The Art of Uruonurun - 2

 Read Part 1 of this post

Uruonurun - Ninja 02

Uruonurun's 'Ninja' series depicts the capture of a young warrior by two determined-looking men. Ninjas are men to be feared but they strip him of the ceremonial clothing that defines his calling and hides his identity. He's revealed as a man like any other man, dressed only in a curious shirt of net-like material and a scanty loincloth, his 'Fundoshi'. Then, as if to mock him, they tie him up, shibari-style. with one leg raised and doubled back, the other stretched out behind, suspending him in that, uncomfortable, position. In Western eyes this pose suggests a mythical hero (or his modern day, 'super' equivalent) about to take flight. This man is going nowhere. His tight loincloth gleams as though it is wet and the outline revealed betrays feelings that do not entirely chime with the embarrassed, angry look on the humbled Ninja's face.  

The characterisation of the two 'villains' here is contrasting. One is portrayed like a malevolent, uncouth torturer - overweight, masked and scantily dressed - the latter a device to intimidate the captive but also to protect his clothing from any mess as he goes about his unpleasant task. His pleasure as he tightens the ropes on the protesting captive is evident in his face and even more so further down. 

By contrast, the other captor appears cultured and well dressed, a person of some standing - he might even be the Ninja's mentor, training him to be more resilient. However, what we can see of his face suggests dark intentions indeed. The only clue to his inner feelings is his hand, resting on top of the captive's tensed thigh, emphasising his control and maybe something more. 

Uruonurun - Ninja 06

If this is simply about training, it's going to be tough indeed for the young acolyte. The rope man has revised his restraint to incorporate the highly decorative, repeating diamond pattern (hishi), running from the neck down to the crotch. But it's not just decorative, when tightened up, it's compressive, restricting the captive's breathing. 

Red wax drips from candles, ceremoniously suspended above and around the Ninja, it stings his skin with an intensity determined by the melting point of the wax (red has a wicked reputation) and the distance it has to fall. It solidifies on contact, cooling into blobs that remain attached to his skin and mar his beauty after the pain has passed. 

The captive has also been seated astride a wooden 'wedge' or horse, which mocks his pretensions to the status of a Samurai. It will increasingly torment his groin with the passage of time, especially if his feet have been weighted down. (Don't try it at home!)

In the face of all these challenges, the Ninja's torso cascades with perspiration 

his pouch is translucent with spilling desire.

A number of posts at mitchmen blog feature the 'wedge', 

click on the label 'Riding The Wedge' at the foot of this post to view them

Uruonurun - Bandana Ryoushi 08

Uruonurun reaches back into Japanese artistic tradition for this group of images showing a fisherman menaced by a giant octopus that he has unwittingly caught in his net. Although he's still clinging onto the net ropes here, it's obvious the octopus must have climbed aboard under it's own steam. One of it's tentacles is draped over Ryoushi's* knee (compare with the top image). The remains of the net encircling the creature seem to have assumed the shape of a bikini pouch, as though attributing human characteristics to it (in that particular department anyway).

Notice the artful, traditional styling of the water, now calm. 

Ryoushi is a well-known anime character, bandana is as in English 

Uruonurun - Bandana Ryoushi 09

The creature's tentacles turn out to be surprisingly dextrous. It's able to undo the fisherman's trouser flies which part to reveal a interesting shape in his underwear. Another tentacle slides inside his tank-top vest. The fisherman, we can see is exceptionally well-muscled underneath. Perhaps he did haul the octopus aboard after all! He responds to the creature's groping with red-faced surprise, embarrassment and a certain amount of trepidation.

Uruonurun - Bandana Ryoushi 12

In the images that follow, all of Ryoushi clothes (except his bandana, gloves and boots) are removed by the creature. At any rate they all disappear. It's tentacles become increasingly intimate.

This sexual intimacy parallels the famous artwork of 'The Dream of The Fisherman's Wife', but the narrative of Uruonurun's picture is almost the exact opposite, this is not a subconscious fantasy but a real assault that appears to be entirely unwelcome. It's not a dream, it's a nightmare.

