Torture Central - 2

There's a selection of good photographic imagery and clips at Torture Central. My choice here is not really fully representative of the material on the blog, I have concentrated on the eye-candy, but if you like rougher stuff you'll find that as well.

 This handsome, chunky, young man sports a pair of briefs that might cause amused comment in some circles but I find them strangely beguiling as torture-wear. I can't work out of it's the vaguely historical, loincloth flavour or the off-beat, mannish fashion sense, but either way it seems to impart a feeling of a man unexpectedly plucked out of his life and exposed, unprepared, to a bizarre, pseudo-medical examination.  This model's facial expressions are marvellous and on that account I expect his images will be with us for many years to come.

(photo: Russian Captured Boys)

 I'm drawn to this image for a similar reason, there's a sense of ordinariness about this young man's face and dismay in his expression that makes his situation seem disturbingly unplanned and weird. His body is far from ordinary of course, displaying a lean muscularity, unblemished by tattoos that is showcased by the stresses he is subjected to. This is not your typical fetish physique and that makes this image out of the ordinary too.

(photo dreamboybondage - I think)

 

Another refreshingly clean cut, young man about to be subjected to strange practices. He doesn't look like an obvious volunteer for the collar and ball-stretching device (improvised by coiling pink cord round his scrotum). It tells us that someone else has plans for him that go beyond admiring his good looks. The tap of a riding crop and the close proximity of an electrical circuit box are ominous signs that this beauty has fallen into the clutches of a beast.

 

(This studio, slaveboytraining, was new to me but seems to have disappeared off the web, I can find traces in search engines but they don't go anywhere, the tumblr blog has been taken over by parasites)

Vasily

 Another Russian Boy with dodgy underwear but the cut of it suits his physique immensely. The sensible size and incongruous colours bestow an ordinariness upon him that makes you wonder whether he understands or is up to the challenge he faces. The chunky collar assigned him seems to acknowledge his bulky, potentially dangerous physique - after all you don't tether a bull with a piece of string. However his bowed head suggests that the rebellious phase may have passed.

(photo: Russian Captured Boys)
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This is a much older image from a Tom 'Ropes' McGurk video but it's no less memorable than the others. It follows the formula of the previous images with a pretty boy captive and a mean looking master (Jason Branch). However, the atmosphere here is completely different. That's partly down to the professional dungeon metalwork which tethers the captive but doesn't provide tight limb restraint. But the main difference is that this boy is facing up his captor with defiance - albeit a defiance that's not quite sure of itself.

The captive's nipple ring tells us he's not a complete greenhorn and the veiny detailing of his arm in the foreground might make you wonder about his age too! There's a reddish colour cast in this image which fortuitously highlights what looks like chafing on his neck, as though caused by attempts to find a more comfortable position for his unforgiving metal collar. 

(photo: Tom 'Ropes' McGurk)

Bondadge without rope. A still from Man at Play that is striking for it's simple composition and message of self-assured superiority and calm submission. What power has caused this strong-looking, fully adult man to strip naked like this and allow his most intimate parts to be examined so casually in a public place? He's being treated like he's a piece of livestock who has no control over what happens to his own body or indeed has no other asset than his own body. Staff assessment never used to be like this! But you can see that he accepts this fate without surrendering his pride. Like the McGurk model above who is in line for similar treatment, he seems to defiantly challenge his molester to do his worst. Which no doubt he will in due course.

(Photo:- Men at Play)

This image has a sense of drama and movement. It's as though a particularly nasty lash has just landed on this last, tasty Russian Captured Boy. This captor seems to emanate power, privilege and depraved cruelty. His fully-dressed state highlights the captive's own subordinate status. As is usual at this site, he is allowed retain his underwear, a concession to everyday mores that scarcely lessens his humiliation, stripped before the boss as it were. But it suggests that this scene is about pure punishment rather than an artificial S&M ritual with an erotic outcome.

