Art by 'Jockinbignikes' 2 - The Milking Factory

 Start reading at Part 1

Jockinbignikes - Billy, Specimen #115

 This is the closest this artist comes to showing us the extraction arrangements at his milking facility, which has a high-tech, lab-rat slant. The hunks are pre-treated to make them spontaneously produce voluminous quantities. They are not even required to undress, in fact it's so spontaneous, apparently, that they don't get the chance to. I suppose straining their produce through sweaty shorts might add extra depth to the masculine flavours, but simply collecting the run-off at his feet seems a little crude. You can see it's all spotlessly clean, though!

 

Jockinbignikes - Jonas, Specimen #300 - U of M Collection

This snap of a different donor at work seems to confirm the improvised nature of the collection arrangements. Rather like scrambling for buckets and bowls when the roof start leaking. 

However, milk extraction without attaching any restraints or collection tubes to the donor is a revolutionary innovation in the Male Milk industry and will produce ripples of unease in certain quarters. This facility exploits the natural willingness of men to give their tackle a run out at the drop of a hat, and the 'free-range' technique must add authenticity to the end-product. 

Jonas, here, was recruited after being seduced in the locker-room by two operatives. He willingly entered the collection van in an already excited condition. So when 'the treatment' was administered to him there, it was pushing at an already open door, amplifying his already activated impulses. The snag (from the donor's point of view) is that once production has kick-started, it can't be stopped. The treatment has to wear off. 

 

Jockinbignikes - Shayne - Specimen #96

 

Men who entered the programme, confident in their manly prowess, soon discovered that the insatiable uncontrollable, chemical 'push' of the treatment they had been given, was exhausting. More than the insistent 'pull' of conventional extraction devices that were used on men in captivity, in fact. The pleasure of rapidly repeating climaxes soon decayed until they just wanted it to stop. There was no restraint to stop them leaving the facility, but non-stop ejaculations made it physically impossible. The usual downer afterwards was multiplied over and over again, draining them of all aggression, of the will to do anything at all, in fact.

 

Jockinbignikes - Big Dean, Specimen #657, Mobile Acquisition Unit

 In the early days of the programme, it was easy to pick out likely-looking studs in quiet locations. To persuade them to volunteer their services and enter the Mobile Acquisition Unit for the initial treatment. Once disabled by desire, they were spirited away to the Collection Centre. 

 

Jockinbignikes - Specimen #881, Dustin D, Horny Gym Jock

As disappearances mounted, men became more wary. But by then the Centre developed a portable device that was able to apply the treatment randomly in the street, without the need to waste time on persuasion and preparation. It kicked in almost instantly, effectively disabling the chosen ones with orgasmic ecstasy. They were usually only too willing to accept the offer of transport to somewhere they could hide and be looked after until the embarrassing outflow was stopped. They were not to know just how long it might take. 

Jockinbignikes -  Jett and Bo, U of M Collection, Mobile Acquisition

Impressed by the performance of Jonas (image 2 above) the scientists returned to the University of Michigan to see what else the Wrestling Club had to offer. Thanks to misleading accounts of the Milking Centre's activities, deliberately leaked into social media, many young men thought it would be an honour to be selected for the programme. Jett and Bo thought so for a few fleeting seconds after they realised they'd been 'had' by the pair of chicks they were chatting up. 

 Their pride lasted long enough to pose for this picture. It didn't feel quite so great as they staggered to the white van with their organs enlarging and raging uncontrollably, but the cheers of the crowd kept the euphoria going a little longer. Then the doors closed and their new life as milk beasts began. 

 

Jockinbignikes - Greg, Subject #199

It didn't take long for the Government to get involved in the programme. They saw all sorts of benefits, ranging from increasing fertility in the population to taking hypermasculine aggression off the streets. By the time word had got around about what was going on, they had authorised The Centre to conscript new recruits to the programme, whether they wanted to join or not. It was still selective, Greg was under surveillance for weeks. When they came for him in the gym and showed him his call-up papers, he knew he had no choice. Unfortunately, he also had a good idea of the rough ride he was in for.

 

Jockinbignikes - Chet, Specimen #225

 Sometimes the Police were drafted in to add extra authority for the reluctant ones. Chet had been something of a locker room bully, constantly belittling less well-endowed teammates. Eventually, one of them turned the tables, reporting Chet's impressive statistics to the Centre and earning himself a useful finders fee to put towards his education. 

