Tom of Finland - Mr Universe, part 1 (updated Tues 24th)

Tom of Finland - Mr Universe 01

Two leather guys (with hunky bubble butts) ponder the possibilities of bodybuilding, having just read that the 'Mr Universe' competition will be coming to a venue near them next year. There doesn't seem to be much doubt that they are gay men.

 

As I explain in my introductory article, to the series, this image is dated as 1963 in the Tom of Finland Retrospective Vol 3, not 1961.  Arguably, it's more sophisticated, stylistically, than some of the images that follow. The boot tops showing through the jeans show amazing attention to detail. Nevertheless, weight-training by a blond and dark-haired couple does figure in the Universe story, so this image makes the perfect starting point.

 

Tom of Finland - Mr Universe 02

 

 The buddies embark on a programme of weight training, with their naivety about the subject much in evidence. The blond in the foreground makes a clumsy effort at training with an old-fashioned dumb-bell, which even in 1961* was reserved for comic effect. His dark-haired friend struggles to even lift his more modern barbell weights. His technique is terrible (bending his back, instead of his legs) but it produces a sight that is sexy as well as amusing. Neither of them has bothered to change into gym gear for these exertions. 

 

It's no wonder that the more experienced gym user, watching their efforts, is laughing at them! It's the sort of humiliation that is every young man's dread. You might ask whether you see the insensitive spectator as gay or straight. Whatever the case, he is completely naked and standing suggestively close to the inviting (gay) ass, which is screening his nudity from us. It's a juxtaposition which is full of possibilities, but Tom is the soul of discretion. 

 

This particular image, unusually for Tom, has an 'assembled' look, as if separate images have been married together. This was a style that Luger (Colt) would make his own. *Like image 1, this image is actually dated as 1963 in the Tom of Finland Retrospective Vol 3 

 

 

Tom of Finland - Mr Universe 03

As if chastened by their taste of gym culture, the boys head for the beach. The blond seems to have made phenomenal progress, so perhaps we're a few months further on here. He is giving advice to his less advanced buddy. Both of them seem to have dressed more with an eye to the posing opportunity offered by the beach rather than donning serious training gear. Perhaps for this reason, both seem to be finding their physical endeavours positively arousing. 

 

The presence of weight training equipment on a beach is probably less surprising to US readers than those in other parts of the world, where the muscle beach phenomenon is virtually unknown. There will normally be other users of the equipment around as well, of course.

 

This picture has been assembled by me from two separate fragments that were printed in 101 Boys Art Quarterly in Summer 1965. It's almost certainly not the full picture, Tom didn't usually crop this tightly and I suspect there's another character around, observing the boys' efforts (see above and below).

 

 

Tom of Finland - Mr Universe 04

The blond shows his friend how to do an overhead lift, but his serious mentoring turns into farce as the tiny towel he's tied round his waist becomes dislodged and flutters to the ground. Another fine beach specimen, out strutting his stuff, is there to witness his embarrassment. There's a deliciously wry expression on the blond's face, an oh-oh moment.

 

This image, like No 3, is almost certainly cropped closer than Tom's original, fairly obviously to the right and left, but also above with only a tiny fragment of the weights visible. It has the effect of drawing attention to the laughing spectator at the water's edge. I don't think any significant elements are missing, however.

 

 

Tom of Finland - Mr Universe 05 (extra)

This image of a blond body-builder, turned on by his own physique, is not part of the Universe set, it dates from much later, 1982*. It fits in well, however, as an illustration of the bikers' growing obsession with their new hobby (and the effect on their vanity). 

 

* This image is not at all typical of Tom's other 1982 work, which is all about the leather scene he had immersed himself in. Perhaps it was a nostalgic throwback. In most copies of this image, the wall is washed out and indistinguishable from the mirror, so I have applied AI to bring it out better.

 

 

Tom of Finland - Mr Universe 06 (extra)

 The change in the bodybuilders' physiques as their development progresses means that before long their old clothes no longer fit them.

 This is probably not part of the set either, but it is a near contemporary (1960) and again serves to illustrate the progress of the men's quest to achieve muscledom. The original was (I think) a wry observation on the 1960s fad for sitting in the bath in new jeans so they would shrink to fit.

 

Tom of Finland - Mr Universe 07 (maybe?)

 As the contest draws nearer, the boys go shopping to get their posing outfits. 

They are both visibly more muscular. 

