To my readers......

SITE UPDATE NOTICE

Thanks for visiting mitchmen, home of Mitchell's Gay Art

The Caps and Collars/ Flat Cap Gang story at Google Groups has resumed posting. (see Group News for link)

Link to the Royale Studio Archive in the right sidebar


Message updated 9th Feb 2025

Sunday, 17 October 2021

Art of Roa - 1. The Conquered Hero

 

Roa - Graham (Conquered Hero)

At first sight this marvellous image might easily be mistaken for the work of Homoeros, a noted creator of crucufixion imagery whose work often features outside settings like this bathed in bright, Mediterranean light. But Roa spares this defeated warrior from agonising death on the cross, instead using the construct to parade him in their victory march. The prolonged suspension is painful and the forced nudity humbles him, but this spectacular exhibition they have arranged for him also pays tribute to his heroic qualities which have made him highly-prized as a captive.  

 

Roa - Graham (In captivity)

Soon enough though the lauded hero is despatched to a dank dungeon to await a grisly fate. His modesty has been temporarily restored with a flimsy loin cloth but the widely spaced restraints continue to draw attention to his muscular physique. They suppress his physical strength and place unnatural stresses on his body. He can be in little doubt that his captors are preparing him for further suffering.

Roa portrays 'Graham' as a well-developed adult with a ginger, buzz haircut which serves as a tribal badge in historical fantasy but also seems to convey a man with lingering youthfulness and a rebellious, unconventional character. 

The suggestively dangling loin cloth suggests there might be a nude version of this image and his wistful contemplation of that area may reflect a resignation to that area being a focus of his captor's attention. 


Roa - Graham (Nipple Torture)

So it proves. Once his real ordeal begins the modesty afforded by the loin cloth is soon forfeit and his limbs are subjected to even more severe restraint. It starts with mild but invasive manipulations that impress upon him how vulnerable his body now is to painful assault. However the heavy chains that hold him and the torturer's formal hood indicate that far worse is to come. 

Graham's slightly chubby face, stubble and body hair are representative of a particular form of rather earthy, natural manhood that you might associate with big rugby players and construction workers.


Roa - Graham (facing hot irons)

Graham's manly qualities are severely tested in a series of trials including being chained to a stone block and tortured with hot irons, one of the most extreme torments imaginable. His face in this image is a great study in mature masculinity and stoic endurance. Roa bestows on him a muscular back, which are one of the glories of his work but an inviting target for his subject's captors. 

Graham's pain in this predicament is not merely physical, he is forced to endure it in front of his lover, Alphons, who happens to be the Prince of his realm. Graham's unconventional (not to say tricky) relationship with Alphons forms the backbone of this story. Roa depicts with great sensitivity how the young Prince falls in love with his finest warrior, a man who is old enough to be his father. It's a classic realisation of adolescent hero worship and lust fantasy.

He goes on to seduce Graham him in some beautifully romantic scenes. Later, the two men are seen fighting alongside each other in battle, implying he is of an age, but unfortunately, for me, he just looks too young and the renders of him (and other characters seen in this example) don't achieve the same maleness and individuality of Graham and his tormentors.

More Roa Art in Part 2 next time at mitchmen

Roa seemed to vanish a few years back, I can't find him anywhere on the net including pixiv and Patreon. Roanovel on Deviant Art is still there but empty apart from some interesting pieces by other artists, his Tumbr site is gone. If you know more please leave a comment.

Thursday, 14 October 2021

Naked Judgement by David Hueso

David Hueso - Ventrue

A naked, tightly-bound captive kneels before the desk of a seedy-looking executive who stares out of his window pondering his decision in the lights of the night time city. The brightly-lit buildings suggest the Financial World at it's ceaseless machinations, but this scene reeks of high-powered, brutal gangsterism (in the sinister Asian style, judging by the guard's elaborate sword). Not a conventional, employee, disciplinary hearing it would seem. Unless this is an elaborate interrogation technique one senses there can only be one, very unpleasant outcome.

~

 David Hueso is a Spanish artist who often produces Fantasy Historical Comic Book imagery and the word Ventrue refers to a Vampire clan, neither of which fit into the 'mitchmen' topic list, but this particular illustration, infused with deadly menace, certainly does. 

