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Message updated 26th Jun 2025
Showing posts with label wrestlers. Show all posts
Showing posts with label wrestlers. Show all posts

Saturday, 18 October 2025

DJ Beckham - Sexy Wrestler 1


 I don't know if this is a particularly good wrestling move, but the whole image is oozing with man appeal, bursting with physical exertion. The hunk putting on the pressure is DJ Beckham, during his spell of wrestling under the Wrestler4Hire banner. In this contest he gives pretty boy, Travis Maverick, a bit of a run around. 

 


Here he gives Gabe Steele a taste of heel, simultaneously showing us that there is more to his man appeal than just sweaty flesh. 
Gabe is usually a more serious and accomplished performer than his outfit here implies. 

 


DJ presses his attack home, driving Gabe into the corner. If this was a Royale Studio image, I'd be commenting on the juxtaposition of Beckham's ass and Gabe's tented crotch.



 Travis ended up in the corner too, with DJ's foot embedded in his solar plexus. The straining in his flimsy, white briefs suggests it may be just as well that DJ is keeping his ass at a distance this time. Sadly, his black trunks are less expressive than his opponents.

 


Beckham's tactics are called out just when it's getting interesting. Like a true heel, he protests his innocence. He wants to go on.

Travis' face tells a very different story! 



Beckhams illegal use of the ropes in these examples might alert you to a sadistic streak in him. Mark O ran foul of it too in this locker room encounter. It's clear that DJ is never slow to use his physical strength, here he shamelessly improvises with a wrist sweatband, to devastating effect.



Beckhams weight keeps the muscular physique of Igor pinned beneath his knee in this outdoor contest. He increases the pressure on Igor's back with a semi-Boston style, leg lever. Igor's shoulders look great, but are of no help to him. 

 


 From the side, we see some nice shaping of Igor's briefs,
and a suggestive interlocking of crotches.
Beckham looks as if he really means business.

 


Igor struggles in a body scissors and arm lock combo.
But his wrestling trunks suggest he's enjoying it
I'm not sure about DJ though, he looks disappointed. 
  



Caleb Klein is made of sterner stuff, but with Beckham's weight pinning him down, simple arm blocking and a neck hold become an effective restraint.

 


Beckham uses a similar entanglement technique
to tie Cash up in embarrassing knots
 

This hold produces some good visuals for us.
But leaves strong man Cash, frustrated and angry.
 
Even the nimbleness of Max Ryder is frustrated.
He ends up face down on the mat, displaying his buns.
 
 

Zack Reno ends up staring down the mouth of a cannon.
DJ doesn't know quite how to deal with this situation.
Perhaps insist on less flimsy trunks next time, DJ. 
 


 It would be a terrible shame to lose this sight, though.
DJ goes for the heel's preferred form of hero worship.
But it's all too much for Zack. 
 
But it wasn't always like this for DJ Beckham.... 
 


Against the formidable Wes Ratchet, 
he strains and he sweats deliciously,
but it doesn't seem to produce much of a result.

 ~

In Part 2, The Tables are turned on hunky DJ
watch this space. 

 ~

Images courtesy of Wrestler4Hire.

click on the labels below for similar posts 


Thursday, 14 August 2025

Art by David Angelo 1


 
 The vintage gay art of the sixties that was printed in beefcake magazines of the time often seems quite amateurish, however this example by David Angelo has a pleasing blend of technical accuracy and sensuality. 
 
Inevitably, the model is clad in a posing pouch, a garment that often attracts derision in our own time, but the artist's treatment gives us a sense of size inside and entrapment, a straining to escape that shows us how the men of the time really saw it. Something truly erotic. 

More on vintage pouches 

 Angelo's drawing is based on a photograph of course, the model's physique and face looks rather like the great Rick Wayne.

 

David Angelo - Gunslinger
 
Cowboys were big in popular culture in the sixties, replete with handsome heroes. Angelo has given this one another idealised treatment, with prominent pecs and nipples straining at his tight shirt. The gun belt fulfils a similar restraining role below the waist. This last detail was not pure invention....
 
81 Jess Harper ideas | robert fuller, laramie tv series, robert fuller actor
Robert Fuller as Jess Harper in 'Laramie'
  

Robert Fuller sneaking up behind John Smith in 'Laramie' 


 
David Angelo - Wrestlers

For this image of two wrestlers, Angelo has cleverly used the same stark lighting to cover up a bold erotic statement. 
 