 

 I don't know for sure if this is a Mr Universe image, it's a maybe. However, the subject fits and the two protagonists look like buddies and are blond and dark haired. The image is listed in the Tom of Finland Retrospective, Vol 2, but is undated. However, it is positioned amongst a group of pictures from 1963. That is also the official date of several of those shown above. 

 

Tom had a bit of a thing about tailors around this time. This image also appears in that article and I speculate that the flared trousers look 1970s, but they were also fashionable in the 60s and often turned up on sailors of course. These days no-one get measured for new clothes and the old joke about inside leg measurements has gone the way of the ark.

 

Next time - The Mr Universe Contest.

 

 

Franco's Office discipline

 These Franco images are not so much Lab Rat (see previous post) as Rat Race.

 

Franco - He's been a naughty boy

To the best of my knowledge, this is an entirely new Franco device.

It's a brilliantly simple concept, with the leg-spreading surface creating discomfort for the rider

 and a splendidly sexy view for us. Particularly those with a spanking interest. 

 

An unusual device for an Office, you might think, but it's sophisticated design suggests it gets regular use. Perhaps it's a repurposed ashtray, no longer of any use in a smoke-free environment. At any rate, the Office setting is a refreshing change from the usual spanking worlds of overly-parenting daddies and perpetual education. Franco's all-purpose title doesn't give us much else to go on.

 

AI is gifting some great new faces for Franco's art. This man's fashionably casual, masculine look provides a great persona for the cube rider, suggestive of calculating ambition and polished presentation. In short, the sort of man who wouldn't want to be caught naked with a plug up his ass. 

The hint of sweaty embarrassment on his face says it all. 

 

I have imagined this scene as the interrogation of an Office Manipulator,

caught passing commercial secrets to the opposition.

 

The Office Manipulator (Franco/mitchmen)

Franco - By The First Few Slaps

 

There's a marvellous look on this man's face, too. Again, it's as if he's been caught by a new arrival walking in the middle of a humiliating punishment. His jeans suggest he might be a workman from the maintenance department, or perhaps it's a new, literal take on dress-down Friday. 

 

 

Franco - Stripped and Strapped

 The strap is a spanking tool that allows no prevarication or half-heartedness. If it's not applied forcefully it's not going to even reach its target. There's no scope for faking it. So it seems an appropriate device for dealing with this miscreant who seems to be a bit of a bruiser, well able to stand up for himself. It would take a serious misdemeanour to persuade a man like this to shed every stitch of his clothing and accept corporal punishment. Probably Carter from Accounts, caught dipping his fingers into the Petty Cash. 

 

 

Franco - Introduced To The Strap

 Another hunky man discovers the sting of the strap for the first time. Despite his obvious maturity, he seems to have a pristine, virgin ass, if there is such a thing! If he looks the sort of man who can be easily persuaded, his tormentor looks like the sort of man who is used to having his way. The setting looks like a stately home. Perhaps this visitor carelessly damaged a priceless artefact. There are few remedies in law for such a situation, but the threat of a ruinous lawsuit would make a short dose of pain seem like a soft option to one who was relatively inexperienced. He doesn't know, of course, that the artwork he broke was a fake, substituted for just this eventuality. Let's hope he hasn't agreed to pay his debt in installments.

 

 

Franco - The Song of the Strap

 This strap sufferer looks the exact opposite in character, a toughie with hair on his ass to prove it. That's of little help in giving him protection from a strap wielded as determinedly as this. It's fierceness pays tribute to his butch persona, but, unfortunately, manly hairiness also bestows an obligation on him to bear pain with masculine dignity and not complain. In this image, we've reached the point where his stoicism is breaking down. A roar of dismay finally escapes his lips and his leg lifts in a futile attempt to block the spanker's stroke. It's a moment of triumph for some spankers, to break their man. For others, it's the moment when he ceases to be a worthwhile subject.  

 

 

Franco - Dad's Mad

 I prefer to see this titled as  'The Boss's Unexpected Bonus'. After giving numerous warnings, he's finally taking that lazy guy from maintenance to task for not fixing his radiator. He's amazed and delighted to discover that he's wearing a jockstrap under his jeans instead of the customary desire-dousing, baggy boxers that workmen usually wear. And they're framing the most delicious buns he's ever set eyes on. You can see by the look on the workman's face that it's escalating out of control, but his mesmerising butt is casting a spell that's not going to be easily broken. It's fortunate indeed that he doesn't have to go back to a desk job!

