Miloinvinculis - The Strange Disappearance of Patrol 27

 Eight Men and their Sergeant went out on patrol,
but none returned, and no trace of them was ever found.

Except for nine uniforms, complete with underwear,
piled up in a clearing, deep in the forest 

 

Miloinvinculis - Peat Bog Sacrifice

There are 3 mini-vids in this series 

See The Art of Miloinvinculis for more images and link

(Subscribers to the 'Follow Me' feed must vist the site to see the video content of this article, I'm afraid) 

Art by Nevermoredesign

Inspection

There's a mysterious, dungeon-like atmosphere in this image. A muscular stud is secured in a pillory device. His rear end is being examined by a much bigger man, wearing a ritualistic mask. 

 

Crated, Trained

Another image of trapped muscularity. This man's collar is a mark of his status. The uncompromisingly strong iron gate that contains him shows respect for his strength but neutralises it.

 

Sub2

This artist looks at the more arcane activities of leathermen at play. This piggybacking harks back to archaic practices of servants transporting their masters around.  

 

Focus

 'Focus' by this artist depicts the notion of service in a more conventional manner, with a chained slave on his knees about to worship his Master's prized possession. 

Link to original image

 

Exposed

In this image, the artist depicts masculine power of a different sort, with the subject's flamboyant hair and lean physique suggesting streetwise wiliness and earthiness. He confidently removes his clothes in a public toilet. Anonymity is the custom here, and that gives power and freedom.

  

Support

This picture of a man loitering, brazenly naked, in a public alleyway is simple but powerful. Presumably it's a place that he knows will only be frequented by other men who will appreciate his seductive display. He offers himself but his boldness will intimidate some. 

 

Windows

This image seems to show a more organised and intense approach to the same transaction. Rent boys gather at an open window, not just showing their beautiful bodies, but projecting lust and sexual challenge. There's a slightly demonic cast to their expressions that suggests danger lurks within, despite the lure of sexual availability.

There are historical precedents to this imagery 

 

Three

You might sense a more clandestine demon lurking in this image. A man whose dark looks and personality seems to have brought him a pair of admirers jockeying for his attention. He encourages them both with a hint of pleasure to come, but they are not the focus of his attention. He is calculating.

 

Surrender 2

This image (possibly by a different artist) combines the two themes of dungeons and demons. It also seems to express two extremes of desire. A young man with a (possibly naive) interest in the black arts of S&M is being overwhelmed by a hardened expert. His bite condemns the young experimenter into a lifetime in his thrall. 

This scenario suggests a more believable interpretation of who seduced whom in the garden of Eden by taking a bite of the juicy offering.

 

Devil's Due

The title of this dramatic, demon piece suggests it is the inevitable price of bartering with the devil, but there is a sense of naive innocence in the young man's carefully trimmed beard. I suspect some of the toughened characters in this artist's work might see this as a romantic seduction, albeit one that lays bare the pecking order, as it were. Even this celebrant seems to be ecstatic rather than chastened.

 

Cave Troll

The same cannot be said of the hero in this image, which seems to celebrate the disillusionment of good intentions. This Knight Adventurer had no doubt set out hoping to do good by slaying some demons and monsters. Instead, he ends up getting stripped of his protective armour by one and getting the rough end of his stick. He doesn't seem too comfortable with this outcome. 

 

Damned

The title and soaring gothic background here seems to express the conventional, religious interpretation of demons being the agents of eternal, unspeakable punishment. Looking at the damned man's face, though, you can't help thinking it's all rather tongue in cheek. He seems to be not so much suffering, as savouring it to the full. His body language suggests willingness, too. 

But it's still unspeakable as it happens.

 

Dark Desires

 The title of this, similar image recognises better the dilemma of pleasure and punishment. The spikes in the background and suggestion of caging widen the options for both. The devil is bigger here, his hands gripping the human and firmly holding him down. It's a particularly explicit expression of the domination which pervades this artist's work. We can't see how the devil's 'victim' feels about this, just that he's braced himself. Damned if you do and damned if you don't, you might say 

 

Home Grown

This murky image also seems rather like a depiction of damnation, but the title suggests a Sci-Fi creation scenario. Despite the foetal position and umbilical connections the fledgling seems remarkably well-developed, tattoos and all, and yet he's still dependent and controlled, so it's not such a different subject after all. 

There's some clever assembly of imagery to create this storyline 

~ 

'Interface', another picture by this artist that I've posted at 'X'  seems to blend Sci-Fi and horror. It shows another, attractive, young man being overpowered by skeletal robots with glowing skull eyes.   

