To my readers......

SITE UPDATE NOTICE

Thanks for visiting mitchmen, home of Mitchell's Gay Art

For Artwork by Mitchell click on the 'Mitchell's Gallery Hub' tab just below
The Caps and Collars/ Flat Cap Gang story at Google Groups is presently paused. (see Group News for link)

Link to the Royale Studio Archive in the right sidebar


Message updated 26th Jun 2025

Monday, 1 October 2018

Alex Oliver - The Red Trunks 1


Despite his trim, muscular physique, Alex Oliver's cute, college boy looks are not exactly my usual idea of 'hunkiness'. However, they give him a look of youthful innocence that makes him ideal for the 'jobber' role in wrestling, the guy whose job is to be dominated and humiliated by everyone else.
In this image from Wrestler4Hire, Chet Chastain duly obliges.


 The boyish, 'puppy fat' aspect of Alex's face comes out in this image. It probably hasn't escaped your notice that he is wearing some rather shapely wrestling briefs here. Their skimpy appearance is enhanced by the broad pale waistband but there's still room for the young wrestler to fill them out with an interesting bulge.


Chet Chastain pauses and roars in triumph as he prepares to turn the helpless Alex over and into the so-called 'Boston Crab' position that has the potential to wreck his back. Chet is wearing chunky black boots and knee bands which have a slightly fetishistic aura about them and help to project his dominance, particularly as Alex is wearing nothing but his scanty trunks. Were it not for the wrestling ring setting, you might imagine that he's just been snatched from the beach by a 50's style, 'kick sand in yer face' bully, who's gone there looking for someone to humiliate and hurt and found this nice, cute, young guy in sexy, red trunks who fits the bill perfectly. Oliver's clenched fists symbolise his helpless frustration, as he is forced to wait for Chastain to deliver his worst.


Chet pauses to crow again before squatting and forcing his body weight down on poor Alex's back . Chet's suitably hard and villainous look is not unattractive despite the arrogant streak. He shows a broad, intimidating physique in this rather heroic pose that radiates strength. Alex Oliver's lithe muscularity looks distinctly fragile in comparison. The swirl of his waistband highlights the implacable turning of his body into the painful position that will soon force him to acknowledge Chet as his superior..


If that experience were not bad enough, Alex discovers that his forfeit for losing is to be spanked. Not content with defeating him in manly contest, Chastain wants to humiliate him with an indignity normally reserved for naughty children who need taking down a peg. Alex's dismay is apparent.


It's not really possible to take this punishment like a man, but at least Chastain doesn't force Alex to lie across his knee and offer up his ass while in intimate contact. However, the 'all fours' receiving position, with no direct physical restraint imposed by the spanker, is even worse in a way. In essence it's voluntary and therefore even more submissive. In addition the bully's ability to swat is unrestricted and Chastain takes full advantage of the open target Alex offers him.


Watch the birdie! A slightly manic-looking Chastain forces 'cry baby' Alex to pose for the camera so that his post-humiliation pain, is captured for posterity. It will probably be no consolation to him that his trunks have held up splendidly and still make him look great, creating a neat little package that makes you want to reach out and touch.  


Alex shows us that the reverse side of his coin is just as good as he is finally allowed to roll away and lick his wounds. The clingy-ness of this garment, even after a bout of physical exercise, is most impressive. Chet's showing signs of having enjoyed his humiliation of the lad in more ways that one. He looks round as if he's wondering if he can get away with more.  


'More' actually turns out to be a ring-cleaning chore. Chastain polices the job, pointing out bits of debris he's missed. He's forcing Alex to do it from a less-than-natural kneeling position which suggests he's been in the army and knows all about how to make 'fatigues' a punishment, not just a straight-forward, unwanted task. He's underlining that he's still the boss and in fact Alex looks more boyish than ever at this point, so subservient you almost start to feel sorry for him. Still, he is the undoubted winner of the trunks contest, even if Chastain's white panel is not without interest.

Photos courtesy of Wrestler4hire.com

Wrestler4Hire videos and photo galleries are rich in erotically slanted imagery like that shown here. The wrestlers on offer are all pretty attractive and cover a full range of body types and ages. There's a free membership option which allows limited access for browsing and sampling of videos.

Alex Olivers page           ~                 Chet Chastain's page

Friday, 28 September 2018

A Cross-Generational Story


"Settle down, I want to tell you a story"


"It started as just another night out. It was a club I hadn't visited before.
When I saw how young everyone was there, I thought I'd made a mistake...."



"There wasn't much going on, but there was plenty to look at.
I was soon getting horny and approached a guy sat at the bar.
He said, 'no thanks' but told me where the action was".


"I hung around hopefully, but it seemed like everyone had paired off.
I was just about to call it a day, when I felt a hand on my belly.
I realised these boys wanted a bit of help".

