Art by Evinist - 2

Read Evinist Part 1 

 

Evinist - Venom

Evinist's take on Venom captures the confusion of Eddie Brock as he tries to comprehend the presence within him. The physical entanglement is presented more as bondage than irresistible organic intimacy with Venom cast as an unlikely seducer rather than a dominating monster. Nice colour palette.

Evinist - Batman and Wayne

This is one of the sexiest portrayals of Batman which I have seen for a while with buttocks and pecs that easily overcome my dislike of masks. The coy dialogue and smiling faces are a witty take on the suave, but brusque and sexless Bat personality that Adam West portrayed in the 1960's TV series. 

A homo-erotic relationship between Batman and his public identity Bruce Wayne isn't logically possible since they are exactly the same person in the original comics. Batman does seem to acquire a mysterious something extra when he dons his black kit he's not supposed to have super powers that would make him into a completely different entity. Still, it's an interesting fantasy and I suppose you could see it as a psychological equivalent of the Venom 'twinning' which does have physical basis. 

A superhero succumbing to seduction seems extra sexy because they personify strength and are normally supposed to be focussed on heroics and doing good. However Batman's sexuality has always been far from cut and dried with a lack of women in his life and a friendship of an unknown nature with a Boy Wonder. We can't tell if he's embarrassed by Wayne's advance or simply playing hard to get. 

Is this self-love personified or self realisation? 

Evinist - Batman and Superman

Batman tries his own luck with Superman in this picture, perhaps having come to terms with his own sexuality in the picture above. There's even a slight feminine cast to his face which is unfortunate methinks. Superman looks entirely embarrassed but suspiciously compliant. He's got a better claim to dual identity with a closet changing habit to boot. However he was always resolutely heterosexual in his everyday life with all-American looks and a pretty girlfriend whom he occasionally romanced when wearing his skin-tight Super suit - lucky Lois! That only serves to make the idea of him being susceptible to men all the more appealing.

Evinist - Batman and Robin

This image shows Batman as he is 'supposed to be', strong, mysterious and very upright with a figure, I might add, that is well constructed but entirely unappealing. It's hard to imagine this Batman ever being seduced - or leaving his over-pants at home as he has in the preceding pictures. 

The situation presented here represents an interesting double reversal of Robin's character, rescuing him from the childlike obedience and absurd mediaeval dress of the original concept and converting him into a rebellious, sulky teenager who dresses like a modern day 'agent' and yet is more under the Bat-thumb than 'red and green' Robin ever was. I suppose Robin was born to be hung out to dry, but you imagine this converting quite easily into a warmly parental hug.

Evinist - Nice Trick

In those days, superheroes used to go in for humane humiliation of villains (I assume this is a villain from his eye patch but I don't recognise him, it could be a pranked hero who's trespassed into Gotham territory). Whatever the case, this is a well-worked, homo-erotic elaboration of the concept. Obviously mature and muscled, he's not only immobilised, but forced to crouch in a humiliating (and ultimately painful) fashion with a rope round his neck like a dog's collar and lead. 'Boy Wonder' Robin is not usually credited with this amount of power over other men, his victim's bulging muscles underline the extent of his achievement. Perhaps the bulging crotch lent him extra motivation!

 

 

EVINST - Lantern Bondage 5

Black superheroes are only now starting to become part of that lexicon but they are equally rare in homoerotic art so this contribution is welcome although it's really a black version of a white character (both artistically and storywise). This superhero in bondage is one of a group and I included another in the first post about this artist. As a composition, it's similar to the picture just above, I admire the clarity of the complex bondage and the colour palette, drawn from the Green Lantern theme of course. 

Unfortunately the erotic impact is weakened by the huddled, protective stance of the figure and his bulge bondage, which doesn't express 3 dimensions, the far side of the loop should disappear behind it (as it does briefly in the picture above). To be fair, this artist doesn't usually go in for exaggerated frontal assets. Perhaps it's a deliberate emasculation, a reversal of stereotypes, so the eye avoidance in the captive's facial expression is not just about the embarrassment of capture and of being subjected to such elaborate, showy bondage. However, whilst none of us wants to be defined by stereotyping, I'm not sure that necessarily means we want it all completely taken away!

