Reitorachi - Riding The Wedge

It's a while since I added to this series but I stumbled across these images 
and thought them worthy of inclusion.

Reitorachi - Man On The Horse

This artist departs from the conventional method of weighting the feet to give the rider the best experience between the legs. Instead his legs are hitched up behind him with the ankles tied together. A linkage to his wrists creates a sort of flying hog-tie. I don't know what that feels like, less pressured perhaps, but it looks good. 

He's also taken advantage of the forward body inclination induced by the bondage to insert a enema tube in the young man's rectum, with predictable results that won't appeal to everyone.

Reitorachi - On The Horse

In this, more sketchy example, the hog tie is omitted, the wrists being restrained in a higher, coupled position with the feet tucked in close behind. This means that the captive is obliged to arch his body himself, in order to maintain his balance. His reward is a catheter 'drip' to complement the anal insertion. There's a risk of him enjoying all this!

Also by this artist:-

Reitorachi - Cock Party

The artist's title scarcely does justice to this splendid suspension image. 

The imposed, forward arching stance looks very uncomfortable but sexy.

 The body harness with it's interwoven rope strands is superbly realised.

Despite the tricky perspective there's an almost 3D sense of enwrapment. 

It looks as if it might tighten up further, under the weight of trapped captive.

Reitorachi - Alien Adventure

Well I don't know about adventure. 

When someone waves a religious reliquary under your nose gushing with purple smoke, you know it's not gonna be fun. Especially when disembodied hands are approaching your orifices with leech-like creatures of the brrowing kind. The pillory restraint is a practical precaution but the tongs seem a bit prissy in the circumstances. Unless this is a remake of The Terror of the Tongs!

More by this artist at pixiv, where his name is 冷凍ライチ (Frozen lychee)

his gallery includes another wedge image, classically styled.

Also at 'X'

For other mitchmen posts on related subjects, please click on the labels below 

 

The Art of Uruonurun - 2

 Read Part 1 of this post

Uruonurun - Ninja 02

Uruonurun's 'Ninja' series depicts the capture of a young warrior by two determined-looking men. Ninjas are men to be feared but they strip him of the ceremonial clothing that defines his calling and hides his identity. He's revealed as a man like any other man, dressed only in a curious shirt of net-like material and a scanty loincloth, his 'Fundoshi'. Then, as if to mock him, they tie him up, shibari-style. with one leg raised and doubled back, the other stretched out behind, suspending him in that, uncomfortable, position. In Western eyes this pose suggests a mythical hero (or his modern day, 'super' equivalent) about to take flight. This man is going nowhere. His tight loincloth gleams as though it is wet and the outline revealed betrays feelings that do not entirely chime with the embarrassed, angry look on the humbled Ninja's face.  

The characterisation of the two 'villains' here is contrasting. One is portrayed like a malevolent, uncouth torturer - overweight, masked and scantily dressed - the latter a device to intimidate the captive but also to protect his clothing from any mess as he goes about his unpleasant task. His pleasure as he tightens the ropes on the protesting captive is evident in his face and even more so further down. 

By contrast, the other captor appears cultured and well dressed, a person of some standing - he might even be the Ninja's mentor, training him to be more resilient. However, what we can see of his face suggests dark intentions indeed. The only clue to his inner feelings is his hand, resting on top of the captive's tensed thigh, emphasising his control and maybe something more. 

Uruonurun - Ninja 06

If this is simply about training, it's going to be tough indeed for the young acolyte. The rope man has revised his restraint to incorporate the highly decorative, repeating diamond pattern (hishi), running from the neck down to the crotch. But it's not just decorative, when tightened up, it's compressive, restricting the captive's breathing. 

Red wax drips from candles, ceremoniously suspended above and around the Ninja, it stings his skin with an intensity determined by the melting point of the wax (red has a wicked reputation) and the distance it has to fall. It solidifies on contact, cooling into blobs that remain attached to his skin and mar his beauty after the pain has passed. 

