Gay bdsm art by 'mitchmen' Mitchell and other artists featuring male erotic sexy fetish, S&M, men tied up, male bondage, domination, humiliation and spanking. Vintage photographs of men in uniform, Royale & Hussar Studios, humourous captions, gay pride articles
To my readers......
SITE UPDATE NOTICE
Thanks for visiting mitchmen, home of Mitchell's Gay Art
For Artwork by Mitchell click on the 'Mitchell's Gallery Hub' tab just below
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Link to the Royale Studio Archive in the right sidebar
Message updated 26th Jun 2025
Monday, 30 December 2013
Most Popular 'mitchmen' Posts of All Time (2013) MPP3
This summary is not available. Please
click here to view the post.
Sunday, 29 December 2013
Most Popular Posts in 2013 (MPP1)
According to my Blogger 'view count' stats,
these are the most popular posts of 2013 (titles link to original posts)
Philip Swarbrick - Cruising Leather
- A-Z of Fetish Artists - Swarbrick 774
- Hethong - Male Spanking 707
- Some Classic Japanese Bondage Art 681
- A-Z of Fetish Artists - Sean 647
- A-Z of Fetish Artists - Sardax 608
- A-Z of Fetish Artists - Ira C Smith 520
- Riding The Wedge - 1 498
- Riding The Wedge - more contributions 497
- Mike Carcel 485
- Arrest No 7 - Piss Patrol - part 5 468
- Robbie's Spanking 448
- A-Z of Fetish Artists - Sergey 439
- A-Z of Fetish Artists - Skipper 400
Interestingly No's 10 and 11 are the only ones with photographic content rather than artwork.
The list shows the interest in my A-Z series. My post on Philip Swarbrick scored about 600 hits in a matter of days when first I posted it, I suppose someone posted the link on a bigger site, but it's not done so well since. The letter T will come up for review early next year and there's a possibility the series may conclude in 2014. I will probably rework the early ones but I also want to pick up computer artists like Borg, Bondageskin, Ulf etc.
I will publish the all-time list of favourites in my next post.
To see previous results click on the MPP label below
Saturday, 28 December 2013
First Catch Your Rogue - 3 Riley's Marbles
Shifty antique dealer, Jimmy Bristow, heard that old man Riley had an exquisite collection of rare glass and was reputedly loosing his marbles. He tried to con the old man into selling them to him, cheap.
But it turned out Riley wasn't as daft or as old as he seemed. He even produced his 'marbles' for Jimmy to look at, he found them very impressive. Eye-wateringly so.
Old man Riley was surprisingly strong too and persuaded Jimmy to stay for a demonstration of how the marbles sometimes went missing when young men called. When poor Jimmy finally left, he was still empty-handed, but he did have an uncomfortable, lingering feeling of fulfillment.
For earlier items search on 'rogues' in the label list below
Friday, 27 December 2013
Men Sharing Clothes - 15 Painter's Overalls
This series brings together images of models wearing
clothes already used by others before them. In this group it's a
rather well stained set of painter's overalls belonging to the
Photographer Gilles Crofta.
'Chris '
I can only identify this model as 'Chris'. I rather like
his softly contoured bulkiness and young jock look. There's a
distinctly unkempt look about his facial and pubic hair that
certainly fits the workman image, nice hairy forearms too, but it
does make the total absence of chest hair seem a little odd. I wonder
who got the job of applying those pec smears? At this stage, despite
the black oil stains, the overalls look as though they might be
freshly laundered. But judging by Chris's oily body they are going to
get pretty dirty inside if the shoot gets hot. There's lot of scope
here for identifying paint spots for comparison with other pictures
for those who doubt the re-use of this item of clothing.
Nick Hird (Hirdy)
Nick Hird's face and slender, tightly muscled body don't
quite match the casual, macho image of the worker's overalls but the
photography itself is quite interesting. 'Hirdy' has the air of a
long-suffering renaissance martyr, an impression reinforced by the
bruise-like mark on his forehead. He stands with hands overhead, body
unprotected, resigned to his fate (as a canvass for greasy hands and
a clothes horse for dirty gear). His finely etched torso seems to
grow out of the rolled-down overall top, which has taken on the
appearance of an improvised loin cloth, as traditionally worn by your
actual mediaeval martyr on his last public appearance. The greasy
smear across his lower abdomen makes you wish you were here earlier
to witness it's application.