Evinist - Bruce Wayne Crop Whipped

Bruce Wayne turns up unexpectedly in this situation too which takes place in the head Office of his own successful business enterprise, judging by the logo on the draw handle to which he his strapped. The tenor of the other images above and the bulging, strapped groin suggest this is his secret, sexual peccadillo rather than a plot-related comeuppance, say at the hands of a business rival or resentful employee. Perhaps this is the way to get promotion at Wayne Enterprises! 

Evinist - Body Harness Restraint

This artist often depicts clothed bondage which can't usually be as erotic as the unclothed variety but this suited captive makes a pretty good fist of it with a startlingly sexy backside. It's accentuated by a low, waist-encircling strap and a tight, groin divider. The thigh strapping also contributes to the bubble-butt effect. The arm restraint is a very simple concept, not based on tightness but positioning and you can just tell that it's extremely effective. There is also a foot spacer, it completes the detail satisfactorily but visually is not quite as effective. Foot spacers tend to be like that. 

The harness straps are quite wide and relatively rigid looking and that adds to the sense of substantial restraint. Their brown colour distances the scene from biker style, leather fetish and probably helps the clarity of the harness arrangement. 

The underlying scenario here is something of a mystery to me. It looks like a classic villain and businessman but the agenda for their meeting is not obvious. Why would you dress a man in a total body harness and yet leave him fully clothed apart from a jacket? Why put him kneeling on top of a (comfortable!) stool? I imagine these are characters are taken from a game or comic source but I haven't identified them.

 

 

Evinist - Bed Butt

 

 Men displaying attractive butts is a favourite theme by this artist and this is a nice example with nice brief shaping and subtle alluring highlights atop each buttock suggestive of wet swimming trunks or shiny fabric. Stout thighs and a slender waist helpfully frame the area of interest.

 

This man, mature and stubbled, looks a tough cookie but you sense he knows what he's doing here!

 

 

Evinist - Ginger Hair and Bubble Butt

 There's no such ambiguity in this variation on the theme, the eyes and blushed cheeks say it all. At one time such a bulky man with a full crop of hair and generous beard would have seen as a man's man when that expression meant not just the opposite of gay, but not given to 'soft' emotions. Certainly not the sort to give coy come-and-get-me signals or flaunt his bare backside while nestling in the sheets! This image would have been very subversive then, but in a modern context it's totally unshocking but delightfully playful and his ginger colouring a rare find.

 

Evinist - Fantasy Pop Star

This image is at the other end of the scale with a futuristic performer showing a similar rear view to an adoring audience. In reality, this approach to Pop marketing is almost entirely the preserve of female performers with male singers rarely expressing their individuality through daring exposure or even clothing anything more fanciful than T-shirt logos or Dame Edna style glasses. Even the fanciful headgear here seems inspired by Showgirl imagery. The bangle-like, hovering belt is more masculine however and curiously alluring.

 

The bare butt here has similar qualities to the kneeling executive seen earlier but the bubble of the butt is emhasised differently by jock style framing rather than mid-buttock cross-strap. Ther's still separate groin divider strapping but whether it actually goes under his crotch or somewhere else is open to interpretation. The dangling key suggests a more calculating approach to seduction than the shy ginger man above. 

Evinist - Solace

This picture is not overtly erotic but there's always sexiness in expressions of gentleness between men and in men responding to it. There's a hint of inter-generational love here that gives an extra frisson to the exchange (without any hint of inappropriateness). The seated man seems to be nuzzling against that tight, muscle enhancing top (who wouldn't?).  His appearance (be he superhero or simply a fit individualist) contrasts with the casual sexiness of the other's open shirt and hairy chest, creating the impression of a sexual time-bomb ticking away.

 

Evinist - Aquaman and Friend

 This image of a homo-erotic relationship between a more than usually youthful Aquaman and another man of the sea (whom I haven't identified) is a nice, youthful expression of male bonding that is more representative of gay relationships than all the sex scenes put together. As ever the artist makes light of sexual matters but highlights the handholding of the characters, symbolising friendship, affection and trust. If there is not an inter-generational situatiion here, there is clearly an element of leader and follower which is organic in nature and not expected of ordinary men (contrary to everyday experience) and certainly not between superheros, who don't hold hands either, thank you very much!. This delicate issue is usually sidestepped in the heterosexual media and films by inventing military structures (The Justice League) and appointing a Commander who even the strongest hero must defer to. Yes domination is quite OK.

