Homoeros - Recent Work (2025) - 2

Read Part 1 of this '2025 Recent Work' article

 

 

1

 

This story, simply called 'Farm Boys', opens in a sunny field filled with gay flowers. Two Farm Boys are examining a scarecrow. Well, one of them is, I've called him Seth. The other, Tim, is keeping his distance. The scarecrow has an outer wrapping of well-worn sacking, it looks as if it's been around for a long, long time and it's very spooky. Horror movie fans will recognise the meme with relish. The pumpkins lying around on the floor confirm the worst, this has got to be Halloween. 

 

The presence of summer flowers in Autumn might be considered another spooky element. It's probably artistic licence, designed to give that initial impression of beauty, peace and well-being.

2

Despite his amazing muscles, Tim is unnerved by the scarecrow and wants to get away. Seth laughs and puts a reassuring, affectionate arm round his shoulder. The two friends walk off, unaware that behind them, the scarecrow seems to have reacted to them in a disturbing way.

3

The Farm Boys hold hands as they depart, clearly they are more than just friends. 

The scarecrow seems to be watching them. 

We see now that it isn't secured to the support.

 

4

That evening, a mysterious mist descends on the farm. 

As Seth walks home, he is unaware of strange creatures emerging from it behind him.

In the distance, the scarecrow's cross is now vacant.

 

5

Seth is attacked by the creatures, overwhelmed and stripped naked*.

As they carry him off, a storm breaks. Brilliant lightning sears the sky, 

Torrential rain pelts Seth's naked body.

*more images at DeviantArt (link below)

6

With the storm raging, the creatures carry Seth across the sodden field

Ahead, two scarecrow crosses are planted amongst the pumpkins.

One of them is already occupied, a naked man hangs from the cross piece. 

He's tied by his wrists and ankles.

7

Seth is dragged the last few yards to the crosses, where the 3rd creature awaits.

He looks up at the last minute and sees the unconscious, hooded figure already hanging there.

 

8

Seth is hung on the cross next to Tim.

The rain continues to pelts down on them, cascading down their naked bodies.

Lightning flashes illuminate their glossy, neutralised muscles.

 

You can fill in the gaps in this tale by starting to read at Deviant Art 

 

This tale is a splendid, gothic variation on Homoeros' favourite theme of crucifixion. 

A bloodless one, which pleases me. The horror iconography is a bit random, but the scarecrow role reversal is very effective, and the outcome is still disturbingly sexy. It does seem, as if Seth and Tim are being punished for being gay, the same might also be said of the story of hitchhiker Leo in Part 1. But equally, it may simply be that these malevolent creatures hate lovers and happy people.

See the foot of this post for other scarecrows 

and ominous farm settings at mitchmen.

 

 

9 Medieval 43

The artist's interest in depicting homophobic situations is even more explicit in this series, which is simply titled 'Medieval'. A nobleman's son has been caught in 'flagrante delicto' with a wandering Player (i.e. an entertainer). No guessing who's going to be blamed for this fall from grace! A dripping dick is the smoking gun. 

 

The Player is abused then dragged before a priest - to confess and reform, I guess. This is a great image with good composition and convincing figure interactions. The Renaissance style colouring and warm lighting in the style of Caravaggio is a very clever embellishment.

 

 

10 Medieval 59

The Priest proves to better at exploitation than rectification, but I suppose someone has to have a pop at the handsome offender before he is despatched to his fate. He also hangs around afterwards to legitimise the sadistic proceedings that follow. The Player is spread X-fashion across a timber frame and the whips are brought out.

 

 

11 Medieval 61

The executioner lays the whip on with ferocious energy. I can't say I enjoy the sight of blood, especially after having read about the consequences of harsh floggings in Clavering's 'Under The Lash', but this is an intensely dramatic image, made more so by the crazy angling. 

 

The executioner's arched torso expresses a determination to inflict the maximum pain. The stiffness of the victim's physique reflects his efforts to manage and contain it. The naked man's anatomy is more compact and realistic than in older work by this artist.

