Mitchell's Cowboy Folio 11

 

Mitchell - Sunday Morning on Ginch Gonch Ranch
(Inappropriate Dress)

In the bad old days, new hands at the GG Ranch got their ass felt with the whip
- or even the branding iron, if the foreman took a dislike to 'em.
These days it's a more civilised coming-of-age experience for the sons of rich men.
Not sure if it's the flat things or the pointy things that they remember most.

~

I first published this image at the now-defunct Yahoo! Group
This is a bigger version with the contrast tweaked to enhance the atmosphere. 

Remember Ginch Gonch?

~

Go to Part 12 of Mitchell's Cowboy Folio (pending)

or Read this series from Part 1
or see all at this blog by clicking on the 'cowboy' label below.

The full Cowboy Folio can also be found at the mitchmen club at Adonis Male*
*You can also find The Cactus Kid story there in full or Images only

Vore Art by RL Fleshwood

RLFleshwood - It's Supper Time

The Little Shop of Horrors has a lot to answer for! 

There's a good sense of dramatic action in this image with the jaws about to snap shut apparently. The plant's tendrils way-lay a young man, innocently wandering in the forest, lifting him up and depositing him head first into the gaping mouth, a technique that has a certain gourmet delicacy.

RLFleshwood - Plant Food

This unfortunate might be still be hoping that there's still hope and the strange sensations in his groin are telling him that the plant is kinky rather than carnivorous. I suspect this variety is the plant equivalent of those kids who won't eat the pizza crust, just the juicy bits. 

The glorious colours make this art hard to ignore.

RLFleshwood - Introducing the Tip Jar

This picture was used by the artist to solicit contributions to his 'tip jar' where contributors can ransom the captive from a terrible fate. I'm not sure that's what his followers really want! Deprived of that context it looks like a satirical modern inversion of the Victorian freak show idea. 

What happens when the tips stop coming is probably best not thought about.

RLFleshwood - Josh, Dressed for Dinner(my title)

I can't say I'm turned on by cannibalism so I've ditched the artist's explicit title for something more ambiguous. It's a great jeopardy imagery anyway, with tightly tucked-in bondage of a nice, grown-up captive, artistically presented on a bed of lettuce. His cut-off jeans add a boyish personality. 

The beach setting is picturesque but slightly bizarre. It suggests to me a placatory offering to those unwelcome visitors who always turn up out of the blue in castaway sagas. (I've never understood why cannibals and slavers go looking for new prospects on deserted islands.) 

RLFleshwood - Zach is The Main Course

Another marvellously enticing, richly-coloured image and another great bondage jeopardy scenario. The young captive's innocent face and upturned, saintly gaze top off a beautiful physique glowing like burnished gold in the light of the fire. The apple gag (more bite than gag actually) features often in images by this artist but I like the way the lettuce has been upgraded to a surprisingly sexy, fig-leaf. 

The assembled crowd watching his discomfort are a terrible stereotype in this day and age but I take comfort from the fact that they are far too numerous to be satisfied by a culinary outcome to this situation. The offering will go a lot further if handled with care.

RLFleshwood - Escaping The Witch

This less challenging scenario has a genuine dream-like quality, not least encapsulating the elusive nature of what actually will happen if we get caught by our fears. It's a marvellously effective and witty.  The visible feet of the witch make her flight positively comic - real-life dreams usually find a way of blurring out inconvenient detail like that. The roping of the escaper is typically AI-esque, over-stated and in reality less than secure but I don't suppose I'd quibble about that detail if this young man came hopping out of the mist towards me! 

RLFleshwood - Gator Food

Looks like the 'natives' might be the good guys here. Rescuing the foolish youth from the local wildlife. The apple (Gob-stopper?) in his mouth is probably intended to suggest otherwise, but what a waste to make the poor thing into another (probably unappreciated) offering. There's an amusing Russian doll effect however in the concatenated open mouths. 

~

More RL Fleshwood at Deviant Art
be warned - some images are more disturbing than those shown here

For other posts at mitchmen with these themes, click on the labels below

Drop-In Clinic

Doctor Fixem had become concerned that the 'Drop-In' Clinic for Men 

was in danger of becoming better known as the 'Finger-in' Clinic.

~

Image and captions by Mitchell of mitchmen.

Another result of my explorations at the AI-art site 'Playground'

Experiment with a Swimmer

A visit to the clinic can be a worrying time for butch men!  