Stuart Reardon
Stuart Reardon, moonlighting from his rugby career,
certainly cuts the manly mustard, facially and physique-wise but
looks pretty puzzled by the spade. Admittedly, the digging implement,
paint spots and oil stains are a confusing collection, covering
several, quite different types of manual labour. However, he's
clearly not fazed by going without any underwear, which is what
really counts at the end of the day. I'm thinking of a career in
abdomen smearing.
Dwayne K
Dwayne K gets full marks for offering the most
sweaty-looking, finger-marked body of them all, but he doesn't seem too
thrilled at having to clad it in overalls in an even grungier state.
Notice how he tries to keep the contaminated cloth away from his most
prized possession, no doubt dreading the order to place his hands on his head.
Craig Bramley
Craig Bramley must have been the apple of his mother's
eye, but I'm not sure she'd approve of the tattoos, or the
near-explicit exposure! Craig seems to be quite comfortable with the
dirtying up process and this is the best picture of the lot for my
money. We never get to see these models wearing the top half of the
overalls, but here it looks as though they are of a bib and brace
design, which is less sexy than the chest-revealing-when-open,
'all-in-one' style. Of course you may prefer to imagine the
photographer has just shredded the garment on Craig's body. His face
does seem like he's determined to retain some dignity in the face of
humiliation.
Danny Reeve
Danny Reeve is having none of this erotic smut, he's
keeping his Calvin's on thank you very much. This ensures he keeps his gear
unsullied and the overalls are hoisted up at a respectable height.
You can forget about those random oily body smears too. It shows a
nice male modesty, getting into character. The baby oil is less
helpful for this manly image, it doesn't really pass as genuine sweat
and here's another man who doesn't look as though he really knows what to do with
that shovel. I'm not quite sure what to make of the chest
stubble, Danny's slab-like pecs probably looked great when they were
shaved a few days ago and they'll probably look terrific again with a
bit more grow-back showing, but they don't look very workman-like at
this point. I can imagine the photographer getting quite cross about
him turning up in this state, which might explain Mr Reeve's sulky
expression.
Aaro Mack
No-one wants to be the last in line and the look on
Aaron Mack's face and the way he's holding the overalls away from his
body suggests he's also twigged that their recent history is suspect
and they ain't that clean any more. Perhaps he's also being modest
about showing his pubes and is getting a tongue-lashing for his
trouble (so to speak). I love to see a handsome man discomforted.
My thanks to Gilles Crofta and his
delightful models
(and apologies for impugning their cleanliness!)
You can find a number of sites for Gilles using any search
engine, Crofta's
studio site has a gallery and Gilles
on Facebook is quite interesting too, there's a plentiful
selection of his images on-line if you simply do an image search.
For
other articles in this series click on 'sharing' in the label list
below
Thursday, 19 December 2013
Manflesh has a blog
I'm pleased to see there is now a Manflesh blog.
This rather adventurous image is part of a series showing how his pictures are created.
I've always admired the handsome faces of his men .....
but I wish he'd start using a more subtle palette!
See also my A-Z entry on Manflesh.
but I wish he'd start using a more subtle palette!
See also my A-Z entry on Manflesh.
Labels:
artists,
bondage,
jockstraps,
leather,
shorts,
threatened,
underwear
Thursday, 12 December 2013
Rubber Suit
Somehow I missed these pictures when they came out about a year ago. I'm not an avid rubber man, but I love the way these garments cling to the body contours of these models, even the sexy groove down the middle of his six pack. His arms are spendidly showcased too.
Notice how the neck opening and rolled back collar create a 'peeled back' look as though the neck is bursting upwards out of the constraining skin of rubber.
Or you might see it as the lips of a jug, ready to be poured.
This mirror shot is quite atmospheric, as though an intruder has been caught in the act. The bare feet look a bit incongruous though.
I love views of the backs of heads, but preferably with a lower collar line than this. This model has massive musculature at the base of his neck which prevents the collar from drooping and revealing more. His reflection in the mirror appears to be a slender man at first, but those chunky rugby thighs testify to hours of straining in the gym.
Who lies on a bed wearing a rubber suit and looking expectant?
Nice highlights on his pecs and thighs but one might have wished for a little more in-between. This studio seems to tread a delicate path between artiness and eroticism. I'm not quite sure it works, but the imagery is food for the imagination.
Close-up shots of unconventional parts of the body, always seem intimate. My comment about body contours and grooves down the middle applies equally here, tasty.