12 Medieval 77

Once the tormentors have completed the designated flogging and discharged their own interest, the victim is taken down. He's set on the floor, with a timber block under his shoulders, and they proceed to nail his arms to it. I've selected this single image to represent that process (depicted at length by Homoeros), because it illustrates the victim's horror and helplessness as he grasps what they intend to do to him. The torturers continue to show their keenness to do the job well, sitting astride him, not shying away from intimate contact with the condemned man. 

13 Medieval 88

When the grisly attachment process is complete, the block is lifted into brackets high up on a wall frame especially built to hold it. This elaborate arrangement suggests crucifixion is a regular occurrence in this particular dungeon, but it seems the perpetrators never tire of watching their victim's suffering and descent into oblivion. Unlike Leo the rambler in Part 1 of this post, there's no-one to rescue the young Player.

Fill in the picture gaps at Deviant Art starting from Medieval 01

 

~

 

There are a number of other examples of spooky scarecrows 

and ominous farm settings at mitchmen:-

 

Chenz-X-Chen, from Art by Chenz-X-Chen 

EdDraws (sinister happenings in a corn field)

Amalaric (scarecrow punishment in Cruel Justice)

Jotto (scarecrow conversion)

RomanAI (sinister corn fields)

Palanca (corn fields and corns)

 

click on the labels at the foot of the post for other related articles

 

~

 

14

 

Here, it looks like the Player from 'Medieval' has got himself into more trouble.

The naked man, drunk and disorderly, is arrested and handcuffed in a modern city centre.

I suppose reincarnation might well perpetuate the terrible traumas of a previous existence.

This detention may not be without bodily consequences either, invasive maybe, but not fatal.  

The moment when a man submits to capture never fails to stir me.

 

 

 

 

15

 

This appears to be a very different situation where two men have emerged from an underground tunnel to discover the opening is sealed by bars. You can feel their frustration and disappointment. This may be an escape attempt that has come to naught. Maybe they didn't even suspect they had been imprisoned, but were just exploring. Now the terrible truth unfolds. 

There's an echo of Gilgamesh in the idea of a labyrinthine prison.

 

 

16

This man certainly knows he is a captive, because he's in a bare stone cellar with his hands tied.

He must have tried to escape, but thwarted now, he kneels submissively to await his fate.

The simplicity of the image gives a sense of his helplessness and abandonment.

 

17

This captive is tied to an easel-like frame, as if by a man who sees himself as an artist.

A man who sees his captive as worthy of display, a canvass for his artistic talents.

However, it's a frame of tremendous size and strength, built to withstand great forces.

Neither of these ingredients bode well for the young captive.

His muscularity pleases the eye, but will be sorely tested in the coming days, sorely.

18

The final image in this selection is another simple but powerful idea.

A naked man has been brought to his knees by another, skimpily dressed in gladiatorial accessories.

He's not restrained, nor trapped in a cell, but bought low in a vast open, deserted arena.

With his back turned, defenceless, to his antagonist, his bowed head signals total submission.  

 

The telltale clues to this sorry state can be seen in the area below his left armpit:-

Flecks of blood and a glimpsed loop of a whip.

His strong jaw and masculine stubble underline the depths of his subjugation.

Dejection, humiliated. A great little image.

 

~

 

 Read Part 1 of this '2025 Recent Work' article

 

&

 

More Homoeros at mitchmen blog

More Art by Doodlefish

Following the recent, short post of Milk Outlets by Doodlefish, 
a further selection of his beautiful and sexy imagery.

 

Doodlefish - Ready for Play

I'm not usually a fan of long hair but Doodlefish's shaggy haired hunks have an individualistic, earthy appeal that's enhanced here by manual work clothes and muscles bulging under tight restraint. The squared-off design of the rope harness displays the captive's upper-body bulk, but eliminates any chance of him using it to escape. He's coaxed into a humiliating, public display of milk production.