 ~

 

Tight End

What a great backside! The pun in the title of this picture is not new, butt I don't think I've seen it illustrated so precisely or alluringly before. Nor have I seen such a calculating temptation portrayed in a Locker Room context, it's usually the domain of manly posturing, casual nudity and furtive, stolen glimpses. This footballer has a scary look that links with the demons of other pictures and the challenge of the boys at the window. You can't be sure whether it's an inviting dare or a warning.   

 

Traffic Stop

This image suggests common ground between the uncertainty of the locker room and police stop scenarios (with another, mixed pun in the title). The body language is not threatening here, but the sun shades make it hard to be sure. 

Nice body curves

 

~

 

Sorry, I don't have a link for this artist.

The Art of Gilgamesh 4 - Zahir Captured 1

You can also start reading about Gilgamesh from Part 1 of this mitchmen series
click on pictures to enlarge

5

Zahir is looking for his friend, Jeff, who has been captured and taken to the castle.
Under cover of darkness he enters the place to investigate Jeff's whereabouts.

25

Seeing that the entrance is guarded by two warriors, he decides to look for another way to enter.

He finds a sewer that takes him to a vault which seems to be deserted.

42

He decides to explore the tunnels. They seem to be very big and complex.
Suddenly he hears footsteps in the distance. He decides to stop and stealthily observe.
He doesn't realise he has been seen and is being stalked himself as he wanders the vault.

50

Zahir sees there is a huge, muscular guard patrolling and decides to wait for him to pass.

But his own stalker is creeping ever closer, waiting for the right moment to attack.

58

He hits Zahir with a huge cudgel, knocking him out.

70

Hearing the commotion, the other guard comes to see what is happening

72

They gloat over Zahir's fallen body and decide to strip him of his clothes.

85

They lift Zahir between them and drag him away.

Zahir is now naked and without a weapon.

86

It needs two of them to support the mighty Zahir on his shaky legs,

So they have to wade through the central drainage channel, splashing through the murky water .

90

They drag him to a cell where the Guard unlocks and opens the door.

91

They push Zahir inside and he collapses onto the floor in a pool of water
One captor scratches his head wondering why any man would be so foolish as to enter the vault.

99

The lock the door, leaving Zahir lying in the dirty water.

Then they go and report his capture to their master.

~

Has Zahir's rescue attempt ended in ignominious failure?

More of Zahir next time, read the full story of  Zahir, (all 99 images) at pixiv

~

Gilgamesh Gallery Links (updated Jul 2024)

Gilgamesh on Pixiv

Pixiv has a comprehensive and well organised collection of his work with helpful narratives that add colour and background to the stories he tells. It's the most accessible gallery but recent releases (2024) have censored cocks, the explicit versions are posted on 'X' aka Twitter

Gilgamesh on Deviantart

There's a limited selection on DeviantArt including some older images which are not in the pixiv collection. They have escaped being censored somehow but tend to lack explanatory titles or narrative information, however, this site does provide an easily scannable overview of it's contents.

Gilgamesh on 'X'

The X, ex-Twitter gallery appears to mirror the pixiv one but has explicit versions of recent images which are censored on pixiv. There's no overview, just sequential postings with the stories spread across them, broken up into four images per post. Gilgamesh has gone to the trouble of making sure they come out in the right order. There are slightly different comments, I haven't explored the site in great depth so it's possible there are works there that don't appear anywhere else.

Milk Outlets by Doodlefish

This summary is not available. Please click here to view the post.

Vore Art by RL Fleshwood

RLFleshwood - It's Supper Time

The Little Shop of Horrors has a lot to answer for! 

There's a good sense of dramatic action in this image with the jaws about to snap shut apparently. The plant's tendrils way-lay a young man, innocently wandering in the forest, lifting him up and depositing him head first into the gaping mouth, a technique that has a certain gourmet delicacy.

RLFleshwood - Plant Food

This unfortunate might be still be hoping that there's still hope and the strange sensations in his groin are telling him that the plant is kinky rather than carnivorous. I suspect this variety is the plant equivalent of those kids who won't eat the pizza crust, just the juicy bits. 

The glorious colours make this art hard to ignore.

RLFleshwood - Introducing the Tip Jar

This picture was used by the artist to solicit contributions to his 'tip jar' where contributors can ransom the captive from a terrible fate. I'm not sure that's what his followers really want! Deprived of that context it looks like a satirical modern inversion of the Victorian freak show idea. 

