Milking Factory 24 by BedVC太郎

 

BedVC太郎 - Combatants Lined Up

This vision of a milking factory looks highly disciplined, with the donors all dressed alike in tight-fitting suits which have a rubbery texture. The artist's title suggests they are military men so they would be accustomed to wearing uniforms. These days, soldiers are called upon to perform the most unlikely tasks! Their great virtue is that they do them, without question. Military guinea pigs!

The men we see here are top quality stock, young but well developed in all the right departments. For the milking process they are subjected to air controls and, judging by the blue light and goggles, some sort of irradiation too. This may explain why they can be so lightly restrained with just a couple of body straps and stabilising 'claws' at the sides and shoulders. Their relaxed state is likely to encourage production and enhance the quality of their milk.

Although their dicks are sheathed, it appears that ejection is stimulated primarily by vibrating devices strapped to them. These look as if they are remotely controlled, enabling the operators to pace the demands on the donor to match their production capabilities.

High volumes would normally be essential to justify the enormous investment seen here, but those individual controls allow the factory to offer premium products - with 'Just in Time' freshness and even choice of donor available to customers.

 ~

More by this artist with links at mitchmen soon! 

~ 

 This is Milking Factory No 24, go to Milking Factory 25 

(link pending)

 

Click on the 'Milking Factory' label below 

for all other posts on the subject at mitchmen blog

 

You can also start at Milking Factory No 1 and follow the links 

Click the 'milking' label for all posts with milking imagery.

Recent art by Hongd542

Captive

This muscular man is being held prisoner. He's been stripped to his underpants and ritualistically tied up in shibari-style rope work. A bare topped captor silences his protests. The sun streaming in through the window cruelly mocks his captivity. An array of instruments in the background suggest other torments lie ahead.

 

Cop

A cop in his office pauses from his paperwork for a coffee (product placement!) and a snack. He, too, is mightily muscular, filling out his uniform with every part of his body. Tight enough to show us that he isn't wearing any underwear. Some Offices have that as a rule. The doughnut he's nibbling provokes ribald comments about licking tasty rings from his colleagues. 

 

He might easily be the captive of image 1.

 

Convict

It's easy to visualise him as a prisoner. Restrained with handcuffs, forced to wear the humiliating stripes of a convicted felon and made to submit to intrusive searches at the whim of his jailers. His resentment is apparent, but futile. They will have their way. 

 

Victim

It's even harder, out there on the streets. Danger lurks in every alleyway, and even a street-wise man can fall foul of what lurks there, waiting for an opportunity to sate its lust. 

 

Sportsman

 The sports field should be a place of refuge from the world's evils, a place of relaxing, healthy exercise. But even there, a muscular man is at risk. Teams bend the rules, ostensibly to be the winners, but no sporting triumph can beat the thrill of scoring in the goal that lies hidden in every opponent's shorts.

 

Locker Room Lollipop

As the Cop with his doughnut discovered, things that melt in the mouth can stoke an appetite for savoury treats. There's no shortage of men eager to give them instruction in the locker rooms. It's not only narcotics that get you hooked.

 

Fetish Date

The discipline of team sport is good preparation for the rigours and training for formal servitude. Every journey begins with the first step, but this hunk can scarcely have imagined where that lollipop and curiosity would lead him. 

Juicy Fruits

Temptation abounds in every profession. Stoked by unscrupulous employers who impose quick-release uniforms on their workers. They are designed to assert their power over them - and, by a happy coincidence, satisfy their tastes for eye candy of the masculine kind.  

 

Underwear Inspection in the Army

It's no different in the army. The uniform is prescribed and regularly inspected. Even a soldier's underwear is inspected periodically to make sure it is clean and without creases. The Sergeant thinks it helps with unit bonding.

 

See also 'Peacekeeper' at 'X' 

 

 

Office Boss

Some Offices make their employees wear shorts. In this one, the roles are reversed on 'Dressing Down Friday', with the workers finding skimpy shorts for the Boss to wear and showing him what it's like to be the underling. It's all taken in good spirit usually but, as with any Office 'do', it's wiser to not drain his patience completely. 

 

 

Office Suspension

For those that go too far, there's Suspension Saturday. This happens quite often to employees who happen to be good-looking. They can't show their contrition by writing out lines, of course. Instead, the Boss comes in to see them when he thinks they've had enough and extracts whatever he wants from them on the spot.