One of the fighters is caught in a position where he's off-balance and vulnerable. His flimsy pouch inevitably draws the eye, but it's also attracted his opponent's hand. It's groping underneath, in the shadow of his groin. This hold has nothing to do with wrestling! 

In addition, the fighter in the foreground is totally naked, and the dark shadow that hides his far leg accentuates the impression that he's presenting his backside to us. 

It's not simply the sexuality that is so daring, it's the homosexuality. In 1960, just putting men together in a picture was suspect.
 
The lattice pattern in the corner is not part of Angelo's picture, it's part of an adjacent image in a magazine spread
 
 
David Angelo - Pop Star's Finale

In 1963 when this picture was published, pop music was starting to shed its veneer of respectability with Beatlemania converting music concerts into manic, adoration events. With its focus on young love, however, it was (and still is) relentlessly heterosexual. Not many pop stars dressed in transparent shirts and matador pants like this (not yet). 
 
Nevertheless, many gay artists tried to incorporate pop into their images. Tom of Finland's 'Ringo' openly sought to subvert the idea of straight entertainers and I suspect Angelo is doing that here too, by showing us his rear view, tensed above opened legs, raised up on tip toes. The singer seems to be ignoring his female fans, who are noisily lusting after his front profile. He's casting aside, too, the female shape of his guitar*. "Come and get me", he seems to be saying. To us, not them.
 
Ultimately these images fail to capture the magical attraction of pop stars, because away from the mic', he's just another bloke. I think I have seen art images of a star being seduced on stage, but I can't cite it at present. Sex in front of a horde of screaming women is a bit niche for me!
 
*The singer's own shape has interesting undulations at waist level, with an odd fit into his pants at the left. It's almost as if Angelo couldn't quite decide how slim, how masculine to make him look.
 
 
Angelo - Slave Auction 

Ever since Victorian times, the Slave Auction has been a 'go to' for artists seeking to portray gender power play and sexploitation in a semirespectable way. It fitted readily into the adoption of classical settings by gay artists seeking to avoid censure in the 50s and 60s. 
 
Angelo's Romanesque take has a very unusual night setting, giving him an opportunity to play with light effects*. The physiques of the two spectacularly muscular men who are manacled and up for sale, are greatly flattered by it - to the benefit of their value too, I suppose.  
 
A key ingredient in this scenario is the depiction of the slaves' emotions. One is proudly displaying himself, seemingly indifferent to the fate which might await him. His companion is, if anything, more muscular, but seems to be cast as a younger servant. He reaches forward, holding up the cloth which screens their groins (for the time being). 
 
The bidders we can see in the audience seem to have their own favourites, suggesting these two will not remain united after the sale.
 
*Angelo seems to have achieved this night effect using chalk or crayon on black paper. It gives something of an etched effect. Some of the detailing is spectacular - the creases of the toga for example. Unfortunately, his characterisation of the second slave, using voluminous hair and rounded cherub cheeks is very much of it's time and doesn't work for us, even if we believed in such improbable muscularity to go with it. With a man's head and face, the whole image would work much better.
 
~
 
More Angelo in Part 2 

 


 

 

 

 

FOOTNOTE 

Saturday, 5 July 2025

The Many Faces of James Seely

Last year I posted a series of articles showcasing the vintage model, James Seely (or Selig)
His spontaneous facial expressions in the pictures I found fascinated me as much as his sex appeal.
So much so that I couldn't resist playing with the imagery.
 
James Seely and Dave Hodge (AMG)
 
This is his look of 'I can't believe he just said that'
Dave's is the look of 'why do I have to break them all in?'


James Seely and Dave Hodge (AMG)

The AI-cartooniser brings out an extra dimension to both men's physiques
that's not so obvious in the original photograph - two very shapely bottoms 
with James's being definitely the bubbliest of the two.
 
 
James Seely and Dave Hodge (AMG)

Actually James doesn't look very worried, just a bit defensive. 



James Seely and Dave Hodge (AMG)
 
James is a big boy and seems a lot of fun, so you can't blame Dave for trying!
His expression here seems rather like 'I don't want to think about that sort of stuff'.

Meanwhile, back at the motorbike......
 
 
James Seely and Dave Hodge (AMG)

 Such innocence!
 

James Seely and Dave Hodge (AMG) - Naked Bikers


The look of domestic recriminations between two, very sore losers.