Doodlefish - Art Model

Many a student has scratched some beer money by posing for an Art 'Life' class. Quentin Crisp, Britain's famous queer, made a career of it. It often means going nude (hence the Naked Civil Servant) but I imagine posing in shibari bondage is relatively rare. Our student here displays an interesting combination of post-adolescent nonchalance and bemusement about this requirement. I suppose the ciggy he is smoking may be contributing to that detachment (r whatever else he took last night). 

My guess is the class resorted to restraint as the only way to make the unruly man keep still, but the art-work on the wall suggests they have employed this measure before. Such muscularity on one so young certainly deserves appreciation and there's no finer tribute than wrapping it in ropes as if it were too dangerous to be allowed freedom in a confined space. The leg suspension is a little unkind since it will become more than a little uncomfortable if the length of the class period stretches into multiple hours, but the rugby-style long socks he's wearing imply he's fitter and tougher than most. 

Doodlefish - Not Again

There's similar sporting background to this image with shorts, undershorts and long socks in evidence. It's clearly a locker-room ritual and I imagined it at first to be a private 'man of the match' ceremony enacted on the player adjudged to have put in the worst performance. If you think about it, over the course of a season of 30 or so matches, every man in the team would be liable to find himself in the bottom spot once, at least. Bottom seems to be the operative word here, judging by the condoms lying ready on the bench. 

But no, it turns out that this is the team captain rewarding his team with a treat of their own choosing. It looks like every one of them is going to take full advantage of the offer. It must work as an incentive, though, because the title tells us that this has happened before. I suppose he doesn't want to change a winning formula so he takes the team's parts in good humour, offering half-hearted resistance and a request for them to be less rough. That seems to  imply that he enjoys it as much as they do.

Doodlefish - Do Me A Favour

There's an unintended embarrassment here with a parcel delivery man making an unfortunate discovery when a damaged box sheds it's contents on the customer's doorstep. He's terrified of being held responsible for the damage and also, I imagine, for discovering something that most men would prefer their delivery men not to know about. Luckily this customer is not at all worried about it, but sneakily takes advantage of the poor man's confusion by asking for a favour. It's not the obvious one suggested by this image, instead he invites him in to establish that the articles have not been damaged.

Most of these images have an explicit sequel and you can imagine what form this one takes. You should be able to track it down by visiting Doodlefish75 at 'X'. This image stands up on it's own, however, as a vivid illustration of frightened submissiveness by a very cute-looking guy. I'm a sucker for uniforms and shorts anyway, they seem to imply a certain level of 'amenability' to giving service. Name tags also contribute to that impression and I particularly like the way this one dangles in front of his crotch.

Doodlefish - Make Me Cum

We've all had a go on those machines at fairgrounds where you manipulate a crane with a claw grabber to drop down onto a prize and retrieve it. I don't think I've ever seen anyone get a prize out from one so I'm all in favour of this alternative idea. The captive, relaxing on his cushion, seems to be unaware that he's on public display (free of charge) with strangers paying (small) sums of money for the chance to tease him into wetting his pants. The picture is about his looming, public embarrassment which can be a powerful thing in some parts of the world. 

Other than enjoying his plight, there's limited reward for the on-lookers. There's a cup at the front of the case which suggests a (probably small) liquid prize for beating the challenge and they can have fun manoeuvring the vibrator (no it's not a microphone) into position and chasing him with it if he moves. However, I suspect it would be just as frustrating as the conventional fairground game. Why dispense with the claw, you might ask and I would agree. As far as I know the artist hasn't depicted that variant but there are other images in the series with the captive minus briefs but plus plug. This being a fantasy, he ultimately manages to fill the cup (via the rectangular drainage funnel just beyond the control buttons) and whitewash the inside of the cabinet. 

Doodlefish also put a different captive into a glass case to be a commercial milk dispenser rather than a fairground entertainment (in Milk Outlets by Doodlefish).

