More Art by Reitorachi

Following on from my post of Reitorachi's Captivity images,

another selection of other work by this artist, some vanilla, some not 

I don't know whether you'd call this vanilla or not, but it must be one of the best images ever of the tentacle genre, not so much for what it shows but for what it doesn't show, and what you think it should show in a few minutes time. A hero in trouble, having his already skimpy clothes pulled off, but he is not quite in an inescapable predicament, not just yet. There's only one tentacle, not the usual, multi-pronged attack, so it's more focussed and to my mind, more effective. 

But there are other delights. The wet, 'fundoshi' loin cloth with it's gleaming rounded contents. It's twisted, rope-like under-strap is vaguely suggestive of a string of pleasure balls. And those ass cheeks look distinctly rosy. Is this an 8-armed spanker? There's even a cute foot being proffered if you like to partake of such delicacies.

There's a similar sense of vulnerability about the man in this image, upside down, semi-suspended, and unclad from the shoulders down. His exposed cheeks are spattered with something, but the close proximity of a beer bottle and the respectably clad state of the adjacent captor means there's an element of uncertainty about the exact nature of the fluid. There's also a question about what he is going to do with the empty bottle. To the right a second captor is up to more mischief, it's left to the viewer to imagine whether it's painful or just plain rude. 

There's no such mystery in this reworking of the same suspension idea, but the nature of the threat posed by this hero's fantasy attacker is much more dependant on the viewer's imagination. 

The dense detail and styling makes this image harder to take in, it reminds me of old engravings where devilish creatures were set upon sinners. Non-Western cultures don't have the same, extreme viewpoint about such beasts and dragons get a better press these days. 

Nevertheless, the bird-like claws and beaks of these creatures do look scary and the depiction of the bony, hammerlock grip on the hero's arm (at the left) is very powerful. The advantage of fantasy creatures is that everything can be exaggerated and the artist has taken full advantage of that with the creature's tongues which are not only very long but prehensile too. They don't seem to be using them for the usual pleasuring and intrusion, but to plant two egg-shaped objects in the captive's rectum. (The second one is being held by the one on the left, next to it's beak). I'm not sure how the hero is prevented from ejecting them, but his angry expression at the violation seems quite justified. 

Tonguing is this creature's game too and it uses it's many, multicoloured tentacles to restrain it's captive in a most imaginative and accessible way. It places a degree of physical stress on him and he's already sweating. His earphone-mike combo suggests he is a Chris Redford-style, enforcement agent of some sort, which lends an acute irony and pathos to his restraint and to the exploitation of his nudity - nudity which couldn't look more complete. This dynamic pose is much better than the stereotypical sitting down/open legged, floating posture of the tentacle genre. 

I have doctored this image to tone down the censorship squiggle 

and it has fortuitously turned into a secondary tentacle envelopment.

A strong sense of vulnerability and exposure is created here by a pseudo-medical machine which comprehensively restrains the patient from the front, while presenting  his rear end to a variety of probing devices (which also seem to have a fluid injection capability). This is a much more elegant way of gaining access than the birthing leg-lifter so beloved of video makers. 

There's a second layer of restraint down below, linked to a milking feature - or a draining device, to be more precise. The milking is actually precipitated by the action of the probes.  

 , 

This image repurposes the suspension pose seen in Part 1 of this article. The bondage itself is economical but it's a fairly challenging restraint position with doubled back limbs and asymmetrical rigging stretching and stressing the captive, whose arched torso is sweating profusely. It's this that makes the image so striking. 

There's a wealth of supplementary detail. A cock sheath performs unseen manipulations on his pride and joy (and keeps the censor at bay). Thin lines attached to nipple pads provide further stimulation and another is pulling open his mouth to receive a fluid dripping from above (a tricky alignment I would have thought, it's hard to imagine him remaining still). He seems to be wearing virtual reality goggles and is therefore unaware that he is surrounded by a lustful audience observing the effects of all these attachments on him, but ultimately unable to participate in his adventure.