 

Jockinbignikes - Frank, Specimen #127

Soon, dodging the cum draft became a national pastime, but the searchers were relentless in their pursuit of tasty hunks. Frank was too fond of the ladies to keep his physical assets a secret, but his big weakness was that he couldn't keep away from the gym. They caught him there with his pants down and since he was an evader, they cuffed him as a precaution before leading him out to the white van. Luckily, Frank's obsession with his own body turned out to be a great asset in his new role. 
 

Watch out for that mysterious white van in your vicinity!

More Jockinbignikes next time

~

 This is also Milking Factory No 22, go to Milking Factory 23 (link pending)

 

Click on the 'Milking Factory' label below 

for all other posts on the subject at mitchmen blog

or the 'milking' label for all posts with milking imagery.

 

More Moosemind

Read Part 1 of this Moosemind post

Moosemind - Escape from the council of the apes

A great image of a fugitive fleeing from would-be captors. Guess what they want him for!

Not crazy about the simians, but it's easy to imagine your favourite, dreaded predator instead. 

Rather nice texturing and a neatly incongruous, beautiful sunset. An augury of recapture, perhaps.

 

Moosemind - You Won't Be Needing This Any More

 An equally mysterious storyline here, but it's a beautifully constructed composition, designed to showcase the central figure's body in a stimulating way. It's a classic example of less nudity is more sexy, a point reinforced by his abundance of amorous admirers. They seek to delay his departure, but there's a hint of physical restraint being applied on the right. As if where he's going involves captivity as well as nudity.

 

Moosemind - Listen Boy, Come Over To My Tent Later

There's a fascinating study of power imagery here. A man, whose posture emanates authority and strength, has been accosted in the street and seems to be embarrassed by it, angered even. The other man is taller than him and clasps his neck, assertively pulling him closer, but at the same time bowing his head in a gesture that speaks of affection and supplication. This little drama is acted out before a fascinated audience

Both men are naked and (according to the title) one of them lives in a tent, although this is an obviously wealthy city. Similarly, the onlookers are all clad in drab loincloths, as if of a lowly caste. They must be slaves or arena fighters, perhaps. Men whose close relationships are all that they have. 

This is an unfaithful lover, perhaps, returning full of regret, or a defeated opponent coming forward to pay his forfeit, knowing he will be roundly used and humiliated. We can imagine the denouement in the marginally less public setting of his tent will involve lots of shouting, humble pie, tears and sex. 

 

Moosemind - Samson Destroys The Philistines

The underlying image here is a bit of a cliché, but it's nicely modelled and if, like me, you are not enamoured of long hair, it's easy to visualise a haircut that's as tidy as his physique. The soaring architecture is the wrong era, but superbly dramatic and gives a more relatable sense of scale to the modern eye. However, it makes you realise the original tale of him bringing down the temple must have been exaggerated a tiny bit. Or else, the priests got their just reward for neglecting the long-term maintenance of the building. 

Moosemind - Jealousy

This artist's interest in ancient cultures takes in the sport of naked wrestling, but he's applied it here to a more domestic scenario. It's quite hard to capture the drama of fighting in a static image, but this is a good attempt. The cartoon-style 'impact' signal is unorthodox but serves its purpose without subverting the splendid artistic pairing of figures, whose bodies are juxtaposed together and matched in a manner that seems to invoke the private intimacy and passion that has brought them to public blows.

 

 

Moosemind - Manhandled

 Here too, there's a great sense of struggle and also of physical strength, a sight that is rarely manifested in modern day, pro wrestling but can still be glimpsed in the amateur code. This mighty lift, delivered from a seated position, seems to have caught, off guard, an opponent who was prematurely celebrating victory in the modern manner, with clenched fists. An improbable throw, but a rather satisfying comeuppance for the braggart. The characterisation of the two men, one wild and hairy, the other with a more refined and subtle masculinity, reinforces the storyline.

 

 

Moosemind - Sparring

The artist's disingenuous title doesn't quite match the image a gay observer perceives. It is a perfectly feasible wrestling moment, but you can't help thinking that both men might have lost sight of the aim of winning this contest. He who has the upper hand suddenly finds himself distracted by an unexpected development. His over-excited opponent seems to have become suddenly aware of his own vulnerability, having started something he might not be happy to finish.

