When writing these
articles, there are some subjects which I approach with considerable
trepidation, including Nazi themes and scat. Unfortunately Rőhm
depicts both of these and the result it not always very pretty.
My first image
gives an idea of his style. Photo images simulating electro-torture
are almost run of the mill erotica these days (I'm thinking Bound
Gods again) but it is remarkable how the use of 1940's style
greatcoats and spectacles in this picture damps down the sense of
eroticism, desexualising the torturer and invoking sinister
associations that for most people won't seem very sexy either. The
victim too is characterised in an unsympathetic, rather grotesque
way, even his fleshy body suggests degeneracy and it all adds up to
the sense of not very nice sadism.
Tom of Finland
also produced a picture of a muscular man being whipped by a Gestapo
officer. He gives the victim a more attractive, manly treatment but
the historical associations are so potent that it's still hard to
accept as erotic fantasy. Rőhm
goes further than this in other pictures and shows scenes set in
concentration camps which, for me, are very hard to swallow.
In the second
picture the setting moves to tropical climes and a more basic form of
torment. You will observe that Rőhm
does not draw pretty men - either as captor or victim. I suppose the
ageing, overweight torturers are fair enough as a device to suggest
humiliation but when the victims are scrawny and dishevelled like
this, their masculinity is diminished and although both depictions
are scarily realistic, they are erotically quite neutral.
In fetish artwork,
depictions of quite extreme torture are often 'legitimised' by using
the 'hero effect'. That is to say, the victim is very handsome and
muscular and although this somehow makes him deserving of being
tormented, he cannot really be harmed and will eventually escape or
be rescued. It's clear that the authors of these works do actually
love their men and this defuses the nastiness.
Even in more
extreme 'snuff' artwork, like the executions of Bondageskin (above), the
sensuous depictions of the victims' bodies and their ability to
sexually enjoy their own demise reveals a similar regard but in
Rőhm's work this element
seems to be absent, the erotic intent is confined to the situation
itself, but I suppose you can say the same about spanking images
showing only a bruised and welted backside.
Despite my dislike
of his subject matter, I do get the point of Rőhm's
work and I admire his style which is similar to comic-book
techniques. His website erohm.com
still exists, the gallery is closed but the home page gives glimpses
of his work.
For
other articles in this series click on the A-Z label below or use the
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