Guys In Uniform Studio (Updated 14th June)

Article Incomplete

 

1. Guys In Uniform - Sailor in the Rigging

 

Guys in Uniform Studio set up in the mid 1970s, producing sexy pictures with a strong flavour of military discipline. 

 

It was much inspired by the example set by Royale Studio in the late 1950s, and the personnel involved reputedly had connections of some sort with Basil Clavering's set-up. The photo above directly references the 'Sailor in the Rigging' images of Royale Studio and Hussar. 

 

 

2. Guys In Uniform - Double Discipline

 Guys In Uniform created many Gym Discipline scenarios which also mirrored Royale storyettes, but without the gym horse, which had provided both context and a handy platform for punishment in the earlier images. 

 

 

3. Royale Studio - 'Through the Legs' pose from 'Soldier-Sailor'

 

Other images copy the striking 'through the legs' poses which were a feature of Royale's work (notably Soldier-Sailor). I tend to think Royale derived them from cinema, 'film noir' advertising. See 'Military Intimidation' for an excellent, Guys In Uniform example. 

 

 

4. Guys In Uniform - Caning by Numbers, 'Dunces'

The creation of Royale-inspired imagery seems to have peaked with a set (which I have called 'Caning By Numbers' since GIU don't seem to have given them names). Although their imagery is new, it seems to closely copy the Royale Storyette 'Tough Schoolmaster', notably including the use of archaic dunces caps. At the time of writing, I am still drafting 'Tough Schoolmaster' and heavily revising my article about the 'Caning by Numbers' set to cross-reference the similarities. (This link presently takes you to the old article, but will be updated).

  

 ~

 

The pictures of both studios pushed at the boundaries of acceptability for their respective times. Royale's beefcake images flirted with homosexual innuendo and sadism, which was strictly taboo in the 1950s Britain. By the late 70s, when Guys in Uniform was formed, gay lifestyle magazines were commonplace and even frontal nudes were permissible (if flaccid). However, the combination of nudity and discipline scenarios' was still highly controversial and problematic.

 

5. Guys In Uniform - Double Discipline

 This image is similar to Royale discipline scenarios, but they did not show their subjects undressed like this.

 

 

6. Guys In Uniform - The Investigation

Both Studios openly used genuine servicemen as models, particularly Royal Guardsmen (sometimes in authentic uniforms). This shocked the establishment and provoked police raids to seize their material. In Royale's day, anything to do with homosexuality was hushed up by the press, but in the case of Guys in Uniform there was a full-blown public scandal when a tabloid 'exposed' that real Guardsmen were posing for nude photographs in homosexual magazines. The specific images concerned were those of the 'Caning by Numbers' series, image 4, above.

  

 

7. Guys In Uniform - The Harness

Guys in Uniform did venture into one area where Royale and Hussar had not dared - Leather and Rubber fetish. The leather harness/apron shown in the picture above was part of a provocative (for its time) exploration of leather and rubber fetish. It was a subject which formed a major part of Guys in Uniform's output and they developed the visual language of domination and submission in a way that goes far beyond what Royale did, a contribution to the leather fetish scene that is probably more significant than it is given credit for.

 

 

8. Royale Studio - Man wearing a Leather Harness

 

Recently, a solitary image has come to light suggesting Royale had a similar harness (above), but if they did, images of it were never published at the time. This photo formed part of the Bonham's sale of photographs by Basil Clavering in 2021 which I have identified* as being part or all of the British Photographers Collection, sometimes known as the Originals (*see postscript in the Royale Numbers article). However, this collection also included pictures from 'Guys in Uniform' (see preceding paragraph in that Numbers article) so the attribution of this image to Basil Clavering by Bonhams was probably a simple mistake.

 

Interestingly, the saleroom stated in their prospectus that the collection of hundreds of Royale Studio images had been "acquired by the present owner in Notting Hill in the 1980s, from a fan of Studio Royale (sic) who had tried unsuccessfully to mimic its success". This latter reference sounds very much like the 'Guys in Uniform' producer.

 

Royale did publish a series of fetishistic images with models wearing pouches made from chains, but the Dolphin/Hussar set 'Leather Merchants' seems to be the limit of their ventures into the leather scene.

