AI Art by Pelonjefe - 3

 Previously:- Beach Bullies by Pelonjefe

In this article, a look at other sports and interests

with power play bias. 

 

Locker Room Hierarchy by pelonjefe

 

  This somewhat comical, little vignette, expresses the idea of power and submission more directly than other works by this artist, rather bluntly in fact. It's all the more powerful in that the stature of the participants seems so evenly matched, on the face of it. This isn't a man dominating a boy. On top of that, the artist has persuaded AI to sail within a gnat's whisker of being explicit. 

 

View the video: Locker Room Hierarchy 

  Subscribers to the 'Follow Me' feed 

need to visit the mitchmen blog to see the videos - sorry!

 

 

 

Pelojefe - Jock Hog Tied

Probably just a team jape after an evening training session, 

but training alone late at night leaves a guy open to all sorts 

....  and there's rain in the air 

....no need to shower tonight then!

 

Be sure to look at the Jockstrap Reveal variant, 

it's bizarre, silly but sexy.

 

Pelonjefe - By My Balls

 

This handsome young man is the best of Pelonjefe's bound jocks for me. Quite apart from his looks, the bondage is so neat and economical. And that backside...what can I say? 

 

This image is the basis for a number of light-hearted videoettes, with tweaks to the visuals and dialogue, try 'Costly Arrogance' 

 

Pelonjefe - I Felt Something Move Down There (1)

This item is something completely different. A young man is tying up the locker room hunk, a role reversal apparently, but we can't really tell how the hunk feels about it. 

 

The video (below) actually makes a decent fist of showing the ropes being tied, they usually magically appear in AI sketches. To be fair, conventional video makers are not that good at it either, some show every fumbling knot and laborious feeding through of very long ropes, others just leave it out altogether. 

 

Pelonjefe - I Felt Something Move Down There (2)

Midway through the action, the hunk, looks furtively aside and then, in a whisper, reveals his secret feelings. His partner proceeds to do a bit of feeling of his own - but blink and you'll miss it! 

 

View the video: 'I Felt Something Move Down There'... 

 

  Subscribers to the 'Follow Me' feed 

need to visit the mitchmen blog to see the videos - sorry!

 

 

 

Pelonjefe - Brad becomes Bound Muscle

 The saga of Daniel and Brad revolves around a TV gambling game where the highly successful Brad loses everything he has to his incompetent landscaper, Daniel. The only way he can avoid being thrown out of his own house, onto the streets, is by reversing roles. 

 

Daniel humiliates him. As well as maintaining the grounds, he makes Brad his plaything in his 'free' time. Here he's being used for Daniel's shibari practice. His hairy muscular body is an ideal subject for it. His humiliation is documented at some length.

 

Pelonjefe - Stay

Hairy muscle in bondage is the subject of another video, 'Stay'. There's a jungle setting with a roaring fire right behind the captive suggesting that unpleasantness lays in store for him. The video follows his realisation of capture, anger and submission, but it's the movement of his struggling body that supplies the sexy entertainment. A sort of theme and variations.

Watch 'Stay' and a selection of stills

 

Pelonjefe - Ropes of Desire

Pelonjefe's refreshing attention to big, hairy men extends to more mature models too with this unusual, retro-styled, bondage duo. They don't look as if they are delighted about being tied tightly together, stark naked and crotch to crotch. Complete strangers perhaps, selected at random and manipulated into this predicament. 

 

The passage of time might change things, as they get used to feeling the unwavering, warm, furry pressure of their partner against them. It would be interesting to observe what happens when they wake after a night spent tied together like this. Older men still get early morning woods!

 

Pelonjefe - Come Closer, I'm Yours

 

This artist does not neglect younger man in his exploration of bondage imagery. This complex upper body harness doesn't seem to have subdued this one's self-assurance and bravado. He's dripping with water and other variations of this image reveal a shower head just above, so you could read this as residual defiance after a sudden deluge has dampened his arrogance.

 

 

Pelonjefe - The King's Taxes Are Due

The power of beautiful young men to ruthlessly command their elders is caricatured in this fantasy, with a grotesquely emaciated slave kneeling before a sovereign who flaunts his body shamelessly before him. His ragged loincloth suggests he is not total obsessed with wealth and the finer things that his position in life grants him. Rather that he will accept his taxes in various currencies. 