This image of a man reclining on a beach (or beside a pool) also has layers of interest.  His cigar and cocktail suggest maturity and sophistication. Also wealth. He has a chunky, well-built figure and is clad in sexy form-fitting briefs so you wouldn't have imagined that he'd be short of admirers and yet he's brazenly holding a fan of banknotes in his hand as if wanting to attract service of the paid-for kind. 

That detail seems to transform him. The voluminous smoke starts to suggest an element of arrogance and selfishness, the cocktail ('with all the trimmings') becomes showy and tacky, the youthful haircut seems terribly inappropriate and sad and even those alluring briefs a little too much. 

 

Most of this artist's images seem to avoid sensualising the male body but this image makes you wonder why. It's a classic, stretching, male model pose with the face and luxurious tresses suggesting a man of sensitivity and delicacy. A touch of femininity perhaps, which the side-tied G-string also contributes to. 

His body conveys the opposite message, it gets bigger and more muscular the lower your eyes drop with the bikini pouch nestling between tree trunk thighs befitting the butchest of rugby players. On a woman the G-string conceals, on a man it contains and here it seems to hook underneath and bring his tackle forward in a tantalisingly graspable, rounded bulge, offered up for closer inspection. The model's stance suggests he won't impede a closer look, but I can't resist imagining chains on his wrists, just to make sure. After all, men like this only exist in fantasy, catch them while you can.

The appeal of lithe muscularity is an easy win but I applaud any artist who can see the attractions of older and chunkier men and this charming, domestic sketch succeeds in making this man exactly that. On him the rounded muscle shapes are amplified and exaggerated without losing their essential shapeliness or proportions. The model seems suspicious of the enterprise as if sensitised to negative comments about his figure, but he need not have worried, the artist has done him proud.   

This young man sits (nervously) at the  opposite end of the scale, rather like a model in the early years of beefcake photography, persuaded to pose naked but suddenly feeling rather uncomfortable about it, especially after placing his bare flesh on the cold surface of a wooden (milking!) stool in a pose that opens him wide. He has a rather large posterior for a young man and if you look back you'll see this is a recurring feature in this artist's work.

It also seems as if this might be a punishment scenario, 'the naughty stool', for there seems to be a tear trickling down his cheek or maybe it's anticipatory sweat. His backward glance suggests there's more to come. The coquettish flash of spiky hair spells bravado, but it's about to be tested.

Just another day at the Office! 

Pure fantasy but a nice image. I like the open shirt.

Getting on doesn't always require hard work, just application.

 I frequently feature wrestling at this blog but not bearhugs very often, because they don't always seem convincing, especially when the recipient is seen resting his knees on his opponent's thighs. 

This picture shows bearhugs as they should be - a truly muscular embrace from a villainous-looking heel and a squashed victim, arms and all, lifted off his feet and howling in misery. Well, I say misery but he has ejected copious quantities of cum over his opponents torso, which suggests it's not all bad for him. The cock between his legs may have caused this over-excitement but his submission will not be the end of the matter.

The background seems like  a spooky cave-like setting with gelatinous fluid dripping from the ceiling, so I suppose the young man is an adventurer on a mission, probably not expecting to stumble on the lair of a superannuated luchador during his quest.

~

More by this artist at pixiv, where his name is 冷凍ライチ (Frozen lychee)

He also posts at 'X'

For other mitchmen posts on related subjects, please click on the labels below 

 

The Art of Uruonurun - 2

 Read Part 1 of this post

Uruonurun - Ninja 02

Uruonurun's 'Ninja' series depicts the capture of a young warrior by two determined-looking men. Ninjas are men to be feared but they strip him of the ceremonial clothing that defines his calling and hides his identity. He's revealed as a man like any other man, dressed only in a curious shirt of net-like material and a scanty loincloth, his 'Fundoshi'. Then, as if to mock him, they tie him up, shibari-style. with one leg raised and doubled back, the other stretched out behind, suspending him in that, uncomfortable, position. In Western eyes this pose suggests a mythical hero (or his modern day, 'super' equivalent) about to take flight. This man is going nowhere. His tight loincloth gleams as though it is wet and the outline revealed betrays feelings that do not entirely chime with the embarrassed, angry look on the humbled Ninja's face.  