The captive has also been seated astride a wooden 'wedge' or horse, which mocks his pretensions to the status of a Samurai. It will increasingly torment his groin with the passage of time, especially if his feet have been weighted down. (Don't try it at home!)

In the face of all these challenges, the Ninja's torso cascades with perspiration 

his pouch is translucent with spilling desire.

A number of posts at mitchmen blog feature the 'wedge', 

click on the label 'Riding The Wedge' at the foot of this post to view them

Uruonurun - Bandana Ryoushi 08

Uruonurun reaches back into Japanese artistic tradition for this group of images showing a fisherman menaced by a giant octopus that he has unwittingly caught in his net. Although he's still clinging onto the net ropes here, it's obvious the octopus must have climbed aboard under it's own steam. One of it's tentacles is draped over Ryoushi's* knee (compare with the top image). The remains of the net encircling the creature seem to have assumed the shape of a bikini pouch, as though attributing human characteristics to it (in that particular department anyway).

Notice the artful, traditional styling of the water, now calm. 

Ryoushi is a well-known anime character, bandana is as in English 

Uruonurun - Bandana Ryoushi 09

The creature's tentacles turn out to be surprisingly dextrous. It's able to undo the fisherman's trouser flies which part to reveal a interesting shape in his underwear. Another tentacle slides inside his tank-top vest. The fisherman, we can see is exceptionally well-muscled underneath. Perhaps he did haul the octopus aboard after all! He responds to the creature's groping with red-faced surprise, embarrassment and a certain amount of trepidation.

Uruonurun - Bandana Ryoushi 12

In the images that follow, all of Ryoushi clothes (except his bandana, gloves and boots) are removed by the creature. At any rate they all disappear. It's tentacles become increasingly intimate.

This sexual intimacy parallels the famous artwork of 'The Dream of The Fisherman's Wife', but the narrative of Uruonurun's picture is almost the exact opposite, this is not a subconscious fantasy but a real assault that appears to be entirely unwelcome. It's not a dream, it's a nightmare.

Uruonurun - Bandana Ryoushi 16

The nightmare deepens as the creature completely entwines the naked fisherman with it's tentacles, lifting him up but still holding on to his dick (now spent). This raises the terrible possibility that it intends to return to the sea (as eventually it must) but taking the terrified Ryoushi with it. In the final image of the series however the creature seems to dissolve away as though it really has been just a dream. There's a similar conclusion to the 'Hero's End' in Part 1 of this post.

There are many other posts at mitchmen that depict Octopi capturing men, it's a branch of the tentacle genre, but usually carries more menacing overtones because of the well known strength of the creature and the risk of drowning for those that cavort with them.

Uruonurun - Omawari-San 02

This cheery fellow is an Uniformed Officer of some sort, possibly a policeman. The imagery that follows suggests this is the case, but the happy, relaxed pose here does not conjure up the law enforcement aspect of that role. 

Uruonurun - Omawari-San 03

The artist shows the cop to us in various states of undress. This is one of the most interesting, conjuring up the sense of a very physical man, despite the wide eyes which seem to belong to someone much younger - and more naïve.

Uruonurun - Omawari-San 10

This image shows him with an erotic awareness and confidence that is endearing. 

The dissolving table is (I think) an augury of the nightmare that is about to descend

 on this inoffensive young man.

Uruonurun - Omawari-San 22

In the sequence that follows the Officer is taken prisoner by two hooded criminals. He is beaten and given a full lesson in dark desires. The dramatic picture above showing him suspended in shibari ropework is the culmination of the incident and best image in the set. The others are to graphic for this blog but you should have no problem finding them via the links below.

Uruonurun - Shoubou-san (Fireman) 02

All the series mentioned previously in this post consist of 4 or so images which are subjected to variations to create a storyline in which the main character is confronted with challenges from a variety of other beings. The Fireman, has a simpler storyline - a single character subjected to bondage and clothes removal by an unseen captor. This image shows him in full rescue regalia, hard at work, strapped up and training with ropes. He's a picture of manliness, grit and determination. Confidence bordering on arrogance.

