|Homoeros - 296_08|
|Homoeros - 257f_Tyler_behind_bars_04|
This is Tyler who's been banged up in prison and fallen foul of a sadistic warder, being forced here to perform naked press-ups. In Tyler you can see how the artist's shaping of his models to suit his own erotic preferences, produces exaggerated body shapes which are not entirely realistic and not always elegantly assembled from a technical point of view. However, Tyler's unusual body somehow accentuates his nudity and exposure here, particularly in comparison to the very normal-looking guard. His slender proportions confer an expected sense of frailty on his muscular body and, coupled with a boyish face, makes you feel he doesn't really belong in a place like this and is very vulnerable. But in this typical homoerotic situation, naturally, there's worse to come.
|Homoeros - 257f_Tyler_behind_bars_08|
Bringing human bodies together as intimately as this is another technical challenge in rendering that makes me happy to stick to pencil drawing. However, this artist has produced an extraordinary result in which Tyler's ass appears to be nestling inside the guard's open trousers.
Quite fantastical but very sexy.
|Homoeros - 415_miles_06|
|Homoeros - 342_brahm_and_the_new_apprentice_11|
I'm not sure what his two finger salute is indicating but suspect it's probably rude.
Brahm on the left is a bit of a hunk but, as a mentor, not long on patience. Accordingly he includes a purpose-made spanking paddle in his equipment to cater for such eventualities. Even allowing for the distortion of perspective it's proportions are alarming. Aerodynamics and wind resistance will probably mitigate it's impact on those succulent buns, but it's already making it's mark.
Spankings do not feature overmuch in this artist's work but this is a good example of the genre. You'll be glad to know there are some happy endings at the end of this particular encounter.
|Homoeros - 244a_in_the_souk_16|
We previously met 244 in a dungeon setting from which you might infer that his Harem skills were not deemed entirely satisfactory in the end - or perhaps he was too willing to give his all to others. Homoeros cloaks his nether regions in shadow in this image but you can still see evidence of willing collaboration despite the ropes around his wrists - or perhaps because of them! In this accomplished image Homoeros creates a most convincing coming together of the two characters.
|Homoeros - 271b2_370b_riccardo_and_lars_16|
|Homoeros - 352_344d_fred_and_max_21g|
Fisting images don't usually come like this. Stripped of the leather usual leather paraphernalia, tattoos and body jewellery, the characters are just like ordinary men and the dark erotic tension of their experimentation/seduction/domination is allowed to surface.
The two facial expressions say it all.
The presence of the photographer kneeling and carefully attending to the cock of the captive - who can only watch helplessly - gravitates the picture towards the strange uncertainty of medical scenarios. It turns out he's only decorating the model's cock shaft with paint or a tattoo and the main job of the glorious mounting frame is simply to keep the boy's equipment firm and steady while he does so. Notice how the model's recently ravaged ass seems to sit in a recess at the hub of the arms, creating a similar erotic enclosure effect to Tyler's ass being drawn into the Policeman's trousers (above).
|Homoeros - blind_date_01|
This seemingly simple image is actually quite remarkable,
something of a tour de force by Homoeros.
|Homoeros - 55j_tt07|
The use of nipple-crushing, medical forceps by a jeans-clad master doesn't seem too surprising these days, it's become standard S&M equipment, but the stethescope dangling from his neck is something else. It sets up a most sinister possibility - that this master is medically trained and that he intends to use that knowledge to take his victim to the brink. His mundane clothing, like that of a labourer or workman, and the bare, office-like surroundings means there is no sense of ritual or play in this encounter, it's a casual, everyday type of brutality without obvious purpose.
Homoeros floods his pictures with light and colour but it feels as though he is ushering us into a very dark place -which we shall explore further in Part 5.
Read this series from Part 1