(photo: Russian Captured Boys)

 

Billy Santoro has the honour of signing off this little selection, struggling manfully with the irritations of an electro butt plug for 'Men on Edge'. Billy has a very different look to the other guys performing here, very grown up and masculine, but for my money he's just as cute. His familiar face and the sophisticated bondage paraphernalia spell out pure S&M fantasy, despite the anatomical wall charts and blue fatigues his tormentors are wearing. However I never grow tired of these electro scenes, which are usually riveting visually and often prompt interesting, genuine responses from the long-suffering guinea pigs.

(Photo from Men On Edge)

If you like images like this have a look at Torture Central

Torture Central - 1

Torture Central is a relatively young blog with an interesting selection of S&M images and clips. The emphasis seems to be on quality rather than quantity so although the collection is not vast, most of the exhibits hit the button (for me at any rate) and there was plenty of stuff I hadn't seen before. This article is based on the modest collection of artwork featured there.

 Cavelo - Talk or your buddy gets it

I not totally complimentary about Cavelo's style in my A-Z article about him, but this image with a very handsome captive on the left (picturing them is surely Cavelo's greatest strength) and a classic 'buddies in a predicament' storyline certainly gets my thumbs up. That seat-less torture chair surely was inspired by 'Casino Royale' and brings all the associations of that story to the party, but Cavelo also makes the most of it's capacity to humiliate whoever sits on it.
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Crucifixion - Artist - Cyrano/Mahoney?

The artist of this picture is not given an attribution at the site but it looks like Mahoney or Cyrano who I believe are the same person. Cropping out the crosspiece makes a striking image that focusses attention on the man being punished rather than the mechanics of the punishment.

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Nath66 - Alien Experiment

A fantasy image featuring a human male fertilising/laying an alien egg was included in my 

A-Z article on Nath66 in 2010 but a reworked version of the idea has appeared recently showing a notable advance in technique. This is a rather nice sample (click to enlarge) borrowed from a bigger selection at Torture Central (link to Nath66 in my original article). 

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Kajlet - Durst (thirst)

There are a number of examples of Kajlet's work on the Torture Central blog, this one is rather less intense than most of them and intriguing to say the least. The military overlay is stylishly done and adds greatly to the interest of the piece.

Visit Torture Central or follow my links above for more work by these artists.
There's a master index of artists on my blog here.

 

In my next article I will review some of the photographic imagery at the blog.  

Beer Bitch

A-Z of Fetish Artists - Wright

Ronald Wright belongs to the 1950's/60's when gay art and photography began to emerge from the shadows. This is the era of Physique Pictorial and other pint-sized magazines with names like Vim, Mars, Trim and Big. They circulated gay-interest imagery heavily cloaked with notions of healthy living, body building and Art with a capital 'A'. Quaintance was the colossus who strode that artistic stage, epitomising the idea that the naked, male figure could take the same place in great Art, the same sexual presence that women had seemingly monopolised since the Renaissance (although in reality that's not counting Michelangelo, Caravaggio and a mountain of images of Christ crucified that unashamedly glorify the male body).

  

Ronald Wright - The Slaves

There was also much interest at this time in the ancient classical civilisations of Greece, Rome and the Middle East, which were perceived as more tolerant of 'boy-love', but also practised barbaric punishments and slavery, thereby providing fertile ground for those with S&M leanings. "The Slaves" (above) is Wright's contribution to that genre, unashamedly copying the ideas of Quaintance and indeed the Hollywood epics which were just coming into fashion. 

This image has some creditable technical features, the figures and their faces look good, there's a recognition of perspective and shadows and the treatment of the sky in the background (obscured by the quality of the reproduction) seems to be quite subtle. Despite that it doesn't really work as a composition. The subject matter no longer grabs our attention these days but it's very obvious that we are looking at an assembly of posed, standard beefcake images that don't quite coalesce into a coherent and interesting whole.

The slaves look like a bunch of well-groomed boys on a beach whose sun-bathing and chatter has been disturbed by a tall dark stranger, rather than a group of fearful, over-worked, down-trodden victims under the lash. One senses they're more impressed by the guard's nudity than his whip.