Uruonurun - Bandana Ryoushi 16

The nightmare deepens as the creature completely entwines the naked fisherman with it's tentacles, lifting him up but still holding on to his dick (now spent). This raises the terrible possibility that it intends to return to the sea (as eventually it must) but taking the terrified Ryoushi with it. In the final image of the series however the creature seems to dissolve away as though it really has been just a dream. There's a similar conclusion to the 'Hero's End' in Part 1 of this post.

There are many other posts at mitchmen that depict Octopi capturing men, it's a branch of the tentacle genre, but usually carries more menacing overtones because of the well known strength of the creature and the risk of drowning for those that cavort with them.

Uruonurun - Omawari-San 02

This cheery fellow is an Uniformed Officer of some sort, possibly a policeman. The imagery that follows suggests this is the case, but the happy, relaxed pose here does not conjure up the law enforcement aspect of that role. 

Uruonurun - Omawari-San 03

The artist shows the cop to us in various states of undress. This is one of the most interesting, conjuring up the sense of a very physical man, despite the wide eyes which seem to belong to someone much younger - and more naïve.

Uruonurun - Omawari-San 10

This image shows him with an erotic awareness and confidence that is endearing. 

The dissolving table is (I think) an augury of the nightmare that is about to descend

 on this inoffensive young man.

Uruonurun - Omawari-San 22

In the sequence that follows the Officer is taken prisoner by two hooded criminals. He is beaten and given a full lesson in dark desires. The dramatic picture above showing him suspended in shibari ropework is the culmination of the incident and best image in the set. The others are to graphic for this blog but you should have no problem finding them via the links below.

Uruonurun - Shoubou-san (Fireman) 02

All the series mentioned previously in this post consist of 4 or so images which are subjected to variations to create a storyline in which the main character is confronted with challenges from a variety of other beings. The Fireman, has a simpler storyline - a single character subjected to bondage and clothes removal by an unseen captor. This image shows him in full rescue regalia, hard at work, strapped up and training with ropes. He's a picture of manliness, grit and determination. Confidence bordering on arrogance.

Uruonurun - Shoubou-san (Fireman) 03

The artist re-imagines this hero without his trousers on. His projection of manliness is undiminished, rather, his shorts bulge with excitement. The seams of his underpants seem to simulate his loins being trapped in complex, shibari ropework. This strip sequence continues to nudity.

 

Uruonurun - Shoubou-san (Fireman) 09

 In the second sequence we see him gagged and and tape-bound, hot from an incendiary incident with all his rescue kit on - overalls, boots and harness. His cocky confidence seems to have drained away, replaced by puzzlement as he sees the array of strange items around him. Equipment that is foreign to him, more suited to starting fires rather than extinguishing them.

Uruonurun - Shoubou-san (Fireman) 10

The Fireman is a modern day successor to the Sailor and Cowboy of yesteryear in the pantheon of homoerotic iconography and the tight-fitting, blue T-shirt, showing off his musculature and usually sporting a professional badge is perhaps the most indispensable element of his signature outfit. Our captive's manly frame seems to be well up to the task of filling it.

Uruonurun - Shoubou-san (Fireman) 11

His clothes melt away demonstrating that the muscularity beneath them is genuine.

Classic white underwear is all that remains. It projects through the strapping of his harness.

It's as if the wearer is dimly aware of what those strange items represent.

Uruonurun - Shoubou-san (Fireman) 13

His captor eliminates his underpants and demonstrates the kit to him.

Plastic discs cup his muscular pecs, his nipples begin to tingle.

Seven blue balls (coloured to match his shirt) are squeezed inside him, 

one after another, they accumulate inside, packing his ass.

By then his hose is ready, nay eager, to slide into the lubricated sleeve.

He gives himself up to heavy breathing and ecstasy.

Uruonurun - Shoubou-san (Fireman) 17

When next we see him he is completely naked.

All the clothing and gear that represented his proud profession are gone.

The restraining tapes have also disappeared, no longer needed.

He's a different animal now, focussed on the fiery pleasures of the flesh.

~

 Read Part 1 of this post

Artist Links: Uruonurun on 'X'

Uronururun at My Reading Manga

The Art of Uruonurun - 1. Heroic Endings

Uruonurun - Eiyuu no matsuro - Red 06

It was this bizarre procedure that first attracted me to the work of this artist with a tongue-twisting name. To be strictly accurate it was a preceding image in the series which showed the 'Red Hero' spread out with an interesting bulge in his tights (still pristine at that point). I chose this variant to start the post mainly because you can see the hero's face and reactions. I'm often bemused by the winking syndrome in these pictures but it makes perfect sense to me here, as his organs (released from his tights) are engulfed in green slime. It must be an uncomfortable sensation, not dissimilar to Tony Houston's wet costume humiliations in the recent Home Alone posts. 