Uruonurun - Shoubou-san (Fireman) 03

The artist re-imagines this hero without his trousers on. His projection of manliness is undiminished, rather, his shorts bulge with excitement. The seams of his underpants seem to simulate his loins being trapped in complex, shibari ropework. This strip sequence continues to nudity.

 

Uruonurun - Shoubou-san (Fireman) 09

 In the second sequence we see him gagged and and tape-bound, hot from an incendiary incident with all his rescue kit on - overalls, boots and harness. His cocky confidence seems to have drained away, replaced by puzzlement as he sees the array of strange items around him. Equipment that is foreign to him, more suited to starting fires rather than extinguishing them.

Uruonurun - Shoubou-san (Fireman) 10

The Fireman is a modern day successor to the Sailor and Cowboy of yesteryear in the pantheon of homoerotic iconography and the tight-fitting, blue T-shirt, showing off his musculature and usually sporting a professional badge is perhaps the most indispensable element of his signature outfit. Our captive's manly frame seems to be well up to the task of filling it.

Uruonurun - Shoubou-san (Fireman) 11

His clothes melt away demonstrating that the muscularity beneath them is genuine.

Classic white underwear is all that remains. It projects through the strapping of his harness.

It's as if the wearer is dimly aware of what those strange items represent.

Uruonurun - Shoubou-san (Fireman) 13

His captor eliminates his underpants and demonstrates the kit to him.

Plastic discs cup his muscular pecs, his nipples begin to tingle.

Seven blue balls (coloured to match his shirt) are squeezed inside him, 

one after another, they accumulate inside, packing his ass.

By then his hose is ready, nay eager, to slide into the lubricated sleeve.

He gives himself up to heavy breathing and ecstasy.

Uruonurun - Shoubou-san (Fireman) 17

When next we see him he is completely naked.

All the clothing and gear that represented his proud profession are gone.

The restraining tapes have also disappeared, no longer needed.

He's a different animal now, focussed on the fiery pleasures of the flesh.

~

 Read Part 1 of this post

Artist Links: Uruonurun on 'X'

Uronururun at My Reading Manga

Art by Iskan156

Iskan156 - The Way-1

Two men are winding their way through the sand dunes.

One, whip in hand, is leading the other by a chain attached to a steel collar

The captive also has metal cuffs on his wrists and ankles

The soft sand drags at his feet as he trudges through it carrying a wooden cross.

Notice that his captive's crotch is shaved clean.

Iskan156 - Installation 02

They arrive at a place where the cross is to be erected.

There is a metal stake there to which the slave's chain is tethered.

At the master's direction, he gets to work, setting up the cross

It's heavy work under the glaring sun, just after the wearying trek.

Iskan156 - Before 03

When he finally completes this task, 

the master generously allows him a few minutes to rest 

taking the opportunity to relax himself and smoke a cigar 

The adjustable 'sedile' on the post has a wickedly serrated, top edge.

Iskan156 - Suspension 2

It's time to proceed. The captive climbs onto the lower arm of the cross

He balances there, facing forwards with one foot either side of the centre post

He can only stop himself toppling off by holding on to the upright behind him.

His master begins to attach the wristlet on his free arm to the upper cross piece.

Iskan 156 - Suspension 3

The captive clings on and looks on with surprising, but creditable stoicism.

A nice rear view of the master here (my neck fetish again).

Iskan156 - Totally Ready 03

The captive's other wrist is also secured - to the opposite end of the Tee.

Only then can he be released from his collar chain, it drops down onto the sand.

The master's final adjustment, is to raise the sliding, sawtooth sedile to crotch level. 

It provokes a horrified response but he stops with it just grazing the captive's balls.

Iskan156 - Totally Ready 01

The positioning of the sedile falls just short of a being a riding wedge (see label at foot of post)

Instead it forces the captive to tense his arm and leg muscles to avoid sagging down onto it .