 

Office Dicktation

Men with exceptional credentials and malleability may even get promoted to be the head honcho's PA. Their duties mainly involve looking hot when doing the filing and sitting on the bosses knee to take his dicktation. Little extras in their pay packets are their reward for allowing access to their play packets. There's also a bondage bonus if they have to stay late for 'over the knee' overtime. He doesn't take no for an answer. 

 

 

Office Primer

 Some new employees find this culture difficult to adjust to, but primer courses are helpfully provided for promising entrants. In the privacy of the medical centre, they are shown what will be expected of them and how to make the most profitable use of their natural abilities. They are also taught some unnatural ones that might come in useful, too. It's a hard and sweaty induction.

 

 

Milking Medic

The highly experienced medical staff are well-equipped to allay their patients' anxieties about the sometimes-invasive procedures. Their expertise always gets the best out of their charges, who leave exhausted and drained, but with happy memories. 

 

 

Office Restroom

 The pressures and tensions of such jobs are enough to drive any red-blooded male to seek respite in the restrooms. There they can find relief - if one of their equally-aroused colleagues doesn't find it for them first.

 

~

This is Part 5 of my series about Hongd542's AI art,
Earlier articles: Part 1 contains onward links through to Part 4

Hongd542 posts enormous quantities of art and surprisingly rude versions of his images at his Hongd542 Deviant Art site 

Art by David Angelo 1

 

 The vintage gay art of the sixties that was printed in beefcake magazines of the time often seems quite amateurish, however this example by David Angelo has a pleasing blend of technical accuracy and sensuality. 

 

Inevitably, the model is clad in a posing pouch, a garment that often attracts derision in our own time, but the artist's treatment gives us a sense of size inside and entrapment, a straining to escape that shows us how the men of the time really saw it. Something truly erotic. 

More on vintage pouches 

 Angelo's drawing is based on a photograph of course, the model's physique and face looks rather like the great Rick Wayne.

 

David Angelo - Gunslinger

 

Cowboys were big in popular culture in the sixties, replete with handsome heroes. Angelo has given this one another idealised treatment, with prominent pecs and nipples straining at his tight shirt. The gun belt fulfils a similar restraining role below the waist. This last detail was not pure invention....

 

Robert Fuller as Jess Harper in 'Laramie'

  

Robert Fuller sneaking up behind John Smith in 'Laramie' 

 

David Angelo - Wrestlers

For this image of two wrestlers, Angelo has cleverly used the same stark lighting to cover up a bold erotic statement. 

 

One of the fighters is caught in a position where he's off-balance and vulnerable. His flimsy pouch inevitably draws the eye, but it's also attracted his opponent's hand. It's groping underneath, in the shadow of his groin. This hold has nothing to do with wrestling! 

In addition, the fighter in the foreground is totally naked, and the dark shadow that hides his far leg accentuates the impression that he's presenting his backside to us. 

It's not simply the sexuality that is so daring, it's the homosexuality. In 1960, just putting men together in a picture was suspect.

 

The lattice pattern in the corner is not part of Angelo's picture, it's part of an adjacent image in a magazine spread. 

 

 

David Angelo - Pop Star's Finale

In 1963 when this picture was published, pop music was starting to shed its veneer of respectability with Beatlemania converting music concerts into manic, adoration events. With its focus on young love, however, it was (and still is) relentlessly heterosexual. Not many pop stars dressed in transparent shirts and matador pants like this (not yet). 

 

Nevertheless, many gay artists tried to incorporate pop into their images. Tom of Finland's 'Ringo' openly sought to subvert the idea of straight entertainers and I suspect Angelo is doing that here too, by showing us his rear view, tensed above opened legs, raised up on tip toes. The singer seems to be ignoring his female fans, who are noisily lusting after his front profile. He's casting aside, too, the female shape of his guitar*. "Come and get me", he seems to be saying. To us, not them.

 

Ultimately these images fail to capture the magical attraction of pop stars, because away from the mic', he's just another bloke. I think I have seen art images of a star being seduced on stage, but I can't cite it at present. Sex in front of a horde of screaming women is a bit niche for me!

 

*The singer's own shape has interesting undulations at waist level, with an odd fit into his pants at the left. It's almost as if Angelo couldn't quite decide how slim, how masculine to make him look.

 

 

Angelo - Slave Auction 

Ever since Victorian times, the Slave Auction has been a 'go to' for artists seeking to portray gender power play and sexploitation in a semirespectable way. It fitted readily into the adoption of classical settings by gay artists seeking to avoid censure in the 50s and 60s. 

 

Angelo's Romanesque take has a very unusual night setting, giving him an opportunity to play with light effects*. The physiques of the two spectacularly muscular men who are manacled and up for sale, are greatly flattered by it - to the benefit of their value too, I suppose.  