 

Naked men with headgear can often look ridiculous (as in my Ministry of Silly Hats series) but this crown doesn't look silly at all (unless I'm getting old!). It bestows immunity and power on the wearer in this scenario, which enables him to do as he pleases. For as long as he is young anyway. Present day Royalty presents a wonderful demonstration of the ultimate folly of such hubris. 

 

 

Pelonjefe - New Boy - Obedience Training

 There is certain natural order in life that a young man can benefit from when he's old enough, and it readily asserts itself in gay erotic imagery. Having a collar put on symbolises this man's submission to a master who will train him in his particular discipline.

 

 There's a recurring motto in this artist's work, "Obedience is new to you, but I will help you get it right" and it's not only directed at young men as Brad discovers when he falls under the control of Daniel (above).

 

 

Pelonjefe - New Boy Lessons

 As well as learning from his master's skills and experience, in exchange for compliance and submission, the acolyte benefits from a certain closeness and intimacy and the joy of being valued, by a man who he can admire.

 

 

  

Pelonjefe - Truth or Dare

The boys in this piece turn the tables on an older man in this joyous piece. He 'playfully' soaks their tighty-whiteys with his hose, (presumably he's the janitor hosing down the pool area). Then he teases them with a 'truth or dare' challenge to do press-ups. I have to say, their press-ups are not impressive, but the Janitor seems quite satisfied. I imagine he is more interested in looking at their wet backsides. However, these dumb jocks are cuter than he thinks. Watch 'Truth or Dare'

 

 

Pelonjefe - Sun's Out, Buns Out

This artist also has a romantic side of course, with this relaxed, idyllic scene. Luckily for this hunk, this artist doesn't do spankings - or underwater monsters!

 

Enjoy Pelonjefe at Deviant Art 

 

  Earlier articles:- Beach Bullies by Pelonjefe  

Miloinvinculis - The Strange Disappearance of Patrol 27

 Eight Men and their Sergeant went out on patrol,
but none returned, and no trace of them was ever found.

Except for nine uniforms, complete with underwear,
piled up in a clearing, deep in the forest 

 

Miloinvinculis - Peat Bog Sacrifice

There are 3 mini-vids in this series 

See The Art of Miloinvinculis for more images and link

(Subscribers to the 'Follow Me' feed must vist the site to see the video content of this article, I'm afraid) 

AI art by hongd542 - Part 1

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More Art by Reitorachi

Following on from my post of Reitorachi's Captivity images,

another selection of other work by this artist, some vanilla, some not 

I don't know whether you'd call this vanilla or not, but it must be one of the best images ever of the tentacle genre, not so much for what it shows but for what it doesn't show, and what you think it should show in a few minutes time. A hero in trouble, having his already skimpy clothes pulled off, but he is not quite in an inescapable predicament, not just yet. There's only one tentacle, not the usual, multi-pronged attack, so it's more focussed and to my mind, more effective. 

But there are other delights. The wet, 'fundoshi' loin cloth with it's gleaming, rounded contents. It's twisted, rope-like under-strap is vaguely suggestive of a string of pleasure balls. And those ass cheeks look distinctly rosy. Is this an 8-armed spanker? There's even a cute foot being proffered if you like to partake of such delicacies.

There's a similar sense of vulnerability about the man in this image, upside down, semi-suspended, and unclad from the shoulders down. His exposed cheeks are spattered with something, but the proximity of a beer bottle and the respectably clad state of the adjacent captor means there's an element of uncertainty about the exact nature of the fluid. There's also a question about what he is going to do with the empty bottle. To the right a second captor is up to more mischief, it's left to the viewer to imagine whether it's painful or just plain rude. 

There's no such mystery in this reworking of the same suspension idea, but the nature of the threat posed by this hero's fantasy attacker is much more dependent on the viewer's imagination. 

The dense detail and styling makes this image harder to take in, it reminds me of old engravings where devilish creatures were set upon sinners. Non-Western cultures don't have the same, extreme viewpoint about such beasts, and dragons get a better press these days. 

Nevertheless, the bird-like claws and beaks of these creatures do look scary and the depiction of the bony, hammerlock grip on the hero's arm (at the left) is very powerful. The advantage of fantasy creatures is that everything can be exaggerated, and the artist has taken full advantage of that with the creature's tongues, which are not only very long but prehensile too. They don't seem to be using them for the usual pleasuring and intrusion, but to plant two egg-shaped objects in the captive's rectum. (The second one is being held by the one on the left, next to it's beak). I'm not sure how the hero is prevented from ejecting them, but his angry expression at the violation seems quite justified. 

