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(Feb 18th 2018)

Monday, 29 December 2014

Vintage Spanking Art

I found these images while sorting through some files over the holiday break. They all seem to have an extra 'something' that lifts them out of the run of the mill. 
I don't know who the artists are.

No1 - Caned Against The Wall
A big boy takes his punishment, hands to the wall. His pert little ass and unkempt hair suggests there's a naive, normal, young man underneath all that muscularity. The floppy hair and oversized hands put me in mind of Adam's work but my readers may know better! The spiky, black shadow behind him creates the impression of severe punishment, of his body pushed up against the wall by repeated blows from behind.

No 2 - Caned in the Bedroom

 This scene is more frank about the sexual pleasure of spanking. There's a sailor in this group (see chair), I'm guessing it's the man with the devotional tattoo who is introducing these young men to the pleasure of pain before sex. Particularly his pleasure, as you can see! It's underlined by his anticipatory forward thrust.

Paradoxically the mixture of S&M, religion, race and disparate ages in this picture probably make it no less startling today than the homosexual angle did when it was drawn.

The hair styles and pose of the boy on the bed look typical of the 50's and the latin looking sailor is very Quaintance-like although I never saw anything else like this from him, it's amazingly explicit for that time. Any suggestions?

No 3 - Caning a Man over a Stool

This example is not as stylish as my other choices and there's some wierd perspectives and positioning (notice the hand appearing to rest on a level surface far right). Still, it's nice to see a spanking picture with all real men. This one has shot his load during a hard caning, reversing the sexual polarity from the previous picture where it's the spanker who seems most excited about it all. The spanker here shows nothing more than a plain bulge, which is coy enough to make me wonder if the cock on the stool was added by a mischievous modifier. Of course it's misalignment and curious shaping may be an attempt at hidden eroticism by the artist, I'd have thought the white, dripping ooze is a bit of a giveaway though! 

The moustaches and body suggest this was drawn in the 80's but who by?

No 4 - Belted on the Floor

An intimidating belt-cum-paddle is the implement of choice for this spanking punishment. No wonder the recipient looks so dismayed and is struggling so hard to escape! It's the energy of the struggle and forceful domination that makes this picture so striking. 

By allowing the victim's legs the freedom to flail around the artist has chosen to forgo the erotic possibilities of a totally undefended ass in favour of the joys of an unequal battle. Because of this the visual sensuality is subtle - the shading of the victim's pecs and the ambiguous, intriguing scribble in the area of his abdomen is surprisingly effective. Also the spanker's close fitting, traditional underwear which moulds to his pecs while the 'key hole' seams in his underpants form a collar around the mound of his growing excitement. This almost qualifies as 'hidden eroticism' but is perhaps more accurately described as 'disguised' 

The figure on the ground could almost be by Adam, but the cleft chin and cheek lines of the spanker remind me of 60's artists like Losarro.

No 5 - Tied and Horsewhipped

Sensuality is definitely the name of the game here as a casually wielded riding crop cuts deep into the buttock of a young man under restraint, tied and blindfolded. His head jerks back as the pain of the lash registers through his nervous system. The lushly shaded, smooth, rounded contours of his body together with the length of his hair are indicators of youthful inexperience. He is recieving this little lesson at the hands of a woman (probably!) who, judging by the scary nails, has much to teach him! (I'm not a fan of female involvement in sexual matters but I confess I do enjoy the idea of straight men being chastised for their transgressions by the so-called weaker sex).

The style of this artist reminds me very much of Toby but again, I'm not sure.

No 6. - Chained and Belted

This extraordinary picture explores the very darkest regions of spanking fetish and asks some awkward questions about what sparks the interest in it. We can conjecture that this is the pick-up that went awry, the curious explorer taken beyond his boundaries or perhaps the experienced top subjected to an unpleasant role reversal.

Suspended in ankle chains with hands tied together round one leg, the subject is entirely helpless. His ass (and backs of his thighs) are completely unprotected from the ferocious assault that is in progress. The wild-eyed rage of his attacker, seemingly out of control, is terrifying and with his head lodged in the spanker's groin he also has a close-up view of his captor's intimidating arousal. It's a nettle that he seems none to anxious to grasp (even if his hands were free to do so!). His suspension position advertises another attractive destination for it and if that is not what he expected or had planned when he met this man, he is clearly seriously excited by the predicament, the pain and the fear. It's a redeeming detail that allows us to imagine that all is well and he will look back upon this encounter as a memorable experience - if not one he wants to repeat in a hurry.

The style of this picture is unfamiliar to me but I think I have seen the the wings on the boot tops before which (if I can find it again) may identify the era if not the artist. This is an original on a folded up piece of paper and so may be an unpublished piece or the work of an amateur but it's technically accomplished and convincing. Details like the spanker's expression and his menacing shadow on the wall convey a darkness of intent to us that is not known by the victim.


Please leave a comment if you have any information about the origins of these pictures

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