I'm not sure if this procedure is about torture, a medical intervention or simply run-of-the-mill milking, but it certainly involves the latter later on, as you might guess from the tube poised above. The green goo seems to melt hero suits and promote arousal but I know no more. Perhaps related to the dreaded Kryptonite that brought Superman low.

I particularly like the cleverly stylised faces of the attendants here, creating an impression of aliens with unknown motivations and unreadable expressions in a highly original way.

Uruonurun - Eiyuu no matsuro - Red 12

In this later image from the same series, the equipment attached to the hero and his slashed suit  suggests that the alien's interest in him is not entirely benign. The title of the piece seems to have ambiguous meanings, either 'Hero with No Ending' (to his torment I suppose) or alternatively 'A Hero's End' which chimes with a Japanese proverb "The last days of a hero are often to be pitied". These add up to a perfect explanation of the imagery, which spans several series from this artist with heroes of various hues in the frame. 

This one, Red, has been placed inside a glass container and immersed in more green fluid which seems to be flecked with evidence of on-going milk escapes. His face mask saves him from drowning in it, but it also gives control of his survival to his captors - plus the ability to experiment with vapours related to their experiments. 

A hero's seed is always likely to be of interest to a scientist as it is with the animals in a zoo. The tackle enclosing his tackle is obviously designed to collect it and encourage production.  At bottom right we see images of him in his different existences, as a masked hero and ordinary human. These suggest that it is the essence of heroism that the experimenters are seeking. Subjecting him to life threatening forces no doubt brings that elusive element to the fore.

Uruonurun - Eiyuu no matsuro - Red 28

This image is included in the same series but not obviously related to the scientific experimentations. It shows the Red Hero in the clutches of a maggot-like creature whose dick-shaped tail suggests it's even more enslaved by it's sexual forces than the average human male is. 

An optimist might read this image as showing the insect to be carnivorous rather than rampantly sexual, but the resistance-deadening injection and draining of the victim's sexual energy are suitable preliminaries to both ends. This might be the Red Hero's initial capture, I suppose, or a bad dream as his torments overwhelm him. A dream in which he sees his captors as they really are.

Uruonurun - Blue Shokushu 01

This image of the Blue Hero is from a different series but follows a similar pattern, the strange elasticated (?) web restraining him features in both series. The title here means something like 'job description'. Doomed to suffer outrageous fortune in other words. In the next frame of this series a purple blob splats down on his crotch and melts his suit away. Other blobs shred the rest of his suit. 

Uruonurun - Blue Shokushu 08

A lurking tentacle with a frighteningly stepped, graduated tip appears

You can probably guess what happens after that. 

Step by step.

Notice how the hero's hair in these pictures matches his suit. Just saying!

Uruonurun - Eiyuu no matsuro - Blue 14

This picture shows the same Blue Hero in the 'No End' series, undergoing a similar examination to Red but in a more spacious cylinder with even less of his suit having survived at this point. The aliens may be intending to discover if the heroes' suits are responsible for their special powers. Removing them obviously has an effect on our own 'special power' as we watch, but I don't imagine the aliens experience the same urges (or do they?)

 The restraint arrangements seem to include inserting the hero's limbs into thick, technological sleeves which seem to have embedded circuitry in their skins. They look like kinky, thigh height boots. Tubes attached to them seem to be circulating fluids of unknown purpose, probably unpleasant.

Uruonurun - Eiyuu no matsuro - Blue 09

The interest in understanding the defensive capabilities of the hero's suits is given credence by this sequence. Blue's suit is ripped open to expose his muscular abs, which are then given a repeated, severe pounding by a (green!) hovering ball (a welcome return of a familiar sci-fi artefact). This crude experiment continues for some time and demonstrates conclusively that the hero feels the full pain of gut punching when his suit has been shredded. 

In an even more sinister development, he coughs up green fluid. It suggests that his captors have been insidiously infiltating and jeopardising his body processes with all their equipment.