 

Moosemind - The Agoge Trials

A more conventional expression of the ancient art here shows two young men struggling for supremacy before an audience of soldiers. The Agoge was a rigorous, Spartan training program for young male citizens, so this is an authentic scene, but the sensual entwining of naked bodies here makes you wonder about the thoughts of those seemingly detached on-lookers and the reward given to the winner.

 

 

Moosemind - Colonised

 

This rather unusual take on the founding of America is frank and almost political in the way it contrasts the pride and strength of the captive, Native American with the uniformed, flag-bearing pomp of his captors, who seem to regard him as a curiosity. The title is bluntly accurate, but not one that modern day politicians care to acknowledge. Popular culture takes refuge in the Wild West stereotyping of 'renegades', rather than heroic freedom fighters.

 

Moosemind - Squanto Captured

There's a similar theme here but with a greater sense of enslavement and humiliation of the unfortunate captive. The on-lookers, civilised and determinedly religious, seem oblivious of his humanity. 

 

The original story of Squanto seems to conflate episodes of settlers being helped to survive by members of the Patuxet tribe with others in which indigenous tribesmen were kidnapped and trafficked to Europe as slaves, but it serves to make the artist's point. It's unlikely that any of them were such impressive physical specimens as this man, but it helps to amplify the sense of 'difference' in a way that shows him as more of a man than his captors.

Moosemind - Zane Blaze

The boots on the other foot here, or possibly on no foot at all, with a white man (of equally muscular and equally improbable stature) held captive in a way that draws on religious imagery to cast him as a martyr too. It makes a delicious counter-point to the Squanto images. 

Zane Blaze sounds like the protagonist in a pulp fiction Western, but I can't find a relevant reference. We may guess that he's an adventurer or lawman who's got himself into undeserved difficulties. He's clearly been unlucky enough to fall into the hands of cowboys who find his physique of as much interest as his supposed misdeed. Justice sometimes took arbitrary, brutal forms in those days, but with the noose dangling in the background, I shudder to think what they have in mind for the naked Zane. 

Moosemind - Lovers in Arms - Beneath The Olive Moon

 This tender scene seems like another of those "you want it really, don't you?" moments when a man is obliged to acknowledge his inner reality. It might easily have found a place in my story of the humiliation of the Spartan army in Part 1 of this Moosemind post. The seducer here, however, seems more respectable than the cunning Throbbers who undermined the advance guard of the Spartan Army on that inglorious day. 

This man is blond, wears a white loin-cloth that is loose beyond reproach, and even has the victor's laurel wreath on his head. What could possibly be wrong with him? Alas, such is the way with men! The poor guard, struggling with his own desires, and military duty too, I hope, seems to sense that something isn't right. Probably though he's just tormenting himself, when really, there is no need.

 

Moosemind - The Blacksmith's Apprentice

 

Another out-take from the Spartan shaming. Another youth separated from his lover and transported to a distant realm to work out his life as a slave. At least this one will learn a skill to give some meaning to his life, but an interview in the nude like this suggests that forging iron may not be the only hot banging he's going to experience. His resentful look may reflect that he's just learned of that unpleasant module in his training plan. Still, at least he's alive.  

Moosemind - Bare Slave

I've always been of the view that a slave ought to work for his keep, not just idly enjoy the attentions (dubious or otherwise) of his master. And if he's a muscular slave, he ought to use that muscle to good purpose. Make 'em sweat. Makes a great show.  It's good for him, too, helping to preserve that glorious physique for other purposes. I suppose there is a risk here that he might lob his load at the temple, Samson-style, but any guard worth his salt ought to be able to keep a naked man in check.

Read Part 1 of this Moosemind post 

More Moosemind at DeviantArt

Wrestling Captions

Dual domination. Pure fiction, of course!

 

Ty Alexander humiliatingly head-scissored by Lobo Gris, 

while Ethan Andrews is painfully racked by Gabe Steele.

 

 

Rexx and Cameron really go for it.
Dig those saucy panties, Cam!

Photo's above courtesy of Wrestler4Hire  

 Chase Lundquist lifted in a bearhug (or bare hug) by TannerHill
At 88Wrestling 

 

Homoeros - Recent Work (2025) - 1

1

 

Regulars will know that I have a somewhat unhealthy obsession with shorts, so it didn't take much effort to fall for this hunky hiker, who seems to be wearing a pair made of leather, somewhat in the style of lederhosen. His wanderings have been interrupted by an unpleasant-looking character with a gun. 

He seems to think this is his territory. Freedom to roam? Bah! Humbug! 