There are more free images in this vein at Hoxton Rubber
Their subscription policy - separate payment for each 'exhibition' - is a little unusual for a photo site. They don't seem to have a regular roll-out schedule either. As far as I can tell the images don't get any more explicit than this.
Friday, 6 December 2013
Cowboy antics from Klaus Von Brandenburg
Klaus Von Brandenburg - Cowboys Torment The New Sheriff
I don't remember having seen a Klaus drawing of Cowboys before.
I rather like his portrayal of the hairy, squared-jawed sheriff
becoming better aquainted with the local ruffians!
Not exactly 'riding the wedge' (see below), but something similar!
My A-Z article on Klaus' work is here
Monday, 2 December 2013
Hurrah for Tom Daley!
British gays are feeling extra pride today,
after Tom Daley, the UK's cutest diver and Olympic medal winner
'came out' in a video statement.
'came out' in a video statement.
He chose this method to avoid anyone twisting his words - brainy as well as brave!
"Is it a big deal?" he asks.
Yes it probably is, but Tom, you've done the right thing
and young gays throughout the land can stand a little bit taller today.
Well Done!
Bound Guy Donovan
Donovan at Bound Guys
This is Donovan, handcuffed to a metal frame and naked as the day he was born. I like the tension in his straining body and his concentration on the frustratingly simple, restraining device. His fair-skinned hairless body won't appeal to everyone, I suppose, but for me it highlights the absence of his usual cloak of protective clothing giving a sense that this nudity is not at all normal.
The plentiful head hair (distinctly un-fetish-like) suggests he comes from a world of freedom, wealth and pleasure. In contrast his shaved groin reinforces the 'rarely exposed' effect and suggests that 'processing' has begun. Transitioning him to a domain of service and pleasure-giving where his captor decides what he will do, how he will look and what he will be allowed to wear.
I'm often an advocate of clothes as props, but this picture shows that a man and his handcuffs make a pretty good picture too. A simple bondage arrangement like this can be a lot more erotic than a plethora of ropes and straps and other gear which obscure the object of desire.
This image comes from a recently published series at BoundGuys.com. This often overlooked bondage site is refreshingly different to the muscle jock specialists. It features a wide range of ages and body types and the straight-forward, unglossy photography gives the images a nice sense of immediacy and realism.
Sunday, 24 November 2013
Ministry of Silly Hats - 7 The Bowler
Jesse Santana bowled over
I quite enjoy looking at Jesse Santana, He carries more iron-mongery and tattoos than I like, but he flashes a delightful, boyish look sometimes and seems to have a flair for athletic, erotic, body acting that few porn actors can match (see below). My mild hero-worship took a bit of a jolt, however, when he was filmed a little while ago wearing this undignified, bowler hat.
The bowler is pretty much a vanished species, although it still turns up in Fosse-type, dance musicals and occasionally on the catwalk as an accessory to conjure up the respectable City Gent, in order to sell some mildly racy item of clothing, like garish Bermuda shorts.
Ministry Man
As far as I am concerned, however, the bowler indelibly represents middle-aged, grey, overweight and utterly un-sexy City Bankers in suits infused with cigarette smoke and other unpleasant smells. Dogmatic Men from the Ministry too, as immortalised in John Cleese's “Ministry of Silly Walks” (whose inspiration for this series I happily acknowledge!).
But sexy? No.
D.O. Examines Marc Dylan's accounts
I thought a gentleman was supposed to remove his hat when entering!
These video stills come from Raging Stallion's video 'Cockwork'. The title is an allusion to “Clockwork Orange” of course, which (together with Oddjob in 'Goldfinger') gifted this hat an element of menace, but it also restated the traditional connection with clowning. Thankfully the studio did not inflict this equally un-sexy indignity on Jesse and his colleagues, although the poor loves did have to wear bright orange knee-pads. Health and Safety. Ho hum!
Jesse interviewed by Dominic Sol
From, 'Suited for Sex' by the same studio, this still shows how city attire can be sexy, although the blue shirt is a trifle loud. Jesse gives us his confused, young innocent look as a searching interview gets personal.
Jesse Santana rides again in Cowboys
No innocence here! An nice example of Jesse's body-art athleticism from Raging Stallion's 'Cowboys' with Tom Wolfe. This image succeeds in being beautiful and romantic as well as sexy.
Back to the bowler. This effort by Kevin McDermott actually comes a lot closer to the spirit of Clockwork Orange. You can mentally flip this image from tomfoolery to menace by focussing on the face and teeth. If this chap was your boyfriend you might think it sexy, but whether the bowler really contributes anything to that feeling is debatable!