~

This astonishing image resulted from one of my explorations at the AI-art site 'Playground' where you can generate pictures by inputting a text description. It's a fairly restrictive site in terms of creating sexy imagery (as it's name suggests it might be) so I requested a swimmer to create a bit of interesting, inoffensive nudity (in briefs otherwise it put shorts on them). I may have asked for a muscular one, I can't remember exactly. Then I simply asked it to juxtapose the swimmer with a medic and a table. 

The two figures on the left create an interesting situation full of erotic potential - as I hope my caption brings out. The blue uniform is nicely ambiguous, it he a medic or someone more in authority like a security man or a cop? The relative mis-sizing of these two figures creates a delicious contrast!

However, I was astonished when the medic on the right popped up with no pants on beneath his white coat, without any prompting from me! This AI engine seems to have a near-mitchmen sense of humour!

Image generated by Mitchell of mitchmen

Rugby Trade-In

Can't wait to get back in training again

When John was summoned to the Club Owner's Office he assumed it was about his new contract. Instead he was introduced to a gentleman with a foreign sounding accent, an investor.

It wasn't unusual for well-known players to be asked to be present at business meetings.

Investors were often fans and liked to see their favourites in the flesh.

John disliked this networking stuff but did his best to be pleasant for the sake of the club.

The gentleman talked to him, expressing his admiration for his playing skills

He obviously knew a lot about him including some personal details that surprised him.

It was all very chummy, he even got John a refill of orange squash. 

He woke up on a bed in room with bare walls and minimal furniture. 

He was totally naked apart from a white loincloth wound round his waist.

The door was locked but eventually they came in answer to his pounding.

Two men dressed like medics entered and 'persuaded' him to obey them.

When he was pacified they scrubbed him from head to toe 

His skin was smeared with scented oil so it gleamed like a polished statue.

Then they dressed him up in a totally impractical, cropped rugby top that showed off his abs

and in shorts that were so tight he wouldn't be able run in them without injury.

They just laughed at the idea of him playing rugby again.

Then tied him up with rope so tight under his pecs that it was hard to breathe.

He was seated on a bench, put on display like an art exhibit, 

In readiness for the handover ceremony, they said.

Beyond the doors that faced him, there was chatter and clinking of glasses. 

A drinks reception was taking place there, in his honour supposedly. 

The master's friends were all assembled to view and greet him.

Immobilised and alone he waited to learn his fate.

Imagery by Cybertied

 

Art by Catweazle - 3

Young men seeking to be famous heroes sometimes discover, all too soon, 

that glorious deeds are not to be their lot in life.

Catweazle - Chained Hero In Danger 11

"No! They can't kill me! Not on my first mission!"

That was Jerry's final thought as his quest to rescue his brother from the Orcs

ended ignominiously on the very first day.

Catweazle - Jurassic World 06

"Yeah! Let's be 'aving you!"

These men all set out with the best of intentions, with lovingly cultivated physiques

and bags of enthusiasm, imagining that was all they needed to succeed.

Catweazle - Captured Hero 01

"Got you, my fine beauty!"

Not realising that there would be forest dwellers out there that don't want to fight and kill.

They love to collect fine, human specimens, using guile and magic to snare their game intact.

Catweazle - Roman Warrior v Worm 2-3

"Aaaargh! What a dirty trick! Not fair!"

Lucius set out to slay the creature that was killing his army comrades, wearing nothing but a shiny, steel pouch. He felt sexy and heroic, never imagining that the hunter could be hunted too. Nor that the creature would flout the rules of combat by attacking him from behind. It snatched him up, crushing his ribs in a ferocious grip. As he formulated his escape strategy, he felt it bite deep into his back. 

Catweazle - Cage Wrestling

"It's so tight!"

Even when the cherished dream of valiant, face to face, hand to hand combat can quickly sour.

The iron grip of an Orc is escapable and soon starts to hurt. A lot. And they smell awful too.

Catweazle - Sword and Sorcerer Contest 0608

"I didn't know it had spines"

Wriggling out of entwining tentacles is not so easy 

when they have bony spines that have already dug into your flesh.

Catweazle - Ruined Castle

"Come back and fight, you coward!"

It's humbling and humiliating when a hero's brain tells him to 'cut and run' 

Preserving his precious hide but making a mockery of his muscled image.

Catweazle - Hunk In Danger

"Gulp. How did it do that?"

Bitter still is the pill when escape and cowardly survival seems assured,

only for the opponent to produce the unexpected.

Catweazle - Water Monster Fight

"I'm gonna drown before I even get close!"

