Dr Smith 2 - Mike The Construction Worker (continued)

Continued from Mike the Construction Worker, Part 1

 

 

16

When Mike comes to, he's lying face down on the settee, in his own home.

He can feel tape across his mouth and finds his hands are cuffed behind his back too.

Then he realises he has been stripped completely naked. 

17

 

Mike remembers Dr Smith attacking him, but can't see him anywhere now.

His groggy thoughts are suddenly interrupted by his phone ringing on the table.

He struggles to get to it before it stops, hoping to somehow summon help.

 

 

18

But before he can raise the alarm, Smith returns and takes the phone away.

Gently stroking Mike, he explains that he needs a healthy male for his experiments.

Then he roughly rips the tape from Mike's mouth and chloroforms him again. 

 

19

When Mike awakens again, it's all very different. 

He's standing in a dimly lit, cold garage, his arms are secured above his head.

He shouts abuse at Smith and demands release. Smith stifles his pleas.

 

 

20

Smith punches Mike and stuffs a white cloth in his mouth to silence him. 

It's a strip torn from Mike's own T-shirt, cut off him at their first meeting.

Mike spits the gag out contemptuously.

 

 

21

The Doctor pummels him again and leaves him hanging.

At that point, Mike notices that there are wires attached to his body.

The cables connect to a mysterious, complicated box placed on the table beside him. 

 

22

 

The Doctor explains that he intends to heal Mike's injuries using electroconvulsive therapy.

 Mike cannot understand what he means, but feels deeply aware of his naked vulnerability.

He tugs frantically at the restraints securing his wrists above his head, but they hold fast.

 

23

Abruptly, the Doctor starts the treatment and Mike suddenly feels it buzzing through him

All his thoughts and anger are swept aside by a mushrooming pain in his chest.

24

 

Again and again, Mike's body is hit by searing jolts.

Until finally he collapses, hanging from the wrist restraints. 

Only then does Smith let him down.

 

 

25

But with Mike writhing on the floor,

he cannot resist giving him one final dose of the treatment. 

 

26

Exhausted by it all, Mike finally passes out 

 

 

27

 

When he comes to, he's lying on a bed, 

but it's not his bedroom, and he's still a captive.

He's gagged and his arms and legs are bound with cling film.

He recognises the metal box from the garage, lying beside him.

28

Smith returns and Mike valiantly demands his release.

In response, Smith picks up two pads attached to the box.

Too late, Mike realises what it is.

 

~

 

 I won't reveal the ending. Will Mike escape? Or is he doomed?

To find out, visit Mikes page at Film 911 for plot and video link.

 

~

Read Mike the Construction Worker, Part 1

Dr Smith 2 - Mike the Construction Worker

Dr Smith has some strange obsessions with manipulating his patients (see Part 1) 
His encounter with Mike the Construction Worker is one of the most sinister - and memorable.

1

Mike is taken to Dr Smith's clinic by his site Foreman, after falling from a girder into a sandpit.

He tells the Doctor that he's hurt his abdomen and his knee is a painful as f**k. 

 

2

 

Dr Smith immediately gives him a powerful painkiller. 

So powerful, in fact, that Mike quickly becomes sleepy and groggy.

 

 

3

 Smith tells him to take off his clothes, but he's unable to get any further than his helmet. 

"I'll help you", Smith says, and picks up a pair of scissors.

 

 

4

 

Cut open from top to bottom, Mike's T-shirt falls from his shoulders.

Smith hastily clears it away, holding on to Mike, so his sedated state doesn't make him fall.

 

 

5

Smith is seduced by Mike's enticing torso and sweaty workman's odours.

He sniffs his shoulders and runs his hands over his contours in a sensuous examination.

Mike is 90% out of it and doesn't realise it's not quite professional.

 

 

6

 

Eager for more, Smith tells Mike to take off his jeans, 

ostensibly so he can examine his injured knee. 

Mike tries to comply, but he doesn't get far before he swoons again.

 

 

7

 

Smith gently lays him flat on the examination table and jiggles his jeans down.

Then he roughly jerks off them off his legs and casts them aside.

 

 

8

Mike's underpants are very workmanlike - well-used and dirty, but Smith is undeterred.

Eagerly, he sides his hand up between Mike's thighs - as high as he can dare.

 

 

9

But when he tries to slide his palm inside the waistband,

Mike comes to and, smelling a rat, insists the Doctor attends to his knee. 