 

This story is called 'Hill-Billy Elegy', which sort of prepares you for unprovoked nastiness. The young rambler is called Leo. It's a hot day, but it probably wasn't a good idea to make such a show of his amazing physique.

2

Hillbilly number 1 is joined by another who looks an even more ugly character with an unhealthy lifestyle that probably hasn't done his brain much good. Leo is forced to kneel at gunpoint, presenting a delicious, submissive rear view to us. It might have caused him even more trouble if those emaciated rednecks were to catch sight of it. Luckily, they only want to grope him and make him strip naked. They take him to their camp, leaving his clothes and rucksack behind.

3

 

Surprisingly, and disappointingly for us, their leader turns out to be an unkempt woman. I suppose the fact that there is a leader, and it's not just a bunch of violent thugs, might give Leo cause to hope. Especially as she is quite taken with him, a considerable improvement on her usual entourage. Unfortunately, she also sees Leo's good looks and impressive physique as a challenge.

 

4

Leo is forced to fight her and suffers some humiliating treatment.

Great buns Leo!

 

 

5

It's a painful experience for Leo. 

His dick is symbolically ground into the dirt, much to the delight of the gang, looking on.

 

 

6

But Leo refuses to be a pushover, his muscles show their worth.

His dick also shows commendable resilience in the circumstances.

 

 

7

Unsurprisingly, this doesn't go down very well. It's a contest he cannot win.

The woman responds to his lively dick by rubbing it with her fanny.

Leo defiantly rejects her.

 

 

8

His fate is sealed anyway, they tie him to a whipping post.

You can see the gory results at Deviant Art (link below).

The woman gets sexual revenge too, in the only way she can,

(there's a clue in the image below)

 

 

9

When the lash of the whip and sexual humiliation is finally ended,

Leo is taken away to a shed. He soon realises that this is not the end of his torment.

You can probably guess from this picture where it is all heading.

A traditional Homoeros fate awaits him.

 

 

10

 

A Sheriff finds him traumatised but still alive.

Someone reported Leo missing, and his abandoned possessions were found on the trail. 

Great story.

I have omitted most of the imagery relating to Leo's torment, which is very explicit.

You can see much of it at 'Homoeros - Hill-Billy Elegy' at Deviant Art,

(plus more if you subscribe).

 

 ~

 

Some more interesting Homoeros titbits........

 

 

11

A young slave, kept naked in chains by his master, looks up,

 wondering what is going to happen to him next.

 

12

 

The young men of Homoeros, like Leo the Hiker in the story above, often have a slightly unreal, fragile attractiveness. Some of that is due to the blond hair and blue eyes. This young man by comparison looks startlingly real and startlingly cute as well. It would be a cold master indeed who could not feel some sort of emotion towards him.  

As is often the case, the artist has only given him a number - 941.

The fate of prisoner 941 is reserved for subscribers.

 

 

13

This image shows yet another young man who has been crucified in the middle of a vast yard. This is a regular situation in the world of Homoeros, but his free pages don't always reveal his inner thoughts about what is happening here. 

 

A man in military attire stands before the helpless victim and seems to be remonstrating with him. His arms wide pose, mirroring the victim's plight, seems full of psychological significance. Earlier pictures suggest the victim had a role as a groom and a cosy relationship was developing with this superior officer.  So this could be a distraught lover sharing his sorrow - or prolonging the anger of their break-up. It could be a friend lamenting his foolishness. A Commanding Officer justifying his hard decision. A regimental bully mocking his misfortune. Whatever the case, the inclusion of this second character makes the image so much more interesting than the isolated victim dying alone.

 

 

14

Here, Homoeros imitates the famous homoerotic images of "Fred with Tires", substituting a typical character of his own as the model. The mechanic in his overalls is a much-loved male sex object. It's traditionally been a strictly masculine job, and the mystery of what might lie hidden beneath the shapeless, workman's overalls is tantalising. As a second layer, the glimpses revealed if partly open are emphasised, somewhat like the cowboy's chaps. 

 

Homoeros has chosen a zip fastening for his Fred's overalls. It's much more convenient than buttons for revealing glimpses, but it can have a mind of its own once released. If your hands are occupied with carrying heavy tyres, it's a dilemma whether to put them down to stop it or hope for the best. We can see almost down to his mechanic's cock, and more revelations below the hip seem imminent. His face is a picture of indecision, but have to content ourselves with the amorphous bulge in his crumpled overalls.