There's actually another more interesting picture hidden within this one, comprising the two standing figures only, try visualising it. Of course, either of these interpretations may be exactly what Wright intended the viewer to see, this is the age of 'hidden eroticism' (see label below for more).

Wright - Into The Pot

I present this picture as a historical curiosity. It's one of Wright's best known images but recognised as an unacceptable, derogatory stereotype these days. In it's time the image of a (fully clothed) missionary in the cannibal's stew pot was simply shorthand for 'an unexpected problem' and as such was standard, recyclable joke material for tabloid cartoonists alongside (for example) castaways washed up on tiny desert islands with a solitary palm tree and bearded, long-forgotten prisoners chained to the walls of tiny, cobwebbed cells. These days the role of bogeyman has passed to imaginary aliens and the undead, but the thought processes involved are exactly the same, so perhaps we haven't advanced as much as we think we have.

In adapting the idea for erotic purposes Wright undresses the prisoner and focuses on his vulnerability and the peril of his situation, at least superficially. His depiction of the strong, black captor is authentic and not at all disrespectful. If you disregard the background and fancy dress, you can see a straightforward homo-erotic pose with the captive's left hand encouraging more intimate action. That this encounter is between two men of different cultures (underlined by the clumsy stereotyping) introduces that thrill of the unknown (and the forbidden even), which is no less potent now than it was back then.

 

 Wright - Sponge

Coming from an age of censorship and suppression of suggestive imagery, this relatively crudely-drawn picture is pretty astonishing. There is no 'cover story' that I can see to disguise the sexual nature of the scene, how else to explain a naked man sponging down his companion whom he has tied to a post? Just larking around? Hardly.

There's no explicit detail (well maybe a suggestion) but that hand couldn't get any closer to it and we know that all will be revealed as soon as his wet sponge makes contact with the captive's underpants. It would make a good video passage. The dripping tap on the left makes it clear that the sponge is indeed wet and also suggests general sexual excitement. There is additional significance in it's juxtaposition relative to the sponger's backside, connect that with the faces of the two men which have been given distinctly different, 'fem' and 'butch' slants.

  

Wright - Slave Market

This final image is another example of unfortunate racial stereotyping (bring on the aliens!), but the underlying storyline of being subjugated, involuntarily dispatched into the unknown and stripped of all possessions has a universal significance and erotic appeal that needs no explaining. 

This is a more accomplished composition than the others we have looked at. Apart from the discreetly obscured nudity, eroticism is represented by a rope sensuously twined around a leg and the suggestively-shaped piece of cloth draped across the kneeling man's groin. More interesting is the 'strong, male protector' theme going on between the two slaves which might suggest they are intended to be used for entertainment value rather than work. 

The potential buyers shown here certainly look wealthy enough to buy the pair of them (and their clothes demonstrate Wright's familiarity with fashionable art depicting middle eastern scenes if not the reality). However, there's one potential purchaser who is significantly younger than the others and he seems to have caught the eye of the more masculine-looking slave. Is this the eternal triangle given the rather nasty twist of a partner abandoned to an unknown but probably unpleasant fate? Wright has even arranged the 3 men in a triangular composition - neat.

For some reason, this image was reversed for publication and I have swapped it back round.

Wright's art is a product of and an interesting reflection of it's time. If it is imperfect in execution it nevertheless has some intelligent content and interesting fetish ideas which haven't dated at all.

It's hard to find his work but a search on his name will throw up a good deal of biographical information e.g. Gentleman Homosexual  , Sir Gay

(All pictures in this article can be expanded by clicking on them).

For more articles in this series click on the A-Z label below or search for specific artists using the index page or search boxes (top right)

A-Z of Fetish Artists - Wood (Ken)

 

Ken Wood - Trip to the Woodshed -1

Ken Wood was a contributor to Drummer in it's heyday providing illustrations to accompany the raunchy stories published there. This one and that below relate to a spanking story, although without the title, that ingredient is less obvious than the erotic one. As we saw with Bill Ward such coyness can allow more subtle messages to surface and control freaks will enjoy the forced undressing that's going on here. Unfortunately the washed out scan does not allow us to fully appreciate the revealed flesh. 