 

10

Aware that Mike's Foreman is waiting for him outside, the Doctor complies.

He promises to call in at Mike's house in a day or two to see how he is recovering.

It's a special favour for him.

 

 

11

Mike goes home to rest his body, relax and get better.

It's hot, sweaty weather, so he strips down to keep cool. 

 

12

 

 True to his word, the Doctor turns up on his doorstep a few days later.

He explains he was just passing and asks if he can come in.

 

 

13

The Doctor is touchy-feely as Mike explains that he still has some pain.

Smith encourages him to take his shorts off so he can examine his knee (que?)

 

 

14

Mike kicks off his shorts and obediently sits on the settee. 

But once his back is turned, the Doctor attacks him with a chloroform pad.

(Note interesting foreground juxtaposition)

 

 

15

Mike resists strongly and succeeds in making a grab for his phone at one point.

But the Doctor comes back at him and eventually has the handsome hunk 'out for the count'.

Now, at last, he's completely at his mercy.

 

To be continued

 ~

See the plot storybook and video link for Mike sees Dr Smith at Film 911

Read Part 1 of this series about Dr Smith

AI Art by hongd542 - Part 3

This summary is not available. Please click here to view the post.

Art by 'Jockinbignikes'

Jockinbignikes - Mantrap, Brendon in the Greenhouse

Any artist who depicts handsome, muscular rugby players is likely to get my attention. Placing them in a 'predicament' doubly so, hence my recent obsession with Cybertied's muddy rugby captives. The 'Little Shop of Horrors' threat to this chap is potentially dire, but fortunately has a comical slant, with a number of the open 'mouths' looking as if they have tongues as well as teeth. This artist usually gives his men generous endowments, and this one is no exception. Nestling between mighty thighs, it has already attracted the attention of a couple of tendrils. 

Other Vore art at mitchmen

 

Jockinbignikes - Opposites Attract, Alex and Rex

'Opposites Attract' is one of this artist's running series. The same idea popped up here recently in work by Roman AI, who showed nerdy students attracting the hunk of the College without really trying. It's an appealing idea with a grain of truth in it that enables everyone to have hope. The characterisation of the nerdy type here avoids the stereotypical spectacles and shows him with oodles of cheeky character, that might just work the magic if he takes the chance to talk to his companion in waiting.

 

The idealisation of the rugby player here has similar validity, it's possible to believe that the only unrealistic ingredient in his appearance is his miniaturised (but impressively resilient) rugby shirt. His shorts are a delight. A gentle giant ready to be carried away.

 

 

Jockinbignikes - Christopher and his Boys - His Lucky Day

It one thing to adore rugby hunks from afar, but this entertaining little video teases about a much closer encounter with a group of team 'members' that's not at all unreal. With a growing tendency for men to wear shorts in public, many readers out there must have experienced this. Those of us who live in towns without subway trains must settle for a vicarious thrill.

 

Jockinbignikes - Sir, we need to perform a full strip search

Unless you have a job in the Airport Security, that is. It's a well known danger zone for unwary studs, especially in Eastern Europe. I have to say, though, that presenting yourself at Security in muddy rugby kit is liable to arouse suspicions of some sort, even in the UK. That air of innocence ain't gonna cut it! I suppose it's possible he's got some metal on underneath, but otherwise the motivations of the staff here seem strictly carnal.   

 

Jockinbignikes - Caught In The Act, Teddy in Boomer's Closet

 This image shows the other side of the nerdy attraction coin. The muscle hunk here doesn't look at all approachable, so the adoring nerd has gone for his dirty washing instead. It seems a little sad, but we mustn't write off connoisseurs of manly odours, who usually have to settle for what they can get. This chap's attraction is about to be exposed, but you never know, Boomer might be another of those strong silent types who can't express what he truly feels but might have a secret crush of his own.

 

Jockinbignikes - BRUTE - Dale and Dean - BROS XL TOOL 'N PIPE

Muscle Hunks abound in this artist's output, and working men in tight T-shirts and jeans are another of his favourite themes (click to enlarge!). Once again, the exaggerated muscularity here is deliciously believable, well almost! For some strange reason, doubling them up, more than doubles their woofability. The 'Brute' titling is another running series and seems to be intended as a respectful and admiring tag rather than an indication of coarse character. Despite the spanner, these pair don't seem at all intimidating. I suppose you might see that implement as an inviting, phallic allusion.

