Peter Bound in Tights

 More images from BdmanBrazil showing Peter again (as in my last post).

He's tied up in tights again, but a different sort this time, the kind dancers wear.

This series of images shows him half-stripped and tied up. 

His captors have left him lying on his bed while they arrange collection.

 You sense his rising panic as he discovers the effectiveness of his bindings.

 He knows his helpless body is their prize, the threat is strangely exciting.

Then he thinks about his life and all he has.

About to be snatched away from him - for what?

 He makes one last effort to twist his wrists out of the ropes

 It's no good, he can't escape.

When his captors return, they will find him ready and waiting.

More pictures from this series at BdmanBrazil

Men Sharing Clothes 21 - Tights

Another article in my on-going series examining the plight of models who have to wear clothes already used by someone else before them.

Peter

I've called them tights but I'm not totally sure what the correct term for this garment is. They resemble Long Johns but lack any sanitary provision, this is a roll-down situation. The tantalising see-through panels dispel the idea that these have any modesty function. What makes them particularly suitable for this series is their very tight fit which will ensure intimate contact with any man who wears them.  This is Peter of Bdman Brazil by the way.

 In this picture Peter looks like he's waiting to see the dentist or some other practitioner of unpleasant, invasive procedures. His anxiety won't be helping the studio's tights to stay fresh and clean, especially as they are clearly not made from natural, breathing fibres.

I must say that these tights make a terrific bondage outfit, showcasing Peter's legs while the dodgy thigh panels accentuate his groin area very sexily (click on the picture to expand if you want to inspect him more closely). Nice shoot, but who's next in line to try them on?

William Pezzoto

Those slinky tights are even more revealing on William's body, possibly because his bigger frame is stretching them out, spreading them thinner, but also pulling everything in tight and close.
William doesn't quite have Peter's 'little boy lost' appeal but has a look that suggests he's thinking about something slightly disturbing, like the news that other men have modelled this particular garment.

Unfortunately there's no time for discussing the provenance of the body-hugging, crevice invading hosiery. The shoot must go on and William, bound hand and foot - and gagged as well, is in no position to object. His discomfort is our pleasure.

Pictures for this article all come from Bdman Brazil continuing the loose Rio associations of my last post. Unfortunately Bondage of fit, young athletes has not been accepted as an Olympic sport yet but we can hope. There's always a chance that there might be sympathisers on the Organising Committee.

For other articles in this series click on the 'sharing' label below.

Synchronised Speedo Bondage

 

Despite all their dedicated training and preparation
 and all their efforts to reach Olympic qualifying standard for Rio,
one of Brazil's Synchronised Diving Teams
didn't to make the it into the final competition after all.

They used the pool for one practice session and were looking pretty good.
Hot favourites you might say (for a medal or a meddle).

But since then they haven't been seen at all.

(photo: BDManBrazil)

Torture Central - 2

There's a selection of good photographic imagery and clips at Torture Central. My choice here is not really fully representative of the material on the blog, I have concentrated on the eye-candy, but if you like rougher stuff you'll find that as well.

 This handsome, chunky, young man sports a pair of briefs that might cause amused comment in some circles but I find them strangely beguiling as torture-wear. I can't work out of it's the vaguely historical, loincloth flavour or the off-beat, mannish fashion sense, but either way it seems to impart a feeling of a man unexpectedly plucked out of his life and exposed, unprepared, to a bizarre, pseudo-medical examination.  This model's facial expressions are marvellous and on that account I expect his images will be with us for many years to come.

(photo: Russian Captured Boys)

 I'm drawn to this image for a similar reason, there's a sense of ordinariness about this young man's face and dismay in his expression that makes his situation seem disturbingly unplanned and weird. His body is far from ordinary of course, displaying a lean muscularity, unblemished by tattoos that is showcased by the stresses he is subjected to. This is not your typical fetish physique and that makes this image out of the ordinary too.

(photo dreamboybondage - I think)

 

Another refreshingly clean cut, young man about to be subjected to strange practices. He doesn't look like an obvious volunteer for the collar and ball-stretching device (improvised by coiling pink cord round his scrotum). It tells us that someone else has plans for him that go beyond admiring his good looks. The tap of a riding crop and the close proximity of an electrical circuit box are ominous signs that this beauty has fallen into the clutches of a beast.

 

(This studio, slaveboytraining, was new to me but seems to have disappeared off the web, I can find traces in search engines but they don't go anywhere, the tumblr blog has been taken over by parasites)

Vasily

 Another Russian Boy with dodgy underwear but the cut of it suits his physique immensely. The sensible size and incongruous colours bestow an ordinariness upon him that makes you wonder whether he understands or is up to the challenge he faces. The chunky collar assigned him seems to acknowledge his bulky, potentially dangerous physique - after all you don't tether a bull with a piece of string. However his bowed head suggests that the rebellious phase may have passed.