Fighting a creature in it's own environment is the epitome of bravery.

But many the hero realises with a sinking feeling that it's also the depths of foolishness.

Catweazle - Fight With The Snakes 2

"I didn't realise they hunt in packs!"

Against a lesser opponent, a careless stumble is all it takes to level the odds.

The creatures of the forest will show no mercy to a fallen beast.

Catweazle - Osher vs Ork (sic)

"Puny human - die!"

Past successes, fighting humans in the Arena breed false confidence.

An Orc champion can despatch a budding hero quickly and suddenly.

Catweazle - Minotaurus Victor

"What fools these humans are!"

So many of these gallant adventurers discovered too late

That a beautiful body and a sexy outfit cut no ice with a beast.

Catweazle - Dariuzs and the Sea Dragon

"If it closes it's mouth I'm done for!"

At least death in combat is better than the ignominy of being carried off helpless.

Destined to be a predator's next meal, consumed at leisure in it's lair.

Catweazle - Dead Hero Cart 01

"Heh, heh, more fertiliser for my crops"

Worst of all, is the fate of becoming just another failed hero, 

one of many who sallied forth and simply disappeared, 

and were soon forgotten by those who waved them off.

~

Read this full series from Catweazle Part 1

with links to his gallery

Targeted

John was a petrol head who fixed small engines to fund his obsession.

It was an occupation that brought him into contact with the 

amazing things that people kept in their garden sheds and boat houses. 

Also quite a lot of bored housewives.

Unfortunately his curiosity for gadgets and boy's toys proved his undoing one day.

When an outraged, cuckold husband hatched a cunning plan to teach him a lesson.

He booked him in to service his equipment in the shed.

 

The Art of Uruonurun - 2

 Read Part 1 of this post

Uruonurun - Ninja 02

Uruonurun's 'Ninja' series depicts the capture of a young warrior by two determined-looking men. Ninjas are men to be feared but they strip him of the ceremonial clothing that defines his calling and hides his identity. He's revealed as a man like any other man, dressed only in a curious shirt of net-like material and a scanty loincloth, his 'Fundoshi'. Then, as if to mock him, they tie him up, shibari-style. with one leg raised and doubled back, the other stretched out behind, suspending him in that, uncomfortable, position. In Western eyes this pose suggests a mythical hero (or his modern day, 'super' equivalent) about to take flight. This man is going nowhere. His tight loincloth gleams as though it is wet and the outline revealed betrays feelings that do not entirely chime with the embarrassed, angry look on the humbled Ninja's face.  

The characterisation of the two 'villains' here is contrasting. One is portrayed like a malevolent, uncouth torturer - overweight, masked and scantily dressed - the latter a device to intimidate the captive but also to protect his clothing from any mess as he goes about his unpleasant task. His pleasure as he tightens the ropes on the protesting captive is evident in his face and even more so further down. 

By contrast, the other captor appears cultured and well dressed, a person of some standing - he might even be the Ninja's mentor, training him to be more resilient. However, what we can see of his face suggests dark intentions indeed. The only clue to his inner feelings is his hand, resting on top of the captive's tensed thigh, emphasising his control and maybe something more. 

Uruonurun - Ninja 06

If this is simply about training, it's going to be tough indeed for the young acolyte. The rope man has revised his restraint to incorporate the highly decorative, repeating diamond pattern (hishi), running from the neck down to the crotch. But it's not just decorative, when tightened up, it's compressive, restricting the captive's breathing. 

Red wax drips from candles, ceremoniously suspended above and around the Ninja, it stings his skin with an intensity determined by the melting point of the wax (red has a wicked reputation) and the distance it has to fall. It solidifies on contact, cooling into blobs that remain attached to his skin and mar his beauty after the pain has passed. 

The captive has also been seated astride a wooden 'wedge' or horse, which mocks his pretensions to the status of a Samurai. It will increasingly torment his groin with the passage of time, especially if his feet have been weighted down. (Don't try it at home!)

In the face of all these challenges, the Ninja's torso cascades with perspiration 

his pouch is translucent with spilling desire.

A number of posts at mitchmen blog feature the 'wedge', 

click on the label 'Riding The Wedge' at the foot of this post to view them

Uruonurun - Bandana Ryoushi 08

Uruonurun reaches back into Japanese artistic tradition for this group of images showing a fisherman menaced by a giant octopus that he has unwittingly caught in his net. Although he's still clinging onto the net ropes here, it's obvious the octopus must have climbed aboard under it's own steam. One of it's tentacles is draped over Ryoushi's* knee (compare with the top image). The remains of the net encircling the creature seem to have assumed the shape of a bikini pouch, as though attributing human characteristics to it (in that particular department anyway).

