know whether you'd call this vanilla or not, but it must be one of the best images ever of the tentacle genre, not so much for what it shows but for what it doesn't show, and what you think it should show in a few minutes time. A hero in trouble, having his already skimpy clothes pulled off, but he is not quite in an inescapable predicament, not just yet. There's only one tentacle, not the usual, multi-pronged attack, so it's more focussed and to my mind, more effective. 

But there are other delights. The wet, 'fundoshi' loin cloth with it's gleaming rounded contents. It's twisted, rope-like under-strap is vaguely suggestive of a string of pleasure balls. And those ass cheeks look distinctly rosy. Is this an 8-armed spanker? There's even a cute foot being proffered if you like to partake of such delicacies.

There's a similar sense of vulnerability about the man in this image, upside down, semi-suspended, and unclad from the shoulders down. His exposed cheeks are spattered with something, but the close proximity of a beer bottle and the respectably clad state of the adjacent captor means there's an element of uncertainty about the exact nature of the fluid. There's also a question about what he is going to do with the empty bottle. To the right a second captor is up to more mischief, it's left to the viewer to imagine whether it's painful or just plain rude. 

There's no such mystery in this reworking of the same suspension idea, but the nature of the threat posed by this hero's fantasy attacker is much more dependant on the viewer's imagination. 

The dense detail and styling makes this image harder to take in, it reminds me of old engravings where devilish creatures were set upon sinners. Non-Western cultures don't have the same, extreme viewpoint about such beasts and dragons get a better press these days. 

Nevertheless, the bird-like claws and beaks of these creatures do look scary and the depiction of the bony, hammerlock grip on the hero's arm (at the left) is very powerful. The advantage of fantasy creatures is that everything can be exaggerated and the artist has taken full advantage of that with the creature's tongues which are not only very long but prehensile too. They don't seem to be using them for the usual pleasuring and intrusion, but to plant two egg-shaped objects in the captive's rectum. (The second one is being held by the one on the left, next to it's beak). I'm not sure how the hero is prevented from ejecting them, but his angry expression at the violation seems quite justified. 

Tonguing is this creature's game too and it uses it's many, multicoloured tentacles to restrain it's captive in a most imaginative and accessible way. It places a degree of physical stress on him and he's already sweating. His earphone-mike combo suggests he is a Chris Redford-style, enforcement agent of some sort, which lends an acute irony and pathos to his restraint and to the exploitation of his nudity - nudity which couldn't look more complete. This dynamic pose is much better than the stereotypical sitting down/open legged, floating posture of the tentacle genre. 

I have doctored this image to tone down the censorship squiggle 

and it has fortuitously turned into a secondary tentacle envelopment.

A strong sense of vulnerability and exposure is created here by a pseudo-medical machine which comprehensively restrains the patient from the front, while presenting  his rear end to a variety of probing devices (which also seem to have a fluid injection capability). This is a much more elegant way of gaining access than the birthing leg-lifter so beloved of video makers. 

There's a second layer of restraint down below, linked to a milking feature - or a draining device, to be more precise. The milking is actually precipitated by the action of the probes.  

 , 

This image repurposes the suspension pose seen in Part 1 of this article. The bondage itself is economical but it's a fairly challenging restraint position with doubled back limbs and asymmetrical rigging stretching and stressing the captive, whose arched torso is sweating profusely. It's this that makes the image so striking. 

There's a wealth of supplementary detail. A cock sheath performs unseen manipulations on his pride and joy (and keeps the censor at bay). Thin lines attached to nipple pads provide further stimulation and another is pulling open his mouth to receive a fluid dripping from above (a tricky alignment I would have thought, it's hard to imagine him remaining still). He seems to be wearing virtual reality goggles and is therefore unaware that he is surrounded by a lustful audience observing the effects of all these attachments on him, but ultimately unable to participate in his adventure.

This image of a man reclining on a beach (or beside a pool) also has layers of interest.  His cigar and cocktail suggest maturity and sophistication. Also wealth. He has a chunky, well-built figure and is clad in sexy form-fitting briefs so you wouldn't have imagined that he'd be short of admirers and yet he's brazenly holding a fan of banknotes in his hand as if wanting to attract service of the paid-for kind. 

That detail seems to transform him. The voluminous smoke starts to suggest an element of arrogance and selfishness, the cocktail ('with all the trimmings') becomes showy and tacky, the youthful haircut seems terribly inappropriate and sad and even those alluring briefs a little too much. 