That stressful position is about to get much more difficult to hold.

(If you thought he is being prepared to face the incoming tide, think again.

Although that would be an interesting alternative scenario.)

Iskan156 - Whip

With his captive secure and stretched out tight in an X-spread, 

the master stands back and begins to address him with the whip. 

He has plenty of room to swing it here and the deserted dunes provide privacy,

so there's no need to gag the unfortunate creature during this torment.

Iskan 156 - Whip 02

The whip licks repeatedly across the trapped man's torso,

scoring lines with it's caress.

No one hears his cries.

Iskan 156 - Whip 03

The whip's kisses are not nasty enough to cancel out his excitement.

He retains his control and manliness under this duress.

As Kipling said, 

"If you can keep a stiffie,

while all around are losing theirs, 

then  you will be a man my friend".

(taken verbatim from the original rough draft)

~

This series is disarmingly entitled 'A Way To The Pleasure' which I suspect has suffered a little in translation. Someone else called it 'A Journey' but the trouble is that every experience in life is called 'A Journey' these days (except when it's being called a 'Roller-Coaster Ride', that is).

Iskan has been producing images like this for some years. His style is a little basic, the characters not overly expressive but there's a genuine undercurrent of anticipation in the carefully constructed  build-up and truly dramatic imagery at the climax of the punishment. Personally, I'm not crazy about shaved heads or identification numbers (especially disfiguring ones), preferring men in predicaments like this to be allowed to keep some dignity. 

(It's also a practice too similar to historical events that shouldn't be trivialised).

Lots more at Iskan156 @DeviantArt including a final scene for this story which I have omitted.

Dungeon Art by Papa-Con - The Abbey

Papa-Con - WrongAnswer

Papa-Con specialises in mature men and their mistreatment and this group of images features a middle-aged character who's fallen into the hands of some monks with unorthodox attitudes. I've often imagined a series of images in which an intrepid 'Indiana Jones' sort of explorer stumbles on the hidden treasure of a Monastry only to discover it's not abandoned, lost nor unattended. These images fit that storyline nicely. Beginning with the head monk showing his displeasure at the intruder's answers to his questions. Copious quantities of sweat indicate his ordeal has been in progress for some time.

The artist shows great panache in depicting the slap being delivered to the helplessly bound and naked victim with the judicious embellishment of a cartoon-style 'sweep' and 'impact star' . I imagine the captives arousal might be considered sacreligeous in context, but you never know with monks. 

The 'wood-cut' style with extreme, contrasting shadowing recalls the 'Devils' series by Olaf and other 80's artists. It's skillfully blended here with more sensitive detailing.

Papa-Con - The Dungeon

A birching seems an entirely appropriate method of chastisement for any unfortunate intruder. Monks use this on themselves so why would anyone else found lacking be exempt? Nevertheless, it's not a light option unless the perpetrators so choose and the double-barrelled line up suggests they won't on this occasion. Hands to feet bondage adds humiliation of an awkward posture to the victim's pain.

There's a touch of the Oriental about the poses of the monks here.

 

Papa-Con - On The Horse

 

The interrogation continues with a ride on the horse, a crude torment but delivered via a sophisticated, well-built device, which suggests there's much need of correction in this facility (or frequent intrusions by unwelcome visitors). The arched, restraint position is highly erotic with roping detail that gives a great impression of a strong man made helpless. I like the tied toe

The captive is being coaxed into an erection with slaps administered to the back of his head to encourage the desired response. This probably isn't intended to provide sexual gratification to either party (well not only that) but is perhaps a further interrogation or an attempt to draw a confession from him. The intended climax, I suspect, is indicated by the incense sticks burning in the foreground, possibly about to find a new 'niche'.