 

Jockinbignikes - Rocco and Paul - Mobile Unit Acquisition

 The double hunk idea is given a darker twist in this image, which is part of another series in which virile men are induced into joining a national, government approved, milk-production scheme. The 'inducement' often seems to involve a Sci-Fi ray gun that zaps their milk production equipment and sends it into overdrive to the extent that they are only too eager to attend a draining facility. Others seem to be conscripted by authorised technicians, others volunteer as a form of bragging exhibitionism. Shades of milking factory! 

This muscular father and son pair is another marvellously sexy characterisation with an intergenerational flavour that is intensely appealing as they show equal dismay and bewilderment upon learning their fate. Clearly, 'No Way' is not an option for them, but it's not clear why in this case. The artist's narrative only tells us that they were 'nabbed'. He also expands on the family relationship of Specimens #134 and #135 whilst in captive production. Would that there be a graphic sequel, but this artist handles his smut with delicacy, as we will see shortly in Part 2.

 

Jockinbignikes - Brute - Paul, The Plumber's Son, Is All Grown Up

This image is intended as another beefcake pin-up in the 'Brute' series, a man exhibiting niche, ginger genes and a voluminous swelling in his work jeans. Seeing the slightly glazed, mesmerised look in his eyes and the man talking on the telephone behind him prompted me to imagine that this might be another 'Aquisition' scenario, whether it be for the purpose of milking him to exhaustion or some other, more permanent arrangement. See my post on 'X'. 

The artist's narrative gives a more down-to-earth explanation. It's worth visiting his site to read his narratives, which are concise and sexy (link supplied later).

More In Part 2

 

More Moosemind

Read Part 1 of this Moosemind post

Moosemind - Escape from the council of the apes

A great image of a fugitive fleeing from would-be captors. Guess what they want him for!

Not crazy about the simians, but it's easy to imagine your favourite, dreaded predator instead. 

Rather nice texturing and a neatly incongruous, beautiful sunset. An augury of recapture, perhaps.

 

Moosemind - You Won't Be Needing This Any More

 An equally mysterious storyline here, but it's a beautifully constructed composition, designed to showcase the central figure's body in a stimulating way. It's a classic example of less nudity is more sexy, a point reinforced by his abundance of amorous admirers. They seek to delay his departure, but there's a hint of physical restraint being applied on the right. As if where he's going involves captivity as well as nudity.

 

Moosemind - Listen Boy, Come Over To My Tent Later

There's a fascinating study of power imagery here. A man, whose posture emanates authority and strength, has been accosted in the street and seems to be embarrassed by it, angered even. The other man is taller than him and clasps his neck, assertively pulling him closer, but at the same time bowing his head in a gesture that speaks of affection and supplication. This little drama is acted out before a fascinated audience

Both men are naked and (according to the title) one of them lives in a tent, although this is an obviously wealthy city. Similarly, the onlookers are all clad in drab loincloths, as if of a lowly caste. They must be slaves or arena fighters, perhaps. Men whose close relationships are all that they have. 

This is an unfaithful lover, perhaps, returning full of regret, or a defeated opponent coming forward to pay his forfeit, knowing he will be roundly used and humiliated. We can imagine the denouement in the marginally less public setting of his tent will involve lots of shouting, humble pie, tears and sex. 

 

Moosemind - Samson Destroys The Philistines

The underlying image here is a bit of a cliché, but it's nicely modelled and if, like me, you are not enamoured of long hair, it's easy to visualise a haircut that's as tidy as his physique. The soaring architecture is the wrong era, but superbly dramatic and gives a more relatable sense of scale to the modern eye. However, it makes you realise the original tale of him bringing down the temple must have been exaggerated a tiny bit. Or else, the priests got their just reward for neglecting the long-term maintenance of the building. 

Moosemind - Jealousy

This artist's interest in ancient cultures takes in the sport of naked wrestling, but he's applied it here to a more domestic scenario. It's quite hard to capture the drama of fighting in a static image, but this is a good attempt. The cartoon-style 'impact' signal is unorthodox but serves its purpose without subverting the splendid artistic pairing of figures, whose bodies are juxtaposed together and matched in a manner that seems to invoke the private intimacy and passion that has brought them to public blows.

