A-Z of Fetish Artists - Robin

 

Robin - Sleeping Together

Robin isn't strictly a fetish artist, in fact work like Sleeping Together seems quite cosy to the modern eye. We do have a discarded leather boot here providing a tenuous fetish connection and the hand gripping the younger man's arm hints at an element of forceful passion. The luxuriant eyelashes and prominent cigarettes suggest this work is quite early (50's/60's?) in which case the explicitness of the intercourse shown and the quality of the draughtsmanship mark it out as a bit special.

Robin - Bound

Interestingly, Robin's exploration of bondage shown here is much less adventurous and typical of it's time - the ropes are loosely tied (if at all) and largely symbolic but it's a nice picture of submission. The sophisticated vertical shading marks out an artist who has had decent graphical training. These pictures in their broad-stroked simplicity have something of the quality of woodcuts about them which gives them an artistic quality, perhaps designed to defuse the content in less tolerant times.

I don't have a site reference for Robin and would welcome information about him from readers.

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A-Z of Fetish Artists - Roan

Roan - A Good Hard Spank

 I don't know about art but I think this picture, attributed to Roan, encapsulates pretty well the homoerotic excitement of real man spanking. I love the glowing red palm (you can imagine the warm sting) and the even hotter(!) area where he has focussed his attention.This is a one-off as far as I know, I don't have a site reference for Roan and would welcome information about him from readers.

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A-Z of Fetish Artists - Riton Z

  Riton - Dressing Room

 Riton is a French artist who has published a lot of art there in comic form and in the French language of course (mais oui!) both of which probably limit their circulation, but he deserves wider recognition. My first example, bondage in the dressing room, is moderately well known and regular readers will spot my interest in rugby surfacing in this choice (Rugby being one of the few enthusiasms we Brits are happy to share with our near cousins!).

It's quite a complicated composition with a range of field-depths and although the perspectives go a bit bananas on the seats and shelving it's visually interesting and tells a fascinating story. Apparently this is a post match debriefing/initiation and the format is clearly not unusual in this dressing room!

 

 Riton - Fleeing man

This picture of a man fleeing through a wood clad only in his boots shows the same sexy humour and some technical skill with awkward viewpoints. I love quirky images like this. The bare trees, falling leaves and splashes of mud create a desolate setting, cold and wet adding to his naked discomfort and by implication, underlining the fear which is driving him through it.

 

 Riton - Le Bunker (excerpt) 

My final example is taken from the comic strip 'Le Bunker' in which a young man, Gabriel, offers himself for extended S+M training in order to enter the service of 'the master'. It's a long series of 24 pages, so this single example scarcely does it justice but it does give you a flavour of the piece.

Each page features a different sexy test for Gabriel starting with a forced confession of past sexual excesses that could only have been dreamt up by someone from the Catholic tradition. In this frame, the unexpected forced piercing in an unusual, intimate place is a great domination moment - I love the squeal of pain!

The speech bubbles play their part in creating the bunker atmosphere but inevitable the language used is full of colloquialisms and naughty words that easily defeat automatic translators. I have attempted to translate this page (below) as best I can but had to guess at the word exies' in the final frame.

1

“Ça y est! T'es bien cale? Je veux plus t'entendre!”

That's it! Do you have a good hold? Speak Up!

2

“Vaut mieux pas que tu bouges!...”

It would be better that you do not move !....

5

“Je me demande si il est pret pour la suite!!...”

“I ask myself if he is ready for what is coming!!...”

6

“C'est le maitre du Bunker qui a exies' cela

It is the master of the bunker who has (called for) this

Naturally, the humourous comic book style dilutes the S+M element (probably to satisfy a publishing constraint). Gabriel seems to endure his succession of humiliations and punishments with a good humour that is rather disappointing, but nevertheless, for those with imagination it builds up into an impressive saga that stands comparison with Leo's work 'The Estate'.

I don't have a site reference for Riton and would welcome information about him from readers.

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 or use the search box to find a specific artist

A-Z of Fetish Artists - Rico

Rico - The Agony

I have a couple of pictures by Rico dating from the late nineties and both showing a mature man, tied up and being tormented by the hands of unseen captors. At first sight it has the appearance of a caricature with the man's face enlarged and distorted, but in reality it's highly realistic, if not very pretty. The binding of the wrists looks inescapable and his slightly fleshy body is sensuously depicted, squirming under the attack which is serious enough to cause him to loose control. I expect the moustache is a bit of blocker for some, but I would love to see more of this artist's work.

I don't have a site reference for Rico and would welcome information about him from readers.