 

 

 

Franco - Fascination

 Franco's provided his own narrative here that explores the sense of control a spanker might enjoy, framing it in the context of a consensual sport. His words create a genuine sense of mounting excitement that would create a great video if synchronised with the moment of ecstasy. 

 

Also buried in here is the age-old belief that 'you like it really, don't you?' That is something that seems embedded in the psyche of many men, who can't quite believe that others are not necessarily what they want them to be. 

 

 

Franco - Daddy's Plaything

For me, there's a sense of mistaken intention here as well, with the young recipient having donned a pair of extremely skimpy briefs to provoke his companion's lust. He believed that the promise to 'batter his ass' was about penetration rather than pulverisation. The top remains inscrutable.

 

 

Franco - Bouncin 'n Spankin

 

Some men really do enjoy it sexually, but you'd be lucky to find one that also looks as good as this. Great, cute face and great physique too, a gift from the Gods. It looks like he's having to concentrate, perhaps wanting to prolong the exquisite joy of pain administered by a generous, patient man. 

This is another 'golden oldie' image given a new lease of life by AI. 

 

 

Franco - Tantrum

AI has gone mad with this image, with stray limbs littering the bottom section, but I wanted to share the key ingredients - (another) great ass billowing out of lowered jeans and a subject who appears to be angrily trying to negotiate a ceasefire when it's obviously far too late! He might desist if he could see the outraged expression it's causing on his tormentor's face. Stop digging pal! I've shortened Franco's original title which is alliterative and defines an age range that I'd rather steer clear of at this blog.

 

 

Franco - Paddled

A room furnished in minimalist fashion seems an apt setting for a naked paddling. There's no restraint being applied to hold the subject in position, which amplifies the sense of his total submissiveness to serious power. There's a touch of the Hospital ward in the bed design which might suggest a medical malingerer being exposed, but I see a manipulative pick-up who lies in bed all day rather than pulling his weight by doing chores around the house. It's such a comfy billet that he'll even take punishment rather than lose it. He might regret that choice in the weeks to come.  

 

~ 

 

I found these images in Corpunisfun at deviant art, but unfortunately it's deactivated now. 

Try Telemachus12 

 

 

New Spanking by Tom of Finland + new discoveries

Tom of Finland - Spanking

 I thought I'd seen all the Tom of Finland images I was ever likely to see until this amazing spanking image turned up recently on Strictop's GaySpankArt site at BSkySocial. It's in Tom's early '60's style which produced many of the great classics. The fashion detailing of the protagonist's clothing, socks, shoes and jumper suggests to me that it's quite early. If so, it's surprisingly explicit, sneakily so.

Some more rare gems from Strictop's collection.....

Steve Masters - Circus discipline

 This image by the highly original Steve Masters is the soul of discretion by comparison. You have to look closely just to see that it is spanking-related. Some scamp caught trying to sneak into the circus tent faces retribution. Is it a thrashing, or is the circus performer removing his belt with something different in mind, inspired by the juicy offering before him? 

Master's unique style featuring skin tight clothing has you guessing whether these men are clothed or not, opening up the more racy interpretation. Are those tattoos or fancy performance clothes the belt man is wearing? The detailing of the intruder's jeans is so faint that at first you don't see it. 

On closer inspection, fashion detail to match Tom's can be seen - the deep turn-ups of the jeans and black basketball shoes are so 50s yoof culture. Similar shoes turned up not long ago in a 1958 Royale Studio photo set of Ian Oliver.

 

This image by Matt is another rarity, preserved and rebranded by the notorious 'Nick Shadow'. A customer who complained gets short shrift from the Chef! Chef spanking crops up fairly regularly in the new wave of AI spanking imagery, but I confess that I don't really get it. I suppose the ubiquity of the wooden spoon, sometimes used for domestic paddling, makes the connection. The authority (and temperaments) of Chefs in professional kitchens is more widely understood these days thanks to TV, but the scenario doesn't really work for me. What I do like here is the maturity of the recipient and the hairiness of the spanker, whose hand lingers on his butt suggestively.

 This image by RASchultz is another period piece with a puzzling scenario that was probably inspired by the story he was illustrating. Executioner's masks had a bit of a vogue in the Drummer 80's and so did Chippendale bow ties on strippers, but it's hard to deduce what the connection might be in this picture. Fortunately, the sense of domination and beautiful, kneeling bondage in the imagery is so powerful that you don't really need to.

 

This image by Copper was a revelation to me. He is a prolific producer of comics which use humour to defuse their subject. I have seen his pointillist style before too, but the dark drama of this offering is on a different level. The hand under the chin makes an unusual physical connection and subtly reinforces the Master's control. Not sure about the moon, though! Artistic licence?