 

 This 2015 image finds an unexpected echo in D.C.s 2023 Lazarus Planet image

~

Read Evinist Part 1 

 

Evinist posts at Twitter

Castaway Targeted

 15 minutes of fame is all you get.

Plus a lifetime of regrets for making yourself visible.

photo by CMNM

Saint Sebastian at the Royale Gallery

 

This image of Royale model, Ron Wiltshire, tied to a column as Saint Sebastian

 is amongst a number of recent posts at the Royale Archive.

This picture wasn't actually taken by Royale, but probably by Domenique.

He had a reputation in his day for coming on to his models,

Maybe this is how he did it!

For those into the background of Royale's operation, a catalogue sheet from the Hussar period which I recently discovered has filled in information about this later period, notably the 'Sailors in the Rigging' sets which have been very elusive up until now. 

Art by Drtkk - Part 3 (aka MilkCow)

MilkCow - White Rats 1

I discussed the features of this man-storage facility here at mitchmen in Milking Factories No 13, but MilkCow originally designed them to preserve captured POW's until they can be sold off . The title of the picture suggests that it's not expected that they will become cosseted House Boys or field workers.

This highly refined form of bondage is an ideal way of keeping them alive, under control and protected from damage in a controlled environment, whilst still being available for interested parties to view in person (although it's become more common to buy them over the internet since Covid). The captives love the safe feeling the warm liquid gives them and require minimum physical restraint in their capsules. They listen to music via implants and enjoy the gentle stimulation of nipple suckers and 'active' codpieces that comfort them and attend to their 'detoxification' needs. The cost of such a system is justified by the prices these men fetch, as shown on this man's container label.

MilkCow has drawn a handsome character demonstrating this ingenious design, he seems alluringly available and desirable as he dozes contentedly. All these captives have been shaved and show grow-back. The artist's bold, muscle delineation is less prominent in this close up view. The random arrangement of the capsules behind creates an impression of large numbers of other men being processed and on offer. One would be spoilt for choice, but few of us could afford this boy's price tag.

MilkCow - White Rats 2 - The Check

This scene shows the captive being 'checked' after being purchased by a laboratory for study. He's been delivered frozen in a cryogenic container which looks disturbingly like a coffin. MilkCow wisely skirts round the defrosting process. I suppose it might have been carried out by the container itself. Anyhow, it's barely warm when the delivery is lifted onto a table and strapped to it. 

Even before his shorts have been cut off his body, the scientists have already piled in and attached a device to his nipple and his other pectoral is being prepared for something similar. With all this haste the poor man must be struggling to understand what's happening to him. Maybe it's better that way. 

It's easy to understand the technicians enthusiasm once they saw what the new lab rat looked like. They all look very young and student-y which doesn't bode too well for procedure adherence as the check progresses (you'll remember what happened to the clipboard in the Chair of Toughness (MilkCow 2). The lab equipment at this point seems relatively unthreatening, but the universal use of eye protectors is a bit worrying. It's probably just as well one of them has a stethoscope for emergencies.

The artist has cropped the detail of what's happening on the right and re-directs our focus to two other technicians walking by and chatting as if all this uproar is nothing out of the ordinary. The nearly naked man on the table may grab our attention, but he is just another, experimental subject in Lab 169.

MilkCow - The Windmill Game

At first sight, it seems reasonably clear what's going on in this picture. The subject is lifting heavy buckets of water in a punishing position that does not allow bending of the arm. It would be well-nigh impossible for most people, so credit to him for achieving this much, but what is inducing him  to do it? 

The side frames limit his arms to moving up and down and it looks as if his wrist restraints are connected to the vertical arms with rings that can slide up and down. Since the frames also seem to be electrified it looks like this is a variation of that game of sliding a ring along an electrified, twisty wire without touching it and making the bell ring. I might be wrong but my guess is that it's his bell-end that's going to register any 'fails' since that organ is impaled by an electrified sound that is very firmly attached. His whole scrotum is trapped in the Y-fork of this assembly. 