 

9. Dolphin Photography - Leather Merchants

More details pending

 

~ 

 

The Guys in Uniform Business

 

Ever since the release of the British Photographers' collection of Royale Studio and Guys in Uniform images, (Source 1) this Studio has suffered from being called 'Men in Uniform' in some quarters. However, it always used the 'Guys in Uniform' label in its short existence, as shown in the image below and image 2, above. There was never a Studio called 'Men In Uniform'  

 

This misconception seems to have originated from the publication of the British Photographer's collection, since the originator gave some of his scans titles beginning with MIU. An interesting, 2002 article by Squaddie John about the history and the connections between the two studios gives an account of how this came about. Formerly published at 'Milism' (now defunct), I have been given permission by the author to reproduce it at mitchmen - read the 'Milism' article. 

 

 

10. Ad for Guys In Uniform in 'Him Exclusive' Sept 1975

 

Strictly speaking, 'Guys in Uniform' was a product of 'Studio 57', run by Charles Koestler and based in Linden Gardens, Notting Hill. Some of their advertisements showed this link. This ad also shows they were using the same marketing technique as Royale - 'selection' sheets from which clients could choose which prints they wanted to buy.

 

In a different ad, GIU announced that they had compiled two selection sheets as an easy way to order, emulating the Royale catalogues. It was a sales methodology that was becoming outdated by then and none of these selection sheets seem to have survived. It's not known if they were able to secure an income stream from them.

 

N.B. This advertisement was originally published in black and white, I have added the colour using AI.

 

 

11. Guys in Uniform Feature in 'Q International' v1 No3 (1976)

 

Like Royale and Hussar, Guys in Uniform supplied their images to the Gay Magazines of their time - 'Q International', 'Him', 'Playguy' and 'Zipper'. We know that 'Him' paid for them and provided free advertising (from Daily Mirror 20/10/75). Many of the illustrations were printed in colour, which was not affordable in the 1960s for Royale. Unlike Royale, they don't seem to have reached out to US magazines, a link-up with 'Drummer' might have transformed the business. 

 

12. Guys In Uniform - Cover of Uniform Magazine, Issue 2

 

Guys in Uniform also published 3 issues of their own glossy 'Uniform Magazine' (above). Surprisingly, though, it only carried black and white photos, although the ad above (image 10) makes it clear that they were selling colour prints.

 

 ~

More to come

How it ended 

watch this space! 

~ 

View the mitchmen review of Guys in Uniform pictures in 13+ Parts 

Art Bob 2

Read Part 1 of Art Bob

Art Bob - GoldBrickers

We'd call them 'slackers' or 'malingerers' these days. Three men trying to get a Doctor's note for a few days off work. Or perhaps it's just an excuse to be examined by the handsome, young Medic. The degree of disrobing he requires of them suggests he has an exacting and thorough technique (and equally dubious motivations?). 

 

The hunk in the foreground is wearing shorts that are both rolled down at the waist and rolled up at the leg to create a sort of loin cloth effect. He is faking a fever by putting his thermometer on a hot radiator, which itself is puffing out smoke signals of appreciation for the assembled, hot "hunkage". 

 

The current examinee, standing with his flies wide open and nothing underneath apparently, presents himself for the medic's stethoscope, nervously tensed. Anxious perhaps, that his pants will drop at the slightest provocation, revealing something he'd rather keep to himself. 

 

The guy stripping off at the back, for me, is the most interesting, strong jawed and lightly stubbled, he has a cute haircut and muscular arms. A glimpse of buttock tells us he's going to be examined totally naked.  

 

Art Bob - The Bigger They Are, The Harder They Fall

Everyone's already naked in this image, queuing up nervously to get their jabs, of which there are to be a great many, as witness the multiple plasters on those who have gone before. If that wasn't daunting enough, one of them - 'Mr Bigger' - has fainted and is being carried away by his buddies. 

 

Physique Pictorial captioned this as a military induction scenario, which implies the men are strangers and need to demonstrate good masculine resolve in front of their new peers, even if they are naked and defenceless. 

 

There's some interesting detail, a stray hand seeming to pull back the guy at the front of the queue (or perhaps it's tickling the fainted man's foot). The nearest culprit gazing upwards innocently. The recruit at the very back appears to be humping someone. This provocative, but discreetly obscured, forward thrusting pose is seen in other Art-Bob images. 

 

Art-Bob's contemporary, Spartacus, often drew large group scenes like this with sporting and naval settings.  