 

The great, British artist, Bill Ward, drew such uncompromisingly masculine figures that he even gets away with a walrus moustache here. Ripped pants, jock strap and a face down in a crotch make up an irresistible image of assertiveness and submission.

 

 

A final, eye-pleasing, modern AI offering from otklad, with a Senior Scout learning that you're never too old to learn about authority and discipline and that different rules are necessary when you're a long way from urban civilisation.

 ~

I'm indebted to Strictop for collecting these images, 
he also has a collection of spanking images on 'X' and a link to his spankart gallery. 

Art by 'Jockinbignikes' 2 - The Milking Factory

 Start reading at Part 1

Jockinbignikes - Billy, Specimen #115

 This is the closest this artist comes to showing us the extraction arrangements at his milking facility, which has a high-tech, lab-rat slant. The hunks are pre-treated to make them spontaneously produce voluminous quantities. They are not even required to undress, in fact it's so spontaneous, apparently, that they don't get the chance to. I suppose straining their produce through sweaty shorts might add extra depth to the masculine flavours, but simply collecting the run-off at his feet seems a little crude. You can see it's all spotlessly clean, though!

 

Jockinbignikes - Jonas, Specimen #300 - U of M Collection

This snap of a different donor at work seems to confirm the improvised nature of the collection arrangements. Rather like scrambling for buckets and bowls when the roof start leaking. 

However, milk extraction without attaching any restraints or collection tubes to the donor is a revolutionary innovation in the Male Milk industry and will produce ripples of unease in certain quarters. This facility exploits the natural willingness of men to give their tackle a run out at the drop of a hat, and the 'free-range' technique must add authenticity to the end-product. 

Jonas, here, was recruited after being seduced in the locker-room by two operatives. He willingly entered the collection van in an already excited condition. So when 'the treatment' was administered to him there, it was pushing at an already open door, amplifying his already activated impulses. The snag (from the donor's point of view) is that once production has kick-started, it can't be stopped. The treatment has to wear off. 

 

Jockinbignikes - Shayne - Specimen #96

 

Men who entered the programme, confident in their manly prowess, soon discovered that the insatiable uncontrollable, chemical 'push' of the treatment they had been given, was exhausting. More than the insistent 'pull' of conventional extraction devices that were used on men in captivity, in fact. The pleasure of rapidly repeating climaxes soon decayed until they just wanted it to stop. There was no restraint to stop them leaving the facility, but non-stop ejaculations made it physically impossible. The usual downer afterwards was multiplied over and over again, draining them of all aggression, of the will to do anything at all, in fact.

 

Jockinbignikes - Big Dean, Specimen #657, Mobile Acquisition Unit

 In the early days of the programme, it was easy to pick out likely-looking studs in quiet locations. To persuade them to volunteer their services and enter the Mobile Acquisition Unit for the initial treatment. Once disabled by desire, they were spirited away to the Collection Centre. 

 

Jockinbignikes - Specimen #881, Dustin D, Horny Gym Jock

As disappearances mounted, men became more wary. But by then the Centre developed a portable device that was able to apply the treatment randomly in the street, without the need to waste time on persuasion and preparation. It kicked in almost instantly, effectively disabling the chosen ones with orgasmic ecstasy. They were usually only too willing to accept the offer of transport to somewhere they could hide and be looked after until the embarrassing outflow was stopped. They were not to know just how long it might take. 

Jockinbignikes -  Jett and Bo, U of M Collection, Mobile Acquisition

Impressed by the performance of Jonas (image 2 above) the scientists returned to the University of Michigan to see what else the Wrestling Club had to offer. Thanks to misleading accounts of the Milking Centre's activities, deliberately leaked into social media, many young men thought it would be an honour to be selected for the programme. Jett and Bo thought so for a few fleeting seconds after they realised they'd been 'had' by the pair of chicks they were chatting up. 

 Their pride lasted long enough to pose for this picture. It didn't feel quite so great as they staggered to the white van with their organs enlarging and raging uncontrollably, but the cheers of the crowd kept the euphoria going a little longer. Then the doors closed and their new life as milk beasts began. 

