Art by Drtkk - Part 3 (aka MilkCow)

MilkCow - White Rats 1

I discussed the features of this man-storage facility here at mitchmen in Milking Factories No 13, but MilkCow originally designed them to preserve captured POW's until they can be sold off . The title of the picture suggests that it's not expected that they will become cosseted House Boys or field workers.

This highly refined form of bondage is an ideal way of keeping them alive, under control and protected from damage in a controlled environment, whilst still being available for interested parties to view in person (although it's become more common to buy them over the internet since Covid). The captives love the safe feeling the warm liquid gives them and require minimum physical restraint in their capsules. They listen to music via implants and enjoy the gentle stimulation of nipple suckers and 'active' codpieces that comfort them and attend to their 'detoxification' needs. The cost of such a system is justified by the prices these men fetch, as shown on this man's container label.

MilkCow has drawn a handsome character demonstrating this ingenious design, he seems alluringly available and desirable as he dozes contentedly. All these captives have been shaved and show grow-back. The artist's bold, muscle delineation is less prominent in this close up view. The random arrangement of the capsules behind creates an impression of large numbers of other men being processed and on offer. One would be spoilt for choice, but few of us could afford this boy's price tag.

MilkCow - White Rats 2 - The Check

This scene shows the captive being 'checked' after being purchased by a laboratory for study. He's been delivered frozen in a cryogenic container which looks disturbingly like a coffin. MilkCow wisely skirts round the defrosting process. I suppose it might have been carried out by the container itself. Anyhow, it's barely warm when the delivery is lifted onto a table and strapped to it. 

Even before his shorts have been cut off his body, the scientists have already piled in and attached a device to his nipple and his other pectoral is being prepared for something similar. With all this haste the poor man must be struggling to understand what's happening to him. Maybe it's better that way. 

It's easy to understand the technicians enthusiasm once they saw what the new lab rat looked like. They all look very young and student-y which doesn't bode too well for procedure adherence as the check progresses (you'll remember what happened to the clipboard in the Chair of Toughness (MilkCow 2). The lab equipment at this point seems relatively unthreatening, but the universal use of eye protectors is a bit worrying. It's probably just as well one of them has a stethoscope for emergencies.

The artist has cropped the detail of what's happening on the right and re-directs our focus to two other technicians walking by and chatting as if all this uproar is nothing out of the ordinary. The nearly naked man on the table may grab our attention, but he is just another, experimental subject in Lab 169.

MilkCow - The Windmill Game

At first sight, it seems reasonably clear what's going on in this picture. The subject is lifting heavy buckets of water in a punishing position that does not allow bending of the arm. It would be well-nigh impossible for most people, so credit to him for achieving this much, but what is inducing him  to do it? 

The side frames limit his arms to moving up and down and it looks as if his wrist restraints are connected to the vertical arms with rings that can slide up and down. Since the frames also seem to be electrified it looks like this is a variation of that game of sliding a ring along an electrified, twisty wire without touching it and making the bell ring. I might be wrong but my guess is that it's his bell-end that's going to register any 'fails' since that organ is impaled by an electrified sound that is very firmly attached. His whole scrotum is trapped in the Y-fork of this assembly. 

So where do windmills come in? I think this must refer to the 4-pointed stars that are in contact with his nipples. But is he supposed to make them turn or are they spun by the technician standing behind him with a controller? This Heath Robinson complexity is puzzling but it's erotic fun analysing it.

Milk Cow - Nice Meats 1, Room 13 - Inspection

This final group of images is notable in that it features two captives undergoing the same trials and punishments alongside each other, illustrated rather nicely here by the mirror image composition.. Since they are both wearing dog tags it seems reasonable to assume that they are buddies from the same military unit. The title of the group, 'Nice Meats' suggests a fairly arbitrary, homoerotic sadism is motivating their treatment but it's supervised throughout by a uniformed figure and above them fascist style banners hang from the wall, suggestive of a more serious story line, perhaps a POW or partisan interrogation where anything goes, God help them. 

The Room Number motif references the non-specific oppression of 1984 and this carries on through the series although the banners do not. Each of the scenes takes place in a numbered room suggesting it's a carefully planned and lengthy programme but the captives do not visit the rooms in numerical order. 