James Seely and John Manning

The contrasting looks of innocence and sexual experience
Innocence is an irresistible challenge
and as we know, experience usually triumphs over it.
 
 
James Seely and John Manning (AMG)

The look of appraisal - and of being appraised and feeling exposed. 
 
 
James Seely and John Manning (AMG)

 Torn between getting paid and getting out of here.
 
James Seely and John Manning (AMG)


Like a Boy Scout, James believes in being prepared.
 


James Seely and John Manning - Wrestling (AMG)

This is what is known as putting on a brave face.
 
 
James Seely and John Manning - Wrestling (AMG)

 
The James Seely series :
(with onward links) 

More Seely captions in 'Fun in the shower'

~

   This No 33 in 'The Look' series at mitchmen blog,

click on the label at the foot of this post to view the others
or use the mitchmen search function (top right in sidebar) 

Thursday, 1 May 2025

Art by 'Jockinbignikes' 2 - The Milking Factory

 Start reading Jockinbignikes at Part 1

Jockinbignikes - Billy, Specimen #115

 This is the closest this artist comes to showing us the extraction arrangements at his milking facility, which has a high-tech, lab-rat slant. The hunks are pre-treated to make them spontaneously produce voluminous quantities. They are not even required to undress, in fact it's so spontaneous, apparently, that they don't get the chance to. I suppose straining their produce through sweaty shorts might add extra depth to the masculine flavours, but simply collecting the run-off at his feet seems a little crude. You can see it's all spotlessly clean, though!

 

Jockinbignikes - Jonas, Specimen #300 - U of M Collection

This snap of a different donor at work seems to confirm the improvised nature of the collection arrangements. Rather like scrambling for buckets and bowls when the roof starts leaking. 
However, milk extraction without attaching any restraints or collection tubes to the donor is a revolutionary innovation in the industry and will produce ripples of unease in certain quarters. This facility exploits the natural willingness of men to give their tackle a run out at the drop of a hat, and the 'free-range' technique must add authenticity to the end-product. 

Jonas, here, was recruited after being seduced in the locker-room by two operatives. He willingly entered the collection van in an already excited condition. So when 'the treatment' was administered to him there, it was pushing at an already open door, amplifying his already activated impulses. The snag (from the donor's point of view) is that once production has kick-started, it can't be stopped. The treatment has to wear off for that to happen. 

 

Jockinbignikes - Shayne - Specimen #96
 

Men who entered the programme, confident in their manly prowess, soon discovered that the insatiable uncontrollable, chemical 'push' of the treatment they had been given, was exhausting. In fact, it was worse than the insistent 'pull' of conventional, extraction devices that were generally used on men in captivity. 

The pleasure of rapidly repeating climaxes soon decayed until they just wanted it to stop. There was nothing to stop them leaving the facility, but non-stop ejaculations made it physically impossible. The usual, post-production downer was multiplied over and over again. It drained them of all aggression, of the will to do anything at all, in fact.

 

Jockinbignikes - Big Dean, Specimen #657, Mobile Acquisition Unit

 In the early days of the programme, it was easy to pick out likely-looking studs in quiet locations. They were persuaded to volunteer their services and enter the Mobile Acquisition Unit for an initial 'try-out'. Once disabled by desire, they were spirited away to the Mass Collection Centre. 

 

Jockinbignikes - Specimen #881, Dustin D, Horny Gym Jock

As disappearances mounted, men became more wary. But by then the Centre had developed a portable device that was able to apply the treatment randomly in the street, without the need to waste time on persuasion and preparation. It kicked in almost instantly, effectively disabling the chosen ones with orgasmic ecstasy. They were usually only too willing to accept the offer of transport to somewhere they could hide and be looked after until the embarrassing outflow was stopped. They were not to know just how long that might take. 


Jockinbignikes -  Jett and Bo, U of M Collection, Mobile Acquisition

Impressed by the performance of Jonas (image 2 above) the scientists returned to the University of Michigan to see what else the Wrestling Club had to offer. Thanks to misleading accounts of the Milking Centre's activities, which had been deliberately leaked into social media, many young men thought it would be an honour to be selected for the programme. Jett and Bo thought so for a few fleeting minutes after they realised they'd been 'had' by the pair of chicks they were chatting up. 

 Their pride lasted long enough to pose for this picture. It didn't feel quite so great as they were led to the white van with their organs uncomfortably enlarged and raging uncontrollably. The cheers of the crowd followed them and kept the euphoria going a little longer. Then the doors closed and their new life as milk beasts began. 