Tonguing is this creature's game too and it uses it's many, multicoloured tentacles to restrain it's captive in a most imaginative and accessible way. It places a degree of physical stress on him and he's already sweating. His earphone-mike combo suggests he is a Chris Redford-style, enforcement agent of some sort, which lends an acute irony and pathos to his restraint and to the exploitation of his nudity - nudity which couldn't look more complete. This dynamic pose is much better than the stereotypical sitting down/open legged, floating posture of the tentacle genre. 

I have doctored this image to tone down the censorship squiggle 

and it has fortuitously turned into a secondary tentacle envelopment.

A strong sense of vulnerability and exposure is created here by a pseudo-medical machine which comprehensively restrains the patient from the front, while presenting  his rear end to a variety of probing devices (which also seem to have a fluid injection capability). This is a much more elegant way of gaining access than the birthing leg-lifter so beloved of video makers. 

There's a second layer of restraint down below, linked to a milking feature - or a draining device, to be more precise. The milking is actually precipitated by the action of the probes.  

 , 

This image repurposes the suspension pose seen in Part 1 of this article. The bondage itself is economical but it's a fairly challenging restraint position with doubled back limbs and asymmetrical rigging stretching and stressing the captive, whose arched torso is sweating profusely. It's this that makes the image so striking. 

There's a wealth of supplementary detail. A cock sheath performs unseen manipulations on his pride and joy (and keeps the censor at bay). Thin lines attached to nipple pads provide further stimulation and another is pulling open his mouth to receive a fluid dripping from above (a tricky alignment I would have thought, it's hard to imagine him remaining still). He seems to be wearing virtual reality goggles and is therefore unaware that he is surrounded by a lustful audience observing the effects of all these attachments on him, but ultimately unable to participate in his adventure.

This image of a man reclining on a beach (or beside a pool) also has layers of interest.  His cigar and cocktail suggest maturity and sophistication. Also wealth. He has a chunky, well-built figure and is clad in sexy form-fitting briefs so you wouldn't have imagined that he'd be short of admirers and yet he's brazenly holding a fan of banknotes in his hand as if wanting to attract service of the paid-for kind. 

That detail seems to transform him. The voluminous smoke starts to suggest an element of arrogance and selfishness, the cocktail ('with all the trimmings') becomes showy and tacky, the youthful haircut seems terribly inappropriate and sad and even those alluring briefs a little too much. 

 

Most of this artist's images seem to avoid sensualising the male body but this image makes you wonder why. It's a classic, stretching, male model pose with the face and luxurious tresses suggesting a man of sensitivity and delicacy. A touch of femininity perhaps, which the side-tied G-string also contributes to. 

His body conveys the opposite message, it gets bigger and more muscular the lower your eyes drop with the bikini pouch nestling between tree trunk thighs befitting the butchest of rugby players. On a woman the G-string conceals, on a man it contains and here it seems to hook underneath and bring his tackle forward in a tantalisingly graspable, rounded bulge, offered up for closer inspection. The model's stance suggests he won't impede a closer look, but I can't resist imagining chains on his wrists, just to make sure. After all, men like this only exist in fantasy, catch them while you can.

The appeal of lithe muscularity is an easy win, but I applaud any artist who can see the attractions of older and chunkier men, and this charming, domestic sketch succeeds in making this man exactly that. On him, the rounded muscle shapes are amplified and exaggerated without losing their essential shapeliness or proportions. The model seems suspicious of the enterprise as if sensitised to negative comments about his figure, but he need not have worried, the artist has done him proud.   

This young man sits (nervously) at the opposite end of the scale, rather like a model in the early years of beefcake photography, persuaded to pose naked but suddenly feeling rather uncomfortable about it, especially after placing his bare flesh on the cold surface of a wooden (milking!) stool in a pose that opens him wide. He has a rather large posterior for a young man, and if you look back you'll see this is a recurring feature in this artist's work.

It also seems as if this might be a punishment scenario, 'the naughty stool', for there seems to be a tear trickling down his cheek, or maybe it's anticipatory sweat. His backward glance suggests there's more to come. The coquettish flash of spiky hair spells bravado, but it's about to be tested.

Just another day at the Office! 

Pure fantasy but a nice image. I like the open shirt.

Getting on doesn't always require hard work, just application.

 I frequently feature wrestling at this blog but not bear hugs very often, because they don't always seem convincing, especially when the recipient is seen resting his knees on his opponent's thighs. 