For other posts in this series, click on 'hats' in the label list below
Monday, 18 November 2013
Igor in Bondage
Bondage never looks better than when it's applied to a big, muscular man.
A construction worker perhaps?
Certainly he's guilty of 'builders bum'!
Certainly he's guilty of 'builders bum'!
Thursday, 14 November 2013
Riding The Wedge - more contributions
When I initiated this theme I did not anticipate quite how many contributions from different artists I would uncover. I do not know the identity of the artists in the first 3 examples, so if anyone can help out I would be most grateful.
The Diabolical Horse (artist unknown)
This group of pictures travels a long way from the original, simple wedge device in search of added excruciation (if that's a real word!). This must be one of the most inventive, an obstacle course that is absurdly challenging. However, the simple drawing of the victim at rest is surely one of the most convincing representations of the basic wedge effect, he is well and truly grounded on the apex of the 'horse', you can almost feel the pressure! The solid sides of the horse contribute greatly to the 'splitting' effect (compare the picture below)
Treteau (Trestle) - artist unknown
By the same artist, this is a more basic model with added destabilising effect.
Again, it's beautifully simple, sometimes less is more!
There's clue here that the artist may be French - any ideas, gents?
Dildo Horse - artist unknown
We saw the dildo variant of the wedge in my A-Z article on Swordman, I'm not sure whether the wedge actually contributes anything to the torture with the dildo acting as go-between and you can see in this picture that the victim is actually raised above the wedge. Compare with the first picture above. I'm not sure what the outer dildo's are for, unless this is a wedge made for three! Actually, you get the impression that torture is not the primary object here. Having said that, it's a nicely rendered image with good body detail and an appealing facial expression. I feel I ought to know this artist but I'm afraid I don't. The drawing style and vibrator detail suggests Japanese origins to me.
For other posts in this series click on the 'wedge' label below
Labels:
artists,
bondage,
CP and spanking,
hairy,
pain,
Riding the Wedge,
sex,
threatened
Sunday, 10 November 2013
A-Z of Fetish Artists - My Letter 'S' Favourite
It's my custom to pick a personal favourite artist for each letter based on fetish content, sensuality (or eroticism if you like) and technical skill. I automatically eliminate those artists whose contributions to fetish art are small in number, which rules out the likes of otherwise prolific artists like Steven and Sven.
For the letter 'S' I have more contenders than usual but no obvious winner. I suppose Sean is the pinnacle of fetish creativity in this group, but I would not discount SAJ, Skipper or Stud nor Sherwin's exploration of the crucifixion niche. Sergey's fiery cowboy epic is equally worthy but I must reluctantly discount him simply because I know of no other work by him.
I enjoy Spryte's work, and envy his humour, but cartoonists usually struggle to make the cut in my survey because I prefer an element of seriousness to be present, which is why out of my Spryte selection I like best his jungle plant picture 'Juice'.
When it comes to sensuality, Sepp, Silencio, Swarbrick, Sp-i-nt (and Sergey again) put in strong bids. Sabian's naïve work also has an inexplicably effective eroticism.
The technical leaders must be Sepp, Sherer, Silencio and Ira Smith. My choice is made more difficult this time by the presence of artists whose work goes beyond the simple depiction of erotic events and therefore seems 'important', notably Swarbrick.
My gut instinct is to narrow the choice down to Sean, Swarbrick and Silencio, with Sherwin and Stud close behind. Of the top 3, Silencio is my undoubted visual favourite, strong on masculinity but perhaps too light in fetish identity. Swarbrick's images are amazingly evocative and alluring, but again the fetish ingredient is incidental and they flirt with immaturity more than I really like.
Sean on the other hand created some amazing imagery in his 'Bound and Gagged' period and this kidnap scene is quite a good example. It is not technically flawless, although Sean is not the first artist to be caught out by the perspectives of the hog-tie position (there's a similar image in Etienne's 'Sailor Beware' series). Anyway I love the underwear bulge. It's powerful art for it's time and I don't think the other artists in this letter are strong enough to displace him from the top spot.
So my choice for the letter 'S' is Sean. I've chosen this final example by him of two buddies being introduced to the whip in a scene full of anxiety and energy.
For earlier articles in this series, click on the A-Z label below
or search by name in the masthead box.