 

"I moved in eagerly, maybe too eagerly,
I don't think he expected a kiss to start with,
but their hands were all over me.
My pants hit the floor straight away".


"I'm an affectionate man and it worked a treat.
He told me they'd always wanted to meet 
an older, bigger, more experienced man. 
A man just like me, in fact".


 "That got me going, I kissed him long and deep"


"His physical response was all I could have wished for,
so I suggested we went somewhere more private"


"His pal tagged along too and they both offered themselves up to me.
They both had very sweet asses. Who was I to choose?"


"Luckily in a situation like that 
I can always rely on my cock to point the way.
It favoured sticking with the original choice
I told the other guy to wait outside, 
knowing that would keep him keen
 if he was really interested in me."


 "He was pissed off of course, but I coaxed him.
By the time he'd gone I was so horny......
I could have eaten that sexy young man!"

 

"I was pleased he was willing to go all the way.
I made sure to be kind and considerate with him.
so he'd know he'd been had by a real man,
an experienced man"

  

His pal was waiting outside, just as I told him to.
He wanted to know what had happened, 
So I gave them a bit of space........
 - and when I judged the time was right, 
I interrupted them and said....

"Come on boys, it's time to go home now
 and you're coming with me. Both of you."

 

"They were both so eager when we got back.
But I played it cool, you know.
I know how to keep a man hooked.
and at my age I have to conserve my energy!"


"Months later, my boys are still here.
I thought they'd get bored and move on, but no.
They're still as eager as ever to enjoy my attention
and my guidance, I keep them well disciplined, naturally ".


"Every once in a while I treat them to a night out
down at the club where we first met.
We re-enact our first, wild encounter there, but with a twist.
Because neither of them knows until I tell them,
Which of them is going to be drilled by me, alone, in the cubicle".

Tuesday, 25 September 2018

The Art of Bowen

Sorry, this post has been withdrawn at the artist's request 
but you can still view his latest work 

Updated Oct 2024, count 4686

Sunday, 23 September 2018

Bareass Blogs No 27


Bareass Buffoonery & Bulky Buttocks on the Beach

"Does my bum look big in this?"
 
Go to No 28
.
View Bareass series from No 1

Also entered in my 'Ministry of Silly Hats' series as No 12
(click on 'Hats' in label list below)

Saturday, 22 September 2018

Bareass Blogs No 26

 Bareass Biker Bully blags a Blowjob

I love the hand cupping his buttock

Go to No 27
 

Friday, 21 September 2018

BareAss Blogs No 25


 Bareass Back-Packer

with a delicious fluffy bottom!
 

Wednesday, 19 September 2018

Mitchell's Art for September - The Deserter

Mitchell - 'The Deserter'
The deserter thought he was safe, hiding at his girlfriends flat,
but the Army tracked him down there eventually.
They raided the place at the crack of dawn
and caught the two of them in the throes of passionate sex.

He was clapped in irons and escorted away,
allowed only a hastily-packed, overnight bag
and still wearing his girlfriend's slinky satin underwear
which he'd put on as part of their sex-play.

He felt dazed, still half-asleep, as they descended in the lift 
Residual, frustrated lust still swirled within his loins
Ahead of him a bleak, prison cell awaited
and the myriad humiliations of the Regiment's Punishment Corps

~

An image in keeping with the retrospective, military theme I've been dallying with recently, this is a previously unpublished oldie from 1997. I was planning to put it into an Army version of my 'Press Gang' Story but that's still some way off. There's a more immediate humiliation facing this deserter when the lift doors open and he's escorted through the public foyer to the Army vehicle which waits in the street outside. I suppose he should think himself lucky that the army did not arrest him at his place of work, in front of all his colleagues.

Mitchell

For other pictures by Mitchell click on the 'mitchpix' label below or visit my new Gallery Page.  

Sunday, 16 September 2018

Little Known Incidents of WWII (No 6) - Love Your Sarge

Cover art - Virtue in War
 This marvellous picture is the cover art for the war comic, 'Virtue in War' from the Combat Picture Library series.  When I discovered this picture recently, I nearly choked on my cornflakes. The image of the hunky Sergeant gazing at a sleeping private immediately suggested a gay theme to me, along the lines of the captioned version below.

Desert Rat's Unrequited Love (mitchmen-mod by Mitchell)
I might add that this interpretation was not just invented by me, but inspired to a significant degree by the characterisation of the sleeping man's face. With flamboyant hair and striking eyelashes he's an almost-stereotypical gay man of that era. Despite the absence of definitive shaping, crotch-wise, his sprawled open-legged pose is pretty inviting and super, chunky legs they are too! The artist didn't really have to show him like that, nor did he have depict the Sergeant looking at him so furtively and sadly!

A Soldier's True Feelings (mitchmen-mod by Mitchell)
  In those days, anyone revealing queer tendencies in the forces would have been imprisoned for a long time and then kicked out, dishonourably discharged. There must have been thousands of gay men serving their country in the company of other men and pretending to be straight, like I have portrayed the poor chap above.

