Abduction Art by ApostlXIII

These images come from the story by ApostleXIII entitled 'Not Invoked' or 'Not Summoned'.

As you can see, this artist is a skilled and sexy draughtsman.

click to enlarge

The story opens promisingly with a London businessman mildly rebuking his two henchmen for delivering less than he had asked for, but admitting that they have made up for that with the quality. 

We can see at the foot of the page that the delivery consists of two naked, muscular men who have been restrained in rope and chains to await their fate.

The villains explain (top left) that they could have taken the third one as requested, but found it impossible to catch him without his partner. The placement of the businessman's hand in this frame seems to hint at a certain fondness for this bearded associate, called Merino. 

The image of the 'Gherkin' in the background of the abductees cell is a less than subtle hint about the consequences of their abduction, but the location it implies, in the heart of London's financial district, is also suggestive of the immense power and wealth of the man who has commissioned their kidnapping. 

He tells the kidnappers that they did well to avoid trouble and the risk of the authorities catching up with them. He's confident of being able to improvise a solution.

"I will try to resist hurting you too much"

The businessman, 'Belfast', dons a harness to examine the deliveries, 

starting with the blond boy.

His shaven headed accomplice 'Hal' prepares to join in, 

chiding him for damaging the previous delivery too much.

The captive is not reassured by their conversation.

Belfast and Meroni 'prepare' the captives 

and debate the merits of smooth and hairy bodies.

"Concentrate on the sensation of being penetrated"

They blindfold and gag the two captives 

and begin to initiate them into the mysteries of anal penetration.

Belfast uses the smooth blond lad, Merino takes the hairy one

Promising him it's nothing compared with what's to come.

"Spit it out boys, I know you've got plenty"

The ejaculates induced from both captives are collected in a chalice 

which sits inside a mystical circle on the floor. 

Since there are only two captives, Hal adds his own to make up three lots

and also drops of his own blood (I hate this bit, he says).

With the ritual completed, the two captives are released. 

Relieved, the begin to embrace each other.

They think it's all over. But it isn't.

"I'm looking at the smooth one" (left)

Suddenly three demons materialise. 

They are looking forward to what Belfast has brought them.

"Young ones are more fun to break" says one.

But of course there are only two captives on offer for them......not three

"Please! I don't deserve this!"

I won't go into the mayhem that follows or the clever twists the artist springs. 

He creates a seething atmosphere where things are not always what they seem

There's a gripping, growing sense of danger and doom from which no-one seems safe

and it's all illustrated with glorious, sexy images

Check out the links quoted on these pages to find out more about his work.

ApostlXIII has many sites but ApostlXIII on Instagram has a decent collection

He seems to use ApostleIII on Twitter for announcements

plus a pay site at ApostlXIII on Patreon

If you like demonic storylines, I also recommend the work of Platter

Classic Homoerotic Images 7

Few mothers could have imagined that this wholesome breakfast dish with it's equally wholesome image of outdoor, athletic endeavour and strength on the packaging would be responsible for alerting generation after generation of innocent offspring to the allure of the male body which lay latent within them.

It's easy to blame the skirt - sorry, kilt, but no, that's a different category of interest altogether. Those muscular shoulders and the tight-fitting, pec-enhancing vest were something I was attracted to even before I had any inkling of why, let alone how lifelong that attraction would become.

That Scotsman was temptation incarnate.

In the 1950's the muscles were crudely censored, little realising that the jolly fisherman 
out looking for a catch in his rolled-down waders was equally corrupting! 
The pair of them together made a fine imaginary coupling

And so say all of us!

More about Scotts Porridge Oats

Art by Cavernous Uni

1

This series of images by Cavernous Uni is a marvellous exercise in sensuality

It features a man astride a glistening tentacle
His tight fitting trousers reveal interesting contours,
and they have already been shredded up to thigh level.

2

A tentacle reaches in to rip the remnants of his pants off,
The shredded strands strain across exposed buttocks, 
cruelly catching in crevices

3

Underpants that match his top garment are revealed
Or perhaps, it's a bodysuit - as befits a hero.

4

The body suit simply vanishes, as is the custom with sequential art
But the smooth bodywork revealed is ample compensation
The 'hero' hides his face in shame.

5

He can hide his face but he can't hide his crown jewels
An indrawn pucker is no defence either.
As two tentacles close in .

6

This tentacle creature is even capable of foreplay.
Squeezing it's tendril in-between clenched buttocks.

In some ways this is the sexiest image of the lot

7

The door to the feast lies open and receptive.

The images beyond this point live up to the artist's name but are too over-the-top for this blog

and to be quite honest they don't have the same, subtle, artistic qualities.

One of our readers 'WDK' had kindly supplied the name of this artist - Yetigo

and links to an english version of this little epic and his sites 

see comment directly below for details.

Thank you WDK!

The Breaking of Billy

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

These pictures are from Scrappy vs Braden Charron and Jaxton Wheeler (Rip 'n Strip) at Wrestler4Hire and when I first saw them I was amazed and aroused.

That reaction was initially sparked by the amazing sight of Scrappy's muscular back and mighty buttocks as he is lifted into the air by Braden Charron (in 18 and 19 and then again in 25). 

The yellow thong of course looks fabulous on him.

Secondly I was struck by his multiple, facial expressions of surprise, dismay and agony as he is put though a series of manoeuvres by the other two guys in  prolonged, 1-sided contest.