 

Jockinbignikes - Greg, Subject #199

It didn't take long for the Government to get involved in the programme. They saw all sorts of benefits, ranging from increasing fertility in the population to taking hypermasculine aggression off the streets. By the time word had got around about what was going on, they had authorised The Centre to conscript new recruits to the programme, whether they wanted to join or not. It was still selective, Greg was under surveillance for weeks. When they came for him in the gym and showed him his call-up papers, he knew he had no choice. Unfortunately, he also had a good idea of the rough ride he was in for.

 

Jockinbignikes - Chet, Specimen #225

 Sometimes the Police were drafted in to add extra authority for the reluctant ones. Chet had been something of a locker room bully, constantly belittling less well-endowed teammates. Eventually, one of them turned the tables, reporting Chet's impressive statistics to the Centre and earning himself a useful finders fee to put towards his education. 

 

Jockinbignikes - Frank, Specimen #127

Soon, dodging the cum draft became a national pastime, but the searchers were relentless in their pursuit of tasty hunks. Frank was too fond of the ladies to keep his physical assets a secret, but his big weakness was that he couldn't keep away from the gym. They caught him there with his pants down and since he was an evader, they cuffed him as a precaution before leading him out to the white van. Luckily, Frank's obsession with his own body turned out to be a great asset in his new role. 
 

Watch out for that mysterious white van in your vicinity!

More Jockinbignikes next time

~

 This is also Milking Factory No 22, go to Milking Factory 23 (link pending)

 

Click on the 'Milking Factory' label below 

for all other posts on the subject at mitchmen blog

or the 'milking' label for all posts with milking imagery.

 

More Moosemind

Read Part 1 of this Moosemind post

Moosemind - Escape from the council of the apes

A great image of a fugitive fleeing from would-be captors. Guess what they want him for!

Not crazy about the simians, but it's easy to imagine your favourite, dreaded predator instead. 

Rather nice texturing and a neatly incongruous, beautiful sunset. An augury of recapture, perhaps.

 

Moosemind - You Won't Be Needing This Any More

 An equally mysterious storyline here, but it's a beautifully constructed composition, designed to showcase the central figure's body in a stimulating way. It's a classic example of less nudity is more sexy, a point reinforced by his abundance of amorous admirers. They seek to delay his departure, but there's a hint of physical restraint being applied on the right. As if where he's going involves captivity as well as nudity.

 

Moosemind - Listen Boy, Come Over To My Tent Later

There's a fascinating study of power imagery here. A man, whose posture emanates authority and strength, has been accosted in the street and seems to be embarrassed by it, angered even. The other man is taller than him and clasps his neck, assertively pulling him closer, but at the same time bowing his head in a gesture that speaks of affection and supplication. This little drama is acted out before a fascinated audience

Both men are naked and (according to the title) one of them lives in a tent, although this is an obviously wealthy city. Similarly, the onlookers are all clad in drab loincloths, as if of a lowly caste. They must be slaves or arena fighters, perhaps. Men whose close relationships are all that they have. 

This is an unfaithful lover, perhaps, returning full of regret, or a defeated opponent coming forward to pay his forfeit, knowing he will be roundly used and humiliated. We can imagine the denouement in the marginally less public setting of his tent will involve lots of shouting, humble pie, tears and sex. 

 

Moosemind - Samson Destroys The Philistines

The underlying image here is a bit of a cliché, but it's nicely modelled and if, like me, you are not enamoured of long hair, it's easy to visualise a haircut that's as tidy as his physique. The soaring architecture is the wrong era, but superbly dramatic and gives a more relatable sense of scale to the modern eye. However, it makes you realise the original tale of him bringing down the temple must have been exaggerated a tiny bit. Or else, the priests got their just reward for neglecting the long-term maintenance of the building. 

Moosemind - Jealousy

This artist's interest in ancient cultures takes in the sport of naked wrestling, but he's applied it here to a more domestic scenario. It's quite hard to capture the drama of fighting in a static image, but this is a good attempt. The cartoon-style 'impact' signal is unorthodox but serves its purpose without subverting the splendid artistic pairing of figures, whose bodies are juxtaposed together and matched in a manner that seems to invoke the private intimacy and passion that has brought them to public blows.

 

 

Moosemind - Manhandled

 Here too, there's a great sense of struggle and also of physical strength, a sight that is rarely manifested in modern day, pro wrestling but can still be glimpsed in the amateur code. This mighty lift, delivered from a seated position, seems to have caught, off guard, an opponent who was prematurely celebrating victory in the modern manner, with clenched fists. An improbable throw, but a rather satisfying comeuppance for the braggart. The characterisation of the two men, one wild and hairy, the other with a more refined and subtle masculinity, reinforces the storyline.

