More AI Art by BedVC太郎

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Art by Briefcase 2

 Read Part 1 of this series

  If you had trouble finding the Briefcase silhouette images from Part 1 at pixiv, look on the last page of his illustration folders.

 

Briefcase - Lifeguard

 

This image is Briefcase's more usual style, a blend of cartoon exaggeration and genuine sensuality, with a good deal of added effects - dialogue, sound effects and reaction signals. The underlying image here is quite sexy, gaining from the Lifeguard connection. There's a pleasing innocence in the humour of pulling down a man's shorts, especially one who might be regarded as an authority figure in this location.

 

The picture leaves me curious about the speech bubbles. I dare say there's a 'wtf' equivalent in there, but it might also give us clues about motivations.

 

The caption here is mine. Briefcase calls it - Human-powered Happening (Another new kind of metamorphosis). I fear something got lost in the translation. I certainly did!

 

Briefcase - Camera Surveillance

Stripped of the comic elaboration, this image is a slow burner. The darker tones reflect its less jolly, voyeuristic nature. The subject is quite a hunk, but he cuts a lonely figure. Or is that wishful thinking? The jockstrap, carelessly encircling his ankle, suggests he might just have suffered a disappointing defeat.  

 

 

Briefcase - Lack of Nerves

You might attribute the same background of sporting defeat to this image too. A rugby player seeking solace in his bedding, rather noisily, by the look of it. Chunky men like this are Briefcase's forte. 

 

Another baffling caption, you can sometimes work these out by inverting the meaning. The artist explains that the sportsman's rubbing is making weird noises, so I guess the title might mean that he doesn't mind who hears him. Playing with that Japanese thing about modesty and shame.

 

I took the liberty of editing this image to remove a detail, top left seeking to show the lurid undercover detail, not entirely successfully. You can find the full image at the link given at the foot of this post. 

 

 

Briefcase - Marine Day (National Holiday)

 

This example of cheery chunkiness seems to exemplify the opposite idea to shame - being out, happy and proud in your own body. A great ad for chubbies (and gingers). And, by the way, a great example of how sexy Speedo-style, swimming trunks can be, regardless of who is wearing them. 

 

The naughty dribble is an unusual modern example of hidden eroticism. Somewhat redundant, in view of the fully detailed projection! There's another example in the cleverly disguised, discharge arrangements in the previous image. See label at the foot of the post for more examples.

 

 

Briefcase - Just (Barely) OK

The erotic qualities of moderate chunkiness and tight-fitting clothes lie at the core of this image, too. It stands up as sexy without any explanation, but looks like a well-built footballer struggling to remove his tight, clinging pants. Possibly rubber ones, which might explain the sound effects as squeaking. The colour co-ordination adds a 'team' ingredient to an image that might otherwise seem humdrum. The gratuitous bulge between his thighs is a nice bonus.

Briefcase's captions here are exceptionally puzzling, though perhaps not if you can read the speech bubbles. His sub-caption reads, "I think he wanted to do some kind of sailor suit for a married woman". As Manuel would say, "Que?"

Briefcase - Last Train

A few years ago, I did a post called 'I'm On The Train!', about captives being transported en-masse. Since then, the wearing of shorts on hot trains has sparked an entirely different interest in rail travellers. A veritable industry of voyeuristic snapshots of fit, male commuters. This picture, though shortless, is in the same vein. It's part of a triptych, of which this is number 2, the final showdown being inadmissible in this blog!

  

Briefcase - The Mystery of the Forc

 

This is the inverse situation, where a traveller (in shorts, this time) has developed an inconvenient arousal, probably from staring at that young man opposite, sprawling open-legged in Lycra shorts which leave little to the imagination. This is number three of another triptych showing the embarrassing outcome. The gritted teeth, clenched fists and pressing together of knees has failed to prevent a surge of wetness and uncontrollable shudders - great observation!    

 

I understand the mystery bit in the title, but 'Forc'? No.

A misspelling of force, maybe.  