What happens when the tips stop coming is probably best not thought about.

RLFleshwood - Josh, Dressed for Dinner(my title)

I can't say I'm turned on by cannibalism so I've ditched the artist's explicit title for something more ambiguous. It's a great jeopardy imagery anyway, with tightly tucked-in bondage of a nice, grown-up captive, artistically presented on a bed of lettuce. His cut-off jeans add a boyish personality. 

The beach setting is picturesque but slightly bizarre. It suggests to me a placatory offering to those unwelcome visitors who always turn up out of the blue in castaway sagas. (I've never understood why cannibals and slavers go looking for new prospects on deserted islands.) 

RLFleshwood - Zach is The Main Course

Another marvellously enticing, richly-coloured image and another great bondage jeopardy scenario. The young captive's innocent face and upturned, saintly gaze top off a beautiful physique glowing like burnished gold in the light of the fire. The apple gag (more bite than gag actually) features often in images by this artist but I like the way the lettuce has been upgraded to a surprisingly sexy, fig-leaf. 

The assembled crowd watching his discomfort are a terrible stereotype in this day and age but I take comfort from the fact that they are far too numerous to be satisfied by a culinary outcome to this situation. The offering will go a lot further if handled with care.

RLFleshwood - Escaping The Witch

This less challenging scenario has a genuine dream-like quality, not least encapsulating the elusive nature of what actually will happen if we get caught by our fears. It's a marvellously effective and witty.  The visible feet of the witch make her flight positively comic - real-life dreams usually find a way of blurring out inconvenient detail like that. The roping of the escaper is typically AI-esque, over-stated and in reality less than secure but I don't suppose I'd quibble about that detail if this young man came hopping out of the mist towards me! 

RLFleshwood - Gator Food

Looks like the 'natives' might be the good guys here. Rescuing the foolish youth from the local wildlife. The apple (Gob-stopper?) in his mouth is probably intended to suggest otherwise, but what a waste to make the poor thing into another (probably unappreciated) offering. There's an amusing Russian doll effect however in the concatenated open mouths. 

~

More RL Fleshwood at Deviant Art
be warned - some images are more disturbing than those shown here

For other posts at mitchmen with these themes, click on the labels below

Art by Shenguanlin

Shenguanling - Milk Farm 1

This striking image offers a harrowing glimpse into the depths of this artist's nightmarish world of abductions and crushing captivity. Men who are taken are doomed, it seems, to an existence of perpetual, suffocating, bondage, punctuated by participation in humiliating rituals involving bodily functions. This includes milking of course, but strictly speaking this particular set-up wouldn't qualify as a mitchmen Milking Factory because of the 'artisan' extraction arrangements and low volumes involved. 

The human storage cages seen in the background were also featured in the recent 'Milking Factory' contribution by this artist. They seem like a praise-worthy, humanitarian, rest and respite facility for the milked men, but a cynic might argue it's just a necessary business response to the milk production limitations of male biology and hardly represents a free range approach to keeping them. 

The bubbles seen drifting around the captivity chamber are an intriguing but unfathomable detail. Dream-like? Maybe one of my readers can decipher the symbolism.

Shenguanlin - Suspension 2

Shenguanlin's complex art is built on simple bondage imagery, like this semi-suspended hog. 

His favoured tipple seems to be Rugby Players and other butch sportsmen, 

The bindings are invariably comprehensive, neat and believable.

This image is lifted by the lifelike representation of the captive's taped eyes and face mask.

 The face covering appears to be improvised from socks, underwear or shorts (of unknown, dubious condition and origin!) These are clues to his deeper fetish leanings.

Shenguanlin - Hogtied

This hog variant puts the prisoner into real world setting, balanced on a table in an austere cell whose bare interior contrasts vividly with the vegetation seen beyond the prison bars, the lush world from which he has been removed. Stripped down to just his shorts and socks, a typically hairy physique is revealed. Since he's so tightly hogtied, the table beneath his body is the only external thing the prisoner is aware of, because a blindfold, gag and earplugs deprive him of his other senses. 

This relatively simple image is visually appealing thanks to it's colour balance and crisp detailing. There's an intriguing sense of the unknown. Who is he? Why is he here? We can almost feel his isolation and share his mystification of where all this is leading. He may not even realise that he's set upon a table which seems to imply a tactile physical inspection may well follow his sensory deprivation.