 I've featured a whole series of images at mitchmen in the past showing a device like this in use (see 'Riding the Wedge' label below) but without the luxury of seating. The captive is forced to straddle the 'wedge' which can be as sharp as the interrogators deem fit. That wide block is not the most comfortable of saddles to straddle either but the provision of a flat seat also provides a platform for the captive's balls which would otherwise dangle down at one side and be hard to get at. In this fiendish design there is also a projection of some sort at the rear which might be a pivoting wedge (or a blade like an inverted version of the office, paper guillotine). In addition, the pegs constraining the captive's thighs can lowered, it seems, pulling him down more firmly.

Papa-Con - Pagan Ritual

I noted an oriental influence before, but this image might easily be mistaken for Tagame's work in both content and style. I always think this candle torment looks worse than it really is. The total immobilisation of the captive and odd orientaion dilutes the drama too, compared with images 1 and 3 above. Surprisingly, the rendering of the monk is probably the main point of interest here and I'm glad he keeps his clothes on, thus preserving the sense of  a dispassionate and remorseless, cruel torturer.

~

 Papa-Con (aka Akinokina aka OkiBearz) specialises in mature men and their mistreatment. They sometimes seem to verge on the senile, with white flowing locks and wispy beards. Pensioner-bashing is unattractive to me as the beating of children but his less extreme visions of aging such as those above are very welcome.

Continues in Part 2

Link: Papa-Con at Patreon 

(No other link yet)

More Art of ObiCumKenobi

I love the stubbly captive in this picture and although I'm not greatly enamoured of fantasy men with long hair I thoroughly approve of the way he's groping his victim. Great image.

This image seems to be set in a similar, dangerous fantasy world, possibly the same two men. It features an interesting variant of 'the wedge' torment which I featured in a number of posts a little while ago. Once again there's an eerie intimacy between the two men which adds to the tension.

(click on the 'riding the wedge label below to see more)

 This fanciful imagining of a technological milking scenario doesn't quite qualify as a 'factory', in fact the donor's 'produce' seems to be recycled directly into their companions so this is about a different sort of humiliation. However, it's good to see mature men in the driving seat, as it were and there's even an intergenerational flavour too. 

The open-legged restraint on the left is an impressive idea, simply expressed but most effective.

 

Given the fantasy allusions in the previous images, it's not too surprising to see aliens getting in on the act. I'm attracted to this image by the open-legged restraint again whose possibilities are amplified by the nasty-looking claw poised just below. The implement coming in on the right looks a bit like a vacuum cleaner but that does not really detract from it's menace potential!

 

Simplicity is the keynote of this image, which I have extracted  from a page of several sketches.

There's possibly an element of wedging too, but I can't decide what the gag extension represents. It seems to cry out for a dangling chain attachment to anchor the captive in position.

 

 

In these uncomplicated images the artist adds great intensity with his facial expressions.

The 'clean line' approach also suits the artist's excursions into spanking.

His ability to conjure an attractive, fully grown man is enviable.

While this little gem seems to define the humiliation of being spanked.

Cropping out the spanker leaves options for the viewer to imagine who he is.

 

This artist has also explored medical scenarios as we saw in the preceding, Milking Factory post. 

Tickling is a fetish I have rarely explored here but I like the restraint arrangement and the characterisation of the 'patient' is refreshingly original with a truly modern, metro-male ambiguity of personality. His mix of embarrassment and confusion is very nicely done. The Doc is well-depicted too. The dog-tags and olive jock seem to imply a military setting, but he'll have to get a haircut if they decide he's up to it!

 

 

There's much more serious medical activity at work here, highlighted by a cleverly contrived atmospheric treatment (slightly a la Disney) with the open door letting in a shaft of light to spotlight the unfortunate strait-jacketed captive and reveal to him an array of new invasive equipment which he will have to cope with. Not too many clues to the background scenario but the strait-jacket seems to imply a dangerous deviance that needs to be fixed.

 There are similar ingredients here but a more conventional medical setting.

The bare top character passing by at the rear might be a fellow patient 

or perhaps it's informal Friday for the staff!