This illustration is from the same story, but I changed the thought bubble in the second frame. In the original he is actually coming to terms with his fear of going into battle again, having just experienced the traumatic evacuation of the British Army from Dunkirk. He is shown simply thinking 'I'm scared'  (which isn't a total contradiction of my reinterpretation). While it isn't surprising in this period that he goes home alone, notice that there's no goodnight kiss scene between these two frames.

 
The characterisation of this soldier, 'Joe', is of a sensitive, reflective individual. That is brought out in this rather nice study where he journeys with his unit to the next battlefield. Shorn of their helmets, the artist reminds us of the youth (18+) and ordinariness of the diverse conscripts.

Other images in the story develop Joe's sensitive nature further. He is depicted in the thick of battle exclaiming "This is crazy!" That's not typical behaviour for War Comic heroes who are usually preoccupied with defeating the opposition and surviving. However the artist is at pains to make clear in these scenes that Joe's feelings do not stop him from being an effective soldier and doing his duty to kill.
That's lest you get the 'wrong idea' about him.

The artwork for the narrative pages of this comic are not of the same standard as examples I have shown in other posts in this series, but it's worth following the story of Joe a little further.

He strikes up an unlikely friendship with the Sergeant of his unit and they are seen drinking together in a bar and discussing the NCO's family. There isn't a scene that matches the cover picture but that also seems to reflect a relationship of some significance between them. Their friendship comes to an untimely end when the Sergeant is killed in action, right in front of Joe (below).


In these comics, the Sergeant is nearly always the principal hero figure, a sort of older brother/father character who's highly experienced. He knows all the tricks of the enemy and is a fount of knowledge to naive senior officers, even coming to their rescue sometimes (as we saw in No 4 in this series). This one breaks that mould by foolishly standing up to mock the retreating enemy and he pays a heavy price.

You can see from the uniforms here that we are back in the Western Desert, with shorts and rolled sleeves the order of the day. These are very short shorts, however, regulation length was just above the knee. The cut adopted by this artist is more stylish, more boyish if you like, but eerily erotic in danger-filled battle scenes.

Whilst the War Comic Sergeant is usually a great leader of his men, he's also down-to-earth and approachable. He's manly and often craggily handsome and his men often fall in love with him, metaphorically at least, or as the comic usually expresses it, 'they would follow him anywhere'.
We don't know if Joe is in love with his Sergeant but his reaction to the death is profound.


I've included this page for it's storytelling rather than it's artistic merits. 
That said, Joe's angrily shaking, muscular forearm in the top picture is not without interest.

His reaction to the Sergeant's demise is pretty extreme, especially considering the man's own foolishness was largely to blame and that he is described as falling to a 'stray bullet' and not a nasty, opportunist sniper. The reference to his pregnant wife gives a justification of sorts but the next frame makes clear that it's Joe's personal attachment to his Sergeant that's really driving his emotion.


This part of the plot line peters out on this very intriguing note. Were they or weren't they?
Probably not, but I can't help but wonder about the soldier in the background who seems to be watching the distraught Joe with great interest. His helmet is tilted at a strange coquettish angle that reminds me of the women in Moulin Rouge imagery. Very odd and just a little suggestive.

As Joe's story goes on, he finds himself having to trek across the desert to safety, supporting a weakened colleague, a Corporal this time, but Joe clearly likes his stripes! It's a man to man sequence which is virtually identical to the story I played with in the last post. There's some nice shorts and male bonding imagery but I'll save that for another time.
 ~
The slightly pretentious title of the story 'Virtue in War' has some significance in relation to Joe's moral character but it might equally relate to his possible sexual leanings in an era of criminalisation. This and the off-piste characterisations of Joe and the Sergeant are part of an approach to story-telling in the Combat Picture Library series that was more consciously elevated than the earthy, patriotic drive of the War Picture Library featured in previous posts. CPL stories are laced with great chunks of history set out in a rather academic way rather than being closely integrated into plot lines. This can result in stories which are less substantial and have a tendency to ramble across protracted time spans.

 
As a postscript, I have discovered CPL also previously used the same cover art for a story called 'Sicily at all Costs. I don't have that book to check if it's the same story with a different title, but you can't blame them, it is a great picture!

For other posts in this series click on the 'War Comics' label below

Go to Part 7 - Flash The Flesh

Read series from Part 1

Thursday, 13 September 2018

Room 666 - The Night Visitor



Eddie is working far away from home.
His car breaks down in small town, miles from anywhere.

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4

5

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8

9

10

11

12
 The room floods with light
13
With apologies to the actors, it's dun 4 fun
Based on original photos from Wrestler4Hire.com
Use their free membership option to see the original video trailer (with sexy moments)
They also do a good line in sexy stills also viewable with free membership option.