See more David Hueso at ArtStation

Monday, 11 October 2021

Royale Studio 2c, Navy Romeo, The Cast

 One of the puzzles of the Royale, Navy Romeo series is the bewildering changes in the appearance and build of the actors from one scene to another. For example, is the handsome Ted (far right in picture 14 of Part 1) the same person as we see emerging from the car in picture 16 (Part 2)? Is Spike, seen also in picture 14 (centre) the same Spike we see taunting Ted in picture 28 and later departing the scene in picture 36? Are any of the men in Part 1 actually the same as those in Part 2? Or were these Parts produced separately and married together which the discontinuities in style and plot seem to suggest?

Even allowing for the imperfect quality of most of the surviving images, we rarely see clear, close-up pictures of the men's faces in this series, despite their military pedigrees they don't even have tattoos, which are normally a great aid to identification.

However, Royale also published a series labeled 'DTS' which they said featured the same 3 men (see catalogue note below). It consisted of 20 pictures, but most of them seem to have been lost


In the thumbnail you can see they are wearing similar uniforms to the men in NARO with one in boots and gaiters

Royale generally used the initials of the actor's/model's names in set ID's, except when it had a story code, like NARO. There's no obvious clue to such a title in the DTS catalogue blurb (although it might mean Drilling Three Sailors, I suppose). S here could represent Spike and T Tom or Ted but who is D? It serves to seed a more doubts about identities

 

Royale Studio - DTS02 Garden Trio

The catalogue description refers to a garden setting for some of the DTS pictures. This is presumed by me to be one of them, it's clearly the same three men as the DTS thumbnail, looking very hunky in clinging Royal Navy shirts. The garden setting points to a connection with NARO Part 2 and it's quite easy to identify them individually there.

Tom, (on the left), presents fewest ID problems, we see a lot of his face in Part 2 (pictures 17, 18, 32) and it's clearly the same man. He's also wearing the same distinctive white shoes.

Ted (in the middle) is plausibly, the same Ted we see being pulled out of the car (in 16) and being manhandled in 17 and 18. His face is not really seen clearly after that in Part 2 apart from the NARO thumbnail (numbered as picture 23) but that Ted isn't obviously the same man, despite his similar curly hair and the distinctive gaiters and boots.

Spike (on the right) is a pretty good match for Spike in 17, 31 and 36, complete with white shoes.

Having linked names to faces, if Ted is 'D', Tom is 'T' and Spike is 'S', then the left to right sequence of the men in the thumbnail photo at the top of the post exactly matches the title, DTS. Convinced? No, I'm not sure either!

~

Spike has a slightly different look in the water-throwing pictures in Part 2 (e.g 24, 25), where the slicked-down, dark hair at the back of his head doesn't seem to fit with the light curls we see tumbling from under his cap in the front views (just above). However his eyes in 24 do match those in 31. In this and other pictures of Spike in Part 2, (e.g. 21, 22), he does have curls at the front, but it's layered elsewhere and fairly well greased (perhaps with a contemporary product called Brycreem) which would explain the darkening. 

1950's Hair Care (featuring cricket star, Dennis Compton)

The water-throwing images also seem to feature a different-looking Ted. I suppose it's conceivable these images were re-shot with different models but I can't find any obvious clues for that, except perhaps the strangely altered roping in 28 where Spike's face also appears particularly different. However there is a detail in 28 that does link Spike from NARO 2 into the DTS group and it is brought out in the better quality version below

Royale Studio - DTS03 Three Bare-Top Sailors

This is a version of the thumbnail picture with the legs cropped out. Ted and Tom look a bit glum, like criminals in a line-up. Perhaps it's those wet trousers to blame, Ted's are particularly unflattering although they do all look nicely laundered in this image.

