To my readers......

SITE UPDATE NOTICE

Thanks for visiting mitchmen, home of Mitchell's Gay Art

For Artwork by Mitchell click on the 'Mitchell's Gallery Hub' tab just below
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Link to the Royale Studio Archive in the right sidebar


Message updated 26th Jun 2025

Monday, 12 November 2012

Lock and Keep

 The mitchmen theme is 'putting men in their place'
and this little photo-manipulation story by Chirenon is a nice example.
click on the pictures to expand

 New Rules 1

The scene is set with a nice blokey opening. I love the laconic dialogue. 
The 'lost bet' is a classic male domination story line that was being used as a flimsy excuse for male nudity by Royale Studio and AMG back in the sixties and doubtless long before that.

 New Rules 2

The joke develops an nice edge as the top reveals his liking for seeing men 'locked-up'. This particular design is quite enhancing in the flesh. By the same token it' will be difficult to conceal under male clothing. The naive 'loser' realises too late that without the key, he's not only given himself a tricky dress problem but surrendered much of his capacity for sexual pleasure - indefinitely it appears. A very subtle form of bondage. I like the idea of a top that gets off on keeping his man caged, while enjoying him from the other end, without guilt. Tantalisingly, the story ends without showing us that scene.

Story courtesy of Male Protection blogspot 
Chirenon's Rules

Wednesday, 7 November 2012

Submissive men by Blaze

Three more great pictures from Theo Blaze's Blog

 Born To Serve

 In Captivity

 Keep Cool Mister, I said I'd do it!

Sunday, 4 November 2012

In Ancient Times


I don't usually feature photo manips in this blog, the recent article on 'Priapus of Milet' being a notable exception. It's partly an unintended consequence of my focus on traditional art in the 'A-Z of Fetish Artists' series. I deliberately excluded computer art from this survey to keep the size of the project managable. Four years on it amazes me that I've not yet found space to laud the prowess of major fetish artists like Baron, Borg and Herodotus. It's a major oversight on my part which I will have to correct! 

Today's article features work by a newer artist, Theo Blaze, 
that treads similar ground to Baron, invoking fantasies of enslavement in ancient times. 

Blaze - In Ancient Alexandria

This is a straightforward marriage of two images but cleverly done, the noblemen's eye-lines seem spot on.  The sensuous 'man-boy' in the foreground is not your normal slave material. Muscular yes, but too slightly built for hard labour. That bold erection, not to mention the wild spiky hair and blemished face suggests he'd be quite a handful as a boy lover. No wonder the nobles look disturbed and perplexed by this display!
Only the young man at the back allows himself to lust.

 Blaze - The Power of the Emperor

This is not as successful technically as my first example, but it tells a great story. The handsome young warrior held at the mercy of a sadistic captor is classic fetish stuff. Virtually every Hollywood epic and every Bound Gods video contains a scene like this but that doesn't diminish it's power. The finger stroking the stubbled chin is a cliche too but the facial expressions here make it intensely erotic. Calculating lust on the one hand (is that Lawrence Olivier?). On the captive's part, there's a delicious mixture of incomprehension, anger and fear as he senses that unconventional trials lie ahead.

Blaze's work includes a fair amount of celebrity head transplants,
many of which are unknown to me and sometimes too 'teeny' to be of interest (Justin who?).
But can any readers ID this manly captive for me?


Blaze - Fuck The Messenger

Blaze's captions add greatly to the content of his images, in this case wryly bringing to life the well-known workplace complaint. The nobles find the message more interesting than the fate of the messenger, thereby conforming to executive stereotype in a way that many of us will recognise and enjoy. This is another clever foreground-background combination, successfully blending separate images.

Blaze's manipulations are not as ambitious technically as those of Priapus or Baron but in his best work he sets up interesting and erotic ideas that are well worth exploring. Have a look at his blog 'Theo Blaze' which also contains an excellent collection of enhanced but otherwise unaltered photographs.

Thursday, 1 November 2012

Hunk of The Month - Brad Rowe


Despite the veiny arms and thighs, I'm curiously attracted to body builders like Brad Rowe. This proud, almost arrogant pose is full of character. In the way of Body Builders, he presents his body for inspection and approval by men he doesn't know. The shiny posing slip with it's immodest display of manliness shows a desire to impress and please. It is a beautifully mitchmen-esque situation (putting men in their place). Brad's wary, defiant look makes his display of subservience all the more erotic.  