So where do windmills come in? I think this must refer to the 4-pointed stars that are in contact with his nipples. But is he supposed to make them turn or are they spun by the technician standing behind him with a controller? This Heath Robinson complexity is puzzling but it's erotic fun analysing it.

Milk Cow - Nice Meats 1, Room 13 - Inspection

This final group of images is notable in that it features two captives undergoing the same trials and punishments alongside each other, illustrated rather nicely here by the mirror image composition.. Since they are both wearing dog tags it seems reasonable to assume that they are buddies from the same military unit. The title of the group, 'Nice Meats' suggests a fairly arbitrary, homoerotic sadism is motivating their treatment but it's supervised throughout by a uniformed figure and above them fascist style banners hang from the wall, suggestive of a more serious story line, perhaps a POW or partisan interrogation where anything goes, God help them. 

The Room Number motif references the non-specific oppression of 1984 and this carries on through the series although the banners do not. Each of the scenes takes place in a numbered room suggesting it's a carefully planned and lengthy programme but the captives do not visit the rooms in numerical order. 

In Room 13, the clip board indicates that it's a inspection but it's not obvious that any results are actually being recorded. Two keys lie on top of it, presumably for the chastity devices in which both men's manhood is locked, perhaps what passes for a uniform in this place. They are spread-eagled on crosses with an array of  electrical cables attached to their bodies, some with clinical sticker pads, some with heavyweight, industrial clips. Neither they, nor we, know if these are simply sensors or live electrical wires, but something is making them howl and the fingers of the man on the right are curled tight in tension (or agony). 

The positioning of their arms replicates a standard bodybuilder pose and this suggests that their strength is being targeted with the possibility that all these wires are manipulating their muscles to tense on demand so their physiques can be judged as bodybuilders are judged in competition. 

The Officer in the foreground looks as if he's just stepped off a Yellow Submarine or the Polar Express but he holds a wireless remote control that enables him to switch either man on or off and vary the intensity of their treatment. That seems very much like an interrogation technique. Meanwhile a steam-punk technician beavers away at his console, overseeing even more on-off switches using a curious visual feed from the pack on his back whose purpose is a complete mystery. It adds up to 'sinister'

Milk Cow - Nice Meats 2, Room 09 Whipping Makes Perfect

 This whipping scene takes place in Room 09. It's not clear whether the flippant subtitle indicates an underlying, corrective purpose behind their treatment or simply the personal opinions of their tormentors. The same could be said of the emphatic, metallic chastity devices they are still locked in, denying them their masculinity.

The two captives are depicted throughout this set as being significantly bigger than their captors. There's a similar contrast between their god-like muscularity and masculinity and their tormentors who are portrayed as either very ordinary or decidedly odd-ball. The density of weal marks and beads of perspiration covering their magnificent bodies suggest that their punishments are correspondingly intense and deliberately so. The torture technician's terrifying weapon and face mask seems to recognise danger lurking within these men. 

Milk Cow - Nice Meats 3, Room 10 - Sand Bags

In room 10 the assault intensifies and takes on an additional psychological dimension putting the men in fear of their lives as they are hoisted in nooses. It doesn't look as if they have been lifted completely off the ground at this point but the title suggests that might be part of the plan. At this point they are both being simultaneously beaten with the edges of  paddles by smartly dressed, uniformed officers. 

The supervisor watches them, enjoying a hot drink. It's a demonstration, not so much of sadism, but of indifference (or professional neutrality if we're being generous). The men have been freed from their chastity devices for this procedure but remain in cock rings. One is taking advantage of that freedom (and presumably responding to the beating). Part of the test perhaps? Is that a pass or fail?

 

MilkCow - Nice Meats 4 - Double Bed

Room 00 is placed at the end and it seems rather different to the others. The two boys bear the trellis marks of prolonged torture and their bodies are still covered in sweat but there are no electrical attachments here, no beating, only the more subtle pressure of the rack. Still freed from chastity they are greased up and encouraged (quite sensitively) by the attendants to produce samples which are being collected in glass jars. It's a relatively pleasant task (in moderation). 