The characterisation of the two 'villains' here is contrasting. One is portrayed like a malevolent, uncouth torturer - overweight, masked and scantily dressed - the latter a device to intimidate the captive but also to protect his clothing from any mess as he goes about his unpleasant task. His pleasure as he tightens the ropes on the protesting captive is evident in his face and even more so further down. 

By contrast, the other captor appears cultured and well dressed, a person of some standing - he might even be the Ninja's mentor, training him to be more resilient. However, what we can see of his face suggests dark intentions indeed. The only clue to his inner feelings is his hand, resting on top of the captive's tensed thigh, emphasising his control and maybe something more. 

Uruonurun - Ninja 06

If this is simply about training, it's going to be tough indeed for the young acolyte. The rope man has revised his restraint to incorporate the highly decorative, repeating diamond pattern (hishi), running from the neck down to the crotch. But it's not just decorative, when tightened up, it's compressive, restricting the captive's breathing. 

Red wax drips from candles, ceremoniously suspended above and around the Ninja, it stings his skin with an intensity determined by the melting point of the wax (red has a wicked reputation) and the distance it has to fall. It solidifies on contact, cooling into blobs that remain attached to his skin and mar his beauty after the pain has passed. 

The captive has also been seated astride a wooden 'wedge' or horse, which mocks his pretensions to the status of a Samurai. It will increasingly torment his groin with the passage of time, especially if his feet have been weighted down. (Don't try it at home!)

In the face of all these challenges, the Ninja's torso cascades with perspiration 

his pouch is translucent with spilling desire.

A number of posts at mitchmen blog feature the 'wedge', 

click on the label 'Riding The Wedge' at the foot of this post to view them

Uruonurun - Bandana Ryoushi 08

Uruonurun reaches back into Japanese artistic tradition for this group of images showing a fisherman menaced by a giant octopus that he has unwittingly caught in his net. Although he's still clinging onto the net ropes here, it's obvious the octopus must have climbed aboard under it's own steam. One of it's tentacles is draped over Ryoushi's* knee (compare with the top image). The remains of the net encircling the creature seem to have assumed the shape of a bikini pouch, as though attributing human characteristics to it (in that particular department anyway).

Notice the artful, traditional styling of the water, now calm. 

Ryoushi is a well-known anime character, bandana is as in English 

Uruonurun - Bandana Ryoushi 09

The creature's tentacles turn out to be surprisingly dextrous. It's able to undo the fisherman's trouser flies which part to reveal a interesting shape in his underwear. Another tentacle slides inside his tank-top vest. The fisherman, we can see is exceptionally well-muscled underneath. Perhaps he did haul the octopus aboard after all! He responds to the creature's groping with red-faced surprise, embarrassment and a certain amount of trepidation.

Uruonurun - Bandana Ryoushi 12

In the images that follow, all of Ryoushi clothes (except his bandana, gloves and boots) are removed by the creature. At any rate they all disappear. It's tentacles become increasingly intimate.

This sexual intimacy parallels the famous artwork of 'The Dream of The Fisherman's Wife', but the narrative of Uruonurun's picture is almost the exact opposite, this is not a subconscious fantasy but a real assault that appears to be entirely unwelcome. It's not a dream, it's a nightmare.

Uruonurun - Bandana Ryoushi 16

The nightmare deepens as the creature completely entwines the naked fisherman with it's tentacles, lifting him up but still holding on to his dick (now spent). This raises the terrible possibility that it intends to return to the sea (as eventually it must) but taking the terrified Ryoushi with it. In the final image of the series however the creature seems to dissolve away as though it really has been just a dream. There's a similar conclusion to the 'Hero's End' in Part 1 of this post.

There are many other posts at mitchmen that depict Octopi capturing men, it's a branch of the tentacle genre, but usually carries more menacing overtones because of the well known strength of the creature and the risk of drowning for those that cavort with them.