Update Aug 2018, Thanks to  the reader who identified this as a tickling image and supplied a link for other examples (see comments below)

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A-Z of Fetish Artists - Rick Hard

 Rick Hard - Branding Dungeon

 

From Rickard to Rick Hard (aka Rick Von Sodom, I believe). This torture tableau is a good example of his work. The fascist uniforms and the array of crude torture weapons on the side table would have been more chilling in their own day than they are now. The participants are rather disconnected and look out at us as though caught in the act or posing for the artist - perhaps the cruellest torture of all!

I don't think I've featured a branding picture before but I wouldn't recommend this as a guide to technique, branding a captive on the buttocks while he's tied to a post is one of life's more impractical tasks. Perhaps that's why he seems to have applied his brand upside down! I like the aproned slave feeding fuel to the furnace while being aroused by the second guard's whip sliding between his ass-cheeks, note this guard's penis-shaped cap.

Rick Hard's style is fairly basic but the rendering of the faces and the uniform detailing show a hand not devoid of talent. The subtlety of his shading has been washed out of the scan above and is better in the other pictures below. The Nazi style uniforms and facial style suggest a date around Tom of Finland's heyday, in fact the prisoner tied to the post is very similar to Tom's 1963 image in which an engineer is tied to a telegraph pole by bikers (below). There's a touch of 1960's artist, Luger (Colt), in the legs-up pose of the right hand guard.

 Tom of Finland - Engineer Tied To Post (1963)

 Rick Hard - Indoor Animal

The black humour lurking in Branding Dungeon can also be seen in this rather expressive picture of a prisoner awkwardly tied to the foot of a (neatly-made!) bed. Men in humiliating domestic predicaments feature in other pictures by Rick Hard too.

 Rick Hard - Tryptich

 

Back to the dungeon. This guard is a caricature with a cruel almost feminine face thanks to the almond-shaped eyes and strange peaked cap. His body is muscular but that takes second place to the prominent billowing uniform, all carefully detailed, even the piped edges are shown on the gloves and boots. The muscular young prisoner is lovingly drawn using a curious shading technique which suggests body hair in places but also recalls depictions of blood vessels and nerve paths in anatomical drawings and it's all slightly disturbing. In the final section his beauty disappears and he becomes gaunt and agonised under the guard's torment. I'm not sure if this is erotic or a moral tale.

Rick Hard - Crop Licker

 Finally a guard descends into the dungeon and holds out his crop for the grovelling, naked prisoner to kiss. The guard's casual hand-in-pocket pose shows he is in total control and has no fear of being attacked. It's a simple but rather effective depiction of casual intimidation and fearful submission. In the context of the other drawings showing severe torture scenarios it's all the more threatening but fortunately the penis-shaped cap reveals the true purpose of the encounter.

Rick Hard doesn't have the most developed of techniques but he does have a knack for capturing erotic domination. I don't have a site for Rick Hard and would welcome information from readers.

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A-Z of Fetish Artists - Rickard

Rickard - Pullem

My solitary example of this artists work is full of dark menace and brooding resentment.
The cold steely eyes and muscular torso make this one stand out
 but the string pulling order doesn't seem to quite warrant the captive's reaction.

I would welcome information on Rickard from readers.

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A-Z of Fetish Artists - RF

 

This rather striking piece of bondage art is by an artist called RF. Group (or buddy) bondage like this, where each captive is restrained in the same way is quite an unusual subject. It suggests that their captor must be extremely powerful and well organised and therefore to be feared. The inability of the men to work together to free themselves gives a twist of shared frustration and humiliation, it's different to solo bondage where the victim's isolation from any help or consolation provides part of the thrill. I like the morph-like faces which do have individual characters but seem to have been 'harmonised' by their plight and of course I love the (identical) shorts with their (identical) intriguing bulges. I suspect we're talking control here.

 

Three more captives here, secured by curious horizontal strapping passing through loops embedded in the wall. It's a standard bondage image but again enhanced by the identical group punishment perspective which will seek out the weakest. This time they are wearing underwear but it doesn't leave much to the imagination, which I would have preferred. The men's bodies are not idealised, it's the situation that supplies the eroticism.

The final picture is a solo pose. I love the dotted seams which tell you that he's wearing some sort of long john's or tights which also cover his feet. This sort of garment, which is enclosing and shape revealing, but not normal wear, applies a subtle layer of control to the captive's lower body. The seams draw your attention to areas of interest, like the line diving between his buttocks and the criss-cross thread seemingly holding his bulge in check. It's all nicely understated and the simplified representation of the face allows the businesslike gag to come to the fore.

I would welcome information on RF from readers.

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