We can't tell whether the rack is simply being used to coerce them, to encourage masochistic arousal, to wring out their last dregs or to verify a wacky theory about inducing variations in their ejaculates. What we can say is that it hurts them and the artist has used (rare) shadowing below the rib cage to emphasise their stress. 

Above them sitting on a beam are two, beautifully drawn rats, lab rats of a different hue, who if I remember correctly normally work in Room 101. This visual 'aside' neatly pairs with the facist motif in the first picture. As we know, despotic regimes are always keenly interested on what makes their opponents tick and often have pseudo-scientific beliefs that people who are different to them must be physiologically flawed and they are desperate to prove it. Of course, MilkCow himself, marks these muscular giants out as being different to ordinary folk.

Don't have nightmares chaps!

~ 

In this second batch of images MilkCow's images have not changed an awful lot in subject matter but have become more refined and more stylish. You can see the thought that has gone into his images like Nice Meats 4 but he also seems to have progressed from generic, captivity S&M to something that hits the mark more accurately. Room 13 in particular strikes me this way and White Rats 1, they make me think, yes, that's it, he's got it exactly. Veryerotic 

 

Check out the comment below for the artist's preferred name and website info

Milking Factory No 13

MilkCow - White Rats

Storing men in liquid-filled containers is usually the prerogative of aliens, crazed collectors or cranky scientists* but MilkCow seems to have inadvertently found a promising new use for the technique while designing a depositary for prisoners of war awaiting their disposal at auction (see MilkCow-3 post).

His design seems an ideal solution to the problem of producing high quality man's milk in quantity.

The 'captivity capsule' keeps the men hygienically sealed in a container filled with fluid. Obviously this ensures there can be no cross-contamination when the herdsman isn't looking, a problem that more open systems are prone to. The output can also be kept as a single milk if desired, rather than being blended with other men's milk, enabling a premium price to be put on the products of the best milkers. But there's a more important quality benefit. Can you see how contented they look? That's thanks to the soothing qualities of the warm liquid they are immersed in and as we know, contented men make better milk - and more of it.

The basic milking design relies on a nipple stimulation technique that invokes the genetically inactive sensations of lactation in the men's bodies whilst mild electronic stimuli tickle their arousal centre in the brain. Together these gently encourage repeated production cycles in a natural, organic way. Of course there's scope for adding nutrients and production accelerators to the immersion fluid too, but only at the expense of the organic certification which is so prized in this industry. 

The real beauty of this design from a commercial point of view is that when the men start to flag (as is only natural from time to time), they can be taken off-line by simply disconnecting their capsule, lifting them out and moving them to a storage facility to recover. The capsules can be self supporting for limited periods of time and the men come to think of them as their own private space, their 'home'.  Some producers put their milkers out into the fields to rest, claiming that it results in much tastier milk and arguing that the installation of an array of capsule cups to stand them on is less damaging to the environment than a solar panel farm. Some are even looking at opening their rest facility to the public, but the jury is still out on how the milkers will react to a succession of strangers peering into their capsules.

Temporary removal for recovery frees up the milk collection point for another man who is ready to go. Thus, while the capsules themselves are a sizeable investment, a much smaller number of draining units are needed and they can be used more intensively and efficiently. Further reduction of idle times is possible if the incoming queue is cleverly managed and primed, for example by exposing the men as they wait to erotic imagery matched to their individual preferences 'in the wild'. 

In addition to all these benefits, the 'plug and go' design of the capsules means that production can be increased simply by adding more capsules to the existing infrastructure.

More art by MilkCow at mitchmen

Go to Milking Factory 14

More  Milking Factories

for more milking in general - click on the label at the foot of the post

*More men in containers at mitchmen

Rent-a-dude

Swimmers preserved

Dante's Water Ordeal

Sperm Lab

Zane's Great State

Helpless

 A method of restraint that immobilises simply and effectively

simultaneously making the captive vulnerable at the rear

forcing him into an undignified posture that gnaws at his pride.

The head-strap gag enclosing and restricting his jaw 

is another powerful affirmation of his captor's control.