 

Art Bob - Life Savers

This situation is sort of medical too, but following a book of Life Saving instructions suggests this is about novices getting in practice, rather than a real emergency. Admittedly the 'victim' does looks a bit glum, depending on whether you see his eyes as open or closed. The 3 oil rigs in the distance seem as if they might be an interesting phallic representation of the group's feelings. They also suggest it's based on a geographic location known to the artist.  

 

The portable radio and shades in the foreground are a nice detail. The basket weave, kepi-style cap appears in another image below, US readers may recognise the style, but it's new to me. 

 

Art Bob - Skiing Mishap (my title)

 Another young man seeking his buddy's help with a bad case of burnt bottom after misjudging the strength of the sun rays on the snowy ski slopes. The ointment and liniment on the bench suggest his friend is equally stricken, but he still looks highly dubious about the prospect of mutual oiling in that particular area.  

There's an odd-looking detail in the grass beyond them that looks rather like a big cat with menacing fangs. It's actually a bearskin rug, and it appears in one of other pictures in the set (see below). Perhaps to parody of the pain the boys are experiencing.

This is one of six drawings in The 'Skiing' Series. Two others are known to me. One shows the blond trying on his skis, wearing nothing but a hooded top, unzipped to the waist. In the other, he's being roused by his buddy from sleep to go skiing before the snow melts. Both seem to simply showcase the boys' physiques. I suspect there's a narrative in which the snow melts, and they resort to nude sunbathing with disastrous consequences. 

 

Art Bob -The Young Carpenters 1

More bottom pain awaits one of the protagonists in this diptych. Our increasingly hapless blond is working with his buddy again, this time nailing shingles on a roof. He loses his balance and his buddy's efforts to save him only result in ripped clothing.

There's some nice physique drawing here and a distinctly balletic composition, brought out by the light hand used to sketch the background detail. In other images Art-Bob depicts ballet scenes and tights more explicitly. 

The difficult perspective here presents no problems to this accomplished artist.  

 

Art Bob -The Young Carpenters 2

This sequel is quite a well known image, you may have seen it converted into a spanking picture. The blond has landed in a barrel of nails which his friend considerately extracts from his posterior one at a time.

The bulge and shading of the legs of the buddies jeans here is quite effective. 

 

Art Bob - The Artist (my title)

 Many of Art Bob's pictures seem to simply be vehicles for male physique drawing. The artistic hunk in the foreground is a deceptively casual creation. But while he lazily touches up his painting, two naked, young men, posing for him in the background must sustain as pose that must be getting more and more uncomfortable by the minute. So it's also an illustration of the control any visual creator has over his models. 

 

There's a more overtly erotic ingredient in the positioning of the right-hand model's head just in front of him, seeming to suggest he's being obliged to give service, which in a way he already is. There may not be much of a bulge in the artist's jeans, but the dripping paintbrush is equally telling. A rather stylish example of 'hidden eroticism'.

 

Art Bob - Artist With His Model 1 (my title)

There's a similar theme here, with an exceptionally muscular, young model being prepared for his shoot (as it were!). The miniature figure on the floor behind him suggests this is a sculptor's studio, so he's probably in for a long stint. What's more, the coat draped over his shoulders and the broken window behind him, with snow and icicles visible, indicates that this is the proverbial, freezing garret. 

Oblivious of this, the artist takes great pains and time to get the skimpy, modesty covering adjusted just right. The sculptor's clothing, complete with trendy deck shoes, is the product of an artist well versed in fashion sketching, but perhaps not the typical attire of bohemian artists.

 

Art Bob - Artist With His Model 2 (my title)

 In the sequel, the sculptor has given the poor model ear-muffs to wear - in response to his complaints about the cold presumably. To add to this indignity, they are particularly feminine, fluffy muffs. He is also obliged to pose holding a household broom instead of a manly spear, highlighted by the contrast with the authenticity of the helmet.

The sculptor working on his model looks at him as if mystified by his grumbles. Of course, he's wrapped up warm himself. At first sight he looks like a painter cleaning his hands with a rag, but he is actually modelling a figure, you can see the shape of the legs, matching those of the model.  

 

Art Bob - Crowded Quarters

 

In their youth, men are usually undismayed by having to share quarters and bare all to other men. The two hunks in the foreground here seem happy to improvise, doing their morning ablutions in close proximity without any apparent concerns. The close arrangement of crotch and elbow is not without erotic interest, nor of course the bent over pose of the nearest man.