 

Most of this artist's images seem to avoid sensualising the male body but this image makes you wonder why. It's a classic, stretching, male model pose with the face and luxurious tresses suggesting a man of sensitivity and delicacy. A touch of femininity perhaps, which the side-tied G-string also contributes to. 

His body conveys the opposite message, it gets bigger and more muscular the lower your eyes drop with the bikini pouch nestling between tree trunk thighs befitting the butchest of rugby players. On a woman the G-string conceals, on a man it contains and here it seems to hook underneath and bring his tackle forward in a tantalisingly graspable, rounded bulge, offered up for closer inspection. The model's stance suggests he won't impede a closer look, but I can't resist imagining chains on his wrists, just to make sure. After all, men like this only exist in fantasy, catch them while you can.

The appeal of lithe muscularity is an easy win but I applaud any artist who can see the attractions of older and chunkier men and this charming, domestic sketch succeeds in making this man exactly that. On him the rounded muscle shapes are amplified and exaggerated without losing their essential shapeliness or proportions. The model seems suspicious of the enterprise as if sensitised to negative comments about his figure, but he need not have worried, the artist has done him proud.   

This young man sits (nervously) at the  opposite end of the scale, rather like a model in the early years of beefcake photography, persuaded to pose naked but suddenly feeling rather uncomfortable about it, especially after placing his bare flesh on the cold surface of a wooden (milking!) stool in a pose that opens him wide. He has a rather large posterior for a young man and if you look back you'll see this is a recurring feature in this artist's work.

It also seems as if this might be a punishment scenario, 'the naughty stool', for there seems to be a tear trickling down his cheek or maybe it's anticipatory sweat. His backward glance suggests there's more to come. The coquettish flash of spiky hair spells bravado, but it's about to be tested.

Just another day at the Office! 

Pure fantasy but a nice image. I like the open shirt.

Getting on doesn't always require hard work, just application.

 I frequently feature wrestling at this blog but not bearhugs very often, because they don't always seem convincing, especially when the recipient is seen resting his knees on his opponent's thighs. 

This picture shows bearhugs as they should be - a truly muscular embrace from a villainous-looking heel and a squashed victim, arms and all, lifted off his feet and howling in misery. Well, I say misery but he has ejected copious quantities of cum over his opponents torso, which suggests it's not all bad for him. The cock between his legs may have caused this over-excitement but his submission will not be the end of the matter.

The background seems like  a spooky cave-like setting with gelatinous fluid dripping from the ceiling, so I suppose the young man is an adventurer on a mission, probably not expecting to stumble on the lair of a superannuated luchador during his quest.

~

More by this artist at pixiv, where his name is 冷凍ライチ (Frozen lychee)

He also posts at 'X'

For other mitchmen posts on related subjects, please click on the labels below 

 

A New Life for an Old Lag

 New inmates at the mitchmen penitentiary get a thorough medical check on arrival.

Just to make sure they will fit in with the existing arrangements.

 Produced by Mitchell using the 'Playground' AI engine
click on the labels below for related posts at mitchmen blog

Bareass Blogs No 82

 Bareass Bug Protection.

Well, we all have to do our bit!

 Go to Bareass No 83 (link pending)

Well done if you spotted 83-85 were published out of sequence, I scheduled my holiday posts in a bit of a rush and this was the easiest way to get the intervals I wanted between posts. 

For all Bareass boys click on the label below 

or start reading at Bareass No 1 and follow the links

Drop-In Clinic

Doctor Fixem had become concerned that the 'Drop-In' Clinic for Men 

was in danger of becoming better known as the 'Finger-in' Clinic.

~

Image and captions by Mitchell of mitchmen.

Another result of my explorations at the AI-art site 'Playground'

Experiment with a Swimmer

A visit to the clinic can be a worrying time for butch men!  

~

This astonishing image resulted from one of my explorations at the AI-art site 'Playground' where you can generate pictures by inputting a text description. It's a fairly restrictive site in terms of creating sexy imagery (as it's name suggests it might be) so I requested a swimmer to create a bit of interesting, inoffensive nudity (in briefs otherwise it put shorts on them). I may have asked for a muscular one, I can't remember exactly. Then I simply asked it to juxtapose the swimmer with a medic and a table. 

The two figures on the left create an interesting situation full of erotic potential - as I hope my caption brings out. The blue uniform is nicely ambiguous, it he a medic or someone more in authority like a security man or a cop? The relative mis-sizing of these two figures creates a delicious contrast!

However, I was astonished when the medic on the right popped up with no pants on beneath his white coat, without any prompting from me! This AI engine seems to have a near-mitchmen sense of humour!