It's odd, I suppose, to call this great art, but to me the simplicity of the subject and the uncomplicated setting in a picture that could otherwise be taken as to be photograph at first sight implies a great deal of  technical and design skill.

I don't know who the artist is.

For similar posts, click on the labels below

Art by Drtkk (aka MilkCow) 2

MilkCow - Surfer Riding New Waves (my title)

I first posted Drtkk's (Milk Cow's) work at mitchmen back in 2017 (can it really be that long ago?). The image above is an example from that era with a heavily muscled young man being tormented in bondage by mysterious, fetish character. I see that he's specifically collecting pre-cum, which implies that he will try to edge his victim for as long as possible and deny him escape through orgasm  A divine torment indeed. 

The physiques of MilkCow's captives back then were intensely detailed and stylised in dark tones reminiscent of Cavelo, outlined with a sculptural precision that attracted the description of 'plasticity' from one reader.

See the First Post about this artist:- MilkCow 1

Now there's a whole new portfolio of work to view and his style has much evolved. In some respects it is less dramatic but remains firmly focussed on the subject of men falling into the hands of others who want to discover how they react under pressure.

MilkCow - Drunken Boys Trapped Club 1

This picture comes from a short series where drunken young men are abducted by an organised group  who are the exact opposite of pretty young boys but clearly don't see why they should be left out of all the fun. The captives are forced to demonstrate their sexual capabilities - typically shooting distance - while being pawed, groped and licked by their aging captors. There's a great sense of their combined weight and numbers prevailing over youthful strength and frantic vigour. One of them here is sitting on the poor lad's arm. There have complex tasks planned to their catch and are not in any rush. It promises to be a long night.

The young captive sports the familiar shock of spiky hair but you can see how MilkCow has abandoned the dark, shiny, skin textures for more subtle shading. However the muscle delineation is harder than ever creating a web-like effect with a scattering of striking, arty geometrics. There's a marvellous contrast between the young drunk and the modelling of the older men, who remain clothed. A wide range of types, all beautifully observed, albeit in cartoon fashion. The fan-shaped, art-deco moustache on the right is delightful.

MilkCow - Soldier's Auction 1

An abduction also seems to lie behind this image of a captive soldier being auctioned at a secret midnight sale. He's cute-looking and not too young with enviable muscularity (which perhaps has been worked on by the sellers to enhance his sale value). His nakedness contrasts with the heavy disguises worn by the illicit sellers.

He's presented to the audience in heavy shackles and chains wearing only a rubber G-string which has ring clasps to isolate and accentuate his cock and balls. An alluring band of crotch stubble just above completes the clever, sexual  marketing. The glint of light on his dog-tag in this picture seems to confer a sort of heroic status on him and suggests that he's still capable of handling all this. As Lot 49 he follows in the footsteps of many other captured servicemen and more are waiting in the background for their turn to mount the rostrum and be offered to the bidders. 

MilkCow - Soldier's Auction 2

The sale completed, the buyer (unusually) gets the chance to check out what he has bought before removing the goods from the premises. Naturally milking performance is of paramount importance and a sensible buyer verifies the claims of the saleroom, so the soldier is immediately unsheathed and plugged into an ejaculator ring, while the buyer helps him along with his electro-stimulation program of choice. I like that MilkCow keeps his performance measurements within believable bounds, although a man who produces anything under these circumstances deserves respect.

It seems there is a consortium of buyers, or perhaps it's the buyer's older family members. Understandably their interest lies in getting up close to the sensual qualities of the soldier's body rather than watching his bodily functions. He's too preoccupied to notice them, the pain showing in his face is neatly supplemented by his splayed toes. The artist's hard, muscle accentuation can be seen as depicting extreme tension throughout the captive's body.

It's a fun day out for all the family and those who lost out on this specimen in the saleroom can watch the proceedings through the glass door. A strangely attired guard with an electro-trident (two prongs = dident?) makes sure they get no further.

The soldier's  dog-tag gleams on as though, deep down, he's unfazed by it all.

I suppose the dripping shower head (as well as being phallic in itself) serves as the equivalent of the rake used in the long jump to remove all traces of prior jumps. It washes away the fallen cum in readiness for the next attempt. I dare say that many a captive gets an impromptu soaking with it too. 