Notice the artful, traditional styling of the water, now calm. 

Ryoushi is a well-known anime character, bandana is as in English 

Uruonurun - Bandana Ryoushi 09

The creature's tentacles turn out to be surprisingly dextrous. It's able to undo the fisherman's trouser flies which part to reveal a interesting shape in his underwear. Another tentacle slides inside his tank-top vest. The fisherman, we can see is exceptionally well-muscled underneath. Perhaps he did haul the octopus aboard after all! He responds to the creature's groping with red-faced surprise, embarrassment and a certain amount of trepidation.

Uruonurun - Bandana Ryoushi 12

In the images that follow, all of Ryoushi clothes (except his bandana, gloves and boots) are removed by the creature. At any rate they all disappear. It's tentacles become increasingly intimate.

This sexual intimacy parallels the famous artwork of 'The Dream of The Fisherman's Wife', but the narrative of Uruonurun's picture is almost the exact opposite, this is not a subconscious fantasy but a real assault that appears to be entirely unwelcome. It's not a dream, it's a nightmare.

Uruonurun - Bandana Ryoushi 16

The nightmare deepens as the creature completely entwines the naked fisherman with it's tentacles, lifting him up but still holding on to his dick (now spent). This raises the terrible possibility that it intends to return to the sea (as eventually it must) but taking the terrified Ryoushi with it. In the final image of the series however the creature seems to dissolve away as though it really has been just a dream. There's a similar conclusion to the 'Hero's End' in Part 1 of this post.

There are many other posts at mitchmen that depict Octopi capturing men, it's a branch of the tentacle genre, but usually carries more menacing overtones because of the well known strength of the creature and the risk of drowning for those that cavort with them.

Uruonurun - Omawari-San 02

This cheery fellow is an Uniformed Officer of some sort, possibly a policeman. The imagery that follows suggests this is the case, but the happy, relaxed pose here does not conjure up the law enforcement aspect of that role. 

Uruonurun - Omawari-San 03

The artist shows the cop to us in various states of undress. This is one of the most interesting, conjuring up the sense of a very physical man, despite the wide eyes which seem to belong to someone much younger - and more naïve.

Uruonurun - Omawari-San 10

This image shows him with an erotic awareness and confidence that is endearing. 

The dissolving table is (I think) an augury of the nightmare that is about to descend

 on this inoffensive young man.

Uruonurun - Omawari-San 22

In the sequence that follows the Officer is taken prisoner by two hooded criminals. He is beaten and given a full lesson in dark desires. The dramatic picture above showing him suspended in shibari ropework is the culmination of the incident and best image in the set. The others are to graphic for this blog but you should have no problem finding them via the links below.

Uruonurun - Shoubou-san (Fireman) 02

All the series mentioned previously in this post consist of 4 or so images which are subjected to variations to create a storyline in which the main character is confronted with challenges from a variety of other beings. The Fireman, has a simpler storyline - a single character subjected to bondage and clothes removal by an unseen captor. This image shows him in full rescue regalia, hard at work, strapped up and training with ropes. He's a picture of manliness, grit and determination. Confidence bordering on arrogance.

Uruonurun - Shoubou-san (Fireman) 03

The artist re-imagines this hero without his trousers on. His projection of manliness is undiminished, rather, his shorts bulge with excitement. The seams of his underpants seem to simulate his loins being trapped in complex, shibari ropework. This strip sequence continues to nudity.

 

Uruonurun - Shoubou-san (Fireman) 09

 In the second sequence we see him gagged and and tape-bound, hot from an incendiary incident with all his rescue kit on - overalls, boots and harness. His cocky confidence seems to have drained away, replaced by puzzlement as he sees the array of strange items around him. Equipment that is foreign to him, more suited to starting fires rather than extinguishing them.

Uruonurun - Shoubou-san (Fireman) 10

The Fireman is a modern day successor to the Sailor and Cowboy of yesteryear in the pantheon of homoerotic iconography and the tight-fitting, blue T-shirt, showing off his musculature and usually sporting a professional badge is perhaps the most indispensable element of his signature outfit. Our captive's manly frame seems to be well up to the task of filling it.

Uruonurun - Shoubou-san (Fireman) 11

His clothes melt away demonstrating that the muscularity beneath them is genuine.

Classic white underwear is all that remains. It projects through the strapping of his harness.