Uruonurun - Omawari-San 02

This cheery fellow is an Uniformed Officer of some sort, possibly a policeman. The imagery that follows suggests this is the case, but the happy, relaxed pose here does not conjure up the law enforcement aspect of that role. 

Uruonurun - Omawari-San 03

The artist shows the cop to us in various states of undress. This is one of the most interesting, conjuring up the sense of a very physical man, despite the wide eyes which seem to belong to someone much younger - and more naïve.

Uruonurun - Omawari-San 10

This image shows him with an erotic awareness and confidence that is endearing. 

The dissolving table is (I think) an augury of the nightmare that is about to descend

 on this inoffensive young man.

Uruonurun - Omawari-San 22

In the sequence that follows the Officer is taken prisoner by two hooded criminals. He is beaten and given a full lesson in dark desires. The dramatic picture above showing him suspended in shibari ropework is the culmination of the incident and best image in the set. The others are to graphic for this blog but you should have no problem finding them via the links below.

Uruonurun - Shoubou-san (Fireman) 02

All the series mentioned previously in this post consist of 4 or so images which are subjected to variations to create a storyline in which the main character is confronted with challenges from a variety of other beings. The Fireman, has a simpler storyline - a single character subjected to bondage and clothes removal by an unseen captor. This image shows him in full rescue regalia, hard at work, strapped up and training with ropes. He's a picture of manliness, grit and determination. Confidence bordering on arrogance.

Uruonurun - Shoubou-san (Fireman) 03

The artist re-imagines this hero without his trousers on. His projection of manliness is undiminished, rather, his shorts bulge with excitement. The seams of his underpants seem to simulate his loins being trapped in complex, shibari ropework. This strip sequence continues to nudity.

 

Uruonurun - Shoubou-san (Fireman) 09

 In the second sequence we see him gagged and and tape-bound, hot from an incendiary incident with all his rescue kit on - overalls, boots and harness. His cocky confidence seems to have drained away, replaced by puzzlement as he sees the array of strange items around him. Equipment that is foreign to him, more suited to starting fires rather than extinguishing them.

Uruonurun - Shoubou-san (Fireman) 10

The Fireman is a modern day successor to the Sailor and Cowboy of yesteryear in the pantheon of homoerotic iconography and the tight-fitting, blue T-shirt, showing off his musculature and usually sporting a professional badge is perhaps the most indispensable element of his signature outfit. Our captive's manly frame seems to be well up to the task of filling it.

Uruonurun - Shoubou-san (Fireman) 11

His clothes melt away demonstrating that the muscularity beneath them is genuine.

Classic white underwear is all that remains. It projects through the strapping of his harness.

It's as if the wearer is dimly aware of what those strange items represent.

Uruonurun - Shoubou-san (Fireman) 13

His captor eliminates his underpants and demonstrates the kit to him.

Plastic discs cup his muscular pecs, his nipples begin to tingle.

Seven blue balls (coloured to match his shirt) are squeezed inside him, 

one after another, they accumulate inside, packing his ass.

By then his hose is ready, nay eager, to slide into the lubricated sleeve.

He gives himself up to heavy breathing and ecstasy.

Uruonurun - Shoubou-san (Fireman) 17

When next we see him he is completely naked.

All the clothing and gear that represented his proud profession are gone.

The restraining tapes have also disappeared, no longer needed.

He's a different animal now, focussed on the fiery pleasures of the flesh.

~

 Read Part 1 of this post

Artist Links: Uruonurun on 'X'

Uronururun at My Reading Manga

Tentacle Art by Alabuster

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 Alabuster's art is new to this blog, his approach is refreshingly direct and simple in style.

Most artists leave the question of 'what does a tentacle creature look like' unanswered, Alabaster gives us a surprising solution, they just come out of the ground. I suppose anything is possible in an age of rampant pollution and destruction of the natural environment! 