Spike is the only one who seems to be keen to make the most of breaking into the world of modeling. Notice that he has a characteristic way of resting his left hand on his thigh, hooking his thumb into the front flap of his sailor's trousers. It helps to accentuate his 'bulge' here of course, but Spike in NARO 2 strikes the same pose in 28 and in the 'gloating pictures' 31 and 32

 

Linking The Cast Members In Parts 1 and 2

Spike's hand-on-thigh pose also appears in NARO Part 1, in picture 14 and the DTS picture above gives us other circumstantial evidence for linking to Spike into both Parts 1 and 2 – it's the tiny tear on his right thigh (which I pointed out in my Part 2 commentary), it's visible in both NARO 1 (10 ) and NARO 2 (21) as well as this DTS picture. Having said that, Spike is not the only man who wears these split trousers, more of that in later articles.

Unfortunately none of the model's faces are seen clearly in Part 1, many of the pictures show only back views and the rest are mostly oblique angles or otherwise obscured. 

The best shots of Spike are 09 and 14 but these are not very helpful in identifying him as the man in the picture above (apart from the curly hair in 09). However the eye and cheek area seen in the rear, three quarter views in 03 and 04 could credibly be the same man we see in the gloating images of Part 2. The tiny glimpse of his face reflected in the mirror in 08 is also unexpectedly persuasive, when seen in the original image.

Incidentally, Spike is wearing dark shoes in the Part 1 pictures e.g. 08, 14 and in the DTS thumbnail above. But he wears white shoes in the Garden trio also above and throughout Part 2. This tiny discontinuity supports the theory that Parts 1 and 2 were created in separate shoots.

Tying Ted into Part 1 is also problematic thanks again to the lack of clear, full face shots. There are two glimpses of him where there is a fair amount of similarity, however - in picture 05 and in the mirror reflection in picture 02. Like Spike his dark hair is confusing here (again possibly the result of using a greasy hair product like Brylcreem!). There is other circumstantial evidence linking his appearances in Parts 1 and 2 - the gaiters, of course, but also Ted's chunky build in picture 04 is a good match for his figure in No 34 in Part 2. His very different appearance in 14, which first triggered my doubts on this identification issue, also pairs reasonably with well with the way he looks in No 31.


Tom's identfication is easy in Part 2 but in Part 1 it is the most difficult of all to verify. The nearest we get to a decent shot of his face is a series of indistinct profiles (e.g. 03) in which he looks much more lean and youthful than the frontal images in DTS and NARO2. However we can see his dark, curly hair and there is something of that lean look in the rear view of him seen in 19 from Part 2 (extreme left). 

But just when the identity issue seems (more or less) resolved up pops this...........

 

Royales Studio - DTS04 Sailors Sitting On A Bench

This is the only other DTS-like image I have found and you can spot Ted (left) and Spike (centre) right away, However the man on the right is scarcely recognisable as Tom apart from his hair. Spike's dark shoes link this photo to the NARO 1 shoot, where Tom did appear to have a relatively gaunt appearance, but he doesn't look like this at all in the DTS thumbnail at the top which is also linked to NARO 1. 

It's possible this is just a trick of the lighting, I guess. You can see he's strongly lit from one side. There could also have been a different shoot with another man in Tom's place but that doesn't seem likely, Perhaps he's simply a 4th man who happened to temporarily join in the DTS shoot, a technician or visitor perhaps who wanted to try his hand at being a wet sailor! This might even be a previously unknown shot of Basil Clavering or of Scott the photographer, who knows?

~

Royale Studios - Catalogue Thumbnail for set TOH

Like other Studios, Royale produced solo sets of most of their models and we have a thumbnail (but nothing else) from the one that Tom posed for, labeled 'TOH'. The photographer has cannily chosen an upward looking viewpoint to make the most of the carefully-prepared crotch area. This open legged stance, very masculine and suggestive of confrontation and simmering belligerence, is typical of Royale's output


The catalogue blurb tells us that the model's full name is Tom Harding and he appears in several other Royale sets as we shall soon see. Tom's wearing his Navy kit again here but these solo shoots were often pure beefcake sessions in swimming trunks or posing straps and these sometimes turn up on vintage beefcake sites, sometimes under different model names. However, I've not found any examples of Tom in this form yet.

 

Royale Studios - Catalogue Thumbnail for set SPM

This thumbnail is supposedly for Spike's solo set, full name Spike Millican. Despite the corroborating evidence of the catalogue entry below, it's very hard to see this man as the boyish Spike from the closing scenes of NARO 2 although he does have the same tousled hair at the front and the same distinctive cleft chin. 