For, this isn't the usual, confused free-for-all you get with three men in a ring, but a calculating 2 on 1 attack inflicted mercilessly by much bigger men on a bodybuilder who is no pussy himself.

Scrappy isn't the prettiest boy on the W4H roster but he does have a great physique and has developed a classic wrestling persona of the vain narcissus. Braden Charron and Jaxton Wheeler have much bulkier physiques and they both can look like mean toughs which makes them ideal for the job of overpowering Scrappy and putting him in his place which is what they do in a series of amazing images.

I couldn't resist the temptation to weave a story round them. It's entirely fictional of course and not intended to say anything about the character of the wrestlers who act as my models. 

See the video trailer of Scrappy vs Braden Charron and Jaxton Wheeler (Rip 'n Strip) 

Wrestler4Hire has lots of other great contests with fetish elements and sexy moves.

for more wrestling humiliations at mitchmen click on the wrestling label below

Art by Iskan156

Iskan156 - The Way-1

Two men are winding their way through the sand dunes.

One, whip in hand, is leading the other by a chain attached to a steel collar

The captive also has metal cuffs on his wrists and ankles

The soft sand drags at his feet as he trudges through it carrying a wooden cross.

Notice that his captive's crotch is shaved clean.

Iskan156 - Installation 02

They arrive at a place where the cross is to be erected.

There is a metal stake there to which the slave's chain is tethered.

At the master's direction, he gets to work, setting up the cross

It's heavy work under the glaring sun, just after the wearying trek.

Iskan156 - Before 03

When he finally completes this task, 

the master generously allows him a few minutes to rest 

taking the opportunity to relax himself and smoke a cigar 

The adjustable 'sedile' on the post has a wickedly serrated, top edge.

Iskan156 - Suspension 2

It's time to proceed. The captive climbs onto the lower arm of the cross

He balances there, facing forwards with one foot either side of the centre post

He can only stop himself toppling off by holding on to the upright behind him.

His master begins to attach the wristlet on his free arm to the upper cross piece.

Iskan 156 - Suspension 3

The captive clings on and looks on with surprising, but creditable stoicism.

A nice rear view of the master here (my neck fetish again).

Iskan156 - Totally Ready 03

The captive's other wrist is also secured - to the opposite end of the Tee.

Only then can he be released from his collar chain, it drops down onto the sand.

The master's final adjustment, is to raise the sliding, sawtooth sedile to crotch level. 

It provokes a horrified response but he stops with it just grazing the captive's balls.

Iskan156 - Totally Ready 01

The positioning of the sedile falls just short of a being a riding wedge (see label at foot of post)

Instead it forces the captive to tense his arm and leg muscles to avoid sagging down onto it .

That stressful position is about to get much more difficult to hold.

(If you thought he is being prepared to face the incoming tide, think again.

Although that would be an interesting alternative scenario.)

Iskan156 - Whip

With his captive secure and stretched out tight in an X-spread, 

the master stands back and begins to address him with the whip. 

He has plenty of room to swing it here and the deserted dunes provide privacy,

so there's no need to gag the unfortunate creature during this torment.

Iskan 156 - Whip 02

The whip licks repeatedly across the trapped man's torso,

scoring lines with it's caress.

No one hears his cries.

Iskan 156 - Whip 03

The whip's kisses are not nasty enough to cancel out his excitement.

He retains his control and manliness under this duress.

As Kipling said, 

"If you can keep a stiffie,

while all around are losing theirs, 

then  you will be a man my friend".

(taken verbatim from the original rough draft)

~

This series is disarmingly entitled 'A Way To The Pleasure' which I suspect has suffered a little in translation. Someone else called it 'A Journey' but the trouble is that every experience in life is called 'A Journey' these days (except when it's being called a 'Roller-Coaster Ride', that is).

Iskan has been producing images like this for some years. His style is a little basic, the characters not overly expressive but there's a genuine undercurrent of anticipation in the carefully constructed  build-up and truly dramatic imagery at the climax of the punishment. Personally, I'm not crazy about shaved heads or identification numbers (especially disfiguring ones), preferring men in predicaments like this to be allowed to keep some dignity. 

(It's also a practice too similar to historical events that shouldn't be trivialised).

Lots more at Iskan156 @DeviantArt including a final scene for this story which I have omitted.

Latest Royale Blog Updates

Royale Studio - Ron Wiltshire Whips Peter George in 'The Captive'

 

Since my last update, several new articles have been added to the Royale Studio Archive and blog being created by mitchmen. The most notable is 'The Captive' illustrated above, starring Ron Wiltshire as a Roman Centurion who whips his naked captive, played by the delicious Peter George. Almost all of the images of muscular confrontation in this post have not seen the light of day for many years. 

The Captive is No 40 in the Royale Archive list of photo sets

Also added to the archive is 'The Scout' in which Cliff Smith squeezes himself into a tight fitting uniform with spectacular erotic results. 'The Scout' is No 81 in the Royale Archive Listing 

Linked to both these posts are new Index pages for two of the Models who haven't been covered before - Ron Wiltshire and Cliff Smith. The pages outline their respective careers, their CV's with Royale and with it's successors and contemporaries. Both are in embryo form at present but will be built up and updated as additional photo sets are added to the Archive. The Index page for Peter George is already well established of course.

All these new pages can be accessed via the links in the right hand column of the Royale Studio Blog