 

Briefcase - Firing All The Bullets

In this 6-image story, an older man (with a still-youthful physique) grapples with the same unquenchable urge before stripping off and letting nature do what it wants to do. As the title suggests, he's not lost his endurance with advancing age, an achievement that has its downside when you're in a hurry. All too soon, he is summoned back to his chores (above). It's another nicely observed and wry piece of humour with a refreshingly different protagonist. 

 

Briefcase - Living Shame Wedding Suit

The shamefulness of wearing revealing clothing in public seems to have more bite in Japan than the western world, where it doesn't really have the power to shock any more. Still, turning up for a wedding dressed like this might raise a few eyebrows amongst some of the congregation - and itchy hands amongst the rest. This smug celebrant clearly doesn't care.

  

The artist titled this as Living Shame Wedding Dress, which I adjusted to skirt round the fem ambiguities in English.

 

 

Briefcase - On Stage

 

There's an explicit fem crossover in this item, highlighted by the wearing of pink nipple covers (I don't know the technical term). Despite being showered with money for his performance, the Bunny Boy looks extremely embarrassed. We can only wonder how he was persuaded to do it. An example perhaps of one shameful act being used to force him into another. At least his outfit doesn't expose his bottom half to gropers in the audience, like the female equivalents do.

 

 

Briefcase - Experimental

This artist doesn't do bondage or medical scenarios, but this intriguing, fetus-like image is a decent substitute. I've done my own water tank images* in the past, but always feel obliged to make some provision for breathing. Perhaps that tube behind him does that, but it looks as if it's connected to an entirely different orifice! AI eh?

 

*see also Swimmers Preserved 

Briefcase - Undressing

 

This is part of an eight image series in which a man undresses with a sour expression on his face that suggests he isn't doing it willingly. It's left to the observer to imagine why he has to do it. An examination? A search? Or something more sinister? The conventional white underpants might be clue as to why he's so unhappy about it.   

 

Briefcase - Soaked in a Shower

 Raincoats ain't what they used to be! We've all experienced that feeling of returning home with clammy wet clothing after being caught out in a shower. It's the wet, clingy jeans that annoy me. A feeling which in other circumstances I might quite enjoy! 

Briefcase catches the moment of reaching home, when things can be undone and the laborious task of stripping begun. The bedraggled hair, translucent T-shirt and damp briefs (dripping with rainwater?) create a great sight for onlookers, but they are unlikely to get much time to enjoy them! 

Of course there's more to reveal and the viewpoint the artist has used plays to our voyeurism. I love the spotlight on the subject's briefs!

 

Briefcase - End of Tour

 This looks like a similar situation at first sight with its hasty shedding of clothes and wet skin. There are other explanations, though. Briefcase's subtitle - 'Ah, it's over and done with' - doesn't quite explain away the more salacious ones.

Duos are quite unusual in this artist's pictures, and so are narrative scenes like this. There are some nice shorts on show here. Why do laces suggest easy access when the reverse is usually the case? I like, too, the idea of the soldiers keeping on their helmets while they do whatever they are doing.

*The tattered shorts on the left are reminiscent of those cartoons in 60s UK tabloids, which were based round a group of standard stereotypes. The castaway (usually stranded on a 1-metre diameter island with a solitary palm tree) and the bearded prisoner, dangling by his wrists, feet off the ground, in his tiny cell were nearly always clad in tattered shorts like these!

 ~ 

 Read Part 1 of this series 

This artist's website is Briefcase on pixiv

If you are unfamiliar with pixiv, the thumbnails on the 'all-works' page link to posts containing one or more images. With this artist, some of these posts contain a variety of images which don't all match the thumbnail. If you want to quickly track down a particular image posted in my article, download it to obtain the pixiv id, then at pixiv display a random image and replace its id with the one you are looking for.