His gaunt look here is rather like “Tom's” shocking appearance in the bench trio but I'm pretty sure it's not that man. It's the same side lighting effect though and unusually for Royale, his whole crotch area is hidden in shadow bar a suggestive 'ridge'. From his face and stance it looks almost as though he's just had a bucket of water tossed over him. Or perhaps it's his modeling - or romantic - aspirations which have just been doused.


I've not found a reference for Spike in any other Royale set and there is a simple explanation for this last puzzle, but I will reserve that for the next post!

 I've not found a solo shoot for Ted in the Royale Catalogues despite his attractive muscular build, nor any other mention of him in other Royale sets. I'm still wondering if he has another identity as 'Dave' or 'Dennis'!

The Royale Series continues next time with 'Navy Gash' (link pending)

~

On-going Upgrade of Royale Studio Posts at mitchmen

 
The original mitchmen Royale series (2010) is currently being extensively revised and extended.
This completely new article is the 3rd post in the 'Navy Romeo' Set, together they replace the original Royale post No 2.
To see which articles have been revised to date, please check the 'Come and Get It!' post. I occasionally revisit these articles with further, minor upgrades which are logged there by dates.

The next article in this series is Royale Studio 3 - Navy Gash

Read the new series of Royale Studio articles at mitchmen from the start:-
Royale 1 - Sailors Flogged in the Rigging

You can access all the old and the new and revised articles
simply by clicking on the 'GIU/Royale' label at the foot of this post

 

'mitchmen' Royale Studio Open Archive
 
As an adjunct to the on-going article upgrade I am gradually creating an archive housing my entire collection of Royale images. I have added this latest image to the existing Royale 01 'Sailor in the Rigging' folder at the mitchmen Royale Studio Open Archive and if you follow the link below you will find there's also a new zip file there which includes them all for easy downloading. 
 

mitchmen archive for:-Royale Studio, Navy Romeo & DTS

  Please tell me via my profile link if you have any difficulty downloading 
 
~

If you have any other Royale images from this or previously published groups and would like to add them to the mitchmen Open Archive please contact me via my profile page link. 


 

Saturday, 9 October 2021

Another Royale Discovery

 

My recent internet explorations of auction sites unearthed this image (right) from the 'Sailor, Tight Shorts, Rigging' set, which was the subject of mitchmen Royale Studio 01c. These pages are from Grecian Guild Studio Quarterly No 22 (1967).

 Once again it's a slanted image, intended only to attract buyers, but that doesn't matter in this case because I already have a decent copy of this image, it's No 11. However the pictures provided with this listing enabled me to find the name of the model via the contents page. It's Alan Adair. His name is new to me, I can't connect him to other Royale sets and I've not found him on the internet yet, but he may turn up with his name just printed on the page, like the cute Don Avard in the facing page above (bad trunks Don!). 

I've incorporated his identity into the mitchmen, Royale Studio, Open Archive material

Friday, 8 October 2021

Royale Studio 01d - Sailors Fighting in the Rigging

 

Hussar Studio - Sailors Wrestling in the Rigging
 

I recently stumbled across this image of two sailors in very tight shorts grappling in the ship's rigging. It's attributed to Hussar Studio which was a subsidiary of Royale Studio*. It's a typical Royale image, with suggestive juxtapositiong of legs and crotches, invisible groping, skimpy tight shorts and a great bottom shot. I haven't seen their grappling and rigging themes combined before, this set is completely new to me. 

~

 I found this new image on an auction site which is why it's not a proper, frontal copy, just a snap intended to promote the sale. Annoyingly, it's quite good quality otherwise! 

It's from a 1960's vintage magazine, Body Beautiful 22, which I believe was published in May 1963 so this enables us to tentatively date the rigging pictures in a slightly later period than those covered by the catalogues I possess. See also 'Another Topless Sailor in the Rigging'


 


If you have a copy and are willing to send in a better image I'd be very glad to hear from you (e-mail me via my 'Contact Me' page). I suspect from the magazine contents list (which was also provided by the seller) that there may be more Royale images inside. 

I don't know who the cute cover model is, I think he's a Troy Saxon man, not Royale.