 

A key ingredient in this scenario is the depiction of the slaves' emotions. One is proudly displaying himself, seemingly indifferent to the fate which might await him. His companion is, if anything, more muscular, but seems to be cast as a younger servant. He reaches forward, holding up the cloth which screens their groins (for the time being). 

 

The bidders we can see in the audience seem to have their own favourites, suggesting these two will not remain united after the sale.

 

*Angelo seems to have achieved this night effect using chalk or crayon on black paper. It gives something of an etched effect. Some of the detailing is spectacular - the creases of the toga for example. Unfortunately, his characterisation of the second slave, using voluminous hair and rounded cherub cheeks is very much of it's time and doesn't work for us, even if we believed in such improbable muscularity to go with it. With a man's head and face, the whole image would work much better.

 

~

 

More Angelo in Part 2 

 

 
 

 

 

FOOTNOTE 

Recent Art by Planet Gay

Presented to the Harem

 

An atmospheric image of a new arrival, anxiously appraising his new home and master. His new 'family' seem to be enjoying a candle-lit bath, unaware of the beautiful young man about to join them. Maybe it's not such a bad life after all.

 

United by Fate

It makes a nice picture, but I'm not quite sure what the logic is in chaining slaves up together like this, unless it's a frustration torment. But even in 'no hands' mode, they ought to be able to work something out eventually!

 

 

Musketeers

The three musketeers seems to be PG's current focus, and this image is a lift straight out of the 19th Century literature that inspired modern movies on the subject. The slightly sentimental staging, taking time out for a reunion, instead of focussing on getting the poor devil out, is very much of that era. 

 

An all male version of 'La Bohème' might finish like this, with the distraught comrades in arms standing at a respectful distance while the fated lovers bid a final farewell. 

 

In mitchmen land, the interpretation would be completely different, with the captive being told in no uncertain terms that he's there for the duration and that the guards have come to start his punishment. More Tosca than Bohème, in fact. Scarpia cutting out the middle woman and propositioning Cavardossi instead.

 

Games of Thrones 

This variant on the slavery theme of the first image has a more edgy feel. The captive looks a lot more mature and his chain is held personally by the King, not a guard, implying a very personal interest. 

 

The ostentatious wearing of a crown, coupled with the title, suggests politics is at the back of this situation, not domestic service. This prisoner is not a casual pick-up, a handsome man snatched from his usual job and pressed into the king's personal service. No, he is a defeated rival. A dangerous man to have in your bed, even if it is a very satisfying vengeance.

 

The dark, gothic decorating scheme here is a far cry from the splendour of picture 1 and bodes ill for conditions below stairs.

 

 

The Gladiators

The same theme is unexpectedly adapted to the Roman Arena here. Usually, beaten men meet their death here. End of. Still, you can't blame this victor for wanting to hang onto his hunky conquest. In the cruel way of this genre, he might well be one of his training buddies. 

 

Unfortunately, the lack of wounds might arouse the suspicion that there's a conspiracy going on. Notice the queer look another Gladiator is giving them. He won't be happy at them getting off scot-free. No fear, if Caesar suspects there hasn't been enough foul play, it'll be thumbs down for both of them.

 

 

Love against the wind 

The old beefcake books often included public statues of muscular men in their pages to underline their claim of artistic intent and legitimacy, back in the bad old days. They also drew on the ideas of classical Greece which furnished the idea of men being turned into stone as a punishment, sometimes with the possibility of being returned to fleshiness under the right conditions. 

 

Planet Gay gives us not just a statue, but two men turned into a statue, preserving their love for all time against the headwinds of fate. Planet Gay's blogging often has a 'Pride' angle and you can see it in this imagery. But it's a double-edged sword. I'm not sure if this is symbolic of enduring strength - or defiant defeat, with the lovers neutralised and relegated to being an interesting 'feature' in a corner of a garden. I suppose it's better than ending up sitting alone on a horse in the middle of a roundabout. 

 

Other statue references at mitchmen -  

 Rent-a-Dude, also Platter and Priapus of Milet,

 ~

There are several other posts of Planet Gay on mitchmen,
simply search for PlanetGayComic for the latest additions  

Planet Gay's current work is video oriented and web locations include PlanetGayComic on X and PlanetGay onYouTube, but I prefer his non-video, Deviant Art Gallery

Etienne's 'Car Wash' Reinterpreted

A Clean Slave Is A Happy Slave

A while ago, I posted Planet Gay's AI makeover of the desert trek scene from Etienne's 'Sailor Beware'. Here he recreates a scene from 'Car Wash' by the same artist. 