Shenguanlin - The Penalty for Losing

The same basic hog-tie image is worked up here into a dramatic, erotically-infused scene with three rugby players put on display in matching restraints, having been held responsible for the loss of a match. It must have been quite an important one!

Part of their punishment seems to have been a beating of some sort, the random angles of the red weals on their bodies suggest a 'running of the gauntlet' prior to being tied up (compare the recent Drtkk imagery). The beating, however, is just a warm-up for their real punishment. Their faces have been wrapped in a mixture of dirty jock straps and smelly trainers (no doubt provided by their team mates). I suppose it brings home to them, rather vividly, just how much sweat and toil their colleagues had put in, when they hadn't. They are sweating profusely themselves now, even if they weren't during the match.

The restraints here look a whole lot tighter and much more strenuous for the three captives than the previous examples. Their heads are pulled back tightly and connected to tightly flexed legs at the toes. They will probably be dropped from the team after their poor performances, but if they're forced to endure this much stress for long - say, the same length as the match - they aren't going to be in a fit state to play again anyway for a while. 

This picture is packed with fascinating and sometimes sleazy detail. This artist has an unusual way (to me at any rate) of depicting the struggling movement of the captives. It consists of squiggly lines drawn around the outlines of their bodies. It works better when you get used to reading it. Some of it seems more like trembling than energetic struggle - which is not an entirely inappropriate reaction! He provides sound effects as well. A (slightly incongruous) dialogue box explains the scenario.

Shenguanlin - Duct Tape Boy

You can see the 'special effects' more clearly in this rather nicely drawn image of a skater-type tied to a chair (surprisingly it's a padded one!). The trembling interpretation applies quite well here. There are virtually no erotic ingredients in this picture beyond the captivity scenario itself and the suggestive, clean-cut characterisation of the prisoner.  However, the taped-up shorts are quite intriguing and fans of trainers and chunky legs get a small treat. The heap of tapes at the prisoner's feet and the ropes lying on the floor behind him suggest he's part of a much bigger bondage operation.

Shenguanlin - Bondage Freak

Here the artist takes the same basic image and makes a spectacular transformation with some relatively small alterations. The covering of the face with noxious looking fabrics has the most immediate impact, followed by the spurting, caged cock which is a good compromise between realism and wishful thinking. But there's another, easily overlooked change that arguably has more impact overall and that is the 'doubling up' of the taping which adds body bulk and emphasises the total restraint of the prisoner. 

There's a host of fascinating detail including the introduction of an electrical box whose terminals are connected to the man's balls with crocodile clips. However, this arrangement seems designed not so much to torment him, but to stimulate his engorgement into a seriously restricting cock and balls cage which also has a head attachment improvised from twisted wires and holding a 'sound' in place. 

This isn't the same man as the previous picture, this one has hairy legs, suggesting more maturity and a greater inner strength that warrants his more demanding restraint. The crudely boarded-up cell window seems to imply he's going to need it. 

Unexpectedly, the artist's title seems to imply this arrangement is all quite voluntary.

Shenguanlin - Tonight's Boy

This tweaking of straight-forward bondage images to show extreme, earthy outcomes reflects an interest in the whole process of a man's descent into captivity and this image depicts the starting point. A very real-looking man has been entrapped, apparently in his own home. He's laid out on a settee being tied up, surrounded by items indicating his passion for playing rugby - but not for washing his clothes. This stereotypically masculine trait makes him ideal material for Shenguanlin's predators. 

The captive has been put into a shiny, black, bondage suit with his arms strapped to his sides. The suit is not particularly tight but manages to display a sizeable mound between his thighs, which looks as if it might a white undergarment (and contents) extracted from inside the suit. It's squashed into two moundlets by a very tight belt, part of an assortment of ropes, bandages and belts providing head to toe restraint. 

This looks like preparations for an abduction - the protective packaging of a prized acquisition, but the captive's legs are actually being tied to the settee which implies he isn't going anywhere just yet. The captors leave him free to voice his confusion and protests, but it's hard to see that continuing for long.

Shenguanlin - Installation of a Dungeon Urinal 1

In this image a similar looking man is being processed in a dark, undefined space. His two masked attendants are indistinctly drawn, but clad in skin-tight, dark body suits creating an eerie atmosphere of sexual menace. The title tells us more of what is to come, the smell of the place may give him that clue.