 

 

Moosemind - Manhandled

 Here too, there's a great sense of struggle and also of physical strength, a sight that is rarely manifested in modern day, pro wrestling but can still be glimpsed in the amateur code. This mighty lift, delivered from a seated position, seems to have caught, off guard, an opponent who was prematurely celebrating victory in the modern manner, with clenched fists. An improbable throw, but a rather satisfying comeuppance for the braggart. The characterisation of the two men, one wild and hairy, the other with a more refined and subtle masculinity, reinforces the storyline.

 

 

Moosemind - Sparring

The artist's disingenuous title doesn't quite match the image a gay observer perceives. It is a perfectly feasible wrestling moment, but you can't help thinking that both men might have lost sight of the aim of winning this contest. He who has the upper hand suddenly finds himself distracted by an unexpected development. His over-excited opponent seems to have become suddenly aware of his own vulnerability, having started something he might not be happy to finish.

 

Moosemind - The Agoge Trials

A more conventional expression of the ancient art here shows two young men struggling for supremacy before an audience of soldiers. The Agoge was a rigorous, Spartan training program for young male citizens, so this is an authentic scene, but the sensual entwining of naked bodies here makes you wonder about the thoughts of those seemingly detached on-lookers and the reward given to the winner.

 

 

Moosemind - Colonised

 

This rather unusual take on the founding of America is frank and almost political in the way it contrasts the pride and strength of the captive, Native American with the uniformed, flag-bearing pomp of his captors, who seem to regard him as a curiosity. The title is bluntly accurate, but not one that modern day politicians care to acknowledge. Popular culture takes refuge in the Wild West stereotyping of 'renegades', rather than heroic freedom fighters.

 

Moosemind - Squanto Captured

There's a similar theme here but with a greater sense of enslavement and humiliation of the unfortunate captive. The on-lookers, civilised and determinedly religious, seem oblivious of his humanity. 

 

The original story of Squanto seems to conflate episodes of settlers being helped to survive by members of the Patuxet tribe with others in which indigenous tribesmen were kidnapped and trafficked to Europe as slaves, but it serves to make the artist's point. It's unlikely that any of them were such impressive physical specimens as this man, but it helps to amplify the sense of 'difference' in a way that shows him as more of a man than his captors.

Moosemind - Zane Blaze

The boots on the other foot here, or possibly on no foot at all, with a white man (of equally muscular and equally improbable stature) held captive in a way that draws on religious imagery to cast him as a martyr too. It makes a delicious counter-point to the Squanto images. 

Zane Blaze sounds like the protagonist in a pulp fiction Western, but I can't find a relevant reference. We may guess that he's an adventurer or lawman who's got himself into undeserved difficulties. He's clearly been unlucky enough to fall into the hands of cowboys who find his physique of as much interest as his supposed misdeed. Justice sometimes took arbitrary, brutal forms in those days, but with the noose dangling in the background, I shudder to think what they have in mind for the naked Zane. 

Moosemind - Lovers in Arms - Beneath The Olive Moon

 This tender scene seems like another of those "you want it really, don't you?" moments when a man is obliged to acknowledge his inner reality. It might easily have found a place in my story of the humiliation of the Spartan army in Part 1 of this Moosemind post. The seducer here, however, seems more respectable than the cunning Throbbers who undermined the advance guard of the Spartan Army on that inglorious day. 

This man is blond, wears a white loin-cloth that is loose beyond reproach, and even has the victor's laurel wreath on his head. What could possibly be wrong with him? Alas, such is the way with men! The poor guard, struggling with his own desires, and military duty too, I hope, seems to sense that something isn't right. Probably though he's just tormenting himself, when really, there is no need.

 

Moosemind - The Blacksmith's Apprentice

 

Another out-take from the Spartan shaming. Another youth separated from his lover and transported to a distant realm to work out his life as a slave. At least this one will learn a skill to give some meaning to his life, but an interview in the nude like this suggests that forging iron may not be the only hot banging he's going to experience. His resentful look may reflect that he's just learned of that unpleasant module in his training plan. Still, at least he's alive.  

Moosemind - Bare Slave

I've always been of the view that a slave ought to work for his keep, not just idly enjoy the attentions (dubious or otherwise) of his master. And if he's a muscular slave, he ought to use that muscle to good purpose. Make 'em sweat. Makes a great show.  It's good for him, too, helping to preserve that glorious physique for other purposes. I suppose there is a risk here that he might lob his load at the temple, Samson-style, but any guard worth his salt ought to be able to keep a naked man in check.

Read Part 1 of this Moosemind post 

More Moosemind at DeviantArt