The 'contrast-y', pointillist style (which is more apparent if you click on the pictures to expand) seems to be cross-bred with the appearance of water colour wash in these 2 pictures and it's technically very skilled. Note the detailing of the muscles and  veins on the arms which may indicate photographic source material. Some aspects of this image (like the man's hair) remind me of Rex's work

 

Ken Wood - Trip to the Woodshed -2

The belt here is the only clue to what's happened but the direct linkage of spanking and sexual pleasure in this way is not as common as you might expect in the imagery of this subject matter (click on the spanking label below to survey other contributors to the genre). Of course it's usually the victim's own belt that has been used to do the damage which adds a twist of humiliation but further distances the spanker from his handiwork as though to say "you've only got yourself to blame, you brought it on yourself". That stance becomes rather questionable if he then proceeds to take the opportunity for sexual gratification. 

In this confused, psychological stew, Ken Wood's 'vagueness' of style actually seems quite appropriate. The water colouring effect is more obvious here in the men's hair.

 Ken Wood - Illustration for 'Pisser'

The circumspection continues with this double page spread featuring an even more delicate subject. To do him credit, Wood does not shrink from explicitness (apart from concealing 99% of the source of the stream) and it's a pretty exciting interpretation featuring once again that sense of forceful compulsion. However, the cross hatching style he's adopted here doesn't exactly push the image into your face. Even allowing for publishing issues it's clear that he's much more comfortable with drawing the motorbike, even to the extent of showing quite clearly that it has also been christened in the same way. The carefully folded leathers on the bike seat are a hilarious but absolutely authentic detail.

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Tom of Finland connoisseurs might like to note the width of Wood's motor bike tyres. They are accurate but Tom famously described how he deliberately widened his bike tyres for one image (below) to make them look more butch.

 Tom of Finland - Motorcycle Leather Man

You can see his point!

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There is arguably an element of fashion in Ken Wood's style which might be described as 'selective detailing'. Bill Ward, a contemporary, fellow contributor to Drummer, did the same thing to show dreams or rapid sequences of events.

I don't know of a site for Ken Wood and searches don't bring anything up. If you are interested, a search of Drummer images might be a good place to start.
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All pictures in this article can be expanded by clicking on them.
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For more articles in this series click on the A-Z label below or search for specific artists using the index page or search boxes (top right)

A-Z of Fetish Artists - WOODun Art

Woodunart - Killing You Softly (click to enlarge)

Woodunart is a relatively recent arrival on the scene and this image probably made the greatest impact on the fetish community. This aspect of his work is bondage-oriented with added torments. There's an undercurrent of danger and even brutality in some cases but it's not explicitly shown. The scenario is very like 'Inquisition' like, but is it just my fancy that there's a cross on the right hand wall?

 WoodunArt - Intimacy

WoodunArt's images mostly feature big, mature men like these and the idea of highly muscular men being forcibly abducted in their jockstraps is very fertile ground for S&M fantasies. The pictures are confidently painted with a finesse that must have been years in the making but see how the composition here augments the subject, placing the victim in the middle of a noticeably larger, dark space which tells us that he is isolated from any help.

 Woodunart - Something Warm

The source of the warmth is left to the viewers imagination. The depiction of the captives in many of these pictures suggest great strength but there's a hardness in the faces which seems to run deeper than the anger invoked by his their predicament. The tight cropped hair just adds to that sense of contolled aggression. It seems there are no 'goodies' in this universe.

Woodunart - Dinner Meat

 

This image reworks the idea of gangland abduction from 'Killing You Softly'. These two images standout because they have a dramatic sweep that is almost epic. Big though the captive may be, he is dwarfed by his surroundings. The unpleasantness in full flow in the first picture has yet to manifest itself in this scene but judging by the set of the captive's face and the smile of the henchman behind him it won't be long in coming. 

Like 'Intimacy' above, there's a play on that sense of the unknown danger, which the captive faces naked and unprotected. His vulnerability is brought out by such devices as the clothed state of his captors and their weapons of course. Also by his own minimal, vestigial clothing, shaved crotch and the shibari-style bondage which has been designed to draw everyone's attention to that most treasured and vulnerable part of him, his manhood.