Standing erect so that the attendants can finish strapping him up, he is already fitted with  a thick, high collar that forces him to look upwards. A ring gag, attached to a whole-head harness keeps his mouth gaping open and already, his face is dripping with cum. His cock and balls, extracted from his body suit, are uncovered and forced into a multi-ring cage that squeezes tight round his balls and the base of his cock. 

Despite this multi-layered restraint, he is weeping excitedly. The artist cleverly maintains an element of ambiguity throughout the story suggesting consensuality. The photo ID card stuck on the captive's chest even suggests a club-like arrangement, recognising his individuality and tracking him. A bit like an animal passport. 

Shenguanlin - Installation of a Dungeon Urinal 2

The captors tape over his eyes and carry him to an iron cubicle where he is put inside a body-shaped casket like a mummy. It seems to fit him perfectly not allowing him to make any movements. Perfect for shipping but the casket is actually chained to the wall. In the picture the attendants move in close to make final adjustments and he can probably feel them touching and arranging him. They stroke his cock encouragingly (sympathetically?) and too late, he senses something not very nice is going to happen to him, but his gargled plea is ignored. 

Next, they will fit the other half of the casket over him. The front section is fitted with a mouth tube that will be fed through the ring of his gag, there's also an orifice for his cock and balls to be pulled out, both requiring careful fitting. Eventually his voice is silenced by the outer cases being bolted together.

Shenguanlin - Installation of a Dungeon Urinal 3

By the time the attendants have departed some time later, the outer casing is doubly clamped and chained to the walls of the cell. The incarcerated captive's mouth piece is connected to a stub of a tube in the ceiling of the cubicle. When opened it will drain waste liquids from a Basketball Team's locker room just above. 

The captive's projecting cock is now fitted with close-fitting shaft-ring which can be agitated mechanically via an electric motor. His balls will simultaneously receive electrical stimulation and this control arrangement will draw repeated orgasms from him. His own emissions will be channelled to a valve gadget that either recycles them or else dumps them onto the floor. 

The prisoner manipulation and accumulating sense of doom in this little epic (which runs to 8 pictures in all) is very effective, all the more so if you identify with the captive. The artist explores this earthy scenario repeatedly in his work and I will provide links to find more at the end of the article.

Shenguanlin - New Arrival 1

This looks like it might be the same, butch captive but his restraint is very different here. He's been clad in a tight-fitting, latex, bondage suit that shows him to have a highly muscular physique. One that deserves to be displayed. His arms are restrained in a complex, shibari style, upper body harness but his legs are simply tied together at thigh height, hobbling him. Only two parts of his body are exposed. His head is enclosed in a harness with a gag attachment (which looks rather like a ball gag but is intended, I think, to be a ring). His cock is locked into a  chastity device through which he is leaking onto the floor. 

He's been parked in a urinal and, unsurprisingly, seems to have attracted the attention of it's users. There are limits to what they can do to him in this constraint but they have left behind souvenirs of their visit. A string of cum-filled condoms round his neck seem to have been left as tips, or I suppose they may be his own handiwork (if it's possible produce handiwork without using your hands!). Other visitors have splashed their compliments over his face, since the obvious receptacle is blocked off by the ball gag. 

Ominously the captive has been labelled here with a 7-character ID code, stuck to his chest. It suggests that this period of service is not just a a passing experimentation on his part but a more lengthy commitment. It also implies that he is just a small part of a laboriously assembled team of service providers.

Shenguanlin - Semen Collection

The condom motif is seen again here. These do seem to be filled with the prisoner's own produce. He's being continuously prompted to produce more by a vibrator strapped to his thigh.

This looks like a facility where passers-by can help themselves to refreshing, cold, cum shots.

They have contemptuously discarded their drained condoms at the prisoner's feet, one has even been draped over his shoulder.

This artist likes his captives to keep their socks on (see hogs above) and I love this one's semi-hairy pecs which remind me of my adolescent attraction to a young workman who worked for a while, bare top in his dusty, black jeans, on a building site very close to where I grew up. 

Shenguanlin - Caged

This image depicts a completely different form of captivity. The prisoner is hooded and locked into a chastity device, but otherwise naked. He's been put in a cage that is only big enough to allow him to kneel, a position that has been further restricted by roping that lifts up his tied wrists behind him. The simplicity of this arrangement creates a sense of great vulnerability

A captor wearing a sinister gas mask is crouched beside him as if concerned, but the coiled whip in his hand is evidence that brutal control techniques (or sadistic pleasure seeking) are rife in this particular facility. This may account for the prisoner's trembling.

More Shenguanlin in Part 2