 ~

*I don't know if there was any particular rationale behind the Hussar-Royale differentiation, the 'storyettes' seem similar in content and the models are much the same. As you can see above, Hussar was formerly Dolphin Studio and presumably acquired by Royale. I don't know if  the photographer was acquired too or just the brand and business (mailing lists were gold dust in that era). 

I included a Hussar set in the original Royale postings at mitchmen in 2013:- Royale 18 'The PT Class' which is officially known as 'Jim Nasium', I believe, see reference above. 

 

 The mitchmen 'Royale Studio' Series continues with Royale Studio 02 - 'Navy Romeo'

~


Upgrade of Royale Studio Posts at mitchmen

This completely new article is the 4th post in the 'Rigging' Series and has been added to the original mitchmen Royale series (2010) which is currently being extensively revised and extended.
To see which articles have been revised to date, please check the 'Come and Get It!' post

Read the new series of Royale Studio articles at mitchmen from the start:-
Royale 1 - Sailors Flogged in the Rigging

You can also access all the old and the new and revised articles
simply by clicking on the 'GIU/Royale' label at the foot of this post

 

'mitchmen' Royale Studio Open Archive
 
As an adjunct to the article upgrade I am gradually creating an archive housing my entire collection of Royale images. I have added this latest image to the existing Royale 01 'Sailor in the Rigging' folder at the mitchmen Royale Studio Open Archive and if you follow the link below you will find there's also a new zip file there which includes them all for easy downloading. 

mitchmen archive for:-  Royale Studio 01 - Sailors in the Rigging v3

  Please tell me via my profile link if you have any difficulty downloading 
 
~

If you have any other Royale images from this or previously published groups and would like to add them to the mitchmen Open Archive please contact me via my profile page link. 

Wednesday, 6 October 2021

Be Careful What You Wish For - 7

Billy liked to talk, he was always talking.
As a kid people thought his constant chatter was charming.
But when he kept talking in class at school he was punished.
At work he was always in trouble with his loose tongue.
He'd be cheeky to the foreman and then lose another job.

Then Billy met the man of his dreams.
TMOHD thought Billy was dead cute, but not his endless prattling.
Billy couldn't bear to lose him, so he decided he needed help.........
Any sort of help.

Based on images originally put together by Bazz for his 'Dog 54' piece

recaptioned by mitchmen for this post

View Bazz's original 'Dog 54' below

~

For other ill-advised wishes at mitchmen blog click on the 'Wishes' label at the foot of this post

Bazz - Dog 54 (click to enlarge)
 

Sunday, 3 October 2021

Slave At Work by Woodunart

WOODunart - Pulling At His Chains

 Woodunart's image of a chained captive has a marvellous sense of a big man's strength and exertion. The angular brush-strokes seem to invoke a sense of fierce, dogged determination. His face and body both gleam with the profuseness of his sweating. The marks on the underside of his thigh suggest this burst of energy might have been prompted by the cruel chastisement of his overseer. 

The exotic beard and bandages give the picture an almost biblical dimension to Western eyes and I suppose you could say the same for the optimistic, almost manic, facial expression. He's like a latter day Sampson straining at his restraints, determined and confident that one day he will regain his freedom - or if not that, revenge at least for this undeserved humiliation. 

You might see him as a warrior bought low by his captors or he might be a charismatic, modern day sportsman, once noted for his inspiring play and ethnic flamboyance on the field, but now expelled from the game over 'irregularities' that exposed him to the revenge of envious rivals. Now the star player is reduced to simple, manual labour, shifting rocks and rubble in a bleak and ugly, grey quarry. His physical strength is still truly valued and exploited by those who now own his soul, but there are no spectators here to cheer him on in his efforts. Only the urging of the whip, whenever he flags.

 The dynamic, tactical skills that once galvanised a crowded, noisy stadium and inspired a whole team of magnificent men count for nothing here. He can only use them to plan for the day of his liberation.

~

See more images by this artist and links in the mitchmen A-Z of Fetish Artists review of Woodunart's work. He's now on Twitter, DeviantArt (small selection) and Instagram as well as the Tumblr site referenced in the original mitchmen article.

For other 'Enslavement Fantasies' at mitchmen, click on the label at the foot of this post