Art by 'Jockinbignikes' 2 - The Milking Factory

 Start reading Jockinbignikes at Part 1

Jockinbignikes - Billy, Specimen #115

 This is the closest this artist comes to showing us the extraction arrangements at his milking facility, which has a high-tech, lab-rat slant. The hunks are pre-treated to make them spontaneously produce voluminous quantities. They are not even required to undress, in fact it's so spontaneous, apparently, that they don't get the chance to. I suppose straining their produce through sweaty shorts might add extra depth to the masculine flavours, but simply collecting the run-off at his feet seems a little crude. You can see it's all spotlessly clean, though!

 

Jockinbignikes - Jonas, Specimen #300 - U of M Collection

This snap of a different donor at work seems to confirm the improvised nature of the collection arrangements. Rather like scrambling for buckets and bowls when the roof starts leaking. 

However, milk extraction without attaching any restraints or collection tubes to the donor is a revolutionary innovation in the industry and will produce ripples of unease in certain quarters. This facility exploits the natural willingness of men to give their tackle a run out at the drop of a hat, and the 'free-range' technique must add authenticity to the end-product. 

Jonas, here, was recruited after being seduced in the locker-room by two operatives. He willingly entered the collection van in an already excited condition. So when 'the treatment' was administered to him there, it was pushing at an already open door, amplifying his already activated impulses. The snag (from the donor's point of view) is that once production has kick-started, it can't be stopped. The treatment has to wear off for that to happen. 

 

Jockinbignikes - Shayne - Specimen #96

 

Men who entered the programme, confident in their manly prowess, soon discovered that the insatiable uncontrollable, chemical 'push' of the treatment they had been given, was exhausting. In fact, it was worse than the insistent 'pull' of conventional, extraction devices that were generally used on men in captivity. 

The pleasure of rapidly repeating climaxes soon decayed until they just wanted it to stop. There was nothing to stop them leaving the facility, but non-stop ejaculations made it physically impossible. The usual, post-production downer was multiplied over and over again. It drained them of all aggression, of the will to do anything at all, in fact.

 

Jockinbignikes - Big Dean, Specimen #657, Mobile Acquisition Unit

 In the early days of the programme, it was easy to pick out likely-looking studs in quiet locations. They were persuaded to volunteer their services and enter the Mobile Acquisition Unit for an initial 'try-out'. Once disabled by desire, they were spirited away to the Mass Collection Centre. 

 

Jockinbignikes - Specimen #881, Dustin D, Horny Gym Jock

As disappearances mounted, men became more wary. But by then the Centre had developed a portable device that was able to apply the treatment randomly in the street, without the need to waste time on persuasion and preparation. It kicked in almost instantly, effectively disabling the chosen ones with orgasmic ecstasy. They were usually only too willing to accept the offer of transport to somewhere they could hide and be looked after until the embarrassing outflow was stopped. They were not to know just how long that might take. 

Jockinbignikes -  Jett and Bo, U of M Collection, Mobile Acquisition

Impressed by the performance of Jonas (image 2 above) the scientists returned to the University of Michigan to see what else the Wrestling Club had to offer. Thanks to misleading accounts of the Milking Centre's activities, which had been deliberately leaked into social media, many young men thought it would be an honour to be selected for the programme. Jett and Bo thought so for a few fleeting minutes after they realised they'd been 'had' by the pair of chicks they were chatting up. 

 Their pride lasted long enough to pose for this picture. It didn't feel quite so great as they were led to the white van with their organs uncomfortably enlarged and raging uncontrollably. The cheers of the crowd followed them and kept the euphoria going a little longer. Then the doors closed and their new life as milk beasts began. 

 

Jockinbignikes - Greg, Subject #199

It didn't take long for the Government to get involved in the programme. They saw all sorts of benefits, ranging from increasing fertility in the population to taking hypermasculine aggression off the streets. They secretly authorised The Centre to conscript new recruits to the programme, whether they wanted to join or not. 

 

The Centre was still selective about who they wanted. Greg was under surveillance for weeks. When they came for him in the gym and showed him his call-up papers, he knew he had no choice. Unfortunately, he also had a good idea of the rough ride he was in for.