In Room 13, the clip board indicates that it's a inspection but it's not obvious that any results are actually being recorded. Two keys lie on top of it, presumably for the chastity devices in which both men's manhood is locked, perhaps what passes for a uniform in this place. They are spread-eagled on crosses with an array of  electrical cables attached to their bodies, some with clinical sticker pads, some with heavyweight, industrial clips. Neither they, nor we, know if these are simply sensors or live electrical wires, but something is making them howl and the fingers of the man on the right are curled tight in tension (or agony). 

The positioning of their arms replicates a standard bodybuilder pose and this suggests that their strength is being targeted with the possibility that all these wires are manipulating their muscles to tense on demand so their physiques can be judged as bodybuilders are judged in competition. 

The Officer in the foreground looks as if he's just stepped off a Yellow Submarine or the Polar Express but he holds a wireless remote control that enables him to switch either man on or off and vary the intensity of their treatment. That seems very much like an interrogation technique. Meanwhile a steam-punk technician beavers away at his console, overseeing even more on-off switches using a curious visual feed from the pack on his back whose purpose is a complete mystery. It adds up to 'sinister'

Milk Cow - Nice Meats 2, Room 09 Whipping Makes Perfect

 This whipping scene takes place in Room 09. It's not clear whether the flippant subtitle indicates an underlying, corrective purpose behind their treatment or simply the personal opinions of their tormentors. The same could be said of the emphatic, metallic chastity devices they are still locked in, denying them their masculinity.

The two captives are depicted throughout this set as being significantly bigger than their captors. There's a similar contrast between their god-like muscularity and masculinity and their tormentors who are portrayed as either very ordinary or decidedly odd-ball. The density of weal marks and beads of perspiration covering their magnificent bodies suggest that their punishments are correspondingly intense and deliberately so. The torture technician's terrifying weapon and face mask seems to recognise danger lurking within these men. 

Milk Cow - Nice Meats 3, Room 10 - Sand Bags

In room 10 the assault intensifies and takes on an additional psychological dimension putting the men in fear of their lives as they are hoisted in nooses. It doesn't look as if they have been lifted completely off the ground at this point but the title suggests that might be part of the plan. At this point they are both being simultaneously beaten with the edges of  paddles by smartly dressed, uniformed officers. 

The supervisor watches them, enjoying a hot drink. It's a demonstration, not so much of sadism, but of indifference (or professional neutrality if we're being generous). The men have been freed from their chastity devices for this procedure but remain in cock rings. One is taking advantage of that freedom (and presumably responding to the beating). Part of the test perhaps? Is that a pass or fail?

 

MilkCow - Nice Meats 4 - Double Bed

Room 00 is placed at the end and it seems rather different to the others. The two boys bear the trellis marks of prolonged torture and their bodies are still covered in sweat but there are no electrical attachments here, no beating, only the more subtle pressure of the rack. Still freed from chastity they are greased up and encouraged (quite sensitively) by the attendants to produce samples which are being collected in glass jars. It's a relatively pleasant task (in moderation). 

We can't tell whether the rack is simply being used to coerce them, to encourage masochistic arousal, to wring out their last dregs or to verify a wacky theory about inducing variations in their ejaculates. What we can say is that it hurts them and the artist has used (rare) shadowing below the rib cage to emphasise their stress. 

Above them sitting on a beam are two, beautifully drawn rats, lab rats of a different hue, who if I remember correctly normally work in Room 101. This visual 'aside' neatly pairs with the facist motif in the first picture. As we know, despotic regimes are always keenly interested on what makes their opponents tick and often have pseudo-scientific beliefs that people who are different to them must be physiologically flawed and they are desperate to prove it. Of course, MilkCow himself, marks these muscular giants out as being different to ordinary folk.

Don't have nightmares chaps!

~ 

In this second batch of images MilkCow's images have not changed an awful lot in subject matter but have become more refined and more stylish. You can see the thought that has gone into his images like Nice Meats 4 but he also seems to have progressed from generic, captivity S&M to something that hits the mark more accurately. Room 13 in particular strikes me this way and White Rats 1, they make me think, yes, that's it, he's got it exactly. Veryerotic 

 

Check out the comment below for the artist's preferred name and website info