Inspection over, Brad turns to go. Seen from behind those shiny pants appear deliciously flimsy and intimate. They draw our attention to his weighty buns which is a 'no-go area for 'real men'. As though sensing this unsought interest, he gives us a sullen, resentful look.


Body builders look their best in more relaxed poses which allow the voluptuous curves of the torso to soften. You want to reach out and stroke those chunky mounds. The over-size shorts narrow the hips and create a less bulky, more youthful look. The hand sliding tentatively into the waistband is charmingly naive.


 Here, the military style cap has a similar softening and rejuvenating effect, but on the face this time. It's another butch pose and although it's hard to imagine a bulky torso like this on active service, the image of soldier stripping off, once again suggests a willingness to submit to discipline. 


 A study of broad shoulders and broad beam. Brad's 'piece-de-resistance' (who's resisting?!) certainy does not suffer from being packaged in jeans instead of shiny briefs. The masculine, workday garment seems to accentuate the bulk of his backside. The suggestion that they are about to be peeled off is more erotic than nudity itself. I can't decide if that is a 'come hither' look or a 'Damn you, but I need the money' look.

See Brad on Instagram

for more hunk hunting click on the 'hunk label below



Saturday, 27 October 2012

Royale Studio No 18 - The Scout - part 4 (Article Superseded)

This article has been revised and transferred to the Royale Studio blog by mitchmen

4

I don't know the original sequence of these images but I've placed one last because it's my favourite. The combination of front and rear views utilises the good, old, Royale, mirror technique. The lower viewpoint makes the model's proportions look more balanced and natural and the reflection of the lower body gets an extra lift from the angle of the mirror. You can see below how much the impact of the image is enhanced with more modern, tighter cropping.

4 cropped version

For sharp-eyed pornsters, the 'bulge' reflected in the mirror now appears to be pointing directly outwards towards us complete with slit. I'm not 100% sure that this is an original effect but it's pretty convincing. In Royale's time, pre-Photoshop, this would have taken some doing, either by manipulating the original lighting or by rephotographing an altered print or negative. For other examples of hidden eroticism click here.

For previous articles in this series covering 'Royale Studio' and 'Guys In Uniform' click on the GIU/Royale label below.

Thursday, 25 October 2012

Royale Studio No 18 - The Scout - Part 3 (Article superseded)

This article has been revised and transferred to the Royale Studio blog by mitchmen

3

The dreaded hand on hip pose is never far away in male beefcake shots but this one provides another opportunity to study the revealing contours of that impressive bulge and the model's meaty legs. His head seems curiously oversize in these frontal shots making for a very strange effect.

It's hard to know what to make of this imagery across a space of 50 years. Despite the boyish subject matter, there's no sense of anything under-age here. Royale commonly depicted spanking situations and used uniforms to invoke ideas of obedience and control, but discipline was virtually non-existent in the Scout movement, it was a voluntary, leisure pursuit - so I doubt that connection is being made here. The air of authority in this picture makes me wonder if we are looking here not at a Scout, but at a Scout Leader. In those, unreconstructed days, Scouts and Scout Leaders were often the butt of jokes about unsavoury activities around the camp fire - along the same lines as boarding school dorm jokes. I suspect these images were intended to appeal to men who relished that fantasy - of being seduced by the handsome Scout Master - over that handy bale of hay, no doubt.

This model appears in other Royale sets where he looks a good deal less intimidating than this. I've not yet been able to name him. Any info from readers would be welcome.

Tuesday, 23 October 2012

Royale Studio No18 - The Scout part 2 (Article superseded)

This article has been revised and transferred to the Royale Studio blog by mitchmen

2

In this rear view, the model looks more youthful, with an attractive kiss curl detached from his fashionable quiff, in the style of James Dean. From behind, the tight clothing works on a slightly more subtle level as he appears to be assessing whether it makes him look more sexy. There's a sense here of an adult recapturing the thrill of adolescence and of schoolboy memories of desire for sexy, older boys.

The tight fit of the clothes in these pictures is not just down to a man wearing boy's clothing, the whole outfit has been completely re-tailored to achieve this effect. The sleeves and legs have been shortened of course, but the seams of both shirt and shorts have also been taken in. This has produced the non-standard 'wasp waist' on the shirt and shows even more obviously in the unusually prominent, rear trouser seam. Alterations to produce a sexier fit on the model were the norm at Royale Studio, the sewing machine must have been red hot at times! You can see too that it's been immaculately ironed.

 
For previous articles in this series see preceding post. For other articles covering other 'Royale Studio' and 'Guys In Uniform' pictures click on the GIU/Royale label below.