 

 

Moosemind - Sparring

The artist's disingenuous title doesn't quite match the image a gay observer perceives. It is a perfectly feasible wrestling moment, but you can't help thinking that both men might have lost sight of the aim of winning this contest. He who has the upper hand suddenly finds himself distracted by an unexpected development. His over-excited opponent seems to have become suddenly aware of his own vulnerability, having started something he might not be happy to finish.

 

Moosemind - The Agoge Trials

A more conventional expression of the ancient art here shows two young men struggling for supremacy before an audience of soldiers. The Agoge was a rigorous, Spartan training program for young male citizens, so this is an authentic scene, but the sensual entwining of naked bodies here makes you wonder about the thoughts of those seemingly detached on-lookers and the reward given to the winner.

 

 

Moosemind - Colonised

 

This rather unusual take on the founding of America is frank and almost political in the way it contrasts the pride and strength of the captive, Native American with the uniformed, flag-bearing pomp of his captors, who seem to regard him as a curiosity. The title is bluntly accurate, but not one that modern day politicians care to acknowledge. Popular culture takes refuge in the Wild West stereotyping of 'renegades', rather than heroic freedom fighters.

 

Moosemind - Squanto Captured

There's a similar theme here but with a greater sense of enslavement and humiliation of the unfortunate captive. The on-lookers, civilised and determinedly religious, seem oblivious of his humanity. 

 

The original story of Squanto seems to conflate episodes of settlers being helped to survive by members of the Patuxet tribe with others in which indigenous tribesmen were kidnapped and trafficked to Europe as slaves, but it serves to make the artist's point. It's unlikely that any of them were such impressive physical specimens as this man, but it helps to amplify the sense of 'difference' in a way that shows him as more of a man than his captors.

Moosemind - Zane Blaze

The boots on the other foot here, or possibly on no foot at all, with a white man (of equally muscular and equally improbable stature) held captive in a way that draws on religious imagery to cast him as a martyr too. It makes a delicious counter-point to the Squanto images. 

Zane Blaze sounds like the protagonist in a pulp fiction Western, but I can't find a relevant reference. We may guess that he's an adventurer or lawman who's got himself into undeserved difficulties. He's clearly been unlucky enough to fall into the hands of cowboys who find his physique of as much interest as his supposed misdeed. Justice sometimes took arbitrary, brutal forms in those days, but with the noose dangling in the background, I shudder to think what they have in mind for the naked Zane. 

Moosemind - Lovers in Arms - Beneath The Olive Moon

 This tender scene seems like another of those "you want it really, don't you?" moments when a man is obliged to acknowledge his inner reality. It might easily have found a place in my story of the humiliation of the Spartan army in Part 1 of this Moosemind post. The seducer here, however, seems more respectable than the cunning Throbbers who undermined the advance guard of the Spartan Army on that inglorious day. 

This man is blond, wears a white loin-cloth that is loose beyond reproach, and even has the victor's laurel wreath on his head. What could possibly be wrong with him? Alas, such is the way with men! The poor guard, struggling with his own desires, and military duty too, I hope, seems to sense that something isn't right. Probably though he's just tormenting himself, when really, there is no need.

 

Moosemind - The Blacksmith's Apprentice

 

Another out-take from the Spartan shaming. Another youth separated from his lover and transported to a distant realm to work out his life as a slave. At least this one will learn a skill to give some meaning to his life, but an interview in the nude like this suggests that forging iron may not be the only hot banging he's going to experience. His resentful look may reflect that he's just learned of that unpleasant module in his training plan. Still, at least he's alive.  

Moosemind - Bare Slave

I've always been of the view that a slave ought to work for his keep, not just idly enjoy the attentions (dubious or otherwise) of his master. And if he's a muscular slave, he ought to use that muscle to good purpose. Make 'em sweat. Makes a great show.  It's good for him, too, helping to preserve that glorious physique for other purposes. I suppose there is a risk here that he might lob his load at the temple, Samson-style, but any guard worth his salt ought to be able to keep a naked man in check.

Read Part 1 of this Moosemind post 

More Moosemind at DeviantArt

Faux Pants

 

We've all put on socks that don't match each other in our morning haze, 

but for Jeff it was a lot worse than that. 

 

Perhaps it was a subconscious desire to conform to #makemenwearshorts*, 

but in the fashion capital of the world, he couldn't have got it more wrong.

 

 

*for more on  #makemenwearshorts, see mitchmen @'X'