Doodlefish - The Next Number

This idea would certainly liven up bingo nights, which let's face it are a bit of a bore unless you have an engaging companion. The artist has made it even more interesting by portraying the balls as if they were like pool balls (i.e big and hard). Accommodating ninety of them would be a bit of a challenge for most men, a would-be 'shooter' would have to practice for months. Perhaps they start with ball-bearings and work up. At this level though he ought to be able to command an extra fee for pure entertainment value, perhaps selling tickets to the audience so they can kiss their lucky number and pop it in themselves.

Doodlefish - Room-mate's Noise 2

Anal experiences come high up this artist's pecking order and here's another rebellious young man getting his as a punishment for making too much noise with his music deck, disturbing his housemates and aggressively rejecting their complaints. I suppose it's debateable whether this is necessarily a punishment for him, there's hard evidence to the contrary, but being able to subdue and override an objectionable jerk is reward in itself for most of us. When the batteries run down and the music stops he may sing a different tune. And if he does like it? Well, why not do it to him again?

The timeless fashions of youth are nicely depicted here 

and like most of this artist's images, it's very pleasing to the eye. 

Doodlefish - Put It In

Gay Asian artists seem to have a particular interest in exposing the foibles of their office superiors. This image shows such a boss who summons his employees to give him ritual humiliation. They arrive to find him undressed and in a receptive position for his preferred devices - animal ears and a bushy tail with handy butt plug for secure attachment. 

Animal references also crop up in this artist's fantasy pictures which don't qualify for this blog, but the interest for me here is the deliciously snug-fitting underwear the boss is wearing. Needless to say, the pants soon vanish, as the laws of porn demand and as the title suggests it must!

Doodlefish - Time To Do You 2

This chap starts out in sports shorts but the naked version is relatively uncontroversial and another nice view of a pleasant, innocent fantasy. This artist's titles are rather uninformative and no use at all for search indexing but have the virtue of inviting you to imagine. As to what 'do you' means exactly, older visitors may recall a vintage, radio, comic association with this phrase, which shows humour hasn't changed very much over the years, it's just become less subtle.

Doodlefish - Loosen Up

If you are going to self-censor work (which all bloggers have to do sometime) this is a marvellously clever way to do it and it probably ends up being more provocative (and more interesting) than the undisguised image would be. It's a subterfuge that is not easy for censoring computers to spot since it just implies, especially when the apparently bland title is added in. The image itself incorporates an element of the locker-room bondage ritual shown earlier but doesn't seem to be directly related to it subject-wise.

Doodlefish - Who's The Idiot Now?

This seems to be a variation of the humiliated boss meme, but in an educational context. However, the man being taught his manners seems to be a sports coach rather than a conventional teacher. They used to double up roles when I was in that stage of my life, with sports or art master usually being a second string, but I don't know if it works like that now. The guys tormenting him don't seem to be sporting types, however, and the exam paper doesn't seem to have that connection either so it's all a bit puzzling.

None of this detracts from the splendid depiction of a handsome, chunky-thighed, games man, sexily stripped of his shorts and (soiled) underwear, but not his top or socks (I must admit, I share this artist's predilection for sports socks). The man at the centre of attention gazes up stoically, vacantly almost. as a very large vibrating plug is inserted into him from behind. The only preparation for this demanding test seems to have been a string of much smaller balls. This sub-dom imagery is superb but the reason why he is so acquiescent is a bit of a cheat. The idiocy referred to in the title is a student's interest in hypnosis which his mentor has ridiculed. Now the tables are turned and he is in it's grip, totally compliant (and hopefully, more accommodating of invasive devices). 

Doodlefish - Tentacle Revenge 1

Octopii have become a regular feature at this blog of late (search 'octopus') and it's not surprising to find them groping their way into the work of an Asian artist. This invocation of a fisherman discovering an unusual species in his net is like something out of the 1001 Arabian nights but the traditional influences don't stop it having a subtle sexiness, possibly because we arrive at it forewarned about the rapacious tendencies of these creatures, which the strange appendages on their tentacles in this case do nothing to dispel. Doodlefish works his usual magic with the fisherman's appearance, conjuring up an intensely interesting, youthful masculinity. 