 

In the original picture, signed by the artist, this scene was the middle section of a triptych of 3 related scenes which were joined together in a continuous panorama 

Full Size View 

Apart from renaming the image, Planet Gay's version stays pretty faithful to the original composition, but he's taken out the military flavour, which, to be fair, is only indicated in the original by the sergeant's stripes on the far right and three, not very obvious, dog tags (see if you can spot them!). The overall result is impressive but less spectacularly so than his Sailor Beware image, which benefitted from having a less complicated, easily reproducible setting, i.e. a sandy desert. 

  

There also exists a colourised version, created by Hardtop (I believe). He added a figure at the right and left extremes to facilitate the creation of an animated, endlessly repeating sweep. The figure is derived from the operative in charge of the Body Scrub Station. I have to give him credit for a seamless alteration.  

 

 

Etienne produced a coloured version himself. The original hangs in the Etienne Auditorium at the Leather Archives & Museum in Chicago. This is a segment from it, otherwise the sheer width defies easy inspection on a computer screen. You can see quite a lot of detail has been lost in the process.

 

You'll notice, that he has left out the two figures to the left, the men holding the mop and a stick device. Strictly speaking, it is correct to omit them. Those two figures actually belong to a different station, not 'Body Scrub'....

 

 'Teeth Cleaning and Mouth Disinfecting' (clearly labelled as Station 2) is sandwiched in between the 'Rectal Flush' and 'Body Scrub' stations, which each have their own, eye-catching, restraint device. Arguably, Station 2 consists only of a single man with a toothbrush strapped to an irrigation device. The foreground figure with the mop might equally belong to Station 1 (see below), but it's tempting to imagine that disinfectant-soaked mop being thrust into the mouth of the unlucky client to his right! 

 

In this framing, Mr Mop doesn't really seem to be very closely involved with Station 1. He and his pants-packing buddy seem to be waiting, quite impatiently, to get stuck into the next unfortunate on the processing line. Or perhaps he's just the cleaner, having a fag while he waits to clean up the mess left by the other guys. They are obviously having a lot of fun and taking their time! 

 

You might be wondering at this point, if these are stations 1 and 2, surely there are two more stations on the right. Aren't there?

 

 

 

There are indeed two more stations to come, Station 3 - 'Body Scrub', which is the section re-imagined by Planet Gay, and the fourth station 'Lubrication' which presumably does have a number, but we can't see it, because it's hidden behind a tin of grease. 

 

You'll notice also that this device is not slotted neatly into the line, it stands forward, slightly angled. The angling is justified by the artist's desire to clearly show what the operative's hand is doing, but there is a distinct sense of it being squeezed in (the image, I mean, not just the hand!). 

 

By obscuring its number, Etienne seems to be deliberately adding to the confusion about the number of stations, but it is more likely that it was originally drawn as a separate image in its own right. It wouldn't have needed to be given a station number, then. Hence, the difference in style and inclusion of a supervisor. It might even have been the starting point for the whole idea. 

 

If you look back at the wide, panoramic view at the top of this post, there is a distinct sense of it becoming increasingly crowded from left to right and the distinct impression that the last station has been shoe-horned into a limited space. It seems that Etienne was working to a fixed length and when it came to fitting the last piece into the jigsaw, the last Station, he hadn't allowed quite enough space for it. Giving it a number was probably the last thing on his mind.

 

Leaving not enough space or too much is a common mistake for an artist and an easy one to make, especially if your creative juices are driven by the fantasy, but in a commercial context, it may not be forgiven. In his 'History of Gay Art', Felix Falkon criticised Etienne's tendency to not plan or finish his images properly. Nevertheless, he seems to have successfully salvaged this piece, and you might argue that the final structure creatively reflects the viewer's increasing erotic tension as he traverses the scene from left to right. Etienne was a genius and a flawed masterpiece is far better than uninspiring correctness.  

 

~ 

 

I've posted another of the colourised segments, 

'Greasing Station', on X  

 

~ 

There are several other posts of Planet Gay on mitchmen
simply search for PlanetGayComic for the latest additions  

Planet Gay's current work is video oriented and web locations include PlanetGayComic on X and PlanetGay onYouTube, but I prefer his non-video, Deviant Art Gallery

 ~

 

There are numerous posts about Etienne here as well,

check out my Etienne index for articles mainly about him,

a general search on Etienne will bring up every reference.

 

There's also an 'Exclusively Etienne' Google Group 

that's easy to join.   

13 more Hunks from Winterskins

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