This artist's style in much of his work is very similar to others in the gay Manga genre, but in these pictures he escapes from the exaggerated, giant eyes and spiky hair that usually typify it, but don't convey quite the same meaning to western viewers as they do in Japan.

Uruonurun - Eiyuu no matsuro - Yellow 04

Here the Yellow Hero takes his turn and gets the electro-chair treatment. Uruo conjures up a tremendous impression of an overwhelming assault on the hero, though his muscles. It's evident that the shocks are not lethal, unless it's possible to die from over-stimulation. The cables attached to his temples raise the possibility that some sort of brain washing or mental control is also going on. That suspicion deepens in the later images in the series. But first, Yellow is subjected a range of quite brutal Pain and sensory torments (see links below). 

Uruonurun - Eiyuu no matsuro - Yellow 14

Ultimately Yellow suffers the unkindest cut of all for any hero. The clunky, hi-tech manacles round his wrists and ankles hold him down on the floor by some form of electro-magnetic attraction, forcing him to kneel, helpless while faceless purple aliens take advantage of him through the rear of his ripped suit.

Uruonurun - Eiyuu no matsuro - Yellow 19

Yellow suffers a number of bruising and invasive attacks and ultimately, battered, totally drained and exhausted, he submits to the dominance of the goo which envelops his face like a lustful partner. His arms and other dangling bits hang uselessly, unresisting, unexcited. It's a powerful image of submission.

At this point in the series, reality itself appears to be shifting, transporting him to a cavern-like chamber which has an organic appearance like the internal pathways of a living body. An all-seeing eye in the wall of the channel looks down on him, watching intently. It creates the impression of a greater being controlling everything that is happening and observing the hero's behaviour. 

Uruonurun - Eiyuu no matsuro - Black&Yellow 21

Meanwhile, the Black Hero is in dire straights too, trapped in a similar claustrophobic cavern where more of the sinister, watchful eyes look down.. Caught up in the gooey web with his suit ripped open, he's under threat of multi-tentacle attack  Part of him is excited by the struggle but there's fear in his eyes when he glimpses the yellow hero approaching. Or could it be he feels shame at being caught on the verge of surrendering to unheroic, base feelings ?

Uruonurun - Eiyuu no matsuro - Black&Yellow 23

Yellow closes in behind and saves him from the terror of the tentacles by forestalling them, plugging the hole himself (with obvious enthusiasm). The tentacles seem to melt away, but we can now see that Yellow is still enveloped by the blob and it's as if he's still under it's control. Is this to be the ultimate humiliation to be imposed upon the unlucky heroes? The destruction of their virtuous honour by mutually mating under the direction of the eye that watches impassively?

Uruonurun - Eiyuu no matsuro - Black&Yellow 28

Suddenly the whole scene, the whole narrative seems to reverse. The rents in the heroes' suits repair themselves and disappear. The blobbery seems to degenerate into lifeless fluid, melting away. The elastic restraints simply fade into nothingness leaving the two heroes in each others arms, but bound together now by sexual desire, mainly Yellow's, which is reaching new heights even as we watch. 

The eye above has turned red, matching the colour in Yellow's eye. Does this signify that Yellow has succumbed to a sort of demonic possession? The apprehensive look in Black's eye suggests he thinks so.

Or is this simply the eye, enjoying the moment of passion, the moment where his manipulated heroes begin to find each other and discover that there's more to existence than fighting evil. 

~

 Links: Uruonurun on 'X'

Uronururun at My Reading Manga

Home Alone 2

You can also read Part 1 of this article

Naked, Oily Escape Challenge 1

The best images I've seen of the naked Tony Houston are these from his Naked, Oily Escape Challenge

There's a powerful sense of his masculinity and bulk in this shot and a decent glimpse of his face, thanks to the choice of gags. Tight tape and wrap gags create an impression of stress but don't really flatter anyone's appearance. 

It's a cliché, but the red tones here really do create an impression of heat and passion. 

Compare with the blue-soaked image below.

Naked, Oily Escape Challenge 2

The bondage the men in these clips are subjected to doesn't vary much and is pretty tight, so it's hard to create an interesting 'struggle' video of any length unless the viewpoint is varied and good use made of erotic angles like the sexy glimpse of cleft here. Stripping them naked and oiling them up is a great help of course, attracting the eye to moving highlights as well as looking inviting to the touch.