Doodlefish - Tentacle Revenge 2

There is something very satisfying and sophisticated in the way this artist does not direct his tentacles to strip the unfortunate young fisherman naked, but merely to lift his apron and bare one leg so that the way is clear for him to be plugged at both ends. There's a sinister intelligence in the way the octopus has clamped his hands together to accomplish this. 

At this point he seems to be teetering on the edge of his boat and is probably more worried about being pulled into the water and drowned, than the minor inconvenience of perfectly good food making it's own way into his intestines. It's even inducing a pleasurable response in the process, probably fuelled by his fear. 

This is a great little series.

Doodlefish - Locker Room Reveal

Back in the locker room, another player strips off to wash away the sweat and grime of the match and in the process reveals the weals left by shibari ropework (and possibly, punishment implements too). Already the other users have noticed the marks and are exclaiming in surprise and probably registering other emotions ranging from horror to arousal (as suggested by the basketball player's exploding drink).

Little do they know that when the player turns round an even more unexpected sight will confront them, a chastity cage. It's already dripping with his sexual excitement at being 'found out' as a man who likes to be dominated and controlled in the crudest fashion. There is no way of knowing how the other men will respond. Some will be appalled, some amused, but there may be others who take advantage.....

Doodlefish - Let's See How Deep

This isn't the official sequel but it fits that chain of thought. Some senior players have decided to exploit the opportunity to satisfy their own sadistic impulses. They've even brought toys of their own to the locker room. With a willing victim who knows where it will end?

For more visit Doodlefish75 at 'X' (with links to his Patreon pay site)

Also on Blue Sky

and Instagram

More Art by Oliver Frey

This article adds to my original A-Z review of Oliver Frey's work

Frey - Tennis Victory

 This image was my first glimpse of Oliver Frey's incredible talent for portraying the energetic wrestling of men gripped by lust. The image of bare buttocks pressed against the net still sends a shiver up my spine! In 1970's Britain, visualising gay sex taking place in front of a audience and in a setting of a place like Wimbledon Tennis Club, the epitome of the Establishment, was defiant indeed. 

He also applied his imagery to the equally unlikely sports of Golf and Cricket.

Frey - Bikers in a Dark Alley 1

This image of bikers getting hot in a dark alley was closer to reality but it's frankness also struck a blow for gay freedom of expression. It was gay art of a sort never seen before - high quality and spelling out what gay means without pussy-footing innuendo.  

Frey - Bikers in a Dark Alley 2

Frey revisited the biker subject in many other images of varying degrees of raunchiness which were, astonishingly, published in glossy, top shelf gay magazines without attracting reprisals from the Police, despite the efforts of conservative pressure groups.

Frey - Leather Lube, Biker Oil

The biker persona was perfect for expressing a boisterous, roughly expressed, bursting out of the closet and entering into forbidden places that reflected the spirit of those heady days when gay men felt that even if they weren't completely free exactly, not really able to realise these fantasies in real life, they nevertheless finally had a legitimacy that would enable them to push open doors that had been closed for all those years.

Frey - Biker Elopement

Frey's pictures did not just express excitement, there was an exuberant joy in them.

Imagining the trappings of conventionality and self -restraint being ripped apart.

It was an exciting time to be gay.

Frey - Lover

But he did not just portray excitement and lust

He also showed a vision of gay love as a beautiful thing, 

performed by beautiful people, beautiful men. 

Frey (as Zack) - Splash

His artistic skills here transform the old, tentative, AMG, shower hook-ups into something much more memorable. A loving shared experience of cleansing vitality with fierce, needle-like sprays of water battering and enveloping the two lovers.

Frey - Chains Broken

Frey's character rogue set the scene for a series of gay, comic book heroes whose masculinity was unquestionable and who were assertive and comfortable in their gay sexuality. Rogue's apparent taste for young virgins seems dubious in retrospect, but at the time reflected the common experience of a youth lost to unrequiteable desire. At that time most gay men of all ages probably were virgins or not long out of it and many no doubt saw themselves as his willing victims, given the chance. 