 Their younger flatmate, waiting his turn, seems to positively enjoy the spectacle of them jostling at the sink. While they are preoccupied, he seems to be holding up someone's undershorts for a closer examination, as if wondering how they would feel on him. Art Bob seems to have liked this criss-cross pattern, it crops up in a number of his drawings. 

This man also seems to be holding a rosebud which I'm not sure how to interpret. Is it a symbol of his crush on the owner of the pants? Or of what he imagines extracting from them? Maybe the forward thrust of his pelvis and the shielding of his crotch by the backside of one of the hunks provides the answer. Well we can all dream!

 

Art Bob -Water Shortage

 This picture has a similar 'sharing' theme to the one above, but is almost the opposite in emotional terms. These four men jockeying to get some of the water that is dripping out of the shower head are definitely not happy with the arrangement. When it was published, Physique Pictorial related it to military service, when of necessity, washing arrangements were often improvised. 

 

Comrades in arms usually make the best of such inconveniences, but the levels of embarrassment on display here seem to go far beyond that. There's a certain, very mitchmen-esque pleasure to be derived from their predicament. 'Trim' No 3 bizarrely observed that "the English might consider that these boys deserve this fate". Be that as it may, we are deprived of Art-Bob's usual cute faces as a result and must content ourselves with some luscious physique detail.

 

The picture is not without erotic humour, however. The muscular blond in the foreground is rubbing his backside, almost as if he has felt a surreptitious touch. Beyond him, a comrade looks back over his shoulder, as if he might have felt the same thing, as they bathe, accidentally cheek to cheek. Or perhaps it's his wandering hands that were responsible, and he's feigning innocence but can't resist observing the reaction of his target. 

 

The same might be said of the figure on the left, whose willowy physique is another example of Art Bob's forward thrusting pelvis action which produces a natural bunching of the backside and possibly in this case, embarrassment for the man in the middle soaping his hair, he's seen what we can't!

 

~

 

More Art Bob in Part 3 (article pending)

 

Read Part 1 of Art Bob

Royale Studio Revival?

 I have been documenting the work of the British 'Royale Studio' (1958-1963) for some years now, both here at mitchmen (click on GIU/Royale label at foot of post) and more recently at the Royale Studio blog and gallery. In this post I present mitchmen's imaginary 'Neo Royale Studio' (NRS) 

If Royale were around to day, I imagine this would be the sort of imagery they might produce. It would be heavily based on uniforms, with a touch of modern daring.

  

NRS Models waiting for their pants to be tailored

Royale tailored garments below the waist to make a tight fit. This trio of models, quite possibly servicemen posing for pocket money, will probably be supplied with close-fitting riding breeches or tights. 

NRS Models Meet Up For Their Shoot

  Two regular soldiers meeting for the first time and learning they were slated to pose together. Many friendships must have been born in the Royale dressing rooms (though I doubt the changing facilities back then were as professional as this). All these men might be wondering if their storyette will involve a spanking scene.

Royale imagery frequently featured quirky uniform combinations, presumably to suit what was available in their wardrobe.

 AI Art by iHonolulu

Art by Leo-Art

Leo-Art - Captured Barbarian

 The inhabitants of a remote jungle village have been taken prisoner by the military. One by one they are restrained and interrogated. 

This X-spread is a favourite Leo-Art meme.
The dangling ball is a very clever visual device, concealed but revealing. There's a better example later in this post 

 

Leo-Art - Fighters Club

Two hunky men present themselves for naked inspection in a glamorous bar. They are confronted by an angry man who clearly has considerable control over them. One looks at his companion as if what they are being told they have to do is not what he expected. 

But there's no backing out now. 

 

 

Leo-Art - Dean Milked

 

In this Sci-Fi scenario, 'Dean' finds himself in an equally irreversible situation. Captured by a humanoid alien and suspended in an uncomfortable, reverse bondage he is induced to provide milk for them (a process which greatly interests aliens for some obscure reason). In fact, they seem to expect him to produce a considerable amount of milk. The glowing collar may be providing encouragement, but this may take some time. Hang on Dean!

 

 

Leo-Art - Devil's Castle 1

 In this picture, two adventurers, have been captured by a devil whose wickedness proved to be more than a match for their young confidence. Stripped of his arms and shackled in a cangue (a sort of portable pillory), the cute one is forced to watch his comrade being humiliated. No doubt his turn will come soon enough.