 

 

15

 

These images acknowledge the muscularity needed to heft these heavy tyres.

Shiny perspiration and the dropped top tell us just how hot he is (as if!). 

 

Homoeros skates round the inconvenient reality

 of where all the material in the top half ends up, when it's dropped.

 

16

The same zip still seems to be causing problems in this, outside of work, situation.

We don't know if the lowered garment was already in this position when authority intervened. 

Men do all sorts of things in quiet back alleys, and 'Fred' looks as if he's been caught out. 

 

His hands are placed submissively behind his back, but they don't seem to have been cuffed yet. Modesty might have been a more appropriate response to the challenge.

Unless, he's been ordered to stand this way, that is.....

 

The cop's muscularity and relaxed pose is nicely captured,

but his jeans suggest he's not a cop at all.

17

Whatever 'Fred' was up to in the alleyway, he probably didn't anticipate this outcome.

It doesn't look like a regular Police Station, however, and Fred still doesn't look restrained. 

That suggests he's been intimidated or blackmailed into trying the horse out.

His current state might be described as 'dismayed'.

 

This horse doesn't have a particularly sharp 'wedge', but I'm not sure that it makes much difference after the first five minutes astride it. Having the legs raised at the back makes for a more precarious balance and shifts the discomfort forward, but probably doesn't add much to it. 

(in legs down mode, weights are sometimes attached to amplify the effect).

 

For more wedges at mitchmen, click on the 'Riding The Wedge' label below this post.

 

~

 

More Homoeros highlights in Part 2

Art by Gyaku Xryona - 2

More sexy fetish fighting in Part 1 of this series 

Gyaku Xryona - Hercules Breaking Wolverine's Abs

 

The rack is one of the most controlling of wrestling holds, rendering the recipient helpless in a back-compressing and ab stretching position (perhaps not as severely as the title suggests though). Hercules maximises the pain by pulling the victim's head back. It is supposed to be Wolverine but a muscular guy in tight T-shirt and jeans doesn't need fantasy connections to look great when he's treated like this.  This aerial view brings out the helplessness of his position, but Wolverine's thick jeans spare him the embarrassment of parading his tackle before the audience.

Gyaku Xryona - Superman Given a Sitting Piledriver

Superman is less lucky, his tights here are in the modern, cinematic style and lack the traditional, red over-pants worn in the old days and although he's slipped a featureless box inside to protect them and hide them, it still looks like a very suggestive toolbox. In many of this artist's pictures a face embedded in a crotch is a regular humiliation but he inverts that situation here (as well as Superman himself) to create the impression of his groin being a great prize and at risk of being misused for his opponent's pleasure. It looks like he's already high on the odours. Meanwhile Supes is distracted by the pain and humiliation of hitting the canvas, head first, as his nemesis drops him down.

Gyaku Xryona - Superman Given a Nut Cracker

Johnny Cage is one of Gyaku's wrestling 'heels' and he takes delight in demonstrating to the goody-goody Superman just how nasty he can be. Supes protective arrangements can't withstand Johnny's grip and his body and face both crumple in sympathy with his mangled tackle. 

He needs to find a way of dislodging that claw grip quickly!

The characterisation of Supes here is a nice blend of the original facial appearance

 with modern sexy muscles and kit.

Gyaku Xryona - Chris Smells Those Giants

Chris Redfield, the eternal loser in this Universe, steps up to restore the normal order by sampling Johnny's crotch. That pack of equipment on his back and resting on the canvas has the effect of forcing his face upwards as Johnny sinks down on him. I can't tell you whether 'Giants' are any more noxious than run of the mill appendages.

Gyaku Xryona - Chris gets James' Armpit Sweat in his Face

Even without his backpack and sporting the latest blue-grey colourway in BSAA uniforms, Chris fares no better against James Vega, who cradles his head under his arm while applying an inverted choke hold in the standing position. This is a real back killer for as long as the victim remains on his feet and you get a good sense of that in this cleverly angled viewpoint. Collapsing the knees is difficult, it relieves the back but transfers the stress to the neck  James looks disinclined to help out by moving on to another move. A real predicament and painful enough to prevent Chris gaining  a full appreciation of the body juices on offer right under his nose. 