(photo: Russian Captured Boys)
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This is a much older image from a Tom 'Ropes' McGurk video but it's no less memorable than the others. It follows the formula of the previous images with a pretty boy captive and a mean looking master (Jason Branch). However, the atmosphere here is completely different. That's partly down to the professional dungeon metalwork which tethers the captive but doesn't provide tight limb restraint. But the main difference is that this boy is facing up his captor with defiance - albeit a defiance that's not quite sure of itself.

The captive's nipple ring tells us he's not a complete greenhorn and the veiny detailing of his arm in the foreground might make you wonder about his age too! There's a reddish colour cast in this image which fortuitously highlights what looks like chafing on his neck, as though caused by attempts to find a more comfortable position for his unforgiving metal collar. 

(photo: Tom 'Ropes' McGurk)

Bondadge without rope. A still from Man at Play that is striking for it's simple composition and message of self-assured superiority and calm submission. What power has caused this strong-looking, fully adult man to strip naked like this and allow his most intimate parts to be examined so casually in a public place? He's being treated like he's a piece of livestock who has no control over what happens to his own body or indeed has no other asset than his own body. Staff assessment never used to be like this! But you can see that he accepts this fate without surrendering his pride. Like the McGurk model above who is in line for similar treatment, he seems to defiantly challenge his molester to do his worst. Which no doubt he will in due course.

(Photo:- Men at Play)

This image has a sense of drama and movement. It's as though a particularly nasty lash has just landed on this last, tasty Russian Captured Boy. This captor seems to emanate power, privilege and depraved cruelty. His fully-dressed state highlights the captive's own subordinate status. As is usual at this site, he is allowed retain his underwear, a concession to everyday mores that scarcely lessens his humiliation, stripped before the boss as it were. But it suggests that this scene is about pure punishment rather than an artificial S&M ritual with an erotic outcome.

(photo: Russian Captured Boys)

 

Billy Santoro has the honour of signing off this little selection, struggling manfully with the irritations of an electro butt plug for 'Men on Edge'. Billy has a very different look to the other guys performing here, very grown up and masculine, but for my money he's just as cute. His familiar face and the sophisticated bondage paraphernalia spell out pure S&M fantasy, despite the anatomical wall charts and blue fatigues his tormentors are wearing. However I never grow tired of these electro scenes, which are usually riveting visually and often prompt interesting, genuine responses from the long-suffering guinea pigs.

(Photo from Men On Edge)

If you like images like this have a look at Torture Central

Torture Central - 1

Torture Central is a relatively young blog with an interesting selection of S&M images and clips. The emphasis seems to be on quality rather than quantity so although the collection is not vast, most of the exhibits hit the button (for me at any rate) and there was plenty of stuff I hadn't seen before. This article is based on the modest collection of artwork featured there.

 Cavelo - Talk or your buddy gets it

I not totally complimentary about Cavelo's style in my A-Z article about him, but this image with a very handsome captive on the left (picturing them is surely Cavelo's greatest strength) and a classic 'buddies in a predicament' storyline certainly gets my thumbs up. That seat-less torture chair surely was inspired by 'Casino Royale' and brings all the associations of that story to the party, but Cavelo also makes the most of it's capacity to humiliate whoever sits on it.
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Crucifixion - Artist - Cyrano/Mahoney?

The artist of this picture is not given an attribution at the site but it looks like Mahoney or Cyrano who I believe are the same person. Cropping out the crosspiece makes a striking image that focusses attention on the man being punished rather than the mechanics of the punishment.

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Nath66 - Alien Experiment

A fantasy image featuring a human male fertilising/laying an alien egg was included in my 

A-Z article on Nath66 in 2010 but a reworked version of the idea has appeared recently showing a notable advance in technique. This is a rather nice sample (click to enlarge) borrowed from a bigger selection at Torture Central (link to Nath66 in my original article). 

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Kajlet - Durst (thirst)

There are a number of examples of Kajlet's work on the Torture Central blog, this one is rather less intense than most of them and intriguing to say the least. The military overlay is stylishly done and adds greatly to the interest of the piece.

Visit Torture Central or follow my links above for more work by these artists.
There's a master index of artists on my blog here.

 

In my next article I will review some of the photographic imagery at the blog.  

Beer Bitch

A-Z of Fetish Artists - Wright

Ronald Wright belongs to the 1950's/60's when gay art and photography began to emerge from the shadows. This is the era of Physique Pictorial and other pint-sized magazines with names like Vim, Mars, Trim and Big. They circulated gay-interest imagery heavily cloaked with notions of healthy living, body building and Art with a capital 'A'. Quaintance was the colossus who strode that artistic stage, epitomising the idea that the naked, male figure could take the same place in great Art, the same sexual presence that women had seemingly monopolised since the Renaissance (although in reality that's not counting Michelangelo, Caravaggio and a mountain of images of Christ crucified that unashamedly glorify the male body).