 

You'll notice that this artist has a considerable predilection for rear views.

 

Leo-Art - Devil's Castle 2

 Twas ever so, there's no gain without pain.

 

 

Leo-Art - Beach Fight

A beach bully gets his comeuppance - at least, that's the interpretation if you believe that blonds are innately innocent and good. I prefer to believe that this is a beach bully doing his worst on a hunky, innocent bather whose Speedos were grabbing all the attention on the beach. 

 

Wrestling scenarios are quite hard to do most mediums, the close interactions and unusual body contortions are a challenge to reproduce and even in photographs it's hard to capture clearly what is actually going on in the tangle without losing the sense of genuine struggle. This image is quite an achievement on that level alone, but it is also a terrific drama, showing power, domination and subjugation. 

  

 

Leo-Art - Warriors

As promised, another dangling ball whose bauble-like appearance belies its fiendish purpose (which I hope I don't have to explain). This render is not as pretty or technically skilled as No 1, but the bauble is more convincingly hung. The different viewing angle is also surprisingly sexy, its effect heightened by some clever close cropping. Obviously the clarification of the frontal threat helps too! 

 

Leo-Art - Greenskin's Dungeon

This scenario, with captives turned into beasts to pull their master's wagon is a popular scenario in art and gay photography (see examples below). Leo-Art's take is slightly comic but has great energy and excitement which picks up the drama of the chariot races and stagecoach chases in movies of yore. The slaves must be asking themselves if this contraption has any brakes.

  

In other versions of this scenario, the slaves usually they use their hands to pull the cart or carriage (as in Pony boys by M.Carcel and AMG Pony Whip), Roa used a chest push in Jim's Pony Duty, Etienne used a waist belt to harness his enslaved sailors to a plough, but here another cargue/pillory device serves as a halter, so the boys have to use their shoulders. The desert setting reminds me irresistibly of Chirenon's Captured Airmen, visualising this as their ultimate fate.

I thought it prudent to censor this one, the original was already spoiled by Japanese-style zig-zags.

 

Leo-Art - Varane - Whip

If you like your men well hung, Leo-Art's your man. 

Varane is one of his characters, the olive green loin cloth suggestive of a military man. Leo always shows the feet pointing down which adds to the stretching effect.

 

Leo-Art - Glory Hole 1

This image and the next show that Leo is equally imaginative with more down-to-earth interactions between men. You'd think this has been done dozens of times, but I'm struggling to think of a memorable example. The interaction between the two 'users' adds something extra to the narrative, as if this is a club with different layers of membership. No prizes for guessing who's got Premier.

 

Leo-Art - Glory Hole 2

 

Renders provided the first ability to automatically change the viewpoint of the imagery and often resulted in an oversupply where the artist was unable or unwilling to choose the best. That's gone into overdrive with AI, but I thought this variant was worth including as it shows us the faces of the two men and with it a clearer narrative. 

 

 

Leo-Art - Foot Fetish

It's quite unusual to find an artist who embraces the fetish of the foot quite as enthusiastically as this. Even Etienne treated supplicants as respectful samplers of a rare delicacy. The pointing finger of the master seems quite unnecessary in this case, which diminishes the kick he gets out of it himself - unless he likes to ration his sub. 

 

From the artist's point of view, the demands of picturing a foot in this situation are also diminished, most of it is hidden. That may explain Etienne's approach, he simply loved drawing feet.

 

 

Leo-Art - Brian the Soldier

This unusual close-up of the abdomen of a man firing a rifle speaks for itself in both artistic and erotic terms. Renderers often surround their subjects with vast, empty spaces which drains the erotic value. Leo-Art is much more attuned to the art of selective cropping. 

Very nice.

~ 

Leo-Art works closely with BrosFate and their styles are similar, but I'm surprised to find I have only posted Leo-Art's work at mitchmen once before: Another Whipping back in 2021 

Leo-Art posts at pixiv
(with a link there to his Patreon pay site) 

New Additions to the Royale blog

Royale Studio - The Arrest 2 

The 24 picture series, 'The Arrest' is one of the most complete surviving sets by Royale - although there are some intriguing discontinuities that hint at a much bigger epic that might have been! 