The Bounty Hunter (Part 2)

The other option to add interest is to use sexy clothes and Tony has on here a very sexy jockstrap of the skimpy variety. He's wearing it here in the Bounty Hunter Part 2 where, having caught the fugitive James for his Bounty Hunter boss. Tony is made a captive himself so the boss can take all of the reward money. His gleaming torso here is due to the sweat of betrayal rather than oil.

The Bounty Hunter (Part 1)

Tony is at least spared the indignity inflicted on James, of being tied and spread naked on the bed. It's a nice display of his lithe body and pert bottom for those who don't appreciate Tony's fleshiness. In fact, that erotic sight seems to have attracted Tony's interest too. He looks all hot and bothered about it and his cock seems to be desperately straining to escape from the tiny jock pouch. 

You can see my grumble here about the unflattering effect of tape gags, 

but Tony's unruly hair doesn't help his appearance much either.

The Bounty Hunter (Part 1)

Tony's diminutive jock-pouch throbs in vain as he is despatched to the floor.

We and he can only image what is happening to James in the bedroom.

His frustration with the restraint is palpable, verging on tearful.

The Goon Next Door - Part 1

James spends a lot of time tied to chairs in these videos but in The Goon Next Door he's introduced to a particularly stressful, 'neck-tie' variation. A neighbour gate-crashes James and Tony's private, bondage fun intent on showing them what tight bondage is really all about. Tony can only watch his friend's limits being stretched and sympathise as he struggles, helplessly hog-tied himself, on the settee.

The Goon Next Door - Part 2

In Part 2 he takes his turn on the chair as the captives are swapped round by their captor. He's spared the torment of looking at his own crotch in a back-breaking snare, because the 'goon' has spotted how turned on he is by seeing James in bondage. A vibrator is strapped to his leg and he is forced to come in his underpants in front of them. It's about the closest this site gets to actual sex. If you know better please tell!

Being made to sit in underpants with a cold and clammy wet patch is an interesting variation on the orange body suit humiliation shown at the end of Part 1. There Tony was made to drool over himself, with a similar uncomfortable aftermath. 

The Goon Next Door - Part 2

It has to be admitted, James does look very sweet tied up like this in his undershorts. 

The tight bondage test being given to him here is subtle, it's the wrapping wound his face. 

The difference in skin colouration indicates how uncomfortable it is.

Tony's Tiny Jock

Another outing for Tony's tiny jock here and it's a nice shot of his face and physique too. I'm not sure if his companion is James or another young man who happened to drop round. I haven't been able to link it to a video on the website.

Revenge of the Business Partner

After his disastrous encounter with an orange Zen suit at the end of Part 1, Tony looks a lot better in this shiny, red edition, worn in Revenge of the Business Partner. This is a familiar tale of crooks falling out. Disappointingly the 'business' partners these two betrayed to the Police were women, but if you can get past that you can enjoy watching them take revenge in the usual way at this site with a naked strip and donning of suits to be ridiculed and groped in. This image demonstrates contrasting results, Tony fills his suit better than James can manage.

Revenge of the Business Partner

It's tough for Tony down on the floor, it seems as if the suit is causing him to overheat.

This site has a talent for subtle challenges and torments that can easily be overlooked.

However there's conventional pain in store for these men too, spanking and pinching.

The gentle touch here highlights their vulnerability in advance.

Desperate Escape Challenges 1

Tony looks great too in more conventional clothing (with a haircut and less deforming tape gag). 

This is one of his Desperate Escape Challenges

Tony's Cold Shower

If you prefer a more intimate view of Tony try The Shower with him. You need a cold shower after a hard, frustrating day in bondage! There's another wet underpants segment in Shower 2 

(Be sure to select the preview option below the image window, not the gif!). 

The Slacker Stepbrother

And so to bed.

~

Links:-  Part 1 of this article

If you have enjoyed these images head over to Adventures in Male Bondage

There's a few more at 'X - Tony Houston' but you have to wade through a lot of boobs to find them!

Home Alone 1

The Hit (Part 1)

Tony was fast asleep when the burglars broke in and thanks to the beers he'd downed while watching the ball game on TV that evening, his responses were slow. Too slow to prevent them from dragging him off the bed and tying him up on the floor.