Bill Ward's later creations - Drum and King - were able to be more balanced characters in that respect 

Frey - Hard Wrestle

Frey's depictions of hard, rough sex were about showing the inherent masculinity of gay men, 

a reaction against years of being universally labelled as effeminate and soft.

Frey - Devilry

If homosexuality was the Devil's work, Frey's men boldly embraced that identity 

Frey - Mortal Combat

That vision of gay toughness also pervades his non-gay, fantasy work.

Frey - Tribal 2

Oliver Frey 1948 - 2022

A gay hero

This article adds to my original A-Z review of Oliver Frey's work

see also Night Visitor in the 'targeted' series

More Art by Reitorachi

Following on from my post of Reitorachi's Captivity images,

another selection of other work by this artist, some vanilla, some not 

I don't know whether you'd call this vanilla or not, but it must be one of the best images ever of the tentacle genre, not so much for what it shows but for what it doesn't show, and what you think it should show in a few minutes time. A hero in trouble, having his already skimpy clothes pulled off, but he is not quite in an inescapable predicament, not just yet. There's only one tentacle, not the usual, multi-pronged attack, so it's more focussed and to my mind, more effective. 

But there are other delights. The wet, 'fundoshi' loin cloth with it's gleaming rounded contents. It's twisted, rope-like under-strap is vaguely suggestive of a string of pleasure balls. And those ass cheeks look distinctly rosy. Is this an 8-armed spanker? There's even a cute foot being proffered if you like to partake of such delicacies.

There's a similar sense of vulnerability about the man in this image, upside down, semi-suspended, and unclad from the shoulders down. His exposed cheeks are spattered with something, but the close proximity of a beer bottle and the respectably clad state of the adjacent captor means there's an element of uncertainty about the exact nature of the fluid. There's also a question about what he is going to do with the empty bottle. To the right a second captor is up to more mischief, it's left to the viewer to imagine whether it's painful or just plain rude. 

There's no such mystery in this reworking of the same suspension idea, but the nature of the threat posed by this hero's fantasy attacker is much more dependant on the viewer's imagination. 

The dense detail and styling makes this image harder to take in, it reminds me of old engravings where devilish creatures were set upon sinners. Non-Western cultures don't have the same, extreme viewpoint about such beasts and dragons get a better press these days. 

Nevertheless, the bird-like claws and beaks of these creatures do look scary and the depiction of the bony, hammerlock grip on the hero's arm (at the left) is very powerful. The advantage of fantasy creatures is that everything can be exaggerated and the artist has taken full advantage of that with the creature's tongues which are not only very long but prehensile too. They don't seem to be using them for the usual pleasuring and intrusion, but to plant two egg-shaped objects in the captive's rectum. (The second one is being held by the one on the left, next to it's beak). I'm not sure how the hero is prevented from ejecting them, but his angry expression at the violation seems quite justified. 

Tonguing is this creature's game too and it uses it's many, multicoloured tentacles to restrain it's captive in a most imaginative and accessible way. It places a degree of physical stress on him and he's already sweating. His earphone-mike combo suggests he is a Chris Redford-style, enforcement agent of some sort, which lends an acute irony and pathos to his restraint and to the exploitation of his nudity - nudity which couldn't look more complete. This dynamic pose is much better than the stereotypical sitting down/open legged, floating posture of the tentacle genre. 

I have doctored this image to tone down the censorship squiggle 

and it has fortuitously turned into a secondary tentacle envelopment.

A strong sense of vulnerability and exposure is created here by a pseudo-medical machine which comprehensively restrains the patient from the front, while presenting  his rear end to a variety of probing devices (which also seem to have a fluid injection capability). This is a much more elegant way of gaining access than the birthing leg-lifter so beloved of video makers. 

There's a second layer of restraint down below, linked to a milking feature - or a draining device, to be more precise. The milking is actually precipitated by the action of the probes.  

