The Night Visitor liked men who slept in the nude.
~
For more Night Visitors, click on the label below
This photo by Dudley Carver
Gay bdsm art by 'mitchmen' Mitchell and other artists featuring male erotic sexy fetish, S&M, men tied up, male bondage, domination, humiliation and spanking. Vintage photographs of men in uniform, Royale & Hussar Studios, humourous captions, gay pride articles
The Night Visitor liked men who slept in the nude.
~
For more Night Visitors, click on the label below
This photo by Dudley Carver
Ryan could remember going to bed at his usual time. He'd felt exhausted after a long training session with his football team-mates.
Then nothing until awoke and found himself strapped to some sort of frame in a dark, damp, dungeon-like place.
There was a strange feeling at his groin, a dull ache, it felt as if his tackle was being squeezed by something very tight.
"Welcome, Mr Hawke!", a voice boomed out, "we are ready to begin your induction".
Ryan could just about make out a masked figure in the murk.
He felt a stab of fear.
~
Artist unknown, I'm afraid.
For more 'targets' at mitchmen blog, click on the label below.
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| Art Bob - Unknown Title |
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| Art Bob - Low Score |
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| Art Bob - Four Alarm Fire |
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| Art Bob - Down on the Farm |
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| Art Bob - Hero Worship |
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| Art Bob - Hay Antics |
There's balance too in the mirroring poses of the two 'carriers'. It results in the overlapping of their lower bodies, which are one side-step away from direct erotic contact. If the carriers are removed from the image altogether, the two remaining characters are aligned for an even more intimate engagement.
That hidden, erotic subtext derives an extra twist from the characterisations of the two 'teams' which are totally different. The two on the right look playful and innocent, their opposite numbers look older, more serious and distinctly calculating. One of the 'innocents' looks out to us soulfully, as if he's suddenly realised this contest is not what he thought it would be. A discovery no less dramatic than the one that the Hayloft wrestlers might be on the verge of making.
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| Art Bob - Hang On Man, We’re Cutting Out! |
In this image, the artist takes that encounter between innocence and experience further. The fantasy of bikers leading astray 'healthy', young men was a popular theme for gay artists around this time, notably explored by Etienne's Surfer and Bikers images in 'Road Kings' and also by Tom of Finland.
The rapid sketching technique seen in 'Rodeo' feeds the comedy here as well as the sense of movement and urgency. The artist hints more explicitly at the logical destiny of the arching body and thrusting pelvis, although it seems an improbable result in terms of the stereotyping of these particular two characters and the physical situation they are in. By intention or accident, the sketching has also created the (more predictable) impression that the pillion rider has a rocket up his backside.
Unfortunately, in this image, virtually all the background detail is lost, save for a gesticulating arm far behind them, which perhaps implies these two have been up to some mischief.
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| Art Bob -2 a.m. Daddy |
I suppose we must view this scene in the context of an era when probably the majority of gay men chose to marry women in order to avoid persecution and live a 'normal' life. That decision was probably influenced in may cases by the relentless, popular characterisation of gay men as effeminate and degenerate. That wasn't how they viewed themselves, of course, but they knew no better.
Art Bob may be representing one such man, wondering how different his life might have been, what else he might have been getting up to at 2 o'clock in the morning. The depiction of the two children is an impressive example of the artist's capabilities as an illustrator.
He has a voluptuous physique and there's an erotic, masculine kinkiness in the bow tie coupled with his nudity (somewhat clichéd and devalued to gays, these days, by commercial, heterosexual exploitation). The artist may be hinting at conflicting inner feelings by presenting him with a choice between conventional black and jazzy stripes. Does he mean a choice between being dull and straight and being a more imaginative gay? This was the double life led by many men.
The contrast between his overall nudity and chunky shoes and socks adds even more pungency to his simmering erotic appeal. In addition, the open drawer with its trailing tie, in matching stripes, note, suggests an inner excitement suggestive of his true orientation. Very clever.
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| Art Bob - That's Not Music! That's My Brother |
According to the Physique Pictorial caption this is a phone call to his girlfriend, but I suppose we might imagine that's just his cover story. Otherwise, this is strictly neutral territory with no hint of anything more between these two men than commonplace, sibling rivalry and a weak play on a phrase that predates the Hollies 1969 hit 'He ain't heavy He's my brother' by over 50 years.
The guy on the phone is appealing enough, with a physique, one of Art Bob's best, delicately detailed with light hair. Except for what we can see of his groin, that is. Notice the flecks of shaving foam on his pecs and belly, titillating us with the thought that this straight guy has an awareness of his body image which wasn't at all normal in the 1950s. His younger brother's dress with tight jeans and bare, muscular top suggests similar, promising traits!
The 1950s retro decor, complete with cheese plant and 'moderne' lightshade is a delight.
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| Art Bob - Detour |
Three images by Art Bob, which I have presented in the past, also feature heterosexual themes. In 'Detour' it injects that frustrating but irresistible allure of 'essence of straight' into a situation rife with homoerotic desire. (Follow the links in this section for more commentary).
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| Art Bob - We're Waiting |
'We're Waiting', is a more comical play on conflicting desires in a mixed erotic triangle. It features strip poker and a secret gay who is one of that predatory breed who believe they will always get their man. Surprisingly often they did, annoyingly, but their chances were enhanced by the prevalence of men living double lives or in mistaken marriages. Nobody here cares about the woman's feelings.
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| Art Bob - Pick-Up |
'Pick Up' gently mocks the artifice of women that suffer under a similar illusion, largely based on their self-presentation skills and female artifice, as represented by the dropped handkerchief (or knickers). It's a world I suspect Art Bob was very familiar with in his day job. In this case we can see it's pure delusion.
I have resorted to a magazine cover for this example, it's over-cropped at the sides but is the only copy I have which, for once, shows the background detail as it was meant to be seen. Note the philosophical comment in the magazine title on the bottom row.
~
Read this series from Part 1
I am mulling a Part 4 for this series, watch this space!

Convict Kane by AI-GaySole (Video)
This guy looks like a tough cookie, but the prison guards are tackling his behaviour. They are keeping him tightly restrained with rope even when he's in his cell. He also has to wear a body harness under his prison uniform and keep it on, even during recreation breaks, as a reminder of what they will do if he misbehaves.
I love the exaggerated pecs and nipples busting out of his overalls, and the straining zip, which looks as if it might give way at any moment.
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| Convict Kane 2 by AI-GaySole |
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| Convict Kane 3 by AI-GaySole |
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| Jake Harlan 29 by AI-GaySole |
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| Professor Kane 10 by AI-GaySole |
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| Professor Kane 2 by AI-GaySole |
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| Brock 4 by AI-GaySole |
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| Adam 18 by AI-GaySole |
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| Mr Rivera 20 by AI-GaySole |
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| Moretti 3 by AI-GaySole |
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| Ken 17 by AI-GaySole |