 

visit  ObiCumKenobi at Twitter

 

See also Milking Factories 7

The Art of BrosFate - 3

 In this post I make a quick tour of BrosFate's other projects. The illustration above is from a recent series called 'Slave Sword' and it shows a would-be 'Slave-Gladiator' being punished for disobedience. As you have seen, this artist has an interest in men being subjected to unwelcome groping and gripping down below and he has a talent for portraying it too. Surprisingly it doesn't seem to be a common subject amongst other artists, but I can't think of anyone that's done the invading hand more convincingly than this.

'Slave Sword' is somewhat similar to 'Rookie Mercenary', in that two recruits become friends as they struggle to progress in a fighting role. In this case they fall in love and this leads to them disobeying their master.
Both are punished, Ivan above and Aston in the first picture. 

BrosFate has a welcome, uncomplicated approach to creating his imagery.
His frames tend to focus on one subject and are all the more powerful for that simplicity. The elongated leg effect here is very effective, the prominent muscles reminiscent of Kalabro. I like the loin cloth style of groin covering he's used.

 

This scene, suggesting a slow death by drowning, is reminiscent of film serials of the 50's which invariably ended each episode with the heroes in a hopeless position, apparently doomed. Water tanks filling with water with a floundering victim inside are not uncommon in modern mainstream movies but erotic images are usually less ambitious in concept and this seems quite original, although I recall there is a similar scene with swimmers in Bowen's Watery Trap.

This scenario also reminds me of the memorable water tank scenes by Bound Gods featuring Dante and Rusty Stevens (mmm!) which have something of the same feel about them. (Not to mention my own Preserve Factory and Feeding Time, of course). In all these other cases however the tank occupants were alone, tightly bound and totally immersed, rather than suffering slow, gradual submergence alongside their buddy.

This is another striking image with a historical setting.

It shows a captive forced to work in 'Young Barbarian'

The idea of taming a strong man by giving him a Herculean physical task is as old as time
This appears to be a particularly futile one, to be repeated over and over again.
This giant millstone is a suitably intimidating prop, worthy of Cecil B Demille.
Of course once he's mastered it he may become more of a problem than ever.

We've already seen examples of kick boxing in other BrosFate stories. This example features a surprisingly well-dressed gang member (centre) and is significant in the narrative because it marks the moment of Epiphany for Edgar, the ginger haired hero of 'Blue Justice' (left).

This picture captures well the wild and vindictive kick that fells him.

Edgar's attempt to stop the gang molesting a woman backfires.
He is overwhelmed by their numbers, beaten and disrobed by them.
There are some sexy undressing shots in this sequence.

The gang mock him and run off with his clothes.
With nothing to wear, Edgar is obliged to find his way home totally naked.
This is a classic dream and nightmare scenario, of course
but it's power as a humiliation depends on your personality and local culture.

Bruised and humiliated, Edgar resolves to become fitter and stronger.
With the help of his friend Thomas, he morphs into a very boyish-looking 'Blue Justice'.
There's a tantalising electronic fitting of his 'hero suit' during this process.

For me though, the story of his opponent-to-be is more interesting.
It starts with the mysterious disappearance of a fight champion,
 who just happens to be a bit of a hunk if you disregard his excessive fierceness.

(Interestingly, this black and white image seems more real than the coloured ones)

The fighter has actually been kidnapped by the villain of the piece,
 who, in an unusual twist, turns out to be younger than his captive and far less strong.
He plans to morph the fighter into robot slave soldier to do his bidding.
The transformation process is compellingly imagined in this scene
complete with thought-control helmet and billowing steam.

Of course the human robot fails in his mission, thanks to 'Blue Justice'.
He returns, humiliated, to his master's secret laboratory to face punishment.
This image of the muscular hunk bowing down in shame is excellent.
One wonders if he's still aware of his former existence as a proud Champion.

This frustrated-looking captive with a nice loin cloth and fabulous body is a great image

But he's not the prisoner of some ancient lord but something quite different.

He's a resident in a 'Virtual Dungeon' which involves computer games and blurred realities.

A young man crosses the boundary into a fantasy of possessing this hunky captive.