Image generated by Mitchell of mitchmen

The Art of Uruonurun - 1. Heroic Endings

Uruonurun - Eiyuu no matsuro - Red 06

It was this bizarre procedure that first attracted me to the work of this artist with a tongue-twisting name. To be strictly accurate it was a preceding image in the series which showed the 'Red Hero' spread out with an interesting bulge in his tights (still pristine at that point). I chose this variant to start the post mainly because you can see the hero's face and reactions. I'm often bemused by the winking syndrome in these pictures but it makes perfect sense to me here, as his organs (released from his tights) are engulfed in green slime. It must be an uncomfortable sensation, not dissimilar to Tony Houston's wet costume humiliations in the recent Home Alone posts. 

I'm not sure if this procedure is about torture, a medical intervention or simply run-of-the-mill milking, but it certainly involves the latter later on, as you might guess from the tube poised above. The green goo seems to melt hero suits and promote arousal but I know no more. Perhaps related to the dreaded Kryptonite that brought Superman low.

I particularly like the cleverly stylised faces of the attendants here, creating an impression of aliens with unknown motivations and unreadable expressions in a highly original way.

Uruonurun - Eiyuu no matsuro - Red 12

In this later image from the same series, the equipment attached to the hero and his slashed suit  suggests that the alien's interest in him is not entirely benign. The title of the piece seems to have ambiguous meanings, either 'Hero with No Ending' (to his torment I suppose) or alternatively 'A Hero's End' which chimes with a Japanese proverb "The last days of a hero are often to be pitied". These add up to a perfect explanation of the imagery, which spans several series from this artist with heroes of various hues in the frame. 

This one, Red, has been placed inside a glass container and immersed in more green fluid which seems to be flecked with evidence of on-going milk escapes. His face mask saves him from drowning in it, but it also gives control of his survival to his captors - plus the ability to experiment with vapours related to their experiments. 

A hero's seed is always likely to be of interest to a scientist as it is with the animals in a zoo. The tackle enclosing his tackle is obviously designed to collect it and encourage production.  At bottom right we see images of him in his different existences, as a masked hero and ordinary human. These suggest that it is the essence of heroism that the experimenters are seeking. Subjecting him to life threatening forces no doubt brings that elusive element to the fore.

Uruonurun - Eiyuu no matsuro - Red 28

This image is included in the same series but not obviously related to the scientific experimentations. It shows the Red Hero in the clutches of a maggot-like creature whose dick-shaped tail suggests it's even more enslaved by it's sexual forces than the average human male is. 

An optimist might read this image as showing the insect to be carnivorous rather than rampantly sexual, but the resistance-deadening injection and draining of the victim's sexual energy are suitable preliminaries to both ends. This might be the Red Hero's initial capture, I suppose, or a bad dream as his torments overwhelm him. A dream in which he sees his captors as they really are.

Uruonurun - Blue Shokushu 01

This image of the Blue Hero is from a different series but follows a similar pattern, the strange elasticated (?) web restraining him features in both series. The title here means something like 'job description'. Doomed to suffer outrageous fortune in other words. In the next frame of this series a purple blob splats down on his crotch and melts his suit away. Other blobs shred the rest of his suit. 

Uruonurun - Blue Shokushu 08

A lurking tentacle with a frighteningly stepped, graduated tip appears

You can probably guess what happens after that. 

Step by step.

Notice how the hero's hair in these pictures matches his suit. Just saying!

Uruonurun - Eiyuu no matsuro - Blue 14

This picture shows the same Blue Hero in the 'No End' series, undergoing a similar examination to Red but in a more spacious cylinder with even less of his suit having survived at this point. The aliens may be intending to discover if the heroes' suits are responsible for their special powers. Removing them obviously has an effect on our own 'special power' as we watch, but I don't imagine the aliens experience the same urges (or do they?)

 The restraint arrangements seem to include inserting the hero's limbs into thick, technological sleeves which seem to have embedded circuitry in their skins. They look like kinky, thigh height boots. Tubes attached to them seem to be circulating fluids of unknown purpose, probably unpleasant.

Uruonurun - Eiyuu no matsuro - Blue 09

The interest in understanding the defensive capabilities of the hero's suits is given credence by this sequence. Blue's suit is ripped open to expose his muscular abs, which are then given a repeated, severe pounding by a (green!) hovering ball (a welcome return of a familiar sci-fi artefact). This crude experiment continues for some time and demonstrates conclusively that the hero feels the full pain of gut punching when his suit has been shredded. 