A story of bullying, it's notable for its abundant imagery of men in tight shorts, with a good deal of wrestling action. Spanking too is represented.

All this and a mystery, 'lost' series. 

 

Royale Studio - Scout Recruit

If you appreciate spanking imagery, there's an abundance of it in The Scout Recruit and more tight shorts. If you think Scouting is a pastime for boys you'll be surprised at the men in this story, another long one of 24 images.

 

Brian Lamprill by Vic White 04

There's some stunning imagery of Brian Lamprill filling a white pouch in images by Vic White, that supplement his career with Royale. Links to more sets at Brian Lamprill's Profile Page.

 

A full list of available Royale and Hussar sets can be seen in the sidebar of the Royale-Hussar blog. Plus news of the latest additions.

 

Vintage Bath Nite imagery

The final image in Etienne's 'Bath Nite' was probably inspired by AMG's images of Wally Shillicut bathing himself in a tiny bathtub.

Wally Schillicut in the Tub 1 (AMG)

This image tantalises, screening what might be happening under the water. In reality, he's probably wearing a pouch.

 

Wally Schillicut in the Tub 2 (AMG)

Now the pouch is visible, full and beautifully shaped for aficionados. The clingy, near-transparency indicates that it's wet. Wally's nether regions suspended over the water are erotic in their own right. But, spare a moment to appreciate the tension in the model's torso.

 

Wally Schillicut in the Tub 3 (AMG)

Sitting on a box to wash his feet, Wally's pouch exhibits more tension, topped off with a descending dribble that challenges the restrictions of the era. 

 

Wally Schillicut in the Tub 4 (AMG)

AMG roped in animals on more than one occasion to supplement their model's charms. In this image, the cuteness of the ducks seems to rub off on Wally. The strategic positioning is more amusing than erotic, since Wally's pouch strings are clearly visible.

 

Wally Schillicut in the Tub 5 (AMG)

 A single duck offers more possibilities for visual punning when placed between the legs, but Wally seems to have a bit of a handful with this one. Just as well he's got his pouch on here, but it's not entirely hiding his 'embarrassment'. Better watch out for that pecker! At least he didn't have to contend with a goat or a donkey or a monkey like some other AMG models did.

~ 

 Wally's AMG shoot didn't only inspire Etienne....

 

William MacLane - Bath House

 

William MacLane transplanted the imagery to a Japanese bath house, which in the post-WW2 era of the 50s might well have been patronised by USN sailors, as suggested here. Such intercultural encounters were a popular theme at the time in films and books, usually with depressing plots. MacLane is making a conscious attempt to be artistic and literary here. Relevant, we might say, today. 

 

However, the pose, which is about a man washing himself in primitive conditions, doesn't really work in this context.  Even with another (sexy) sailor watching him closely and touching his leg with his back, the washer women drain the eroticism out of the picture far more effectively than any number of ducks. However, that hint about gay relationships, possibly one-way in this case, is an interesting feature, also found in William MacLane's other work.

 

~ 

 

This surge of interest in bath-tub washing, at a time when most households were consigning the practice to history and turning to showers, may in its turn have been inspired by James MacArthur's erotic splash in the 1958 movie, 'The Light In The Forest' (below).

 

MacArthur plays a white boy who has been brought up by Native Americans. Captured by settlers, he is introduced to the pleasures of civilisation. The images are tantalisingly homoerotic, but I don't think the conversation here is about back scrubbing! 

 

 

Or chest shaving either, here!

 

MacArthur's character suffers the customary range of humiliations meted out to captives...

 

He's tied up and abducted...

 

 

 Forced to wade across rivers in his best buckskins, under the watchful (and I like to think, lecherous) eye of his captor. 

Who could blame him for it?

 

James' preparation for playing the role seems to have been equally closely policed by minders. Poor James! Surprisingly, an obvious career as a sex bomb did not materialise for him.

 

~

 

I can't leave the subject of bath tubs without reference to one of the best known examples of the genre in the gay canon. Once again it's AMG who are responsible.

 

 

The GI standing in the bath tub seems to saying, 'do I have to?' As if this is a punishment. We might take his companion to be another soldier, but he's actually armed with a civilian shotgun rather than a military weapon, so he might really be an enraged father making sure his daughter isn't going to be left in the lurch by the trigger-happy GI she's been messing around with. Either way, it's a great example of a man being put in his place.