"Hey bro, nice underwear" one of them remarked as he knotted Tony's knees together. 

Tony always wore underwear in bed so his modesty would be protected if he had to get up in a hurry. He'd never imagined that they would become the centre of attention in such an emergency. But that was exactly what was happening as the burglars began to run their hands over his buttocks.

The Hit (Part 1)

When they had Tony securely trussed up, the burglars took the opportunity to properly assess their unexpected catch. Tony's fleshy, mature torso with it's smattering of body hair looked quite interesting when it was sensitively wrapped in ropes.

The two burglars looked at each other, quite forgetting about the ransacking and robbery they had intended to carry out. Suddenly they picked him up and flung him back onto the bed.

 

Tony struggled of course, he was terrified, 

but there wasn't much he could do......

except to squawk through the gag.

There's never a Policeman around when you want one.

based on The Hit (Part 1) by Adventures in Male Bondage 

(the links in this article take you to a page with an image and an link to view the video clip just below, the clips are short but may whet your appetite for more)

Spider's Web

The centre of attention in this little drama is Tony Houston who appears (and is tied up) in a long list of bondage adventures at clips4sale. Here he is on a different bed in a different video but wearing the same underpants. In 'Spider's Web' his captor is a damsel in distress who turns on him after he's gone to all the trouble of rescuing her. Women are so fickle.

The Goon Strikes Again

Like Batman, Tony has a cute, young assistant named James (relationship unknown). He also contrives to get himself tied up, time and time again, sometimes by Tony and sometimes alongside Tony - as we see here, at the hands of 'The Goon' in The Goon Strikes Again (Part 1)

I confess that Tony's olive underpants and chunky frame are a turn on for me in a way that James, sweet as he is, can never match. Regular readers may recall a series of images I posted at mitchmen some years ago extolling the attractions of olive green underwear on various men. Tony joins that roll call.

History repeats itself in Captured by a Pervert Psycho (!)

 Tony is caught sleeping in his favourite underpants again, by a solitary intruder this time. He ties him up in an urgent, aggressive manner (perhaps aroused by those buns). This intruder did not come intending to plunder Tony's possessions, but Tony himself. Word must have got around.

Captured by a Pervert Psycho

The house invader enjoys a taste of Tony's toes, but can't ignore the sight of those olive-clad buns. 

The temptation to go further is irresistible. He eases the underpants down.

With his victim butt-naked, the intruder produces a bottle of oil 

and proceeds to massage Tony's buns with it.

Tony feels a twinge of fear as he feels the man's thumbs sliding towards his cleft.

Captured by a Pervert Psycho

The intruder disappears, taking Tony's underpants with him, it seems.

Tony is left with a feeling of being touched where he never has been touched before.

It creates a sort of itch that he's unable to scratch at the moment. 

BTW, for the sake of accuracy, I haven't spotted any real sex in these clips, although some of the plots hint heavily at it. Tickling and other demonstrations of power are substituted in some.

The Trial

In The Trial, young James is an important court witness and Tony is his protection agent. While Tony is showering the villains show up and make James their captive. James and Tony both end up naked alongside each other on a mat, gagged and hogtied with tight arm restraint. They make a pretty picture.

The Trial 

And it's even better when the gangsters decide to get really heavy with their captives.

The Burglar's Connection

Many of these videos involve strip and tie-up sequences and these are shown in detail (sometimes including clumsiness that might have been better edited out). Here James is invited to undress by a latex-clad intruder in The Burglar's Connection. The undressing sometimes leads in unexpected directions. This intruder has a white Zen suit in his knapsack, which he wants James to put on once he is totally naked.

Scammer Gang Fails Again!

 James is paired off with another young man named 'Vermouth' in Scammer Gang Fails Again! They play incompetent robbers who are caught spying on their target. As a punishment they too are forced to strip naked and put on skin-tight Zen Suits. It's a device that somehow seems more exposing and humiliating than straight-forward nudity. Their captors then 'frog-tie' them, a method of restraint that leaves their most sensitive areas wide open to inspection, but their captors seem to content themselves with simple torments. The guys show us how transformative skin-tight suits can be.

The Somewhat Different Business Meeting

But on the other hand! ....