It's as if the wearer is dimly aware of what those strange items represent.

Uruonurun - Shoubou-san (Fireman) 13

His captor eliminates his underpants and demonstrates the kit to him.

Plastic discs cup his muscular pecs, his nipples begin to tingle.

Seven blue balls (coloured to match his shirt) are squeezed inside him, 

one after another, they accumulate inside, packing his ass.

By then his hose is ready, nay eager, to slide into the lubricated sleeve.

He gives himself up to heavy breathing and ecstasy.

Uruonurun - Shoubou-san (Fireman) 17

When next we see him he is completely naked.

All the clothing and gear that represented his proud profession are gone.

The restraining tapes have also disappeared, no longer needed.

He's a different animal now, focussed on the fiery pleasures of the flesh.

~

 Read Part 1 of this post

Artist Links: Uruonurun on 'X'

Uronururun at My Reading Manga

The Art of Uruonurun - 1. Heroic Endings

Uruonurun - Eiyuu no matsuro - Red 06

It was this bizarre procedure that first attracted me to the work of this artist with a tongue-twisting name. To be strictly accurate it was a preceding image in the series which showed the 'Red Hero' spread out with an interesting bulge in his tights (still pristine at that point). I chose this variant to start the post mainly because you can see the hero's face and reactions. I'm often bemused by the winking syndrome in these pictures but it makes perfect sense to me here, as his organs (released from his tights) are engulfed in green slime. It must be an uncomfortable sensation, not dissimilar to Tony Houston's wet costume humiliations in the recent Home Alone posts. 

I'm not sure if this procedure is about torture, a medical intervention or simply run-of-the-mill milking, but it certainly involves the latter later on, as you might guess from the tube poised above. The green goo seems to melt hero suits and promote arousal but I know no more. Perhaps related to the dreaded Kryptonite that brought Superman low.

I particularly like the cleverly stylised faces of the attendants here, creating an impression of aliens with unknown motivations and unreadable expressions in a highly original way.

Uruonurun - Eiyuu no matsuro - Red 12

In this later image from the same series, the equipment attached to the hero and his slashed suit  suggests that the alien's interest in him is not entirely benign. The title of the piece seems to have ambiguous meanings, either 'Hero with No Ending' (to his torment I suppose) or alternatively 'A Hero's End' which chimes with a Japanese proverb "The last days of a hero are often to be pitied". These add up to a perfect explanation of the imagery, which spans several series from this artist with heroes of various hues in the frame. 

This one, Red, has been placed inside a glass container and immersed in more green fluid which seems to be flecked with evidence of on-going milk escapes. His face mask saves him from drowning in it, but it also gives control of his survival to his captors - plus the ability to experiment with vapours related to their experiments. 

A hero's seed is always likely to be of interest to a scientist as it is with the animals in a zoo. The tackle enclosing his tackle is obviously designed to collect it and encourage production.  At bottom right we see images of him in his different existences, as a masked hero and ordinary human. These suggest that it is the essence of heroism that the experimenters are seeking. Subjecting him to life threatening forces no doubt brings that elusive element to the fore.

Uruonurun - Eiyuu no matsuro - Red 28

This image is included in the same series but not obviously related to the scientific experimentations. It shows the Red Hero in the clutches of a maggot-like creature whose dick-shaped tail suggests it's even more enslaved by it's sexual forces than the average human male is. 

An optimist might read this image as showing the insect to be carnivorous rather than rampantly sexual, but the resistance-deadening injection and draining of the victim's sexual energy are suitable preliminaries to both ends. This might be the Red Hero's initial capture, I suppose, or a bad dream as his torments overwhelm him. A dream in which he sees his captors as they really are.

Uruonurun - Blue Shokushu 01

This image of the Blue Hero is from a different series but follows a similar pattern, the strange elasticated (?) web restraining him features in both series. The title here means something like 'job description'. Doomed to suffer outrageous fortune in other words. In the next frame of this series a purple blob splats down on his crotch and melts his suit away. Other blobs shred the rest of his suit. 

Uruonurun - Blue Shokushu 08

A lurking tentacle with a frighteningly stepped, graduated tip appears

You can probably guess what happens after that. 

Step by step.

Notice how the hero's hair in these pictures matches his suit. Just saying!

Uruonurun - Eiyuu no matsuro - Blue 14

This picture shows the same Blue Hero in the 'No End' series, undergoing a similar examination to Red but in a more spacious cylinder with even less of his suit having survived at this point. The aliens may be intending to discover if the heroes' suits are responsible for their special powers. Removing them obviously has an effect on our own 'special power' as we watch, but I don't imagine the aliens experience the same urges (or do they?)