MilkCow - Chair of Toughness

The third picture of this 'dog-tag' set shows another muscular, captured soldier strapped to a chair, especially designed for restraining men comprehensively. He's naked of course and being milked, but purely by the application of pain stimuli. 

The detailing here is amazing. His arms are pulled back and his legs spread wide and between his thighs a pierced, wooden upright plate traps his organs, holding them steady. An array of ropes, weights and rings prevents his erection from collapsing and a tube inserted into his cock-end directs his ejaculate against a transparent plate from which it drains down into a collection tray. We can see sweat is streaming off him under the stress but the more subtle detail of him straining forward against his neck chain as he shoots his load and the claw-like tension of his lateral muscles gives us more insight into what he is really feeling.

The characterisation of the tormentor is fascinating. He seems something of a crazy nerd with his frizzed hair and dark glasses, very different from stereotypical S&M masters but rather sexy. He reminds me of Boot Lust's wacky scientists. But he's not a soft alternative. He's already loaded the soldiers nipples and balls with weights and scourged his body with a serious flogging (the whip lies discarded in the foreground having served it's purpose). He's also attached an electrical cable to the penis tube to keep him focussed on his production task and asserts his total control by manually controlling it's shocks. Now he leans forward with wicked-looking pliers to freshen up the nipple pinch.

He seems to have forgotten all about his own task of interrogating the prisoner, 

his clip board notes lie neglected  on the desk. 

MilkCow - Triads Detention Class

I'm drawn to this image because it's restraint frame bears a passing resemblance to the half-round shape that Royale Studio used in many of their solo photoshoots. In a sense it spells out the wicked thoughts that run through our minds when we see a hunk like Peter George draped over such a piece, just like the unfortunate man above.

As far as I know this is not part of the Soldier's Auction series although this captive does have a dog-tag (it's not glinting in this image). The term Triad is usually applied to Asian organised crime groups and one of the participants here has a suitably evil-looking, piratical, eye patch. It looks like he's about to  give the ball stretcher another tweak (although I'm not sure he's actually pushing in the right direction at this point, overexcitement I guess!). 

Given this characterisation the gang are probably interrogating the soldier on suspicion of  disloyalty in some shape or form. His secret must be a big one as he's already suffered a head to toe lashing as well as the crude cbt. The interrogator kneeling at his side seems to have reverted to sinister coaxing in the fashion of sophisticated villains. His hair pulling stunt is a relatively minor escalation but makes it all more personal and intimate (like the nerd taking control of the electro shocker, just above). The ultimate threat here is similar, a heavyweight electrical device sits next to frame, on standby.

MilkCow has pulled off some tricky persepectives in this picture, but upside-down humans are quite difficult to take in visually and the muscle styling here doesn't really help (compare the impact of this drawing with the smoother, Peter George real version). Nevertheless, the 'new style' of characterising of his villains stands out, the leader here being disturbingly unvillainous in appearance.

MilkCow - Rich Man 1- Water Torture

The final two images in this post are about a rich man who can afford to buy a soldier to amuse himself with after dinner. Paired with a good vintage wine it makes for a pleasant evening with company lending a hand to 'wind up' the victim. This villain's little trick is to souse his captive with a pressure hose directed at the crotch. I presume it's spouting water and not expensive wine - that would be decadent! A bucket suspended from the man's organs collects some of the spray and run-off, but I imagine he won't really notice the accumulating weight until the battering, water stream is turned off.

This is just the starter, the main course is the whip, temporarily wrapped round the victim's neck to intimidate him (a very twisted elaboration).

MilkCow - Rich Man 2 - Magnetic Attraction

The Rich Man leaves the sweaty work of flogging the captive to his dinner guest while he plays with his latest gadget, a giant electro magnet which is strong enough to attract the full bucket of water, thereby increasing the  pull on the man's balls. Clever use of the on/off switch will cause the bucket to swing of course.

You might have a pang of guilt about enjoying MilkCow's relentless torture of these handsome devils who only sought to serve their country. All I can say is that every man jack of them responds with a formidable erection. It's almost as if they enjoy it too!

More MilkCow in Part 3