 

In 'Debt' a young man sells himself into servitude to pay for his brother's medical bills

That's a theme which Tagame also exploited in his 'South Island' POW story.

In erotica, sitting on your slave is usually a casual put-down or pony-riding exercise.

It gets more real, with an extra twist of public humiliation, in this office setting.
BrosFate tweaks an old idea into something different and very sexy.

 This splendid rugby player is Dave, a character in 'Housemate', one of this artist's earliest stories.

Dave takes in a housemate, Will, who is instantly attracted to him but dares not say so.

BrosFate shows them making domestic arrangements and  becoming friends

So far so ordinary, but there's a very unexpected and interesting twist in the story.....

Will has a secret desire to be a Master and starts searching for a Sub on the internet.

He makes contact anonymously with 'Wolf 'and they arrange to meet.

To Will's astonishment, Wolf turns out to be Will and he's looking for a Master.

 It's a tricky situation with them being Housemates, but they work out an on-off arrangement

Weedy Will's domination of hunky, muscle jock Dave is deliciously incongruous 

and it's already taking effect in this frame as he dictates the rules of their relationship.

His reward is unrestricted access to Dave's fabulous physique
which he can dress and undress and do with as he pleases.

 

He makes the most of his opportunity and begins to explore Dave's boundaries,
making him pose and exercise and display his body provocatively as a sex object.

They even flirt with public exposure of their relationship. It's that nudity thing again
with the added spice of Rugby Star Jock Dave being found out to be a practising Sub by his friends.

This exploration of the thrill of being dominated is charmingly innocent. 

Finally 'Strange Blacksmith', the most fantastical of all BrosFate's stories.

A Knight visits a Blacksmith to commission a new set of armour

The (very young) Smith measures him up and it seems like a variation of 'Housemates'
 where a yearning young man unexpectedly gains intimate access to a hunk.

The Knight sits and watches the Smith hammering out his armour plate

But the sound of the hammer seems to mesmerise him and he is gradually overcome 

In a series of 'wobbly' transition pictures he imagines himself transported
 to a different, dungeon-like place, where he materialises astride a 'wedge' torture horse

To his dismay and anger he finds he is a captive, naked of course,

restrained by chains as though being prepared for torture,

 and suddenly his dream becomes very real.

He is approached by a horned being of the underworld
He looks very much like the Smith and claims the Knight as his toy.
Then he starts to torment him.

The wedge horse and dungeon in this scene have a genuine flavor of antiquity,
but these tit-clamps are more akin to common or garden leather fetish.
Fortunately BrosFate's imagination is not exhausted.....

Toy seems to be the right word to describe the captive Knight's fate.

The elf (if that's his correct classification) spread-eagles the helpless Knight.

 and produces a strange, snake-like being from nowhere with a magical flourish.
(and that's not the only impressive sight in this image! Nice buns!)
.

The snake burrows into the Knight's ass.
It's a terrifying demonstration of demonic power.
The dramatic, red pattern of the snake's skin
seems to warn of aggression and danger.

There's an alien takeover scene something like this in one of the Startrek movies but they did not use this particular orifice for some reason!

That particular torment eventually ends, 

but the dream goes on and the Knight finds there's no escape.

Once again as I look at this artist's work I am left wondering,
how can such a simple image like this work so well?

Notice that the elevated status of the Knight, like the fight Champion,
 makes his captivity and loss of freedom all the more humbling

~~~

BrosFate's imagination seems to brim with original ideas and he has an uncanny ability
 to produce simple but powerful illustrations to convey them to his audience.

There's a certain youthful naivety in his exploration of fetish relationships

and a yearning for strong men which is an innocent desire we can all remember.

His restrained approach to sexual matters often results in tantalising erotica
 in which our imaginations are invited to supply the lurid detail.
I'm  looking forward to seeing more of his work.

Links:-  BrosFate @Tumbler , BrosFate @pixiv, BrosFate @Patreon
The pixiv gallery has one or two extra pictures

Read this series from Part 1