The shiny suits in the previous image with their nicely toned colours and shiny, curve-enhancing finish seemed to work quite a lot better than these two do. That's probably got something to do with the wide neckline here which is somewhat feminine and less flattering to the male physique than the shoulder strap style (seen above), but that's part of the planned humiliation. 

In the story these two are tasked with signing up an important new female customer. They are told by her that if they want to be successful, they must arrive wearing these suits, for all the world to see. In that public-exposure context, the day-glo orange suit has an embarrassment quotient all it's own. Unfortunately for us it seems to somehow obscure body detail compared with James in blue, although both men are showing us less than you might have expected, anyway. In fact the shaping down below is almost female.

The customer demands as a final sweetener that the two men submit to bondage. They notice that there a cameras recording them but have no idea that the woman sells these kinky bondage videos as a business and is in cahoots with their boss. 

The gag drool, making the captive's own garment wet seems to be a favoured humiliation device at this site. The ball is coated in honey which promotes production apparently (no, me neither). James seems to have been spared this twist.

From The Somewhat Different Business Meeting

~

More Male Bondage Adventures in Part 2

Brosfate 5 - The Art of Control

Brosfate - Slave Market

The marketing of slaves is usually portrayed as a Middle Eastern vice but this array of captives for sale seem to have been put up for auction by a pirate. There's a curious blending of historical imagery in this standalone piece with ancient columns and modern planters adding a surreal touch to a medieval market place. 

BrosFate almost veers towards political comment with the range of goods on offer, but there's something for everyone. That serves to make the prize specimen gracing the rostrum at this point stand out as exceptional. The tattered state of his pouch contrasts with those of his fellow captives, almost as if his captors have been fighting over him. He won't thank the auctioneer for pointing it out. The teasing pointer is liable to make the worn material rip from internal pressure and the bidders are already excited enough about him. 

Brosfate - Simon Captured

There's a medieval slant on this image too with Conquistadores carrying off a group of locals as captives. They are dragged away having been stripped of their clothes as well as their weapons. For Simon, their celebrated leader this is like a terrible nightmare. Everyone has the same rank in a loincloth, aristocrats and commoners alike, enslaved together, they all become equals.

Brosfate - Weak Point 1

A character named Simon is also the star of 'Weak Point', an interesting new story from Brosfate's fertile imagination that illustrates a more subtle Art of Control. Simon is described as a boxer and you can see from his exotic clothing that it's one the modern, media-savvy offshoots of the ancient sport of kings. He revels in the razzmatazz, but what matters is that he's a top fighter. Like Simon the King, he has the world at his feet.

Brosfate - Weak Point 2

He's also a ladies man who plays the field when the fight is over,

 but don't turn off yet, there's a twist in this tale.

This image is tantalisingly sexy with an invisible magnetism that it seems will irresistibly draw that wandering hand downwards. Bizarrely this seems to work better with a woman as supplicant than it would with a man, whom we wouldn't expect to have any inhibitions about exploring down below.

Brosfate - Weak Point 3

This romantic romp is interrupted by a text message. An unknown caller is summoning Simon to a hotel room and the photographs attached to the message convince him that he has to obey. It's graphic evidence of him taking drugs and making other indiscretions.

Notice the strange container behind him. It could almost be a stool, were it not for the curious knob on the lid. 

Brosfate - Weak Point 4

At the Hotel, Simon immediately confronts his accuser, a half-remembered acquaintance from earlier days before he was famous. He soon learns that the violence that has put him on top of the world and earned great riches will not solve this problem. He demands to know the price of silence.

Brosfate - Weak Point 5

It's almost a relief when he's told to undress to be photographed. 

"If it's sex you want, why didn't you just say so, queer boy" he scoffs contemptuously.

But this is just the beginning of his ordeal.

Brosfate - Weak Point 6

In the weeks that follow he has to consent to physical torments.

Brosfate - Weak Point 7

His self-appointed master parades him in front of his friends

and makes him perform humiliating tasks.

Brosfate - Weak Point 8

His training schedule intensifies, but no longer to maintain match fitness,

now he is striving to meet his master's demands for body perfection.

Brosfate - Weak Point 9

Gradually the hero-worshipping fans he used to love as a boxing star

are replaced by men who revel in exploiting his weak point. 

His nightmare of enslavement by the Conquistadores comes true.

Find out more about the full story of 'Weak Point'  via pixiv

More Brosfate to follow