In fact I recall a storyline I wanted to work on where the Security Guards patrolling just outside a biochemical plant were attacked in precisely this manner and not only used sexually but absorbed into the life system of the creature that had ensnared them. Effectively they ended up as throbbing (of course) bio-science hybrid 'machines', perpetually in sexual mode.

The intervention of a buddy in this tentacle attack is a relatively unusual feature too. His rescue attempt falls foul of the creature's 'other half' emerging just behind him. It's classic horror stuff (and pantomime too!), but the denouement of being forced into stuffing his best mate is a twist I haven't seen before. 

Showing the restraint tentacles being pulled taut by the captive's resistance is another welcome departure from the norm in this genre, which often shows victims being juggled with in thin air. That touch of realism adds a nice edge.

~

Link: Alabuster is on pixiv

Rampaging Octopi

Breyette - Davy Jones Locker Room

 

Breyette isn't noted for his fetish content and I suppose you can see this as just letting a humorous pun develop in a fantastic direction. However the muscular tentacles he's depicted here taking their pick of some innocent sportsman enjoying a well-earned shower in the locker room are sexy too. The question is, what will it do with them now it has them? An almost believable take on the tentacles phenomenon.

Etienne - Octopus attacking a Frogman

This vintage gay art showing a nude frogman being attacked by an Octopus shows how old the fantasy is. Etienne does not shrink from the erotic aspects of the situation but the creature seems to be merely embracing it's victim and feeling his pecs. One wonders whether the frogman was enjoying a naked swim or lost his trunks to the predator, as they are nowhere to be seen. There was a vogue for images like this in the 50's in Men's Adventure magazines, sometimes featuring man on man combat based on the exploits of naval divers in the Second World War.

This example is even earlier, 1940, and despite the swimmer's modestly obscure lower regions it is arguably even more homoerotic, just inspect the relative positions of the combatants. It seems to have been common for divers to carry knives for the mundane purpose of avoiding entanglement in nets and ropes on the sea bed. You see them being used to open clams and giant oysters for their pearls in adventure movies. The machete design here and lack of underwater air equipment suggests this is a local fisherman so the brown groin covering is probably a capacious, Tarzan-style loincloth.

Caught by the Octopus

Another naked swimmer is subjected to ferocious assault by a sea creature which is largely unseen, very much in the modern tentacles tradition, but it's clearly octopus-like. It's clearly a sexual predator too, pinning the arms of it's prey in human fashion, encircling his dick and gripping his testicles. Coupled with the swimmer's muscular physique, it produces a memorable image. The mouth plug suggests an attempt to show reciprocity and is a standard feature in ordinary tentacle art,  but in this environment it's potentially deadly, elevating the intensity of the image.

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I don't know the artist who produced this modern take . 

More Octopus Art at mitchmen

Felix D'Eon (2 examples) swimmers abducted

Ernest Guillen - frogman trapped

Luxuris - Aquaman challenged

Ajay - The eaters become the meal

Yael - lurking predator

With No Title - Fisherman fished

Priapus - Sex on the Beach

Naomichi - classic erotica reworked

MisterX - in his speedos

Logan - Nudist attacked

Tentacle Art by Ruslan

 The early tentacle render portrays a much more dramatic pose pose than most in this genre.

The unfortunate victim is being assailed from above and below by tentacles which have a technological origin, not a biological one. His arms are pinned back by the assailants and one is wrapped round his neck, like a noose, pulling him upwards. Others, emerging from what looks curiously like the innards of a piano, are entwined round his legs and levering them open, leaving the way clear for penetration and milk extraction.

I don't have a site link for Ruslan 

click on the labels below for related posts

Art by Otoko Bara

OtokoBara -  Raka Bondage Trouble 01

Captive cops remain a popular, homoerotic subject in Asian art although they seem to have slipped out of favour elsewhere. This sexy overlay of shibari bondage and partly undone clothing is also a very oriental concept. This image is the start of an incremental, undressing series of 8 images. The 'shirt only' and 'trousers only' ones are both sexy but unusually for me I have chosen the 'naked climax' as a companion example for this image, below.