My explorations in researching these articles sometimes take me to the most unexpectedly pleasant places and Woodun Art's work is one such with studies of men like these (based on photos) which are not only attractive but succeed in capturing some singular essences of manhood.

This more youthful example is softer in execution and there's a sense of uncertainty in the facial expression which is very evocative of the mysteries of becoming a man.

Woodunart - Gemini

I can't explain the title of this final piece, but it's a classic 'predicament' scene where the danger is very apparent but has yet to be set in motion. Presumably the battery on the side bench wasn't up to the job. The menacing shadow in the foreground is a nice touch but the captive seems to be looking in a different direction for some reason. Like all the other victims, he's been shaved for the occasion. 

This is probably quite a common S&M fantasy, with gothic origins. It's not dissimilar in intent to the (even more ancient) wedge punishment that I was featuring here a year or so ago (see wedge label below). It even featured in the James Bond 'Thunderball' movie in a slightly updated form with a laser beam substitued for the circular saw. This is one threat where the logical denoument is 'out of bounds' for all but the most determined sadist.  

WOODun Art (as he styles himself) has a blog Woodunart on tumblr

with lots of masculine art, but it's slow and quite difficult to access individual images, patience is advised but will be amply rewarded.

(Woodunart on blogger seems to have been abandoned by him).

All pictures in this article can be expanded by clicking on them.

For more articles in this series click on the A-Z label below or search for specific artists using the index page or search boxes (top right)

A-Z of Fetish Artists - WithNoTitle

Another Japanese artist who practises the national, spiky style of drawing but with more softness than most of his compatriots. The fetish content is fairly mild for the most part but visits some interesting by-ways which I have sampled here.

 I admit to knowing next to nothing about the game characters who populate this artist's images, but Chris Redfield is known to me, his ample physical charms and interesting clingy outfits speak for themselves anyway. This image (like most of WithNoTitle's work) exists in other, more naked variants but I like the groaning underwear in this one. Chris has evolved a long way from his chunky look in the original game here.

 A more overt fetishism here, sadly impaired by the pixilation of the most important 'part'.

The agonised facial expression helps to make a distinctive image. There's a certain kinship here with the time-honoured tentacle pose but this picture is much simpler, with just one line of attack on the victim. If you look closely and screen off the far leg you can see the underlying image here is of a man seated on a ledge not the floor. I think retaining this pose might have made an even better picture, it brings out the way the captive is bracing himself.

Talking of tentacles, this is one of the better examples of the genre. It helps that the creature is given a vaguely recognisable, octopus-like form and the artist has brought out the daunting strength of the creature in those massive flailing limbs. It's a worthy challenge for a muscular hero and having to fight in the alien environment of the sea (which is surprisingly calm today!) poses another danger to him. 

The efforts of the creature to open out his legs represents a subtle sexual threat, but having suggested the vulnerability, the artist has resisted the temptation to show another tentacle directly attacking that area. I chose the clothed version of this picture because I like the body-enhancing effect of the loincloth (fundoshi) and it adds greatly to the simmering, erotic brew here. The garment has a ancient, primitive character that strips away any trappings of modernity, reducing the wearer to his animal essence. Yum!

I have introduced a new label for my posts, 'encounters-with-creatures' which links images where recognisable creatures are involved, not just disembodied tentacles (see foot of post for labels).

There's a suggestion of bondage in the arms-behind-the-back pose of the right-hand man here but I really selected this picture because it underlines the artist's skill in depicting tense, muscular interactions. It has a nice voyeuristic feel. He has used a more naturalistic style with the faces and bodies so it's intensity makes an immediate connection with our normal viewing receptors (whereas we have to process and translate comic/fantasy images like those above into our normal viewing 'language'). I'd love to see the octopus image done this way.

I haven't been able to find any recent images from this artist or a website
(your information is welcome via comments)

For more articles in this series click on the A-Z label below or search for specific artists using the index page or search boxes (top right)