 

Jockinbignikes - Chet, Specimen #225

 Sometimes the Police were drafted in to help with the reluctant ones. Chet had been something of a locker room bully, constantly belittling less well-endowed teammates. Eventually, one of them turned the tables and reported Chet's impressive statistics to the Centre. He earned himself a useful finders fee to put towards his education. 

 

Jockinbignikes - Frank, Specimen #127

Inevitably, dodging the 'cum draft' soon became a national pastime, but the searchers were relentless in their pursuit of tasty hunks. Frank was too fond of the ladies to keep his physical assets a secret, but his big weakness was that he couldn't keep away from the gym. They caught him there with his pants down and since he was an evader, they cuffed him as a precaution before leading him out to the white van. Luckily, Frank's obsession with his own body turned out to be a great asset in his new role. 

Watch out for that mysterious white van in your vicinity!

More Jockinbignikes next time

~

 This is also Milking Factory No 23, go to Milking Factory 24

 

Click on the 'Milking Factory' label below 

for all other posts on the subject at mitchmen blog

or the 'milking' label for all posts with milking imagery.

 

Art by Shenguanlin

Shenguanling - Milk Farm 1

This striking image offers a harrowing glimpse into the depths of this artist's nightmarish world of abductions and crushing captivity. Men who are taken are doomed, it seems, to an existence of perpetual, suffocating, bondage, punctuated by participation in humiliating rituals involving bodily functions. This includes milking of course, but strictly speaking this particular set-up wouldn't qualify as a mitchmen Milking Factory because of the 'artisan' extraction arrangements and low volumes involved. 

The human storage cages seen in the background were also featured in the recent 'Milking Factory' contribution by this artist. They seem like a praise-worthy, humanitarian, rest and respite facility for the milked men, but a cynic might argue it's just a necessary business response to the milk production limitations of male biology and hardly represents a free range approach to keeping them. 

The bubbles seen drifting around the captivity chamber are an intriguing but unfathomable detail. Dream-like? Maybe one of my readers can decipher the symbolism.

Shenguanlin - Suspension 2

Shenguanlin's complex art is built on simple bondage imagery, like this semi-suspended hog. 

His favoured tipple seems to be Rugby Players and other butch sportsmen, 

The bindings are invariably comprehensive, neat and believable.

This image is lifted by the lifelike representation of the captive's taped eyes and face mask.

 The face covering appears to be improvised from socks, underwear or shorts (of unknown, dubious condition and origin!) These are clues to his deeper fetish leanings.

Shenguanlin - Hogtied

This hog variant puts the prisoner into real world setting, balanced on a table in an austere cell whose bare interior contrasts vividly with the vegetation seen beyond the prison bars, the lush world from which he has been removed. Stripped down to just his shorts and socks, a typically hairy physique is revealed. Since he's so tightly hogtied, the table beneath his body is the only external thing the prisoner is aware of, because a blindfold, gag and earplugs deprive him of his other senses. 

This relatively simple image is visually appealing thanks to it's colour balance and crisp detailing. There's an intriguing sense of the unknown. Who is he? Why is he here? We can almost feel his isolation and share his mystification of where all this is leading. He may not even realise that he's set upon a table which seems to imply a tactile physical inspection may well follow his sensory deprivation.

Shenguanlin - The Penalty for Losing

The same basic hog-tie image is worked up here into a dramatic, erotically-infused scene with three rugby players put on display in matching restraints, having been held responsible for the loss of a match. It must have been quite an important one!

Part of their punishment seems to have been a beating of some sort, the random angles of the red weals on their bodies suggest a 'running of the gauntlet' prior to being tied up (compare the recent Drtkk imagery). The beating, however, is just a warm-up for their real punishment. Their faces have been wrapped in a mixture of dirty jock straps and smelly trainers (no doubt provided by their team mates). I suppose it brings home to them, rather vividly, just how much sweat and toil their colleagues had put in, when they hadn't. They are sweating profusely themselves now, even if they weren't during the match.

The restraints here look a whole lot tighter and much more strenuous for the three captives than the previous examples. Their heads are pulled back tightly and connected to tightly flexed legs at the toes. They will probably be dropped from the team after their poor performances, but if they're forced to endure this much stress for long - say, the same length as the match - they aren't going to be in a fit state to play again anyway for a while. 