Labels:
A-Z,
bondage,
CP and spanking,
gag,
leather,
pain,
sex,
threatened,
underwear
Wednesday, 6 November 2013
A-Z of Fetish Artists - Sylvia Baker (aka 'Silverkitty')
Silverkitty - You Look Good Like That
Sylvia Baker's art inhabits fantastical worlds and
contains mostly non-fetish themes, but she has produced some
interesting captivity images worth mentioning here. This first
example is beautifully simple, but as you explore, it begins to swirl
with erotic charge. You realise the handsome, muscular captive is
sweating with fear (and shame?) as his juice is extracted from him.
He passively offers up his lips to his captor, whom he cannot see.
You can almost see this hero slipping down the slope of submission.
I
often comment on the use of clothing in imagery and it plays a dual
role here. It emphasises the captor's controlling position and his
captive's vulnerability but paradoxically the removal of the victim's
clothing has exposed his manly strength and beauty, attributes which
make his plight all the more thrilling. The captor's sinister
character is expressed with visual signals like the calculating,
narrowed eyes and black gloves. It's classic, melodrama stuff really,
but the artist has succeeded in reviving it's magic in a modern
erotic context.
Silverkitty - Why They Call Him Master Miller
A good deal of fetish art and photography depicts bound
men simply as isolated objects of sexual desire, available to feed
the viewers imagination. Sometimes they are shown being used and
abused, but nearly always avoiding any expression of tender intimacy.
Thus the hovering kiss in the first picture is a rare phenomenon, but
this monochrome image goes further in expressing the irresistible
erotic appeal of the helpless captive, showing that it's an
opportunity to touch and taste (a fate which some victims might find
equally as unpleasant as outright torture). The captor's embrace
restrains his captive, enabling him to apply his tests at close
quarters and feel his subject squirming in response, feel his heart
pounding.
Sylvia Baker's men often have Yaoi-like, chiselled,
aesthetic faces and luxuriant hair (Ã
la Playgirl) which makes quite a contrast to the traditional, butch,
male stereotype of much fetish art. The Shibari style of bondage
employed here is a further reflection of a man of thoughtful,
unhurried tastes, with a desire to create beauty while reinforcing on
his subject his complete helpless captivity.
Silverkitty - We Don't Give Up
The last two images, which come from the 'Ravenwood'
comic, reflect a more traditional male ideal. The evidence of
physical abuse of this chained captive gives context to the angry,
defiant expression. The sense of lurking, 'real' violence gives
this, and other pictures by the artist, a distinctive edge. However,
the idealised muscularity and willowy body pose, topped off with
tumbling hair and carefully judged chin and body stubble, conveys to
us a sexual power, undimmed by torture.
Silverkitty - 'Ravenwood 3' Cover Art
In this final image the iron collar, chains and
retracted arm position create a marvellous sense of helplessness and
for some reason I find the glimpse of buttock cleavage rather
pleasant!
The face
is not quite so well drawn but full of pent-up emotion
to match the immobilisation of his body. If you study the back of the
head and the angle of the ears, it looks as if the face was
originally drawn looking straight ahead, and then adjusted to show
the angry profile. It makes a more interesting picture but the
'surgery' is not quite seamless, which gives us an interesting
insight into the creative process.
I admit to having some discomfort about including art
created by women in this series but I have introduced several in 'the
letter S' based entirely on their merits as fetish artists. In Sylvia
Baker's case there seem to be distinctive qualities, which I have
pointed out above, seeming to reflect a slightly different viewpoint
from my male representatives, but it's not an uncongenial one.
For more see Silverkitty
on Deviant Art
For earlier articles in this series, click on the
A-Z label below
or search by name in the masthead box.
Labels:
A-Z,
bondage,
hairy,
pain,
sex,
submission,
threatened
Monday, 28 October 2013
A-Z of Fetish Artists - Syd
Syd Wheels is one of the originals, his spanking images
are somewhat similar to those of C of Sweden, surprisingly so given
the contrast in styles, Syd is a cartoonist, C more academic in his
approach. But they seem to go for similar subject matter for
inspiration – notably uniform situations and historical costume
drama.
Syd - Scottish Spank
This piece, autographed Wheels instead of the usual Syd,
has a marvellous retro feel in the realist style of vintage magazine
illustrations. I don't know if Syd was a Scot or a soldier, but the
uniform detail looks highly authentic and the soldier on the
receiving end conforms to the manly Scottish tradition of wearing
nowt beneath his kilt. Despite this, there's a distinctly feminine
air about him - details like the kiss curl, the shaped eyebrows and
fulsome lips. Syd seems to be borrowing motifs from female glamour to
suggest a nancy boy, a concept from a bygone era. Dare I say he might
even be mocking the masculine credentials of the kilt?