  

Ronald Wright - The Slaves

There was also much interest at this time in the ancient classical civilisations of Greece, Rome and the Middle East, which were perceived as more tolerant of 'boy-love', but also practised barbaric punishments and slavery, thereby providing fertile ground for those with S&M leanings. "The Slaves" (above) is Wright's contribution to that genre, unashamedly copying the ideas of Quaintance and indeed the Hollywood epics which were just coming into fashion. 

This image has some creditable technical features, the figures and their faces look good, there's a recognition of perspective and shadows and the treatment of the sky in the background (obscured by the quality of the reproduction) seems to be quite subtle. Despite that it doesn't really work as a composition. The subject matter no longer grabs our attention these days but it's very obvious that we are looking at an assembly of posed, standard beefcake images that don't quite coalesce into a coherent and interesting whole.

The slaves look like a bunch of well-groomed boys on a beach whose sun-bathing and chatter has been disturbed by a tall dark stranger, rather than a group of fearful, over-worked, down-trodden victims under the lash. One senses they're more impressed by the guard's nudity than his whip.

There's actually another more interesting picture hidden within this one, comprising the two standing figures only, try visualising it. Of course, either of these interpretations may be exactly what Wright intended the viewer to see, this is the age of 'hidden eroticism' (see label below for more).

Wright - Into The Pot

I present this picture as a historical curiosity. It's one of Wright's best known images but recognised as an unacceptable, derogatory stereotype these days. In it's time the image of a (fully clothed) missionary in the cannibal's stew pot was simply shorthand for 'an unexpected problem' and as such was standard, recyclable joke material for tabloid cartoonists alongside (for example) castaways washed up on tiny desert islands with a solitary palm tree and bearded, long-forgotten prisoners chained to the walls of tiny, cobwebbed cells. These days the role of bogeyman has passed to imaginary aliens and the undead, but the thought processes involved are exactly the same, so perhaps we haven't advanced as much as we think we have.

In adapting the idea for erotic purposes Wright undresses the prisoner and focuses on his vulnerability and the peril of his situation, at least superficially. His depiction of the strong, black captor is authentic and not at all disrespectful. If you disregard the background and fancy dress, you can see a straightforward homo-erotic pose with the captive's left hand encouraging more intimate action. That this encounter is between two men of different cultures (underlined by the clumsy stereotyping) introduces that thrill of the unknown (and the forbidden even), which is no less potent now than it was back then.

 

 Wright - Sponge

Coming from an age of censorship and suppression of suggestive imagery, this relatively crudely-drawn picture is pretty astonishing. There is no 'cover story' that I can see to disguise the sexual nature of the scene, how else to explain a naked man sponging down his companion whom he has tied to a post? Just larking around? Hardly.

There's no explicit detail (well maybe a suggestion) but that hand couldn't get any closer to it and we know that all will be revealed as soon as his wet sponge makes contact with the captive's underpants. It would make a good video passage. The dripping tap on the left makes it clear that the sponge is indeed wet and also suggests general sexual excitement. There is additional significance in it's juxtaposition relative to the sponger's backside, connect that with the faces of the two men which have been given distinctly different, 'fem' and 'butch' slants.

  

Wright - Slave Market

This final image is another example of unfortunate racial stereotyping (bring on the aliens!), but the underlying storyline of being subjugated, involuntarily dispatched into the unknown and stripped of all possessions has a universal significance and erotic appeal that needs no explaining. 

This is a more accomplished composition than the others we have looked at. Apart from the discreetly obscured nudity, eroticism is represented by a rope sensuously twined around a leg and the suggestively-shaped piece of cloth draped across the kneeling man's groin. More interesting is the 'strong, male protector' theme going on between the two slaves which might suggest they are intended to be used for entertainment value rather than work. 

The potential buyers shown here certainly look wealthy enough to buy the pair of them (and their clothes demonstrate Wright's familiarity with fashionable art depicting middle eastern scenes if not the reality). However, there's one potential purchaser who is significantly younger than the others and he seems to have caught the eye of the more masculine-looking slave. Is this the eternal triangle given the rather nasty twist of a partner abandoned to an unknown but probably unpleasant fate? Wright has even arranged the 3 men in a triangular composition - neat.

For some reason, this image was reversed for publication and I have swapped it back round.

Wright's art is a product of and an interesting reflection of it's time. If it is imperfect in execution it nevertheless has some intelligent content and interesting fetish ideas which haven't dated at all.

It's hard to find his work but a search on his name will throw up a good deal of biographical information e.g. Gentleman Homosexual  , Sir Gay

(All pictures in this article can be expanded by clicking on them).

For more articles in this series click on the A-Z label below or search for specific artists using the index page or search boxes (top right)