 , 

This image repurposes the suspension pose seen in Part 1 of this article. The bondage itself is economical but it's a fairly challenging restraint position with doubled back limbs and asymmetrical rigging stretching and stressing the captive, whose arched torso is sweating profusely. It's this that makes the image so striking. 

There's a wealth of supplementary detail. A cock sheath performs unseen manipulations on his pride and joy (and keeps the censor at bay). Thin lines attached to nipple pads provide further stimulation and another is pulling open his mouth to receive a fluid dripping from above (a tricky alignment I would have thought, it's hard to imagine him remaining still). He seems to be wearing virtual reality goggles and is therefore unaware that he is surrounded by a lustful audience observing the effects of all these attachments on him, but ultimately unable to participate in his adventure.

This image of a man reclining on a beach (or beside a pool) also has layers of interest.  His cigar and cocktail suggest maturity and sophistication. Also wealth. He has a chunky, well-built figure and is clad in sexy form-fitting briefs so you wouldn't have imagined that he'd be short of admirers and yet he's brazenly holding a fan of banknotes in his hand as if wanting to attract service of the paid-for kind. 

That detail seems to transform him. The voluminous smoke starts to suggest an element of arrogance and selfishness, the cocktail ('with all the trimmings') becomes showy and tacky, the youthful haircut seems terribly inappropriate and sad and even those alluring briefs a little too much. 

 

Most of this artist's images seem to avoid sensualising the male body but this image makes you wonder why. It's a classic, stretching, male model pose with the face and luxurious tresses suggesting a man of sensitivity and delicacy. A touch of femininity perhaps, which the side-tied G-string also contributes to. 

His body conveys the opposite message, it gets bigger and more muscular the lower your eyes drop with the bikini pouch nestling between tree trunk thighs befitting the butchest of rugby players. On a woman the G-string conceals, on a man it contains and here it seems to hook underneath and bring his tackle forward in a tantalisingly graspable, rounded bulge, offered up for closer inspection. The model's stance suggests he won't impede a closer look, but I can't resist imagining chains on his wrists, just to make sure. After all, men like this only exist in fantasy, catch them while you can.

The appeal of lithe muscularity is an easy win but I applaud any artist who can see the attractions of older and chunkier men and this charming, domestic sketch succeeds in making this man exactly that. On him the rounded muscle shapes are amplified and exaggerated without losing their essential shapeliness or proportions. The model seems suspicious of the enterprise as if sensitised to negative comments about his figure, but he need not have worried, the artist has done him proud.   

This young man sits (nervously) at the  opposite end of the scale, rather like a model in the early years of beefcake photography, persuaded to pose naked but suddenly feeling rather uncomfortable about it, especially after placing his bare flesh on the cold surface of a wooden (milking!) stool in a pose that opens him wide. He has a rather large posterior for a young man and if you look back you'll see this is a recurring feature in this artist's work.

It also seems as if this might be a punishment scenario, 'the naughty stool', for there seems to be a tear trickling down his cheek or maybe it's anticipatory sweat. His backward glance suggests there's more to come. The coquettish flash of spiky hair spells bravado, but it's about to be tested.

Just another day at the Office! 

Pure fantasy but a nice image. I like the open shirt.

Getting on doesn't always require hard work, just application.

 I frequently feature wrestling at this blog but not bearhugs very often, because they don't always seem convincing, especially when the recipient is seen resting his knees on his opponent's thighs. 

This picture shows bearhugs as they should be - a truly muscular embrace from a villainous-looking heel and a squashed victim, arms and all, lifted off his feet and howling in misery. Well, I say misery but he has ejected copious quantities of cum over his opponents torso, which suggests it's not all bad for him. The cock between his legs may have caused this over-excitement but his submission will not be the end of the matter.

The background seems like  a spooky cave-like setting with gelatinous fluid dripping from the ceiling, so I suppose the young man is an adventurer on a mission, probably not expecting to stumble on the lair of a superannuated luchador during his quest.

~

More by this artist at pixiv, where his name is 冷凍ライチ (Frozen lychee)

He also posts at 'X'

For other mitchmen posts on related subjects, please click on the labels below