This picture is packed with fascinating and sometimes sleazy detail. This artist has an unusual way (to me at any rate) of depicting the struggling movement of the captives. It consists of squiggly lines drawn around the outlines of their bodies. It works better when you get used to reading it. Some of it seems more like trembling than energetic struggle - which is not an entirely inappropriate reaction! He provides sound effects as well. A (slightly incongruous) dialogue box explains the scenario.

Shenguanlin - Duct Tape Boy

You can see the 'special effects' more clearly in this rather nicely drawn image of a skater-type tied to a chair (surprisingly it's a padded one!). The trembling interpretation applies quite well here. There are virtually no erotic ingredients in this picture beyond the captivity scenario itself and the suggestive, clean-cut characterisation of the prisoner.  However, the taped-up shorts are quite intriguing and fans of trainers and chunky legs get a small treat. The heap of tapes at the prisoner's feet and the ropes lying on the floor behind him suggest he's part of a much bigger bondage operation.

Shenguanlin - Bondage Freak

Here the artist takes the same basic image and makes a spectacular transformation with some relatively small alterations. The covering of the face with noxious looking fabrics has the most immediate impact, followed by the spurting, caged cock which is a good compromise between realism and wishful thinking. But there's another, easily overlooked change that arguably has more impact overall and that is the 'doubling up' of the taping which adds body bulk and emphasises the total restraint of the prisoner. 

There's a host of fascinating detail including the introduction of an electrical box whose terminals are connected to the man's balls with crocodile clips. However, this arrangement seems designed not so much to torment him, but to stimulate his engorgement into a seriously restricting cock and balls cage which also has a head attachment improvised from twisted wires and holding a 'sound' in place. 

This isn't the same man as the previous picture, this one has hairy legs, suggesting more maturity and a greater inner strength that warrants his more demanding restraint. The crudely boarded-up cell window seems to imply he's going to need it. 

Unexpectedly, the artist's title seems to imply this arrangement is all quite voluntary.

Shenguanlin - Tonight's Boy

This tweaking of straight-forward bondage images to show extreme, earthy outcomes reflects an interest in the whole process of a man's descent into captivity and this image depicts the starting point. A very real-looking man has been entrapped, apparently in his own home. He's laid out on a settee being tied up, surrounded by items indicating his passion for playing rugby - but not for washing his clothes. This stereotypically masculine trait makes him ideal material for Shenguanlin's predators. 

The captive has been put into a shiny, black, bondage suit with his arms strapped to his sides. The suit is not particularly tight but manages to display a sizeable mound between his thighs, which looks as if it might a white undergarment (and contents) extracted from inside the suit. It's squashed into two moundlets by a very tight belt, part of an assortment of ropes, bandages and belts providing head to toe restraint. 

This looks like preparations for an abduction - the protective packaging of a prized acquisition, but the captive's legs are actually being tied to the settee which implies he isn't going anywhere just yet. The captors leave him free to voice his confusion and protests, but it's hard to see that continuing for long.

Shenguanlin - Installation of a Dungeon Urinal 1

In this image a similar looking man is being processed in a dark, undefined space. His two masked attendants are indistinctly drawn, but clad in skin-tight, dark body suits creating an eerie atmosphere of sexual menace. The title tells us more of what is to come, the smell of the place may give him that clue.

Standing erect so that the attendants can finish strapping him up, he is already fitted with  a thick, high collar that forces him to look upwards. A ring gag, attached to a whole-head harness keeps his mouth gaping open and already, his face is dripping with cum. His cock and balls, extracted from his body suit, are uncovered and forced into a multi-ring cage that squeezes tight round his balls and the base of his cock. 

Despite this multi-layered restraint, he is weeping excitedly. The artist cleverly maintains an element of ambiguity throughout the story suggesting consensuality. The photo ID card stuck on the captive's chest even suggests a club-like arrangement, recognising his individuality and tracking him. A bit like an animal passport. 

