Zaria's
comic art features fetish themes but like other Japanese artists he
flirts with cross-generational, coming of age themes that are highly
sensitive these days, making my task of representing his work here a
tricky one.
|
Zaria - Kinbaku, cover |
This
coloured image comes from 'Kinbaku' (tight binding), a fantasy about
the punishment of a run-away slave. The decorative use of white lily
flowers seems an oddly romantic embellishment to Westerners in a
bondage context, but in Japan they symbolise chastity and purity,
thereby loading this image with overtones which I will refrain from
commenting on.
|
Zaria - Kinbaku, page 13 |
I'm
not totally enamoured of the spiky manga style of drawing, but
Zaria's approach is mellower than some and the precision of his rope
detail here is admirable. I don't have an uncensored version but
that's rather less important in this classic, rear-view, erotic pose
which is the stuff to spark the imaginations of voyeurs and artists
alike – oh, to recast this with a more adult captive! The
preoccupation of Japanese artists with anal egg vibrators is
something of a puzzle to me although I can see the appeal of total
insertion of the device with remote, external control symbolised by a
slender, electric cable. I suppose the prolonged exposure to the
egg's vibration suffered by Takaya, the captive in the story, would
become extremely trying - eventually.
|
Zaria - Kinbaku, page 14 |
This
frame documenting the humiliating, grudging submission of Takaya,
after a lengthy, petulant exchange with his urbane captor is a beauty
too. You can almost feel the pressure of those chunky ropes,
en-wrapping the young man's flesh Comic images rarely work well when
separated from their context but apart from the disjointed dialogue,
this one does. Even though these pictures are in English, remember to
read them from right to left to get the gist of the scene. The same applies to the next frame.
|
Zaria - Mob 1 p10 (det) |
This picture is taken from Zaria's story 'Mob' and it's a fantasy of exploration and self-discovery that speaks for itself. This image which is just a single frame plucked out of over 100 pages is amazingly detailed and quite different to to the ones I show above and below. It's a miniature masterpiece of story-telling (but you'll have to read the book if you want to know exactly what is going on with these two. Clue: - it's not a burglar). The combination of the crudely functional, leather restraining harness and the elaborate, luxurious, gothic-looking bedroom creates a sense of secret depravity and a surrender to gentle coaxings in a comfortable, safe haven. A surrender which we are able to furtively observe through the sheer draperies. The power play is subtle and insidious, almost feminine and quite different to the in-your-face domination and raw sex of the traditional, dungeon, training technique, but it's arguably more powerful. That contrast is drawn out as the story proceeds.
|
Zaria - Mob 2 p20 (det) |
'Mob' is mainly concerned with the induction of a young man into military service and as you can see, the gentle attentions of his former life are soon replaced with cruder, brutal encounters as his fellow soldiers discover his leanings. This frame sits between two others that overlap and encroach on it. That creates a great sense of confusion and excitement but I've isolated it here to draw out the simple, erotic beauty Zaria has found in what is otherwise, a commonplace, copulation scene. The gentle detailing of the recruit's exposed torso is marvellously effective.
|
Zaria - Mob 2 p25 |
The aerial viewpoint in this scene shows the influence of film techniques on Zaria, the fan lazily revolving above the urgent activity below. Don't worry it's all consensual! Once again there's some superb detailing here, notably the spectator in the dark tee shirt whose face is enviably captured.
|
Zaria - The Pet, page 1 |
No
fetish content here but I like the sinister atmosphere created by
this opening page of 'The Pet' and the characterisation of a ordinary-looking young man. It illustrates Zaria's cinematic
approach to story-telling which greatly enhances the drama. In this
story, the young man (Yuki) wanders 'off-piste' and seeking a way of
getting drugs for his sick brother is persuaded by a gang to submit
himself to auction as a 'pet'.
|
Zaria - The Pet, page 14 |
In
this frame the clink of his chain signals the moment where the gang
reveal their true intentions of enforced subjugation. I've always
liked the collar as a symbol of domination and in this
simply-conceived but striking image, Zaria emphasises it by setting
it in stark contrast to the captive's total nudity, which is rendered
with simple clean lines and tones to create a sense of smooth flesh.
|
Zaria - The Pet, page 24 |
In
my article on Zane I commented on the difficulty of making cages look
erotic visually. I think Zaria passes that test here by having his
prisoner, Yuki, pressed up against the cage wall, whose curving,
square mesh pattern assumes some of the characteristics of a net, not
just imprisoning it's victim but enveloping him. Zaria's precise
detailing allows us to see Yuki's succulent body clearly, unhampered
by the mesh. I should perhaps explain that the constricting effects
of the cock cage, preventing it's wearer from ejaculating, are a
major element of the storyline.
|
Zaria - The Pet, page38 |
This
final picture is another masterpiece of seeming simplicity but anyone
who has attempted to depict a complex threesome will understand the
artistic challenges involved. There are some miscalculations in the shading
here and there, but the visual integrity of the 3 separate
participants is superbly realised. I actually chose this picture
because at first sight it seemed like an image by Stephen/Etienne had
been transplanted into this manga world. The poses and the styling
are just like those in his famous comic stories. I don't know if
Zaria is a fan of Etienne, it isn't obvious elsewhere in his work,
perhaps it's a case of 'great minds think alike'.
I'm
not aware that Zaria has a site but his work seems to circulate
freely and if you search on his name you will track down further
examples.
For more articles in this series click on the A-Z label below or search for specific artists using the index page or search boxes (in the navigation banner and top right)
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