In an even more sinister development, he coughs up green fluid. It suggests that his captors have been insidiously infiltating and jeopardising his body processes with all their equipment.

This artist's style in much of his work is very similar to others in the gay Manga genre, but in these pictures he escapes from the exaggerated, giant eyes and spiky hair that usually typify it, but don't convey quite the same meaning to western viewers as they do in Japan.

Uruonurun - Eiyuu no matsuro - Yellow 04

Here the Yellow Hero takes his turn and gets the electro-chair treatment. Uruo conjures up a tremendous impression of an overwhelming assault on the hero, though his muscles. It's evident that the shocks are not lethal, unless it's possible to die from over-stimulation. The cables attached to his temples raise the possibility that some sort of brain washing or mental control is also going on. That suspicion deepens in the later images in the series. But first, Yellow is subjected a range of quite brutal Pain and sensory torments (see links below). 

Uruonurun - Eiyuu no matsuro - Yellow 14

Ultimately Yellow suffers the unkindest cut of all for any hero. The clunky, hi-tech manacles round his wrists and ankles hold him down on the floor by some form of electro-magnetic attraction, forcing him to kneel, helpless while faceless purple aliens take advantage of him through the rear of his ripped suit.

Uruonurun - Eiyuu no matsuro - Yellow 19

Yellow suffers a number of bruising and invasive attacks and ultimately, battered, totally drained and exhausted, he submits to the dominance of the goo which envelops his face like a lustful partner. His arms and other dangling bits hang uselessly, unresisting, unexcited. It's a powerful image of submission.

At this point in the series, reality itself appears to be shifting, transporting him to a cavern-like chamber which has an organic appearance like the internal pathways of a living body. An all-seeing eye in the wall of the channel looks down on him, watching intently. It creates the impression of a greater being controlling everything that is happening and observing the hero's behaviour. 

Uruonurun - Eiyuu no matsuro - Black&Yellow 21

Meanwhile, the Black Hero is in dire straights too, trapped in a similar claustrophobic cavern where more of the sinister, watchful eyes look down.. Caught up in the gooey web with his suit ripped open, he's under threat of multi-tentacle attack  Part of him is excited by the struggle but there's fear in his eyes when he glimpses the yellow hero approaching. Or could it be he feels shame at being caught on the verge of surrendering to unheroic, base feelings ?

Uruonurun - Eiyuu no matsuro - Black&Yellow 23

Yellow closes in behind and saves him from the terror of the tentacles by forestalling them, plugging the hole himself (with obvious enthusiasm). The tentacles seem to melt away, but we can now see that Yellow is still enveloped by the blob and it's as if he's still under it's control. Is this to be the ultimate humiliation to be imposed upon the unlucky heroes? The destruction of their virtuous honour by mutually mating under the direction of the eye that watches impassively?

Uruonurun - Eiyuu no matsuro - Black&Yellow 28

Suddenly the whole scene, the whole narrative seems to reverse. The rents in the heroes' suits repair themselves and disappear. The blobbery seems to degenerate into lifeless fluid, melting away. The elastic restraints simply fade into nothingness leaving the two heroes in each others arms, but bound together now by sexual desire, mainly Yellow's, which is reaching new heights even as we watch. 

The eye above has turned red, matching the colour in Yellow's eye. Does this signify that Yellow has succumbed to a sort of demonic possession? The apprehensive look in Black's eye suggests he thinks so.

Or is this simply the eye, enjoying the moment of passion, the moment where his manipulated heroes begin to find each other and discover that there's more to existence than fighting evil. 

~

 Links: Uruonurun on 'X'

Uronururun at My Reading Manga

More Art by Aizenhower

Read Part 1

Aizenhower - Kristoff Revealed

 I suppose I shouldn't confess to liking 'Frozen' but I was intrigued by the 'male romantic lead' in it, Kristoff. He suffered the laughable fate reserved by movie-makers for male characters - being amiable, strong and dumb but loyal to his mate. It's a negative stereotype that goes strangely unremarked by feminists in the sexism debate. 

Kristoff a la Disney

Disney's official packaging of Kristoff in heavy winter gear is unlikely to stir the senses but Aizenhower extracts and magnifies his sexual presence that simmers, neglected throughout the film. Juxtaposed against his co-stars in the film (top image, above), this first glimpse of him naked is almost as shocking to the viewer as it obviously is to the imaginary heroines. 

The reaction of the coachman at the back is harder to read!