OtokoBara -  Raka Bondage Trouble 06

The intruding telescopic pointer(?) here makes the cops ordeal seem like part of a presentation to a watching audience. The pointer has been doubling up as a punishment implement, judging by the weals on his body (which is why I have selected this image). It seems to have coaxed him into an impressive display for the benefit of the onlookers.

Links at the foot of the page should enable you to find the rest of the series.

 

I haven't always championed tentacle art here at mitchmen but the grown-up qualities of the muscular man in this example and the sheer sensuality of the image gets it in. As a pencil-bound artist I am envious of the ability of computer aided contemporaries to create semi-transparent, silky and wet textures which are used to the full here to convey the sense of the victims' vulnerability and involuntary excitement, he feels his sexy shorts being invaded and his sensitive areas explored by the marauding arms. 

There's a nice sense of him being lifted into the air, heading towards a sexily arched body rather like a wrestler going into a flying surfboard, however the tight cropping of the image gets away from the sense of detached, dreamlike floating which is so common in this genre. That allows a more down-to-earth  situation to be imagined, like a bed invasion. His wink suggests a typically male wincing in response to the slobbering assault.

OtokoBara -  Obey-Confront

I'm not sure I quite understand the mind control ingredient in this picture but it's a great portrayal of a shibari bondage position. It's a great way to display a captive with the tightly folded legs and bulging pecs indicative of severe restraint. This position is a good deal more unpleasant to experience than it looks. Balanced with his whole weight resting on his knees, the captive soon experiences great joint discomfort and ultimately, if not released, serious injury, so be careful about trying this at home!

OtokoBara -  Waiter 1

Much of this artists work explores the fantasy of mentally undressing fit men who we come across in connection with their work. This waiter is a fun example.  I like his cropped top.

OtokoBara -  Waiter 1

I like this teaser. His facial expression suggests he knows we're looking!

Or at any rate feels uncomfortable.

There's probably a nude variant of this picture with all the trimmings at Patreon.

OtokoBara -  Cyclist 1

The lycra-clad cyclist is a modern homoerotic icon. 

His pec-reveal here is very sexy and I like the trickling sweat on his arms and legs. 

It seems to be soaking into the lycra around the groin area, a nicely captured detail.

The 'almond eyes' this artist uses work well here, 

again there's that sense that he feels he's being watched!

The artist goes on to give that 'undressing with the eyes' idea a modern twist.

OtokoBara -  Cyclist 2

Who wouldn't want a phone that could do this?

I've seen sun-glasses used for this fantasy in TV ads before,

but this is more a believable variation.

OtokoBara -  Cyclist 3

I'm glad I'm not the only one who finds cycle helmets a turn off.

Apologies to those who get a kick out of them.

OtokoBara -  Knives

This artist is quite good at inventing sexy clothing, but this gingham top is a bit left-field.
I'm not arguing with those knives though, the scars are warning enough!

OtokoBara -  Wet T-shirt

Yes please!

~

 Lots more at OktokoBara  at X-Twitter and a link there to Patreon

Tentacle Art by ErosisSFM

This marvellous image shows hero agent, Chris Redfield surprised by a mutant plant.

Somehow in the assault his uniform has been stripped from his body.

His weapons too have disappeared, all consumed by the plant.

Only his leather boots which lie on the ground before him have been rejected.

Perhaps because they are the only thing that has a tough, organic structure.

The grip of the powerful tentacle on his arms and thighs is strangely exciting

Many strange creatures stalk this forest and if one were to find him like this, helpless....

But already he is being drawn backwards into the maw of the plant. 

He can only hope that his organic make-up will cause the plant to spare him too.

 But then he feels the maw pressing at his back, drawing him in.

He feels it's presence seeping into him, spreading inside.

The plant has saved this delicacy of living, untainted flesh for last.

The despair and the darkness of the forest close in on him.

~

This artist specialises in fantasies of men and monsters doing horrible things to each other (to use his words). Be warned, sex rears it's ugly head. More ErosisSFM