1
My last ‘V’ is Vuri
whose imagery treads a familiar yaoi path (or is it Hentai?) with youthful,
sharp-featured protagonists that I normally shy away from, but there’s an edge
in some of his work that does grab my attention. This first image has an
element of intimacy and understatement that leaves room for the viewer to imagine
what is happening. The interaction between the two main figures and their
spatial positioning is captured rather convincingly despite some tricky
perspectives. It makes for an image that is satisfying over and above its erotic
ingredients
2
This example has
similar qualities and the artist’s technical skill elevates a simple concept
into something special. The stylish grey background and restrained palette
bestows a sense of quality that the drawing would lack on its own. The economy
of line and colour here is influenced by the artistic traditions of Japan. I
like the use of clothing to emphasise the captive’s nudity but sadly, for me, the
faces of the characters in these images are just too cartoony and too lacking
in masculine maturity to allow a meaningful sense of power and control to
develop.
3
This picture sums up
that issue even better. It’s another thoughtful invocation of power, domination
and threat. I love the chunky rugby build of the captive, but these two look
very boyish, the policeman almost girlish. Much of that stems from the way the
eyes are drawn. It’s part of what this style is all about but to me it suggests
an element of youthful play and experimentation that doesn’t gel with the
visual evidence of real brutality.
4
That comment
certainly can’t be made about this image of a prisoner receiving a visitor. The
cartoon caricaturing has receded and it’s almost shocking in its frankness. This
disturbing message is made all the more striking by the abundance of technical
skills on display – figure drawing, colour, light. But there’s more than
predicament in this image, the erotic content is restrained allowing you to
sense deeply-felt emotion underneath. It has poured onto the paper through the
artist’s hands.
5
I have a weakness for
medical scenarios which description seems to broadly fit this image although there
is no obvious medical purpose to the set-up nor any medical personnel in
attendance. The scrotum gripping milking tube is rather neat and the blue and
white colouring conjures up a suitably austere, sanitary environment. It also has an interesting baby-fying effect on the patient’s skin tones.
Essentially this seems
to be a modified tentacle image with all the pre-requisite leg-waving and
probing. However the replacement of sentient beings with unthinking machines
creates something quite different. The unnecessarily severe proportions of the mindless
thrusting dildo and the ‘patients’ obvious distress go way beyond the normal
scale of domination play. To me this is not erotic at all but raw and brutal. The
question is - are we simply being invited to enjoy this young man’s predicament?
Surely not. Or is the artist really trying to communicate a very personal representation
of a young man’s undeserved suffering?
Look back at the
previous picture and ask yourself the same question.
Does our appreciation
of these pictures come from a recognition of something raw in ourselves?
See more at Vuri’s tumblr blog
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