Shenguanlin - Installation of a Dungeon Urinal 2

The captors tape over his eyes and carry him to an iron cubicle where he is put inside a body-shaped casket like a mummy. It seems to fit him perfectly not allowing him to make any movements. Perfect for shipping but the casket is actually chained to the wall. In the picture the attendants move in close to make final adjustments and he can probably feel them touching and arranging him. They stroke his cock encouragingly (sympathetically?) and too late, he senses something not very nice is going to happen to him, but his gargled plea is ignored. 

Next, they will fit the other half of the casket over him. The front section is fitted with a mouth tube that will be fed through the ring of his gag, there's also an orifice for his cock and balls to be pulled out, both requiring careful fitting. Eventually his voice is silenced by the outer cases being bolted together.

Shenguanlin - Installation of a Dungeon Urinal 3

By the time the attendants have departed some time later, the outer casing is doubly clamped and chained to the walls of the cell. The incarcerated captive's mouth piece is connected to a stub of a tube in the ceiling of the cubicle. When opened it will drain waste liquids from a Basketball Team's locker room just above. 

The captive's projecting cock is now fitted with close-fitting shaft-ring which can be agitated mechanically via an electric motor. His balls will simultaneously receive electrical stimulation and this control arrangement will draw repeated orgasms from him. His own emissions will be channelled to a valve gadget that either recycles them or else dumps them onto the floor. 

The prisoner manipulation and accumulating sense of doom in this little epic (which runs to 8 pictures in all) is very effective, all the more so if you identify with the captive. The artist explores this earthy scenario repeatedly in his work and I will provide links to find more at the end of the article.

Shenguanlin - New Arrival 1

This looks like it might be the same, butch captive but his restraint is very different here. He's been clad in a tight-fitting, latex, bondage suit that shows him to have a highly muscular physique. One that deserves to be displayed. His arms are restrained in a complex, shibari style, upper body harness but his legs are simply tied together at thigh height, hobbling him. Only two parts of his body are exposed. His head is enclosed in a harness with a gag attachment (which looks rather like a ball gag but is intended, I think, to be a ring). His cock is locked into a  chastity device through which he is leaking onto the floor. 

He's been parked in a urinal and, unsurprisingly, seems to have attracted the attention of it's users. There are limits to what they can do to him in this constraint but they have left behind souvenirs of their visit. A string of cum-filled condoms round his neck seem to have been left as tips, or I suppose they may be his own handiwork (if it's possible produce handiwork without using your hands!). Other visitors have splashed their compliments over his face, since the obvious receptacle is blocked off by the ball gag. 

Ominously the captive has been labelled here with a 7-character ID code, stuck to his chest. It suggests that this period of service is not just a a passing experimentation on his part but a more lengthy commitment. It also implies that he is just a small part of a laboriously assembled team of service providers.

Shenguanlin - Semen Collection

The condom motif is seen again here. These do seem to be filled with the prisoner's own produce. He's being continuously prompted to produce more by a vibrator strapped to his thigh.

This looks like a facility where passers-by can help themselves to refreshing, cold, cum shots.

They have contemptuously discarded their drained condoms at the prisoner's feet, one has even been draped over his shoulder.

This artist likes his captives to keep their socks on (see hogs above) and I love this one's semi-hairy pecs which remind me of my adolescent attraction to a young workman who worked for a while, bare top in his dusty, black jeans, on a building site very close to where I grew up. 

Shenguanlin - Caged

This image depicts a completely different form of captivity. The prisoner is hooded and locked into a chastity device, but otherwise naked. He's been put in a cage that is only big enough to allow him to kneel, a position that has been further restricted by roping that lifts up his tied wrists behind him. The simplicity of this arrangement creates a sense of great vulnerability

A captor wearing a sinister gas mask is crouched beside him as if concerned, but the coiled whip in his hand is evidence that brutal control techniques (or sadistic pleasure seeking) are rife in this particular facility. This may account for the prisoner's trembling.

More Shenguanlin in Part 2