This picture shows bear hugs as they should be - a truly muscular embrace from a villainous-looking heel and a squashed victim, arms and all, lifted off his feet and howling in misery. Well, I say misery, but he has ejected copious quantities of cum over his opponent's torso, which suggests it's not all bad for him. The cock between his legs may have caused this over-excitement, but his submission will not be the end of the matter.

The background seems like a spooky cave-like setting with gelatinous fluid dripping from the ceiling, so I suppose the young man is an adventurer on a mission, probably not expecting to stumble on the lair of a superannuated luchador during his quest.

~

More by this artist at pixiv, where his name is 冷凍ライチ (Frozen lychee)

He also posts at 'X'

For other mitchmen posts on related subjects, please click on the labels below 

 

The Art of Uruonurun - 2

 Read Part 1 of this post

Uruonurun - Ninja 02

Uruonurun's 'Ninja' series depicts the capture of a young warrior by two determined-looking men. Ninjas are men to be feared but they strip him of the ceremonial clothing that defines his calling and hides his identity. He's revealed as a man like any other man, dressed only in a curious shirt of net-like material and a scanty loincloth, his 'Fundoshi'. Then, as if to mock him, they tie him up, shibari-style. with one leg raised and doubled back, the other stretched out behind, suspending him in that, uncomfortable, position. In Western eyes this pose suggests a mythical hero (or his modern day, 'super' equivalent) about to take flight. This man is going nowhere. His tight loincloth gleams as though it is wet and the outline revealed betrays feelings that do not entirely chime with the embarrassed, angry look on the humbled Ninja's face.  

The characterisation of the two 'villains' here is contrasting. One is portrayed like a malevolent, uncouth torturer - overweight, masked and scantily dressed - the latter a device to intimidate the captive but also to protect his clothing from any mess as he goes about his unpleasant task. His pleasure as he tightens the ropes on the protesting captive is evident in his face and even more so further down. 

By contrast, the other captor appears cultured and well dressed, a person of some standing - he might even be the Ninja's mentor, training him to be more resilient. However, what we can see of his face suggests dark intentions indeed. The only clue to his inner feelings is his hand, resting on top of the captive's tensed thigh, emphasising his control and maybe something more. 

Uruonurun - Ninja 06

If this is simply about training, it's going to be tough indeed for the young acolyte. The rope man has revised his restraint to incorporate the highly decorative, repeating diamond pattern (hishi), running from the neck down to the crotch. But it's not just decorative, when tightened up, it's compressive, restricting the captive's breathing. 

Red wax drips from candles, ceremoniously suspended above and around the Ninja, it stings his skin with an intensity determined by the melting point of the wax (red has a wicked reputation) and the distance it has to fall. It solidifies on contact, cooling into blobs that remain attached to his skin and mar his beauty after the pain has passed. 

The captive has also been seated astride a wooden 'wedge' or horse, which mocks his pretensions to the status of a Samurai. It will increasingly torment his groin with the passage of time, especially if his feet have been weighted down. (Don't try it at home!)

In the face of all these challenges, the Ninja's torso cascades with perspiration 

his pouch is translucent with spilling desire.

A number of posts at mitchmen blog feature the 'wedge', 

click on the label 'Riding The Wedge' at the foot of this post to view them

Uruonurun - Bandana Ryoushi 08

Uruonurun reaches back into Japanese artistic tradition for this group of images showing a fisherman menaced by a giant octopus that he has unwittingly caught in his net. Although he's still clinging onto the net ropes here, it's obvious the octopus must have climbed aboard under it's own steam. One of it's tentacles is draped over Ryoushi's* knee (compare with the top image). The remains of the net encircling the creature seem to have assumed the shape of a bikini pouch, as though attributing human characteristics to it (in that particular department anyway).

Notice the artful, traditional styling of the water, now calm. 

Ryoushi is a well-known anime character, bandana is as in English 

Uruonurun - Bandana Ryoushi 09

The creature's tentacles turn out to be surprisingly dextrous. It's able to undo the fisherman's trouser flies which part to reveal a interesting shape in his underwear. Another tentacle slides inside his tank-top vest. The fisherman, we can see is exceptionally well-muscled underneath. Perhaps he did haul the octopus aboard after all! He responds to the creature's groping with red-faced surprise, embarrassment and a certain amount of trepidation.

Uruonurun - Bandana Ryoushi 12

In the images that follow, all of Ryoushi clothes (except his bandana, gloves and boots) are removed by the creature. At any rate they all disappear. It's tentacles become increasingly intimate.