 

Jockinbignikes - Greg, Subject #199

It didn't take long for the Government to get involved in the programme. They saw all sorts of benefits, ranging from increasing fertility in the population to taking hypermasculine aggression off the streets. They secretly authorised The Centre to conscript new recruits to the programme, whether they wanted to join or not. 
 
The Centre was still selective about who they wanted. Greg was under surveillance for weeks. When they came for him in the gym and showed him his call-up papers, he knew he had no choice. Unfortunately, he also had a good idea of the rough ride he was in for.

 

Jockinbignikes - Chet, Specimen #225

 Sometimes the Police were drafted in to help with the reluctant ones. Chet had been something of a locker room bully, constantly belittling less well-endowed teammates. Eventually, one of them turned the tables and reported Chet's impressive statistics to the Centre. He earned himself a useful finders fee to put towards his education. 

 

Jockinbignikes - Frank, Specimen #127

Inevitably, dodging the 'cum draft' soon became a national pastime, but the searchers were relentless in their pursuit of tasty hunks. Frank was too fond of the ladies to keep his physical assets a secret, but his big weakness was that he couldn't keep away from the gym. They caught him there with his pants down and since he was an evader, they cuffed him as a precaution before leading him out to the white van. Luckily, Frank's obsession with his own body turned out to be a great asset in his new role. 

Watch out for that mysterious white van in your vicinity!

More Jockinbignikes next time

~

 This is also Milking Factory No 23, go to Milking Factory 24
 
Click on the 'Milking Factory' label below 
for all other posts on the subject at mitchmen blog

or the 'milking' label for all posts with milking imagery.

 

Saturday, 26 April 2025

More Moosemind

Moosemind - Escape from the council of the apes

A great image of a fugitive fleeing from would-be captors. Guess what they want him for!

Not crazy about the simians, but it's easy to imagine your favourite, dreaded predator instead. 

Rather nice texturing and a neatly incongruous, beautiful sunset. An augury of recapture, perhaps.

 

Moosemind - You Won't Be Needing This Any More

 An equally mysterious storyline here, but it's a beautifully constructed composition, designed to showcase the central figure's body in a stimulating way. It's a classic example of less nudity is more sexy, a point reinforced by his abundance of amorous admirers. They seek to delay his departure, but there's a hint of physical restraint being applied on the right. As if where he's going involves captivity as well as nudity.

 

Moosemind - Listen Boy, Come Over To My Tent Later

There's a fascinating study of power imagery here. A man, whose posture emanates authority and strength, has been accosted in the street and seems to be embarrassed by it, angered even. The other man is taller than him and clasps his neck, assertively pulling him closer, but at the same time bowing his head in a gesture that speaks of affection and supplication. This little drama is acted out before a fascinated audience

Both men are naked and (according to the title) one of them lives in a tent, although this is an obviously wealthy city. Similarly, the onlookers are all clad in drab loincloths, as if of a lowly caste. They must be slaves or arena fighters, perhaps. Men whose close relationships are all that they have. 

This is an unfaithful lover, perhaps, returning full of regret, or a defeated opponent coming forward to pay his forfeit, knowing he will be roundly used and humiliated. We can imagine the denouement in the marginally less public setting of his tent will involve lots of shouting, humble pie, tears and sex. 

 

Moosemind - Samson Destroys The Philistines

The underlying image here is a bit of a cliché, but it's nicely modelled and if, like me, you are not enamoured of long hair, it's easy to visualise a haircut that's as tidy as his physique. The soaring architecture is the wrong era, but superbly dramatic and gives a more relatable sense of scale to the modern eye. However, it makes you realise the original tale of him bringing down the temple must have been exaggerated a tiny bit. Or else, the priests got their just reward for neglecting the long-term maintenance of the building. 

Moosemind - Jealousy

This artist's interest in ancient cultures takes in the sport of naked wrestling, but he's applied it here to a more domestic scenario. It's quite hard to capture the drama of fighting in a static image, but this is a good attempt. The cartoon-style 'impact' signal is unorthodox but serves its purpose without subverting the splendid artistic pairing of figures, whose bodies are juxtaposed together and matched in a manner that seems to invoke the private intimacy and passion that has brought them to public blows.
 