Aizenhower - Kristoff Unveils His Feet

This image stays closer to his film persona - a man inclined to cute boyishness and out of his depth in the sumptuous extravagance of the Palace. This babyish baring of his feet is not in the film. Is it a ploy to alleviate his boredom by attracting the attention of a passing 'footman'? 

Note the hairy legs, this character is a real man.

Aizenhower - Kristoff Bares All

This doesn't actually happen in the film either, 

certainly not with Anna, his romantic counterpart.

It's no surprise to find bulk under his clothing,

though perhaps not as muscular and alluring as this.

Aizenhower - Kristoff's Best Friend

Kristoff's other dumb-male quirk is that his best friend is his reindeer, Sven.

I'm not sure whether this image is an attempt to suggest something more racy

or just a play on the ability of Nordic people to kinkily embrace their climate.

Either way it's a very sexy image.

Aizenhower - Kristoff and a Stabbington Brother

'Frozen' gives Kristoff little in the way of male interest to reciprocate his imagined gay leanings, 

so Aizenhower has transplanted him into the world of 'Tangled' for this fan image.

Here he's paired off with one of The Stabbington Brothers. 

According to Disney fandom, the Stabbingtons are "are twins with muscular bodies, fair skin, red hair, light blue eyes, big eyebrows, big noses, and big jaws". So far so good but they are also described as brutish thieves, the clue is in the name, I guess. That makes this encounter in a weirdly romantic setting very interesting indeed. 

Feet figure again in this picture here. 

I'm puzzled as to why they are dipped in the sparkling stream, but I can see that it is kinda sexy

Perhaps it's something that happens in 'Tangled', but I haven't seen it. (Honest!)

Aizenhower - The Legend of Korra

In Part 1 of this post I featured a number of Aizenhower's images from his 'The Legend of Korra' series and this is another, with the hapless hero, Bolin, playing top for a change. It's quite a complex image which gives the initial impression of him applying a wrestling 'Nelson' hold to persuade a reluctant partner. Closer inspection reveals a very different sort of restraint, a slightly puzzling one. 

Nevertheless, it's a powerful image of two men coming together in high excitement. 

Aizenhower - The Legend of Korra

The tables are turned on Bolin here, it seems, but I don't think he minds. 

A remarkably energetic and affecting image, considering it doesn't really show very much!

Aizenhower - The Legend of Korra

In Aizehower's world all heroes have to succumb to the villains at some point.

Here the Commander takes his medicine in a very steamy scene.

Aizenhower - Open wide!

Invasive medical inspections are another favoured topic for this artist (see Part 1). 

This one, unusually, is taking place on the floor with the medic astride his subject. It creates a marvellous impression of a reluctant patient being firmly treated by a very determined medic. 

The patient's erotic response seems to be the root of the problem and it's clearly an embarrassment.  

The medic can hardly fail to be aware of it, he appears to be enjoying every minute.

These two also featured in a spanking image in Part 1, 

they are protagonists who become friends in an animated film 'Yu Yu Hakusho'.

Aizenhower - Cowboy Bebop

This images features two characters, Jet Black and Spike Spiegel, who are the captain and crew of the spaceship Bebop (from Cowboy Bebop which was a controversial Japanese, TV, animated series about space bounty hunters). 

Aizenhower shows them in what seems to be a seduction, sensitively handled by Jet, the older man. Although there's a striking inter-generational gap, Spike is actually 27 years old in the context of the story - and straight! As a bounty hunter he ought to be well able to stand up for himself,  but the boredom of being cooped up on those long space flights can do things to the toughest of men.

Aizenhower - Rugby Coach

I featured another rugby cartoon by Aizenhower in Part 1. This character is less stylised and captures the sexy credentials of the Rugby sporting stereotype very well. We are presented with physical bulk (great pecs!), square-jawed manliness and a devil-may-care persona for which mooning holds no fears. How these men love to tease us! But who knows what desires lurk inside the brain of this brawny beast?

Aizenhower - Space Dandy

Aizenhower's 'Space Dandy' is a trifle too eccentric for my personal taste, but he does possess one characteristic that I would never ignore - a great ass! What's that saying about the fire and the mantlepiece? In this image it seems like a space alien has also spotted the same attraction via some sort of spying device.

Aizenhower - Space Dandy

      This picture shows the Dandy to have a pretty good physique too, but it's still put in the shade by his backside. It's amazing how the addition of two faint highlights can enhance it's shape and the allure and suggest tight, stretchy fabric at the same time. An interesting demonstration of the power of the humble cartoon (and the gay mind!)

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Link information for this artist is in Part 1

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