Gyaku Xryona - Weekend Preview

A painful predicament like this is in no way redeemed by having to share it with a partner. Indeed, sharing it removes an escape option for both of them. This monstrous masked man has applied the hold the other way round, as a dragon sleeper, which means he can enjoy the bobbing bodies of his victims as they endeavour to escape from him. He's dropped to his knees to increase their discomfort. Men subjected to embarrassment situations are usually villains in the wrestling world but you can't be so sure of that here.

 As spectators we get a less clear view of the underarm situation than before, but in any case the artist has depicted a looser, less intimate grip here. In compensation we get a double-barrelled view of the loser's crotches, with the unusual bonus for this artist of a mini-bulge on the left, full of shapeliness and highlighted in an exceptionally erotic way by the decoration of his tights - whorls which are nudging it on either side and arrow-like shapes diving down on it from above.    

I like this artist for his inventive depictions and exaggerations of  familiar predicaments,

but I do wish he'd put shadows under his character's feet to ground them! 

Gyaku Xryona - Underwear Muscle Battle 03

James Vega dominates a different opponent with this back-breaking variant of the head scissors move. The victim is forced to kneel and nuzzle his opponents crotch.

Gyaku Xryona - Underwear Muscle Battle 04

The same hold, viewed from behind James

Sadly the dark underwear deprives us of detail.

I have cropped these images to make them more viewable.

Gyaku Xryona - Piers Likes It

Erotically explicit details are rare beasts in this artist's work, mainly I imagine because he posts at Deviant Art which does not permit them. That makes this image of Chris Redfield's buddy, Piers, succumbing to a dragon sleeper and sporting a prominent erection rather note-worthy. The allegation in the title seems improbable to ordinary mortals but some sportsmen do seem to have an extraordinary affection for pain. His cumbersome military equipment gets in the way of seeing much of his body line, but there's a nice abs stretch going on.

Gyaku Xryona - Smell That 02

One of the strangest aspects of the Chris Redfield phenomenon is the sailor outfit which was included as an option in Resident Evil: Revelations. It's an unquestionably camp contrast to the military gear and butch T-shirts he was given originally. The cropped top and turned up shorts (with authentic sailor flap) are a sexy adaptation worthy of Royale Studio, but the white gloves, shades and pipe which never seems to be out of his mouth are plain weird. 

He's pitched against the same underwear opponent in this image and for once he doesn't come out second best, instead he's poised to engulf his opponent with his own crotch odours for once and lest you think I'm overly obsessed with such (un)pleasantness I can point to the direction in the artist's own title. He's depicted Chris's white shorts as being particularly grubby and probably skanky too, so I imagine the effect to be quite overwhelming.

Gyaku Xryona - Bronco Buster plus Abs

 Chris is obviously aware of the offensive power of his shorts and here is poised to inflict them on Dante. The artist's cropping leaves little doubt that face frotting is Chris's aim.

Gyaku Xryona - Hulk Smasm and Breaker

This isn't the best image by this artist but it does capture the essence of  that genre of wrestling where genuine grapplers are pitted against a giant hulk who is much bigger than them and impervious to their puny efforts to fight him. I like the way he has picked Chris up by the head here, like a rag doll. The other fighter is a character called Miguel and he is rather nicely modelled. 

In the series below he's pitted against Dante and Chris. 

Gyaku Xryona - Miguel v Two Losers

Miguel, sexily dressed in open shirt and leather pants has no trouble subduing Dante and Chris but it doesn't look as if Chris needed much urging to investigate his crotch anyway. He seems unconcerned about Dante suffering the torture rack across Miguel's shoulders.

Gyaku Xryona - Miguel Destroys Chris's Back

Miguel looks both formidable and mean in this image with a great torso.

Chis suffers helplessly, while looking cute, as is his lot in life.

Gyaku Xryona - Spine Break

Dante's respite doesn't last long as Miguel drops him onto his raised knee.

His arched body convincingly conveys the impression of extreme stress.

Great jeans imagery as well for him in this sequence.

Gyaku Xryona -  Humiliation

Chris is forced to his knees bowing his head in acknowledgement of his stronger opponent.

Confusion, misery and despair seem written across his face

Gyaku Xryona - WWE, Mason Destroys Evans

This last image is a more conventional one but has the virtue of great clarity, which creates a good impression of the height of the victim above the ground, isolated and poised to descend forcefully.

His opponent has great bulk, but it's more attractively packaged than the average, real pro.

~

More sexy fetish fighting in Part 1 of this series

There's a good gallery of Gyaku Xryona at Deviant Art