 
Moosemind - Manhandled

 Here too, there's a great sense of struggle and also of physical strength, a sight that is rarely manifested in modern day, pro wrestling but can still be glimpsed in the amateur code. This mighty lift, delivered from a seated position, seems to have caught, off guard, an opponent who was prematurely celebrating victory in the modern manner, with clenched fists. An improbable throw, but a rather satisfying comeuppance for the braggart. The characterisation of the two men, one wild and hairy, the other with a more refined and subtle masculinity, reinforces the storyline.
 
 
Moosemind - Sparring

The artist's disingenuous title doesn't quite match the image a gay observer perceives. It is a perfectly feasible wrestling moment, but you can't help thinking that both men might have lost sight of the aim of winning this contest. He who has the upper hand suddenly finds himself distracted by an unexpected development. His over-excited opponent seems to have become suddenly aware of his own vulnerability, having started something he might not be happy to finish.
 

Moosemind - The Agoge Trials

A more conventional expression of the ancient art here shows two young men struggling for supremacy before an audience of soldiers. The Agoge was a rigorous, Spartan training program for young male citizens, so this is an authentic scene, but the sensual entwining of naked bodies here makes you wonder about the thoughts of those seemingly detached on-lookers and the reward given to the winner.
 
 
Moosemind - Colonised
 
This rather unusual take on the founding of America is frank and almost political in the way it contrasts the pride and strength of the captive, Native American with the uniformed, flag-bearing pomp of his captors, who seem to regard him as a curiosity. The title is bluntly accurate, but not one that modern day politicians care to acknowledge. Popular culture takes refuge in the Wild West stereotyping of 'renegades', rather than heroic freedom fighters.
 

Moosemind - Squanto Captured

There's a similar theme here but with a greater sense of enslavement and humiliation of the unfortunate captive. The on-lookers, civilised and determinedly religious, seem oblivious of his humanity. 
 
The original story of Squanto seems to conflate episodes of settlers being helped to survive by members of the Patuxet tribe with others in which indigenous tribesmen were kidnapped and trafficked to Europe as slaves, but it serves to make the artist's point. It's unlikely that any of them were such impressive physical specimens as this man, but it helps to amplify the sense of 'difference' in a way that shows him as more of a man than his captors.


Moosemind - Zane Blaze

The boots on the other foot here, or possibly on no foot at all, with a white man (of equally muscular and equally improbable stature) held captive in a way that draws on religious imagery to cast him as a martyr too. It makes a delicious counter-point to the Squanto images. 

Zane Blaze sounds like the protagonist in a pulp fiction Western, but I can't find a relevant reference. We may guess that he's an adventurer or lawman who's got himself into undeserved difficulties. He's clearly been unlucky enough to fall into the hands of cowboys who find his physique of as much interest as his supposed misdeed. Justice sometimes took arbitrary, brutal forms in those days, but with the noose dangling in the background, I shudder to think what they have in mind for the naked Zane. 


Moosemind - Lovers in Arms - Beneath The Olive Moon

 This tender scene seems like another of those "you want it really, don't you?" moments when a man is obliged to acknowledge his inner reality. It might easily have found a place in my story of the humiliation of the Spartan army in Part 1 of this Moosemind post. The seducer here, however, seems more respectable than the cunning Throbbers who undermined the advance guard of the Spartan Army on that inglorious day. 

This man is blond, wears a white loin-cloth that is loose beyond reproach, and even has the victor's laurel wreath on his head. What could possibly be wrong with him? Alas, such is the way with men! The poor guard, struggling with his own desires, and military duty too, I hope, seems to sense that something isn't right. Probably though he's just tormenting himself, when really, there is no need.

 

Moosemind - The Blacksmith's Apprentice
 
Another out-take from the Spartan shaming. Another youth separated from his lover and transported to a distant realm to work out his life as a slave. At least this one will learn a skill to give some meaning to his life, but an interview in the nude like this suggests that forging iron may not be the only hot banging he's going to experience. His resentful look may reflect that he's just learned of that unpleasant module in his training plan. Still, at least he's alive.  


Moosemind - Bare Slave

I've always been of the view that a slave ought to work for his keep, not just idly enjoy the attentions (dubious or otherwise) of his master. And if he's a muscular slave, he ought to use that muscle to good purpose. Make 'em sweat. Makes a great show.  It's good for him, too, helping to preserve that glorious physique for other purposes. I suppose there is a risk here that he might lob his load at the temple, Samson-style, but any guard worth his salt ought to be able to keep a naked man in check.

Read Part 1 of this Moosemind post 

More Moosemind at DeviantArt