 The restraint arrangements seem to include inserting the hero's limbs into thick, technological sleeves which seem to have embedded circuitry in their skins. They look like kinky, thigh height boots. Tubes attached to them seem to be circulating fluids of unknown purpose, probably unpleasant.

Uruonurun - Eiyuu no matsuro - Blue 09

The interest in understanding the defensive capabilities of the hero's suits is given credence by this sequence. Blue's suit is ripped open to expose his muscular abs, which are then given a repeated, severe pounding by a (green!) hovering ball (a welcome return of a familiar sci-fi artefact). This crude experiment continues for some time and demonstrates conclusively that the hero feels the full pain of gut punching when his suit has been shredded. 

In an even more sinister development, he coughs up green fluid. It suggests that his captors have been insidiously infiltating and jeopardising his body processes with all their equipment.

This artist's style in much of his work is very similar to others in the gay Manga genre, but in these pictures he escapes from the exaggerated, giant eyes and spiky hair that usually typify it, but don't convey quite the same meaning to western viewers as they do in Japan.

Uruonurun - Eiyuu no matsuro - Yellow 04

Here the Yellow Hero takes his turn and gets the electro-chair treatment. Uruo conjures up a tremendous impression of an overwhelming assault on the hero, though his muscles. It's evident that the shocks are not lethal, unless it's possible to die from over-stimulation. The cables attached to his temples raise the possibility that some sort of brain washing or mental control is also going on. That suspicion deepens in the later images in the series. But first, Yellow is subjected a range of quite brutal Pain and sensory torments (see links below). 

Uruonurun - Eiyuu no matsuro - Yellow 14

Ultimately Yellow suffers the unkindest cut of all for any hero. The clunky, hi-tech manacles round his wrists and ankles hold him down on the floor by some form of electro-magnetic attraction, forcing him to kneel, helpless while faceless purple aliens take advantage of him through the rear of his ripped suit.

Uruonurun - Eiyuu no matsuro - Yellow 19

Yellow suffers a number of bruising and invasive attacks and ultimately, battered, totally drained and exhausted, he submits to the dominance of the goo which envelops his face like a lustful partner. His arms and other dangling bits hang uselessly, unresisting, unexcited. It's a powerful image of submission.

At this point in the series, reality itself appears to be shifting, transporting him to a cavern-like chamber which has an organic appearance like the internal pathways of a living body. An all-seeing eye in the wall of the channel looks down on him, watching intently. It creates the impression of a greater being controlling everything that is happening and observing the hero's behaviour. 

Uruonurun - Eiyuu no matsuro - Black&Yellow 21

Meanwhile, the Black Hero is in dire straights too, trapped in a similar claustrophobic cavern where more of the sinister, watchful eyes look down.. Caught up in the gooey web with his suit ripped open, he's under threat of multi-tentacle attack  Part of him is excited by the struggle but there's fear in his eyes when he glimpses the yellow hero approaching. Or could it be he feels shame at being caught on the verge of surrendering to unheroic, base feelings ?

Uruonurun - Eiyuu no matsuro - Black&Yellow 23

Yellow closes in behind and saves him from the terror of the tentacles by forestalling them, plugging the hole himself (with obvious enthusiasm). The tentacles seem to melt away, but we can now see that Yellow is still enveloped by the blob and it's as if he's still under it's control. Is this to be the ultimate humiliation to be imposed upon the unlucky heroes? The destruction of their virtuous honour by mutually mating under the direction of the eye that watches impassively?

Uruonurun - Eiyuu no matsuro - Black&Yellow 28

Suddenly the whole scene, the whole narrative seems to reverse. The rents in the heroes' suits repair themselves and disappear. The blobbery seems to degenerate into lifeless fluid, melting away. The elastic restraints simply fade into nothingness leaving the two heroes in each others arms, but bound together now by sexual desire, mainly Yellow's, which is reaching new heights even as we watch. 

The eye above has turned red, matching the colour in Yellow's eye. Does this signify that Yellow has succumbed to a sort of demonic possession? The apprehensive look in Black's eye suggests he thinks so.

Or is this simply the eye, enjoying the moment of passion, the moment where his manipulated heroes begin to find each other and discover that there's more to existence than fighting evil. 

~

 Links: Uruonurun on 'X'

Uronururun at My Reading Manga