This sexual intimacy parallels the famous artwork of 'The Dream of The Fisherman's Wife', but the narrative of Uruonurun's picture is almost the exact opposite, this is not a subconscious fantasy but a real assault that appears to be entirely unwelcome. It's not a dream, it's a nightmare.

Uruonurun - Bandana Ryoushi 16

The nightmare deepens as the creature completely entwines the naked fisherman with it's tentacles, lifting him up but still holding on to his dick (now spent). This raises the terrible possibility that it intends to return to the sea (as eventually it must) but taking the terrified Ryoushi with it. In the final image of the series however the creature seems to dissolve away as though it really has been just a dream. There's a similar conclusion to the 'Hero's End' in Part 1 of this post.

There are many other posts at mitchmen that depict Octopi capturing men, it's a branch of the tentacle genre, but usually carries more menacing overtones because of the well known strength of the creature and the risk of drowning for those that cavort with them.

Uruonurun - Omawari-San 02

This cheery fellow is an Uniformed Officer of some sort, possibly a policeman. The imagery that follows suggests this is the case, but the happy, relaxed pose here does not conjure up the law enforcement aspect of that role. 

Uruonurun - Omawari-San 03

The artist shows the cop to us in various states of undress. This is one of the most interesting, conjuring up the sense of a very physical man, despite the wide eyes which seem to belong to someone much younger - and more naïve.

Uruonurun - Omawari-San 10

This image shows him with an erotic awareness and confidence that is endearing. 

The dissolving table is (I think) an augury of the nightmare that is about to descend

 on this inoffensive young man.

Uruonurun - Omawari-San 22

In the sequence that follows the Officer is taken prisoner by two hooded criminals. He is beaten and given a full lesson in dark desires. The dramatic picture above showing him suspended in shibari ropework is the culmination of the incident and best image in the set. The others are to graphic for this blog but you should have no problem finding them via the links below.

Uruonurun - Shoubou-san (Fireman) 02

All the series mentioned previously in this post consist of 4 or so images which are subjected to variations to create a storyline in which the main character is confronted with challenges from a variety of other beings. The Fireman, has a simpler storyline - a single character subjected to bondage and clothes removal by an unseen captor. This image shows him in full rescue regalia, hard at work, strapped up and training with ropes. He's a picture of manliness, grit and determination. Confidence bordering on arrogance.

Uruonurun - Shoubou-san (Fireman) 03

The artist re-imagines this hero without his trousers on. His projection of manliness is undiminished, rather, his shorts bulge with excitement. The seams of his underpants seem to simulate his loins being trapped in complex, shibari ropework. This strip sequence continues to nudity.

 

Uruonurun - Shoubou-san (Fireman) 09

 In the second sequence we see him gagged and and tape-bound, hot from an incendiary incident with all his rescue kit on - overalls, boots and harness. His cocky confidence seems to have drained away, replaced by puzzlement as he sees the array of strange items around him. Equipment that is foreign to him, more suited to starting fires rather than extinguishing them.

Uruonurun - Shoubou-san (Fireman) 10

The Fireman is a modern day successor to the Sailor and Cowboy of yesteryear in the pantheon of homoerotic iconography and the tight-fitting, blue T-shirt, showing off his musculature and usually sporting a professional badge is perhaps the most indispensable element of his signature outfit. Our captive's manly frame seems to be well up to the task of filling it.

Uruonurun - Shoubou-san (Fireman) 11

His clothes melt away demonstrating that the muscularity beneath them is genuine.

Classic white underwear is all that remains. It projects through the strapping of his harness.

It's as if the wearer is dimly aware of what those strange items represent.

Uruonurun - Shoubou-san (Fireman) 13

His captor eliminates his underpants and demonstrates the kit to him.

Plastic discs cup his muscular pecs, his nipples begin to tingle.

Seven blue balls (coloured to match his shirt) are squeezed inside him, 

one after another, they accumulate inside, packing his ass.

By then his hose is ready, nay eager, to slide into the lubricated sleeve.

He gives himself up to heavy breathing and ecstasy.

Uruonurun - Shoubou-san (Fireman) 17

When next we see him he is completely naked.

All the clothing and gear that represented his proud profession are gone.

The restraining tapes have also disappeared, no longer needed.

He's a different animal now, focussed on the fiery pleasures of the flesh.

~

 Read Part 1 of this post

Artist Links: Uruonurun on 'X'

Uronururun at My Reading Manga