Syd - Cowboy Law
I particularly like this 'cowboy law' scene, supposedly
in the bunkhouse although it's hard to imagine these dudes, with
their artfully tied neckerchiefs and swanky shirts, bunking up with
the other rough men. It's the posh togs that make this picture work
so well, privileged young men brought down to earth with a whack,and
how the foreman seems to be enjoying sorting them out!The foreground
figure consoling himself is excellent.
Syd - Desert Rat Spanked
In my youth, the 8th Army, 'Desert Rats' in
their shorts were a source of manly inspiration for my homoerotic
fantasies, but this final picture is one I never dreamed of, a
Corporal spanking one of his charges whilst simultaneously jerking
him off. I'm not 100% sure this is by Syd, but the face of the
spanker has similarity to the first picture and once again there's an
authenticity about the uniform that suggests familiarity on the part
of the artist. Notice also the trace of feminity in the spanker's
eyelashes and the hands of the man being punished. Syd doesn't quite
make the spanker's impossible left arm action seem believable, but
the hunched up pose as he twists round is beautifully captured.
I haven't found any site for Syd. Try Jockspank (link in
sidebar), information welcome.
For earlier articles in this series, click on the
A-Z label below
or search by name in the masthead box
Tuesday, 22 October 2013
A-Z of Fetish Artists - Swordman
Swordman - Prisoner 05
Swordman's fantasy story lines and improbably youthful
heroes don't exactly set my pulse racing, but I have picked out this
one series, which catalogues the interesting ordeals of one
particular boy-man. The first image is very simple in concept, but
highly effective. The uncluttered style brings out the leanness of
the captive's unprotected body, making it seem all the more
vulnerable as he tenses, waiting for the punishment to begin. The sun
streaming in through the window produces attractive highlights on his
naked body, but also seems to be part of the set-up, spotlighting him
and fixing him in the gloom of the dungeon, reinforcing his helpless
isolation.
Swordman - Prisoner 02
Another spanking image, once again depicting that moment
of anticipation. It makes an interesting contrast to the previous
picture. This time the victim is draped with oversized ironmongery
which also creates an impression of frailty (notably the clunky waist
band). The scary mega-paddle works in the same way and the torturer's
flexing of his weapon tweaks up it's scariness. There are a couple of
details I really love in this picture, the rust patches on the chains
and the convincing way they drape, which is not as easy to draw as it
looks, managing to convey a sense of their weight – which should be
contributing to the torment. I love the torturer's cod-piece.
Swordman - Prisoner 04
Compare the treatment of chains here, they are rigid and
tensed which implies the body suspended below is far heavier than it
really looks – even with the extra attachments in the offing.
However, the compensation is an impression that the captive is
stretched out and held very securely indeed, despite some evidence of
leg movement. There's also a powerful sense that he is way up in the
air, which is not just down to simple perspective, but also the
clever positioning of the block of light from the window which
creates a visual lifting as well implying an expanse of wall below
him. The waist band turns out to have a humane purpose here,
relieving pressure on the captive's back, just as well since
otherwise his lower weight is supported only by his neck and twisted
arms, nasty!
Swordman - Prisoner 03
The series culminates in this splendid contribution to
our 'Riding the Wedge' series (see label below for the other artists
interpretations). Swordman's economical, cartoon-y style is highly
effective in bringing out the technical details of the equipment and
(below) the associated restraint gear, it's almost a workshop manual
for would-be professional Sadists. Of course, Rule No 1 is to show
the victim what's in store for them, unfortunately he doesn't look
totally dismayed. Shafts of light in the background seem to suggest a
realisation dawning.
Swordman - Prisoner 10
There's so much going on in this grand finale that it's
actually quite confusing trying to work out what the victim is
supposed to be feeling. There's too much multi-tasking here for me
and I suspect most will forget about the now hidden dildo-peg.
Nevertheless the clarity of the restraint arrangements is
commendable. A neat series.
I
haven't found any site for Swordman, but I confess I haven't looked
very hard! You might try the Yaoi
Gallery. Information welcome.
For
earlier articles in this series, click on the A-Z label below
or search by name in the masthead box.
Labels:
A-Z,
bondage,
CP and spanking,
gag,
Riding the Wedge,
threatened
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